ffmpeg [global_options] {[input_file_options] -i input_url} ... {[output_file_options] output_url} ... +
+ +ffmpeg is a very fast video and audio converter that can also grab from
+a live audio/video source. It can also convert between arbitrary sample
+rates and resize video on the fly with a high quality polyphase filter.
+
ffmpeg reads from an arbitrary number of input "files" (which can be regular
+files, pipes, network streams, grabbing devices, etc.), specified by the
+-i option, and writes to an arbitrary number of output "files", which are
+specified by a plain output url. Anything found on the command line which
+cannot be interpreted as an option is considered to be an output url.
+
Each input or output url can, in principle, contain any number of streams of
+different types (video/audio/subtitle/attachment/data). The allowed number and/or
+types of streams may be limited by the container format. Selecting which
+streams from which inputs will go into which output is either done automatically
+or with the -map option (see the Stream selection chapter).
+
To refer to input files in options, you must use their indices (0-based). E.g.
+the first input file is 0, the second is 1, etc. Similarly, streams
+within a file are referred to by their indices. E.g. 2:3 refers to the
+fourth stream in the third input file. Also see the Stream specifiers chapter.
+
As a general rule, options are applied to the next specified +file. Therefore, order is important, and you can have the same +option on the command line multiple times. Each occurrence is +then applied to the next input or output file. +Exceptions from this rule are the global options (e.g. verbosity level), +which should be specified first. +
+Do not mix input and output files – first specify all input files, then all +output files. Also do not mix options which belong to different files. All +options apply ONLY to the next input or output file and are reset between files. +
+ffmpeg -i input.avi -b:v 64k -bufsize 64k output.avi +
ffmpeg -i input.avi -r 24 output.avi +
ffmpeg -r 1 -i input.m2v -r 24 output.avi +
The format option may be needed for raw input files. +
+ + +The transcoding process in ffmpeg for each output can be described by
+the following diagram:
+
_______ ______________ +| | | | +| input | demuxer | encoded data | decoder +| file | ---------> | packets | -----+ +|_______| |______________| | + v + _________ + | | + | decoded | + | frames | + |_________| + ________ ______________ | +| | | | | +| output | <-------- | encoded data | <----+ +| file | muxer | packets | encoder +|________| |______________| + + ++
ffmpeg calls the libavformat library (containing demuxers) to read
+input files and get packets containing encoded data from them. When there are
+multiple input files, ffmpeg tries to keep them synchronized by
+tracking lowest timestamp on any active input stream.
+
Encoded packets are then passed to the decoder (unless streamcopy is selected +for the stream, see further for a description). The decoder produces +uncompressed frames (raw video/PCM audio/...) which can be processed further by +filtering (see next section). After filtering, the frames are passed to the +encoder, which encodes them and outputs encoded packets. Finally those are +passed to the muxer, which writes the encoded packets to the output file. +
+ +Before encoding, ffmpeg can process raw audio and video frames using
+filters from the libavfilter library. Several chained filters form a filter
+graph. ffmpeg distinguishes between two types of filtergraphs:
+simple and complex.
+
Simple filtergraphs are those that have exactly one input and output, both of +the same type. In the above diagram they can be represented by simply inserting +an additional step between decoding and encoding: +
+_________ ______________ +| | | | +| decoded | | encoded data | +| frames |\ _ | packets | +|_________| \ /||______________| + \ __________ / + simple _\|| | / encoder + filtergraph | filtered |/ + | frames | + |__________| + ++
Simple filtergraphs are configured with the per-stream -filter option +(with -vf and -af aliases for video and audio respectively). +A simple filtergraph for video can look for example like this: +
+_______ _____________ _______ ________ +| | | | | | | | +| input | ---> | deinterlace | ---> | scale | ---> | output | +|_______| |_____________| |_______| |________| + ++
Note that some filters change frame properties but not frame contents. E.g. the
+fps filter in the example above changes number of frames, but does not
+touch the frame contents. Another example is the setpts filter, which
+only sets timestamps and otherwise passes the frames unchanged.
+
Complex filtergraphs are those which cannot be described as simply a linear +processing chain applied to one stream. This is the case, for example, when the graph has +more than one input and/or output, or when output stream type is different from +input. They can be represented with the following diagram: +
+_________ +| | +| input 0 |\ __________ +|_________| \ | | + \ _________ /| output 0 | + \ | | / |__________| + _________ \| complex | / +| | | |/ +| input 1 |---->| filter |\ +|_________| | | \ __________ + /| graph | \ | | + / | | \| output 1 | + _________ / |_________| |__________| +| | / +| input 2 |/ +|_________| + ++
Complex filtergraphs are configured with the -filter_complex option. +Note that this option is global, since a complex filtergraph, by its nature, +cannot be unambiguously associated with a single stream or file. +
+The -lavfi option is equivalent to -filter_complex. +
+A trivial example of a complex filtergraph is the overlay filter, which
+has two video inputs and one video output, containing one video overlaid on top
+of the other. Its audio counterpart is the amix filter.
+
Stream copy is a mode selected by supplying the copy parameter to the
+-codec option. It makes ffmpeg omit the decoding and encoding
+step for the specified stream, so it does only demuxing and muxing. It is useful
+for changing the container format or modifying container-level metadata. The
+diagram above will, in this case, simplify to this:
+
_______ ______________ ________ +| | | | | | +| input | demuxer | encoded data | muxer | output | +| file | ---------> | packets | -------> | file | +|_______| |______________| |________| + ++
Since there is no decoding or encoding, it is very fast and there is no quality +loss. However, it might not work in some cases because of many factors. Applying +filters is obviously also impossible, since filters work on uncompressed data. +
+ + +ffmpeg provides the -map option for manual control of stream selection in each
+output file. Users can skip -map and let ffmpeg perform automatic stream selection as
+described below. The -vn / -an / -sn / -dn options can be used to skip inclusion of
+video, audio, subtitle and data streams respectively, whether manually mapped or automatically
+selected, except for those streams which are outputs of complex filtergraphs.
+
The sub-sections that follow describe the various rules that are involved in stream selection. +The examples that follow next show how these rules are applied in practice. +
+While every effort is made to accurately reflect the behavior of the program, FFmpeg is under +continuous development and the code may have changed since the time of this writing. +
+ +In the absence of any map options for a particular output file, ffmpeg inspects the output +format to check which type of streams can be included in it, viz. video, audio and/or +subtitles. For each acceptable stream type, ffmpeg will pick one stream, when available, +from among all the inputs. +
+It will select that stream based upon the following criteria: +
In the case where several streams of the same type rate equally, the stream with the lowest +index is chosen. +
+Data or attachment streams are not automatically selected and can only be included
+using -map.
+
When -map is used, only user-mapped streams are included in that output file,
+with one possible exception for filtergraph outputs described below.
+
If there are any complex filtergraph output streams with unlabeled pads, they will be added +to the first output file. This will lead to a fatal error if the stream type is not supported +by the output format. In the absence of the map option, the inclusion of these streams leads +to the automatic stream selection of their types being skipped. If map options are present, +these filtergraph streams are included in addition to the mapped streams. +
+Complex filtergraph output streams with labeled pads must be mapped once and exactly once. +
+ +Stream handling is independent of stream selection, with an exception for subtitles described
+below. Stream handling is set via the -codec option addressed to streams within a
+specific output file. In particular, codec options are applied by ffmpeg after the
+stream selection process and thus do not influence the latter. If no -codec option is
+specified for a stream type, ffmpeg will select the default encoder registered by the output
+file muxer.
+
An exception exists for subtitles. If a subtitle encoder is specified for an output file, the +first subtitle stream found of any type, text or image, will be included. ffmpeg does not validate +if the specified encoder can convert the selected stream or if the converted stream is acceptable +within the output format. This applies generally as well: when the user sets an encoder manually, +the stream selection process cannot check if the encoded stream can be muxed into the output file. +If it cannot, ffmpeg will abort and all output files will fail to be processed. +
+ +The following examples illustrate the behavior, quirks and limitations of ffmpeg’s stream +selection methods. +
+They assume the following three input files. +
++input file 'A.avi' + stream 0: video 640x360 + stream 1: audio 2 channels + +input file 'B.mp4' + stream 0: video 1920x1080 + stream 1: audio 2 channels + stream 2: subtitles (text) + stream 3: audio 5.1 channels + stream 4: subtitles (text) + +input file 'C.mkv' + stream 0: video 1280x720 + stream 1: audio 2 channels + stream 2: subtitles (image) ++ +
ffmpeg -i A.avi -i B.mp4 out1.mkv out2.wav -map 1:a -c:a copy out3.mov +
There are three output files specified, and for the first two, no -map options
+are set, so ffmpeg will select streams for these two files automatically.
+
out1.mkv is a Matroska container file and accepts video, audio and subtitle streams,
+so ffmpeg will try to select one of each type.
+For video, it will select stream 0 from B.mp4, which has the highest
+resolution among all the input video streams.
+For audio, it will select stream 3 from B.mp4, since it has the greatest
+number of channels.
+For subtitles, it will select stream 2 from B.mp4, which is the first subtitle
+stream from among A.avi and B.mp4.
+
out2.wav accepts only audio streams, so only stream 3 from B.mp4 is
+selected.
+
For out3.mov, since a -map option is set, no automatic stream selection will
+occur. The -map 1:a option will select all audio streams from the second input
+B.mp4. No other streams will be included in this output file.
+
For the first two outputs, all included streams will be transcoded. The encoders chosen will +be the default ones registered by each output format, which may not match the codec of the +selected input streams. +
+For the third output, codec option for audio streams has been set
+to copy, so no decoding-filtering-encoding operations will occur, or can occur.
+Packets of selected streams shall be conveyed from the input file and muxed within the output
+file.
+
ffmpeg -i C.mkv out1.mkv -c:s dvdsub -an out2.mkv +
Although out1.mkv is a Matroska container file which accepts subtitle streams, only a
+video and audio stream shall be selected. The subtitle stream of C.mkv is image-based
+and the default subtitle encoder of the Matroska muxer is text-based, so a transcode operation
+for the subtitles is expected to fail and hence the stream isn’t selected. However, in
+out2.mkv, a subtitle encoder is specified in the command and so, the subtitle stream is
+selected, in addition to the video stream. The presence of -an disables audio stream
+selection for out2.mkv.
+
ffmpeg -i A.avi -i C.mkv -i B.mp4 -filter_complex "overlay" out1.mp4 out2.srt +
A filtergraph is setup here using the -filter_complex option and consists of a single
+video filter. The overlay filter requires exactly two video inputs, but none are
+specified, so the first two available video streams are used, those of A.avi and
+C.mkv. The output pad of the filter has no label and so is sent to the first output file
+out1.mp4. Due to this, automatic selection of the video stream is skipped, which would
+have selected the stream in B.mp4. The audio stream with most channels viz. stream 3
+in B.mp4, is chosen automatically. No subtitle stream is chosen however, since the MP4
+format has no default subtitle encoder registered, and the user hasn’t specified a subtitle encoder.
+
The 2nd output file, out2.srt, only accepts text-based subtitle streams. So, even though
+the first subtitle stream available belongs to C.mkv, it is image-based and hence skipped.
+The selected stream, stream 2 in B.mp4, is the first text-based subtitle stream.
+
ffmpeg -i A.avi -i B.mp4 -i C.mkv -filter_complex "[1:v]hue=s=0[outv];overlay;aresample" \ + -map '[outv]' -an out1.mp4 \ + out2.mkv \ + -map '[outv]' -map 1:a:0 out3.mkv +
The above command will fail, as the output pad labelled [outv] has been mapped twice.
+None of the output files shall be processed.
+
ffmpeg -i A.avi -i B.mp4 -i C.mkv -filter_complex "[1:v]hue=s=0[outv];overlay;aresample" \ + -an out1.mp4 \ + out2.mkv \ + -map 1:a:0 out3.mkv +
This command above will also fail as the hue filter output has a label, [outv],
+and hasn’t been mapped anywhere.
+
The command should be modified as follows, +
ffmpeg -i A.avi -i B.mp4 -i C.mkv -filter_complex "[1:v]hue=s=0,split=2[outv1][outv2];overlay;aresample" \ + -map '[outv1]' -an out1.mp4 \ + out2.mkv \ + -map '[outv2]' -map 1:a:0 out3.mkv +
The video stream from B.mp4 is sent to the hue filter, whose output is cloned once using +the split filter, and both outputs labelled. Then a copy each is mapped to the first and third +output files. +
+The overlay filter, requiring two video inputs, uses the first two unused video streams. Those
+are the streams from A.avi and C.mkv. The overlay output isn’t labelled, so it is
+sent to the first output file out1.mp4, regardless of the presence of the -map option.
+
The aresample filter is sent the first unused audio stream, that of A.avi. Since this filter
+output is also unlabelled, it too is mapped to the first output file. The presence of -an
+only suppresses automatic or manual stream selection of audio streams, not outputs sent from
+filtergraphs. Both these mapped streams shall be ordered before the mapped stream in out1.mp4.
+
The video, audio and subtitle streams mapped to out2.mkv are entirely determined by
+automatic stream selection.
+
out3.mkv consists of the cloned video output from the hue filter and the first audio
+stream from B.mp4.
+
+
All the numerical options, if not specified otherwise, accept a string +representing a number as input, which may be followed by one of the SI +unit prefixes, for example: ’K’, ’M’, or ’G’. +
+If ’i’ is appended to the SI unit prefix, the complete prefix will be +interpreted as a unit prefix for binary multiples, which are based on +powers of 1024 instead of powers of 1000. Appending ’B’ to the SI unit +prefix multiplies the value by 8. This allows using, for example: +’KB’, ’MiB’, ’G’ and ’B’ as number suffixes. +
+Options which do not take arguments are boolean options, and set the +corresponding value to true. They can be set to false by prefixing +the option name with "no". For example using "-nofoo" +will set the boolean option with name "foo" to false. +
+ +Some options are applied per-stream, e.g. bitrate or codec. Stream specifiers +are used to precisely specify which stream(s) a given option belongs to. +
+A stream specifier is a string generally appended to the option name and
+separated from it by a colon. E.g. -codec:a:1 ac3 contains the
+a:1 stream specifier, which matches the second audio stream. Therefore, it
+would select the ac3 codec for the second audio stream.
+
A stream specifier can match several streams, so that the option is applied to all
+of them. E.g. the stream specifier in -b:a 128k matches all audio
+streams.
+
An empty stream specifier matches all streams. For example, -codec copy
+or -codec: copy would copy all the streams without reencoding.
+
Possible forms of stream specifiers are: +
Matches the stream with this index. E.g. -threads:1 4 would set the
+thread count for the second stream to 4. If stream_index is used as an
+additional stream specifier (see below), then it selects stream number
+stream_index from the matching streams. Stream numbering is based on the
+order of the streams as detected by libavformat except when a program ID is
+also specified. In this case it is based on the ordering of the streams in the
+program.
+
stream_type is one of following: ’v’ or ’V’ for video, ’a’ for audio, ’s’ +for subtitle, ’d’ for data, and ’t’ for attachments. ’v’ matches all video +streams, ’V’ only matches video streams which are not attached pictures, video +thumbnails or cover arts. If additional_stream_specifier is used, then +it matches streams which both have this type and match the +additional_stream_specifier. Otherwise, it matches all streams of the +specified type. +
Matches streams which are in the program with the id program_id. If +additional_stream_specifier is used, then it matches streams which both +are part of the program and match the additional_stream_specifier. +
+Match the stream by stream id (e.g. PID in MPEG-TS container). +
Matches streams with the metadata tag key having the specified value. If +value is not given, matches streams that contain the given tag with any +value. +
Matches streams with usable configuration, the codec must be defined and the +essential information such as video dimension or audio sample rate must be present. +
+Note that in ffmpeg, matching by metadata will only work properly for
+input files.
+
These options are shared amongst the ff* tools. +
+Show license. +
+Show help. An optional parameter may be specified to print help about a specific +item. If no argument is specified, only basic (non advanced) tool +options are shown. +
+Possible values of arg are: +
Print advanced tool options in addition to the basic tool options. +
+Print complete list of options, including shared and private options +for encoders, decoders, demuxers, muxers, filters, etc. +
+Print detailed information about the decoder named decoder_name. Use the +-decoders option to get a list of all decoders. +
+Print detailed information about the encoder named encoder_name. Use the +-encoders option to get a list of all encoders. +
+Print detailed information about the demuxer named demuxer_name. Use the +-formats option to get a list of all demuxers and muxers. +
+Print detailed information about the muxer named muxer_name. Use the +-formats option to get a list of all muxers and demuxers. +
+Print detailed information about the filter named filter_name. Use the +-filters option to get a list of all filters. +
+Print detailed information about the bitstream filter named bitstream_filter_name. +Use the -bsfs option to get a list of all bitstream filters. +
+Print detailed information about the protocol named protocol_name. +Use the -protocols option to get a list of all protocols. +
Show version. +
+Show the build configuration, one option per line. +
+Show available formats (including devices). +
+Show available demuxers. +
+Show available muxers. +
+Show available devices. +
+Show all codecs known to libavcodec. +
+Note that the term ’codec’ is used throughout this documentation as a shortcut +for what is more correctly called a media bitstream format. +
+Show available decoders. +
+Show all available encoders. +
+Show available bitstream filters. +
+Show available protocols. +
+Show available libavfilter filters. +
+Show available pixel formats. +
+Show available sample formats. +
+Show channel names and standard channel layouts. +
+Show stream dispositions. +
+Show recognized color names. +
+Show autodetected sources of the input device. +Some devices may provide system-dependent source names that cannot be autodetected. +The returned list cannot be assumed to be always complete. +
ffmpeg -sources pulse,server=192.168.0.4 +
Show autodetected sinks of the output device. +Some devices may provide system-dependent sink names that cannot be autodetected. +The returned list cannot be assumed to be always complete. +
ffmpeg -sinks pulse,server=192.168.0.4 +
Set logging level and flags used by the library. +
+The optional flags prefix can consist of the following values: +
Indicates that repeated log output should not be compressed to the first line +and the "Last message repeated n times" line will be omitted. +
Indicates that log output should add a [level] prefix to each message
+line. This can be used as an alternative to log coloring, e.g. when dumping the
+log to file.
+
Flags can also be used alone by adding a ’+’/’-’ prefix to set/reset a single +flag without affecting other flags or changing loglevel. When +setting both flags and loglevel, a ’+’ separator is expected +between the last flags value and before loglevel. +
+loglevel is a string or a number containing one of the following values: +
Show nothing at all; be silent. +
Only show fatal errors which could lead the process to crash, such as +an assertion failure. This is not currently used for anything. +
Only show fatal errors. These are errors after which the process absolutely +cannot continue. +
Show all errors, including ones which can be recovered from. +
Show all warnings and errors. Any message related to possibly +incorrect or unexpected events will be shown. +
Show informative messages during processing. This is in addition to +warnings and errors. This is the default value. +
Same as info, except more verbose.
+
Show everything, including debugging information. +
For example to enable repeated log output, add the level prefix, and set
+loglevel to verbose:
+
ffmpeg -loglevel repeat+level+verbose -i input output +
Another example that enables repeated log output without affecting current
+state of level prefix flag or loglevel:
+
ffmpeg [...] -loglevel +repeat +
By default the program logs to stderr. If coloring is supported by the
+terminal, colors are used to mark errors and warnings. Log coloring
+can be disabled setting the environment variable
+AV_LOG_FORCE_NOCOLOR, or can be forced setting
+the environment variable AV_LOG_FORCE_COLOR.
+
Dump full command line and log output to a file named
+program-YYYYMMDD-HHMMSS.log in the current
+directory.
+This file can be useful for bug reports.
+It also implies -loglevel debug.
+
Setting the environment variable FFREPORT to any value has the
+same effect. If the value is a ’:’-separated key=value sequence, these
+options will affect the report; option values must be escaped if they
+contain special characters or the options delimiter ’:’ (see the
+“Quoting and escaping” section in the ffmpeg-utils manual).
+
The following options are recognized: +
set the file name to use for the report; %p is expanded to the name
+of the program, %t is expanded to a timestamp, %% is expanded
+to a plain %
+
set the log verbosity level using a numerical value (see -loglevel).
+
For example, to output a report to a file named ffreport.log
+using a log level of 32 (alias for log level info):
+
FFREPORT=file=ffreport.log:level=32 ffmpeg -i input output +
Errors in parsing the environment variable are not fatal, and will not +appear in the report. +
+Suppress printing banner. +
+All FFmpeg tools will normally show a copyright notice, build options +and library versions. This option can be used to suppress printing +this information. +
+Allows setting and clearing cpu flags. This option is intended +for testing. Do not use it unless you know what you’re doing. +
ffmpeg -cpuflags -sse+mmx ... +ffmpeg -cpuflags mmx ... +ffmpeg -cpuflags 0 ... +
Possible flags for this option are: +
Override detection of CPU count. This option is intended +for testing. Do not use it unless you know what you’re doing. +
ffmpeg -cpucount 2 +
Set the maximum size limit for allocating a block on the heap by ffmpeg’s +family of malloc functions. Exercise extreme caution when using +this option. Don’t use if you do not understand the full consequence of doing so. +Default is INT_MAX. +
These options are provided directly by the libavformat, libavdevice and +libavcodec libraries. To see the list of available AVOptions, use the +-help option. They are separated into two categories: +
These options can be set for any container, codec or device. Generic options +are listed under AVFormatContext options for containers/devices and under +AVCodecContext options for codecs. +
These options are specific to the given container, device or codec. Private +options are listed under their corresponding containers/devices/codecs. +
For example to write an ID3v2.3 header instead of a default ID3v2.4 to +an MP3 file, use the id3v2_version private option of the MP3 +muxer: +
ffmpeg -i input.flac -id3v2_version 3 out.mp3 +
All codec AVOptions are per-stream, and thus a stream specifier +should be attached to them: +
ffmpeg -i multichannel.mxf -map 0:v:0 -map 0:a:0 -map 0:a:0 -c:a:0 ac3 -b:a:0 640k -ac:a:1 2 -c:a:1 aac -b:2 128k out.mp4 +
In the above example, a multichannel audio stream is mapped twice for output. +The first instance is encoded with codec ac3 and bitrate 640k. +The second instance is downmixed to 2 channels and encoded with codec aac. A bitrate of 128k is specified for it using +absolute index of the output stream. +
+Note: the -nooption syntax cannot be used for boolean +AVOptions, use -option 0/-option 1. +
+Note: the old undocumented way of specifying per-stream AVOptions by +prepending v/a/s to the options name is now obsolete and will be +removed soon. +
+ +Force input or output file format. The format is normally auto detected for input +files and guessed from the file extension for output files, so this option is not +needed in most cases. +
+input file url +
+Overwrite output files without asking. +
+Do not overwrite output files, and exit immediately if a specified +output file already exists. +
+Set number of times input stream shall be looped. Loop 0 means no loop, +loop -1 means infinite loop. +
+Allow forcing a decoder of a different media type than the one +detected or designated by the demuxer. Useful for decoding media +data muxed as data streams. +
+Select an encoder (when used before an output file) or a decoder (when used
+before an input file) for one or more streams. codec is the name of a
+decoder/encoder or a special value copy (output only) to indicate that
+the stream is not to be re-encoded.
+
For example +
ffmpeg -i INPUT -map 0 -c:v libx264 -c:a copy OUTPUT +
encodes all video streams with libx264 and copies all audio streams. +
+For each stream, the last matching c option is applied, so
+
ffmpeg -i INPUT -map 0 -c copy -c:v:1 libx264 -c:a:137 libvorbis OUTPUT +
will copy all the streams except the second video, which will be encoded with +libx264, and the 138th audio, which will be encoded with libvorbis. +
+When used as an input option (before -i), limit the duration of
+data read from the input file.
+
When used as an output option (before an output url), stop writing the +output after its duration reaches duration. +
+duration must be a time duration specification, +see (ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual. +
+-to and -t are mutually exclusive and -t has priority. +
+Stop writing the output or reading the input at position. +position must be a time duration specification, +see (ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual. +
+-to and -t are mutually exclusive and -t has priority. +
+Set the file size limit, expressed in bytes. No further chunk of bytes is written +after the limit is exceeded. The size of the output file is slightly more than the +requested file size. +
+When used as an input option (before -i), seeks in this input file to
+position. Note that in most formats it is not possible to seek exactly,
+so ffmpeg will seek to the closest seek point before position.
+When transcoding and -accurate_seek is enabled (the default), this
+extra segment between the seek point and position will be decoded and
+discarded. When doing stream copy or when -noaccurate_seek is used, it
+will be preserved.
+
When used as an output option (before an output url), decodes but discards +input until the timestamps reach position. +
+position must be a time duration specification, +see (ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual. +
+Like the -ss option but relative to the "end of file". That is negative
+values are earlier in the file, 0 is at EOF.
+
Assign an input as a sync source. +
+This will take the difference between the start times of the target and reference inputs and
+offset the timestamps of the target file by that difference. The source timestamps of the two
+inputs should derive from the same clock source for expected results. If copyts is set
+then start_at_zero must also be set. If either of the inputs has no starting timestamp
+then no sync adjustment is made.
+
Acceptable values are those that refer to a valid ffmpeg input index. If the sync reference is +the target index itself or -1, then no adjustment is made to target timestamps. A sync +reference may not itself be synced to any other input. +
+Default value is -1. +
+Set the input time offset. +
+offset must be a time duration specification, +see (ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual. +
+The offset is added to the timestamps of the input files. Specifying +a positive offset means that the corresponding streams are delayed by +the time duration specified in offset. +
+Rescale input timestamps. scale should be a floating point number. +
+Set the recording timestamp in the container. +
+date must be a date specification, +see (ffmpeg-utils)the Date section in the ffmpeg-utils(1) manual. +
+Set a metadata key/value pair. +
+An optional metadata_specifier may be given to set metadata
+on streams, chapters or programs. See -map_metadata
+documentation for details.
+
This option overrides metadata set with -map_metadata. It is
+also possible to delete metadata by using an empty value.
+
For example, for setting the title in the output file: +
ffmpeg -i in.avi -metadata title="my title" out.flv +
To set the language of the first audio stream: +
ffmpeg -i INPUT -metadata:s:a:0 language=eng OUTPUT +
Sets the disposition for a stream. +
+By default, the disposition is copied from the input stream, unless the output +stream this option applies to is fed by a complex filtergraph - in that case the +disposition is unset by default. +
+value is a sequence of items separated by ’+’ or ’-’. The first item may +also be prefixed with ’+’ or ’-’, in which case this option modifies the default +value. Otherwise (the first item is not prefixed) this options overrides the +default value. A ’+’ prefix adds the given disposition, ’-’ removes it. It is +also possible to clear the disposition by setting it to 0. +
+If no -disposition options were specified for an output file, ffmpeg will
+automatically set the ’default’ disposition on the first stream of each type,
+when there are multiple streams of this type in the output file and no stream of
+that type is already marked as default.
+
The -dispositions option lists the known dispositions.
+
For example, to make the second audio stream the default stream: +
ffmpeg -i in.mkv -c copy -disposition:a:1 default out.mkv +
To make the second subtitle stream the default stream and remove the default +disposition from the first subtitle stream: +
ffmpeg -i in.mkv -c copy -disposition:s:0 0 -disposition:s:1 default out.mkv +
To add an embedded cover/thumbnail: +
ffmpeg -i in.mp4 -i IMAGE -map 0 -map 1 -c copy -c:v:1 png -disposition:v:1 attached_pic out.mp4 +
Not all muxers support embedded thumbnails, and those who do, only support a few formats, like JPEG or PNG. +
+Creates a program with the specified title, program_num and adds the specified +stream(s) to it. +
+Specify target file type (vcd, svcd, dvd, dv,
+dv50). type may be prefixed with pal-, ntsc- or
+film- to use the corresponding standard. All the format options
+(bitrate, codecs, buffer sizes) are then set automatically. You can just type:
+
ffmpeg -i myfile.avi -target vcd /tmp/vcd.mpg +
Nevertheless you can specify additional options as long as you know +they do not conflict with the standard, as in: +
+ffmpeg -i myfile.avi -target vcd -bf 2 /tmp/vcd.mpg +
The parameters set for each target are as follows. +
+VCD +
pal: +-f vcd -muxrate 1411200 -muxpreload 0.44 -packetsize 2324 +-s 352x288 -r 25 +-codec:v mpeg1video -g 15 -b:v 1150k -maxrate:v 1150k -minrate:v 1150k -bufsize:v 327680 +-ar 44100 -ac 2 +-codec:a mp2 -b:a 224k + +ntsc: +-f vcd -muxrate 1411200 -muxpreload 0.44 -packetsize 2324 +-s 352x240 -r 30000/1001 +-codec:v mpeg1video -g 18 -b:v 1150k -maxrate:v 1150k -minrate:v 1150k -bufsize:v 327680 +-ar 44100 -ac 2 +-codec:a mp2 -b:a 224k + +film: +-f vcd -muxrate 1411200 -muxpreload 0.44 -packetsize 2324 +-s 352x240 -r 24000/1001 +-codec:v mpeg1video -g 18 -b:v 1150k -maxrate:v 1150k -minrate:v 1150k -bufsize:v 327680 +-ar 44100 -ac 2 +-codec:a mp2 -b:a 224k +
SVCD +
pal: +-f svcd -packetsize 2324 +-s 480x576 -pix_fmt yuv420p -r 25 +-codec:v mpeg2video -g 15 -b:v 2040k -maxrate:v 2516k -minrate:v 0 -bufsize:v 1835008 -scan_offset 1 +-ar 44100 +-codec:a mp2 -b:a 224k + +ntsc: +-f svcd -packetsize 2324 +-s 480x480 -pix_fmt yuv420p -r 30000/1001 +-codec:v mpeg2video -g 18 -b:v 2040k -maxrate:v 2516k -minrate:v 0 -bufsize:v 1835008 -scan_offset 1 +-ar 44100 +-codec:a mp2 -b:a 224k + +film: +-f svcd -packetsize 2324 +-s 480x480 -pix_fmt yuv420p -r 24000/1001 +-codec:v mpeg2video -g 18 -b:v 2040k -maxrate:v 2516k -minrate:v 0 -bufsize:v 1835008 -scan_offset 1 +-ar 44100 +-codec:a mp2 -b:a 224k +
DVD +
pal: +-f dvd -muxrate 10080k -packetsize 2048 +-s 720x576 -pix_fmt yuv420p -r 25 +-codec:v mpeg2video -g 15 -b:v 6000k -maxrate:v 9000k -minrate:v 0 -bufsize:v 1835008 +-ar 48000 +-codec:a ac3 -b:a 448k + +ntsc: +-f dvd -muxrate 10080k -packetsize 2048 +-s 720x480 -pix_fmt yuv420p -r 30000/1001 +-codec:v mpeg2video -g 18 -b:v 6000k -maxrate:v 9000k -minrate:v 0 -bufsize:v 1835008 +-ar 48000 +-codec:a ac3 -b:a 448k + +film: +-f dvd -muxrate 10080k -packetsize 2048 +-s 720x480 -pix_fmt yuv420p -r 24000/1001 +-codec:v mpeg2video -g 18 -b:v 6000k -maxrate:v 9000k -minrate:v 0 -bufsize:v 1835008 +-ar 48000 +-codec:a ac3 -b:a 448k +
DV +
pal: +-f dv +-s 720x576 -pix_fmt yuv420p -r 25 +-ar 48000 -ac 2 + +ntsc: +-f dv +-s 720x480 -pix_fmt yuv411p -r 30000/1001 +-ar 48000 -ac 2 + +film: +-f dv +-s 720x480 -pix_fmt yuv411p -r 24000/1001 +-ar 48000 -ac 2 +
The dv50 target is identical to the dv target except that the pixel format set is yuv422p for all three standards.
+
Any user-set value for a parameter above will override the target preset value. In that case, the output may +not comply with the target standard. +
+As an input option, blocks all data streams of a file from being filtered or
+being automatically selected or mapped for any output. See -discard
+option to disable streams individually.
+
As an output option, disables data recording i.e. automatic selection or
+mapping of any data stream. For full manual control see the -map
+option.
+
Set the number of data frames to output. This is an obsolete alias for
+-frames:d, which you should use instead.
+
Stop writing to the stream after framecount frames. +
+Use fixed quality scale (VBR). The meaning of q/qscale is +codec-dependent. +If qscale is used without a stream_specifier then it applies only +to the video stream, this is to maintain compatibility with previous behavior +and as specifying the same codec specific value to 2 different codecs that is +audio and video generally is not what is intended when no stream_specifier is +used. +
+Create the filtergraph specified by filtergraph and use it to +filter the stream. +
+filtergraph is a description of the filtergraph to apply to
+the stream, and must have a single input and a single output of the
+same type of the stream. In the filtergraph, the input is associated
+to the label in, and the output to the label out. See
+the ffmpeg-filters manual for more information about the filtergraph
+syntax.
+
See the -filter_complex option if you +want to create filtergraphs with multiple inputs and/or outputs. +
+This option is similar to -filter, the only difference is that its +argument is the name of the file from which a filtergraph description is to be +read. +
+This boolean option determines if the filtergraph(s) to which this stream is fed gets
+reinitialized when input frame parameters change mid-stream. This option is enabled by
+default as most video and all audio filters cannot handle deviation in input frame properties.
+Upon reinitialization, existing filter state is lost, like e.g. the frame count n
+reference available in some filters. Any frames buffered at time of reinitialization are lost.
+The properties where a change triggers reinitialization are,
+for video, frame resolution or pixel format;
+for audio, sample format, sample rate, channel count or channel layout.
+
Defines how many threads are used to process a filter pipeline. Each pipeline +will produce a thread pool with this many threads available for parallel processing. +The default is the number of available CPUs. +
+Specify the preset for matching stream(s). +
+Print encoding progress/statistics. It is on by default, to explicitly
+disable it you need to specify -nostats.
+
Set period at which encoding progress/statistics are updated. Default is 0.5 seconds. +
+Send program-friendly progress information to url. +
+Progress information is written periodically and at the end of +the encoding process. It is made of "key=value" lines. key +consists of only alphanumeric characters. The last key of a sequence of +progress information is always "progress". +
+The update period is set using -stats_period.
+
Enable interaction on standard input. On by default unless standard input is
+used as an input. To explicitly disable interaction you need to specify
+-nostdin.
+
Disabling interaction on standard input is useful, for example, if
+ffmpeg is in the background process group. Roughly the same result can
+be achieved with ffmpeg ... < /dev/null but it requires a
+shell.
+
Print timestamp information. It is off by default. This option is +mostly useful for testing and debugging purposes, and the output +format may change from one version to another, so it should not be +employed by portable scripts. +
+See also the option -fdebug ts.
+
Add an attachment to the output file. This is supported by a few formats
+like Matroska for e.g. fonts used in rendering subtitles. Attachments
+are implemented as a specific type of stream, so this option will add
+a new stream to the file. It is then possible to use per-stream options
+on this stream in the usual way. Attachment streams created with this
+option will be created after all the other streams (i.e. those created
+with -map or automatic mappings).
+
Note that for Matroska you also have to set the mimetype metadata tag: +
ffmpeg -i INPUT -attach DejaVuSans.ttf -metadata:s:2 mimetype=application/x-truetype-font out.mkv +
(assuming that the attachment stream will be third in the output file). +
+Extract the matching attachment stream into a file named filename. If
+filename is empty, then the value of the filename metadata tag
+will be used.
+
E.g. to extract the first attachment to a file named ’out.ttf’: +
ffmpeg -dump_attachment:t:0 out.ttf -i INPUT +
To extract all attachments to files determined by the filename tag:
+
ffmpeg -dump_attachment:t "" -i INPUT +
Technical note – attachments are implemented as codec extradata, so this +option can actually be used to extract extradata from any stream, not just +attachments. +
Set the number of video frames to output. This is an obsolete alias for
+-frames:v, which you should use instead.
+
Set frame rate (Hz value, fraction or abbreviation). +
+As an input option, ignore any timestamps stored in the file and instead +generate timestamps assuming constant frame rate fps. +This is not the same as the -framerate option used for some input formats +like image2 or v4l2 (it used to be the same in older versions of FFmpeg). +If in doubt use -framerate instead of the input option -r. +
+As an output option, duplicate or drop input frames to achieve constant output +frame rate fps. +
+Set maximum frame rate (Hz value, fraction or abbreviation). +
+Clamps output frame rate when output framerate is auto-set and is higher than this value.
+Useful in batch processing or when input framerate is wrongly detected as very high.
+It cannot be set together with -r. It is ignored during streamcopy.
+
Set frame size. +
+As an input option, this is a shortcut for the video_size private +option, recognized by some demuxers for which the frame size is either not +stored in the file or is configurable – e.g. raw video or video grabbers. +
+As an output option, this inserts the scale video filter to the
+end of the corresponding filtergraph. Please use the scale filter
+directly to insert it at the beginning or some other place.
+
The format is ‘wxh’ (default - same as source). +
+Set the video display aspect ratio specified by aspect. +
+aspect can be a floating point number string, or a string of the +form num:den, where num and den are the +numerator and denominator of the aspect ratio. For example "4:3", +"16:9", "1.3333", and "1.7777" are valid argument values. +
+If used together with -vcodec copy, it will affect the aspect ratio +stored at container level, but not the aspect ratio stored in encoded +frames, if it exists. +
+Set video rotation metadata. +
+rotation is a decimal number specifying the amount in degree by +which the video should be rotated counter-clockwise before being +displayed. +
+This option overrides the rotation/display transform metadata stored in
+the file, if any. When the video is being transcoded (rather than
+copied) and -autorotate is enabled, the video will be rotated at
+the filtering stage. Otherwise, the metadata will be written into the
+output file if the muxer supports it.
+
If the -display_hflip and/or -display_vflip options are
+given, they are applied after the rotation specified by this option.
+
Set whether on display the image should be horizontally flipped. +
+See the -display_rotation option for more details.
+
Set whether on display the image should be vertically flipped. +
+See the -display_rotation option for more details.
+
As an input option, blocks all video streams of a file from being filtered or
+being automatically selected or mapped for any output. See -discard
+option to disable streams individually.
+
As an output option, disables video recording i.e. automatic selection or
+mapping of any video stream. For full manual control see the -map
+option.
+
Set the video codec. This is an alias for -codec:v.
+
Select the pass number (1 or 2). It is used to do two-pass +video encoding. The statistics of the video are recorded in the first +pass into a log file (see also the option -passlogfile), +and in the second pass that log file is used to generate the video +at the exact requested bitrate. +On pass 1, you may just deactivate audio and set output to null, +examples for Windows and Unix: +
ffmpeg -i foo.mov -c:v libxvid -pass 1 -an -f rawvideo -y NUL +ffmpeg -i foo.mov -c:v libxvid -pass 1 -an -f rawvideo -y /dev/null +
Set two-pass log file name prefix to prefix, the default file name +prefix is “ffmpeg2pass”. The complete file name will be +PREFIX-N.log, where N is a number specific to the output +stream +
+Create the filtergraph specified by filtergraph and use it to +filter the stream. +
+This is an alias for -filter:v, see the -filter option.
+
Automatically rotate the video according to file metadata. Enabled by +default, use -noautorotate to disable it. +
+Automatically scale the video according to the resolution of first frame. +Enabled by default, use -noautoscale to disable it. When autoscale is +disabled, all output frames of filter graph might not be in the same resolution +and may be inadequate for some encoder/muxer. Therefore, it is not recommended +to disable it unless you really know what you are doing. +Disable autoscale at your own risk. +
Set pixel format. Use -pix_fmts to show all the supported
+pixel formats.
+If the selected pixel format can not be selected, ffmpeg will print a
+warning and select the best pixel format supported by the encoder.
+If pix_fmt is prefixed by a +, ffmpeg will exit with an error
+if the requested pixel format can not be selected, and automatic conversions
+inside filtergraphs are disabled.
+If pix_fmt is a single +, ffmpeg selects the same pixel format
+as the input (or graph output) and automatic conversions are disabled.
+
Set SwScaler flags. +
+Rate control override for specific intervals, formatted as "int,int,int" +list separated with slashes. Two first values are the beginning and +end frame numbers, last one is quantizer to use if positive, or quality +factor if negative. +
+Force interlacing support in encoder (MPEG-2 and MPEG-4 only).
+Use this option if your input file is interlaced and you want
+to keep the interlaced format for minimum losses.
+The alternative is to deinterlace the input stream by use of a filter
+such as yadif or bwdif, but deinterlacing introduces losses.
+
Calculate PSNR of compressed frames. This option is deprecated, pass the
+PSNR flag to the encoder instead, using -flags +psnr.
+
Dump video coding statistics to vstats_HHMMSS.log. +
Dump video coding statistics to file. +
Specifies which version of the vstats format to use. Default is 2. +
+version = 1 : +
+frame= %5d q= %2.1f PSNR= %6.2f f_size= %6d s_size= %8.0fkB time= %0.3f br= %7.1fkbits/s avg_br= %7.1fkbits/s
+
version > 1: +
+out= %2d st= %2d frame= %5d q= %2.1f PSNR= %6.2f f_size= %6d s_size= %8.0fkB time= %0.3f br= %7.1fkbits/s avg_br= %7.1fkbits/s
+
top=1/bottom=0/auto=-1 field first +
Intra_dc_precision. +
Force video tag/fourcc. This is an alias for -tag:v.
+
Show QP histogram +
Deprecated see -bsf +
+force_key_frames can take arguments of the following form: +
+If the argument consists of timestamps, ffmpeg will round the specified times to the nearest
+output timestamp as per the encoder time base and force a keyframe at the first frame having
+timestamp equal or greater than the computed timestamp. Note that if the encoder time base is too
+coarse, then the keyframes may be forced on frames with timestamps lower than the specified time.
+The default encoder time base is the inverse of the output framerate but may be set otherwise
+via -enc_time_base.
+
If one of the times is "chapters[delta]", it is expanded into
+the time of the beginning of all chapters in the file, shifted by
+delta, expressed as a time in seconds.
+This option can be useful to ensure that a seek point is present at a
+chapter mark or any other designated place in the output file.
+
For example, to insert a key frame at 5 minutes, plus key frames 0.1 second +before the beginning of every chapter: +
-force_key_frames 0:05:00,chapters-0.1 +
If the argument is prefixed with expr:, the string expr
+is interpreted like an expression and is evaluated for each frame. A
+key frame is forced in case the evaluation is non-zero.
+
The expression in expr can contain the following constants: +
the number of current processed frame, starting from 0 +
the number of forced frames +
the number of the previous forced frame, it is NAN when no
+keyframe was forced yet
+
the time of the previous forced frame, it is NAN when no
+keyframe was forced yet
+
the time of the current processed frame +
For example to force a key frame every 5 seconds, you can specify: +
-force_key_frames expr:gte(t,n_forced*5) +
To force a key frame 5 seconds after the time of the last forced one, +starting from second 13: +
-force_key_frames expr:if(isnan(prev_forced_t),gte(t,13),gte(t,prev_forced_t+5)) +
If the argument is source, ffmpeg will force a key frame if
+the current frame being encoded is marked as a key frame in its source.
+
If the argument is source_no_drop, ffmpeg will force a key frame if
+the current frame being encoded is marked as a key frame in its source.
+In cases where this particular source frame has to be dropped,
+enforce the next available frame to become a key frame instead.
+
Note that forcing too many keyframes is very harmful for the lookahead +algorithms of certain encoders: using fixed-GOP options or similar +would be more efficient. +
+When doing stream copy, copy also non-key frames found at the +beginning. +
+Initialise a new hardware device of type type called name, using the +given device parameters. +If no name is specified it will receive a default name of the form "type%d". +
+The meaning of device and the following arguments depends on the +device type: +
device is the number of the CUDA device. +
+The following options are recognized: +
If set to 1, uses the primary device context instead of creating a new one. +
Examples: +
Choose the second device on the system. +
+Choose the first device and use the primary device context. +
device is the number of the Direct3D 9 display adapter. +
+device is the number of the Direct3D 11 display adapter. +
+device is either an X11 display name or a DRM render node. +If not specified, it will attempt to open the default X11 display ($DISPLAY) +and then the first DRM render node (/dev/dri/renderD128). +
+device is an X11 display name. +If not specified, it will attempt to open the default X11 display ($DISPLAY). +
+device selects a value in ‘MFX_IMPL_*’. Allowed values are: +
If not specified, ‘auto_any’ is used. +(Note that it may be easier to achieve the desired result for QSV by creating the +platform-appropriate subdevice (‘dxva2’ or ‘d3d11va’ or ‘vaapi’) and then deriving a +QSV device from that.) +
+Alternatively, ‘child_device_type’ helps to choose platform-appropriate subdevice type. +On Windows ‘d3d11va’ is used as default subdevice type. +
+Examples: +
Choose the GPU subdevice with type ‘d3d11va’ and create QSV device with ‘MFX_IMPL_HARDWARE’. +
+Choose the GPU subdevice with type ‘dxva2’ and create QSV device with ‘MFX_IMPL_HARDWARE’. +
device selects the platform and device as platform_index.device_index. +
+The set of devices can also be filtered using the key-value pairs to find only +devices matching particular platform or device strings. +
+The strings usable as filters are: +
The indices and filters must together uniquely select a device. +
+Examples: +
Choose the second device on the first platform. +
+Choose the device with a name containing the string Foo9000. +
+Choose the GPU device on the second platform supporting the cl_khr_fp16 +extension. +
If device is an integer, it selects the device by its index in a +system-dependent list of devices. If device is any other string, it +selects the first device with a name containing that string as a substring. +
+The following options are recognized: +
If set to 1, enables the validation layer, if installed. +
If set to 1, images allocated by the hwcontext will be linear and locally mappable. +
A plus separated list of additional instance extensions to enable. +
A plus separated list of additional device extensions to enable. +
Examples: +
Choose the second device on the system. +
+Choose the first device with a name containing the string RADV. +
+Choose the first device and enable the Wayland and XCB instance extensions. +
Initialise a new hardware device of type type called name, +deriving it from the existing device with the name source. +
+List all hardware device types supported in this build of ffmpeg. +
+Pass the hardware device called name to all filters in any filter graph.
+This can be used to set the device to upload to with the hwupload filter,
+or the device to map to with the hwmap filter. Other filters may also
+make use of this parameter when they require a hardware device. Note that this
+is typically only required when the input is not already in hardware frames -
+when it is, filters will derive the device they require from the context of the
+frames they receive as input.
+
This is a global setting, so all filters will receive the same device. +
+Use hardware acceleration to decode the matching stream(s). The allowed values +of hwaccel are: +
Do not use any hardware acceleration (the default). +
+Automatically select the hardware acceleration method. +
+Use VDPAU (Video Decode and Presentation API for Unix) hardware acceleration. +
+Use DXVA2 (DirectX Video Acceleration) hardware acceleration. +
+Use D3D11VA (DirectX Video Acceleration) hardware acceleration. +
+Use VAAPI (Video Acceleration API) hardware acceleration. +
+Use the Intel QuickSync Video acceleration for video transcoding. +
+Unlike most other values, this option does not enable accelerated decoding (that +is used automatically whenever a qsv decoder is selected), but accelerated +transcoding, without copying the frames into the system memory. +
+For it to work, both the decoder and the encoder must support QSV acceleration +and no filters must be used. +
This option has no effect if the selected hwaccel is not available or not +supported by the chosen decoder. +
+Note that most acceleration methods are intended for playback and will not be
+faster than software decoding on modern CPUs. Additionally, ffmpeg
+will usually need to copy the decoded frames from the GPU memory into the system
+memory, resulting in further performance loss. This option is thus mainly
+useful for testing.
+
Select a device to use for hardware acceleration. +
+This option only makes sense when the -hwaccel option is also specified. +It can either refer to an existing device created with -init_hw_device +by name, or it can create a new device as if +‘-init_hw_device’ type:hwaccel_device +were called immediately before. +
+List all hardware acceleration components enabled in this build of ffmpeg. +Actual runtime availability depends on the hardware and its suitable driver +being installed. +
+Set the number of audio frames to output. This is an obsolete alias for
+-frames:a, which you should use instead.
+
Set the audio sampling frequency. For output streams it is set by +default to the frequency of the corresponding input stream. For input +streams this option only makes sense for audio grabbing devices and raw +demuxers and is mapped to the corresponding demuxer options. +
Set the audio quality (codec-specific, VBR). This is an alias for -q:a. +
Set the number of audio channels. For output streams it is set by +default to the number of input audio channels. For input streams +this option only makes sense for audio grabbing devices and raw demuxers +and is mapped to the corresponding demuxer options. +
As an input option, blocks all audio streams of a file from being filtered or
+being automatically selected or mapped for any output. See -discard
+option to disable streams individually.
+
As an output option, disables audio recording i.e. automatic selection or
+mapping of any audio stream. For full manual control see the -map
+option.
+
Set the audio codec. This is an alias for -codec:a.
+
Set the audio sample format. Use -sample_fmts to get a list
+of supported sample formats.
+
Create the filtergraph specified by filtergraph and use it to +filter the stream. +
+This is an alias for -filter:a, see the -filter option.
+
Force audio tag/fourcc. This is an alias for -tag:a.
+
Deprecated, see -bsf +
If some input channel layout is not known, try to guess only if it
+corresponds to at most the specified number of channels. For example, 2
+tells to ffmpeg to recognize 1 channel as mono and 2 channels as
+stereo but not 6 channels as 5.1. The default is to always try to guess. Use
+0 to disable all guessing.
+
Set the subtitle codec. This is an alias for -codec:s.
+
As an input option, blocks all subtitle streams of a file from being filtered or
+being automatically selected or mapped for any output. See -discard
+option to disable streams individually.
+
As an output option, disables subtitle recording i.e. automatic selection or
+mapping of any subtitle stream. For full manual control see the -map
+option.
+
Deprecated, see -bsf +
Fix subtitles durations. For each subtitle, wait for the next packet in the +same stream and adjust the duration of the first to avoid overlap. This is +necessary with some subtitles codecs, especially DVB subtitles, because the +duration in the original packet is only a rough estimate and the end is +actually marked by an empty subtitle frame. Failing to use this option when +necessary can result in exaggerated durations or muxing failures due to +non-monotonic timestamps. +
+Note that this option will delay the output of all data until the next +subtitle packet is decoded: it may increase memory consumption and latency a +lot. +
+Set the size of the canvas used to render subtitles. +
+Create one or more streams in the output file. This option has two forms for
+specifying the data source(s): the first selects one or more streams from some
+input file (specified with -i), the second takes an output from some
+complex filtergraph (specified with -filter_complex or
+-filter_complex_script).
+
In the first form, an output stream is created for every stream from the input +file with the index input_file_id. If stream_specifier is given, +only those streams that match the specifier are used (see the +Stream specifiers section for the stream_specifier syntax). +
+A - character before the stream identifier creates a "negative" mapping.
+It disables matching streams from already created mappings.
+
A trailing ? after the stream index will allow the map to be
+optional: if the map matches no streams the map will be ignored instead
+of failing. Note the map will still fail if an invalid input file index
+is used; such as if the map refers to a non-existent input.
+
An alternative [linklabel] form will map outputs from complex filter +graphs (see the -filter_complex option) to the output file. +linklabel must correspond to a defined output link label in the graph. +
+This option may be specified multiple times, each adding more streams to the
+output file. Any given input stream may also be mapped any number of times as a
+source for different output streams, e.g. in order to use different encoding
+options and/or filters. The streams are created in the output in the same order
+in which the -map options are given on the commandline.
+
Using this option disables the default mappings for this output file. +
+Examples: +
+To map ALL streams from the first input file to output +
ffmpeg -i INPUT -map 0 output +
If you have two audio streams in the first input file, these streams are
+identified by 0:0 and 0:1. You can use -map to select which
+streams to place in an output file. For example:
+
ffmpeg -i INPUT -map 0:1 out.wav +
will map the second input stream in INPUT to the (single) output stream +in out.wav. +
+To select the stream with index 2 from input file a.mov (specified by the +identifier 0:2), and stream with index 6 from input b.mov +(specified by the identifier 1:6), and copy them to the output file +out.mov: +
ffmpeg -i a.mov -i b.mov -c copy -map 0:2 -map 1:6 out.mov +
To select all video and the third audio stream from an input file: +
ffmpeg -i INPUT -map 0:v -map 0:a:2 OUTPUT +
To map all the streams except the second audio, use negative mappings +
ffmpeg -i INPUT -map 0 -map -0:a:1 OUTPUT +
To map the video and audio streams from the first input, and using the
+trailing ?, ignore the audio mapping if no audio streams exist in
+the first input:
+
ffmpeg -i INPUT -map 0:v -map 0:a? OUTPUT +
To pick the English audio stream: +
ffmpeg -i INPUT -map 0:m:language:eng OUTPUT +
Ignore input streams with unknown type instead of failing if copying +such streams is attempted. +
+Allow input streams with unknown type to be copied instead of failing if copying +such streams is attempted. +
+This option is deprecated and will be removed. It can be replaced by the +pan filter. In some cases it may be easier to use some combination of the +channelsplit, channelmap, or amerge filters. +
+Map an audio channel from a given input to an output. If +output_file_id.stream_specifier is not set, the audio channel will +be mapped on all the audio streams. +
+Using "-1" instead of +input_file_id.stream_specifier.channel_id will map a muted +channel. +
+A trailing ? will allow the map_channel to be
+optional: if the map_channel matches no channel the map_channel will be ignored instead
+of failing.
+
For example, assuming INPUT is a stereo audio file, you can switch the +two audio channels with the following command: +
ffmpeg -i INPUT -map_channel 0.0.1 -map_channel 0.0.0 OUTPUT +
If you want to mute the first channel and keep the second: +
ffmpeg -i INPUT -map_channel -1 -map_channel 0.0.1 OUTPUT +
The order of the "-map_channel" option specifies the order of the channels in +the output stream. The output channel layout is guessed from the number of +channels mapped (mono if one "-map_channel", stereo if two, etc.). Using "-ac" +in combination of "-map_channel" makes the channel gain levels to be updated if +input and output channel layouts don’t match (for instance two "-map_channel" +options and "-ac 6"). +
+You can also extract each channel of an input to specific outputs; the following +command extracts two channels of the INPUT audio stream (file 0, stream 0) +to the respective OUTPUT_CH0 and OUTPUT_CH1 outputs: +
ffmpeg -i INPUT -map_channel 0.0.0 OUTPUT_CH0 -map_channel 0.0.1 OUTPUT_CH1 +
The following example splits the channels of a stereo input into two separate +streams, which are put into the same output file: +
ffmpeg -i stereo.wav -map 0:0 -map 0:0 -map_channel 0.0.0:0.0 -map_channel 0.0.1:0.1 -y out.ogg +
Note that currently each output stream can only contain channels from a single +input stream; you can’t for example use "-map_channel" to pick multiple input +audio channels contained in different streams (from the same or different files) +and merge them into a single output stream. It is therefore not currently +possible, for example, to turn two separate mono streams into a single stereo +stream. However splitting a stereo stream into two single channel mono streams +is possible. +
+If you need this feature, a possible workaround is to use the amerge +filter. For example, if you need to merge a media (here input.mkv) with 2 +mono audio streams into one single stereo channel audio stream (and keep the +video stream), you can use the following command: +
ffmpeg -i input.mkv -filter_complex "[0:1] [0:2] amerge" -c:a pcm_s16le -c:v copy output.mkv +
To map the first two audio channels from the first input, and using the
+trailing ?, ignore the audio channel mapping if the first input is
+mono instead of stereo:
+
ffmpeg -i INPUT -map_channel 0.0.0 -map_channel 0.0.1? OUTPUT +
Set metadata information of the next output file from infile. Note that +those are file indices (zero-based), not filenames. +Optional metadata_spec_in/out parameters specify, which metadata to copy. +A metadata specifier can have the following forms: +
global metadata, i.e. metadata that applies to the whole file +
+per-stream metadata. stream_spec is a stream specifier as described +in the Stream specifiers chapter. In an input metadata specifier, the first +matching stream is copied from. In an output metadata specifier, all matching +streams are copied to. +
+per-chapter metadata. chapter_index is the zero-based chapter index. +
+per-program metadata. program_index is the zero-based program index. +
If metadata specifier is omitted, it defaults to global. +
+By default, global metadata is copied from the first input file, +per-stream and per-chapter metadata is copied along with streams/chapters. These +default mappings are disabled by creating any mapping of the relevant type. A negative +file index can be used to create a dummy mapping that just disables automatic copying. +
+For example to copy metadata from the first stream of the input file to global metadata +of the output file: +
ffmpeg -i in.ogg -map_metadata 0:s:0 out.mp3 +
To do the reverse, i.e. copy global metadata to all audio streams: +
ffmpeg -i in.mkv -map_metadata:s:a 0:g out.mkv +
Note that simple 0 would work as well in this example, since global
+metadata is assumed by default.
+
Copy chapters from input file with index input_file_index to the next +output file. If no chapter mapping is specified, then chapters are copied from +the first input file with at least one chapter. Use a negative file index to +disable any chapter copying. +
+Show benchmarking information at the end of an encode. +Shows real, system and user time used and maximum memory consumption. +Maximum memory consumption is not supported on all systems, +it will usually display as 0 if not supported. +
Show benchmarking information during the encode. +Shows real, system and user time used in various steps (audio/video encode/decode). +
Exit after ffmpeg has been running for duration seconds in CPU user time. +
Dump each input packet to stderr. +
When dumping packets, also dump the payload. +
Limit input read speed. +
+Its value is a floating-point positive number which represents the maximum duration of
+media, in seconds, that should be ingested in one second of wallclock time.
+Default value is zero and represents no imposed limitation on speed of ingestion.
+Value 1 represents real-time speed and is equivalent to -re.
+
Mainly used to simulate a capture device or live input stream (e.g. when reading from a file). +Should not be used with a low value when input is an actual capture device or live stream as +it may cause packet loss. +
+It is useful for when flow speed of output packets is important, such as live streaming. +
Read input at native frame rate. This is equivalent to setting -readrate 1.
+
Set video sync method / framerate mode. vsync is applied to all output video streams +but can be overridden for a stream by setting fps_mode. vsync is deprecated and will be +removed in the future. +
+For compatibility reasons some of the values for vsync can be specified as numbers (shown +in parentheses in the following table). +
+Each frame is passed with its timestamp from the demuxer to the muxer. +
Frames will be duplicated and dropped to achieve exactly the requested +constant frame rate. +
Frames are passed through with their timestamp or dropped so as to +prevent 2 frames from having the same timestamp. +
As passthrough but destroys all timestamps, making the muxer generate +fresh timestamps based on frame-rate. +
Chooses between cfr and vfr depending on muxer capabilities. This is the +default method. +
Note that the timestamps may be further modified by the muxer, after this. +For example, in the case that the format option avoid_negative_ts +is enabled. +
+With -map you can select from which stream the timestamps should be +taken. You can leave either video or audio unchanged and sync the +remaining stream(s) to the unchanged one. +
+Frame drop threshold, which specifies how much behind video frames can +be before they are dropped. In frame rate units, so 1.0 is one frame. +The default is -1.1. One possible usecase is to avoid framedrops in case +of noisy timestamps or to increase frame drop precision in case of exact +timestamps. +
+Set the minimum difference between timestamps and audio data (in seconds) to trigger
+adding/dropping samples to make it match the timestamps. This option effectively is
+a threshold to select between hard (add/drop) and soft (squeeze/stretch) compensation.
+-async must be set to a positive value.
+
Pad the output audio stream(s). This is the same as applying -af apad.
+Argument is a string of filter parameters composed the same as with the apad filter.
+-shortest must be set for this output for the option to take effect.
+
Do not process input timestamps, but keep their values without trying +to sanitize them. In particular, do not remove the initial start time +offset value. +
+Note that, depending on the vsync option or on specific muxer +processing (e.g. in case the format option avoid_negative_ts +is enabled) the output timestamps may mismatch with the input +timestamps even when this option is selected. +
+When used with copyts, shift input timestamps so they start at zero. +
+This means that using e.g. -ss 50 will make output timestamps start at
+50 seconds, regardless of what timestamp the input file started at.
+
Specify how to set the encoder timebase when stream copying. mode is an +integer numeric value, and can assume one of the following values: +
+Use the demuxer timebase. +
+The time base is copied to the output encoder from the corresponding input +demuxer. This is sometimes required to avoid non monotonically increasing +timestamps when copying video streams with variable frame rate. +
+Use the decoder timebase. +
+The time base is copied to the output encoder from the corresponding input +decoder. +
+Try to make the choice automatically, in order to generate a sane output. +
Default value is -1. +
+Set the encoder timebase. timebase is a floating point number, +and can assume one of the following values: +
+Assign a default value according to the media type. +
+For video - use 1/framerate, for audio - use 1/samplerate. +
+Use the input stream timebase when possible. +
+If an input stream is not available, the default timebase will be used. +
+Use the provided number as the timebase. +
+This field can be provided as a ratio of two integers (e.g. 1:24, 1:48000) +or as a floating point number (e.g. 0.04166, 2.0833e-5) +
Default value is 0. +
+Enable bitexact mode for (de)muxer and (de/en)coder +
Finish encoding when the shortest output stream ends. +
+Note that this option may require buffering frames, which introduces extra
+latency. The maximum amount of this latency may be controlled with the
+-shortest_buf_duration option.
+
The -shortest option may require buffering potentially large amounts
+of data when at least one of the streams is "sparse" (i.e. has large gaps
+between frames – this is typically the case for subtitles).
+
This option controls the maximum duration of buffered frames in seconds.
+Larger values may allow the -shortest option to produce more accurate
+results, but increase memory use and latency.
+
The default value is 10 seconds. +
+Timestamp discontinuity delta threshold. +
Timestamp error delta threshold. This threshold use to discard crazy/damaged +timestamps and the default is 30 hours which is arbitrarily picked and quite +conservative. +
Set the maximum demux-decode delay. +
Set the initial demux-decode delay. +
Assign a new stream-id value to an output stream. This option should be +specified prior to the output filename to which it applies. +For the situation where multiple output files exist, a streamid +may be reassigned to a different value. +
+For example, to set the stream 0 PID to 33 and the stream 1 PID to 36 for +an output mpegts file: +
ffmpeg -i inurl -streamid 0:33 -streamid 1:36 out.ts +
Set bitstream filters for matching streams. bitstream_filters is
+a comma-separated list of bitstream filters. Use the -bsfs option
+to get the list of bitstream filters.
+
ffmpeg -i h264.mp4 -c:v copy -bsf:v h264_mp4toannexb -an out.h264 +
ffmpeg -i file.mov -an -vn -bsf:s mov2textsub -c:s copy -f rawvideo sub.txt +
Force a tag/fourcc for matching streams. +
+Specify Timecode for writing. SEP is ’:’ for non drop timecode and ’;’ +(or ’.’) for drop. +
ffmpeg -i input.mpg -timecode 01:02:03.04 -r 30000/1001 -s ntsc output.mpg +
Define a complex filtergraph, i.e. one with arbitrary number of inputs and/or +outputs. For simple graphs – those with one input and one output of the same +type – see the -filter options. filtergraph is a description of +the filtergraph, as described in the “Filtergraph syntax” section of the +ffmpeg-filters manual. +
+Input link labels must refer to input streams using the
+[file_index:stream_specifier] syntax (i.e. the same as -map
+uses). If stream_specifier matches multiple streams, the first one will be
+used. An unlabeled input will be connected to the first unused input stream of
+the matching type.
+
Output link labels are referred to with -map. Unlabeled outputs are +added to the first output file. +
+Note that with this option it is possible to use only lavfi sources without +normal input files. +
+For example, to overlay an image over video +
ffmpeg -i video.mkv -i image.png -filter_complex '[0:v][1:v]overlay[out]' -map +'[out]' out.mkv +
Here [0:v] refers to the first video stream in the first input file,
+which is linked to the first (main) input of the overlay filter. Similarly the
+first video stream in the second input is linked to the second (overlay) input
+of overlay.
+
Assuming there is only one video stream in each input file, we can omit input +labels, so the above is equivalent to +
ffmpeg -i video.mkv -i image.png -filter_complex 'overlay[out]' -map +'[out]' out.mkv +
Furthermore we can omit the output label and the single output from the filter +graph will be added to the output file automatically, so we can simply write +
ffmpeg -i video.mkv -i image.png -filter_complex 'overlay' out.mkv +
As a special exception, you can use a bitmap subtitle stream as input: it +will be converted into a video with the same size as the largest video in +the file, or 720x576 if no video is present. Note that this is an +experimental and temporary solution. It will be removed once libavfilter has +proper support for subtitles. +
+For example, to hardcode subtitles on top of a DVB-T recording stored in +MPEG-TS format, delaying the subtitles by 1 second: +
ffmpeg -i input.ts -filter_complex \ + '[#0x2ef] setpts=PTS+1/TB [sub] ; [#0x2d0] [sub] overlay' \ + -sn -map '#0x2dc' output.mkv +
(0x2d0, 0x2dc and 0x2ef are the MPEG-TS PIDs of respectively the video, +audio and subtitles streams; 0:0, 0:3 and 0:7 would have worked too) +
+To generate 5 seconds of pure red video using lavfi color source:
+
ffmpeg -filter_complex 'color=c=red' -t 5 out.mkv +
Defines how many threads are used to process a filter_complex graph.
+Similar to filter_threads but used for -filter_complex graphs only.
+The default is the number of available CPUs.
+
Define a complex filtergraph, i.e. one with arbitrary number of inputs and/or +outputs. Equivalent to -filter_complex. +
+This option is similar to -filter_complex, the only difference is that +its argument is the name of the file from which a complex filtergraph +description is to be read. +
+This option enables or disables accurate seeking in input files with the +-ss option. It is enabled by default, so seeking is accurate when +transcoding. Use -noaccurate_seek to disable it, which may be useful +e.g. when copying some streams and transcoding the others. +
+This option enables or disables seeking by timestamp in input files with the +-ss option. It is disabled by default. If enabled, the argument +to the -ss option is considered an actual timestamp, and is not +offset by the start time of the file. This matters only for files which do +not start from timestamp 0, such as transport streams. +
+For input, this option sets the maximum number of queued packets when reading +from the file or device. With low latency / high rate live streams, packets may +be discarded if they are not read in a timely manner; setting this value can +force ffmpeg to use a separate input thread and read packets as soon as they +arrive. By default ffmpeg only does this if multiple inputs are specified. +
+For output, this option specified the maximum number of packets that may be +queued to each muxing thread. +
+Print sdp information for an output stream to file. +This allows dumping sdp information when at least one output isn’t an +rtp stream. (Requires at least one of the output formats to be rtp). +
+Allows discarding specific streams or frames from streams.
+Any input stream can be fully discarded, using value all whereas
+selective discarding of frames from a stream occurs at the demuxer
+and is not supported by all demuxers.
+
Discard no frame. +
+Default, which discards no frames. +
+Discard all non-reference frames. +
+Discard all bidirectional frames. +
+Discard all frames excepts keyframes. +
+Discard all frames. +
Stop and abort on various conditions. The following flags are available: +
+No packets were passed to the muxer, the output is empty. +
No packets were passed to the muxer in some of the output streams. +
Set fraction of decoding frame failures across all inputs which when crossed +ffmpeg will return exit code 69. Crossing this threshold does not terminate +processing. Range is a floating-point number between 0 to 1. Default is 2/3. +
+Stop and exit on error +
+When transcoding audio and/or video streams, ffmpeg will not begin writing into +the output until it has one packet for each such stream. While waiting for that +to happen, packets for other streams are buffered. This option sets the size of +this buffer, in packets, for the matching output stream. +
+The default value of this option should be high enough for most uses, so only +touch this option if you are sure that you need it. +
+This is a minimum threshold until which the muxing queue size is not taken into +account. Defaults to 50 megabytes per stream, and is based on the overall size +of packets passed to the muxer. +
+Enable automatically inserting format conversion filters in all filter
+graphs, including those defined by -vf, -af,
+-filter_complex and -lavfi. If filter format negotiation
+requires a conversion, the initialization of the filters will fail.
+Conversions can still be performed by inserting the relevant conversion
+filter (scale, aresample) in the graph.
+On by default, to explicitly disable it you need to specify
+-noauto_conversion_filters.
+
Declare the number of bits per raw sample in the given output stream to be +value. Note that this option sets the information provided to the +encoder/muxer, it does not change the stream to conform to this value. Setting +values that do not match the stream properties may result in encoding failures +or invalid output files. +
+A preset file contains a sequence of option=value pairs, +one for each line, specifying a sequence of options which would be +awkward to specify on the command line. Lines starting with the hash +(’#’) character are ignored and are used to provide comments. Check +the presets directory in the FFmpeg source tree for examples. +
+There are two types of preset files: ffpreset and avpreset files. +
+ +ffpreset files are specified with the vpre, apre,
+spre, and fpre options. The fpre option takes the
+filename of the preset instead of a preset name as input and can be
+used for any kind of codec. For the vpre, apre, and
+spre options, the options specified in a preset file are
+applied to the currently selected codec of the same type as the preset
+option.
+
The argument passed to the vpre, apre, and spre
+preset options identifies the preset file to use according to the
+following rules:
+
First ffmpeg searches for a file named arg.ffpreset in the
+directories $FFMPEG_DATADIR (if set), and $HOME/.ffmpeg, and in
+the datadir defined at configuration time (usually PREFIX/share/ffmpeg)
+or in a ffpresets folder along the executable on win32,
+in that order. For example, if the argument is libvpx-1080p, it will
+search for the file libvpx-1080p.ffpreset.
+
If no such file is found, then ffmpeg will search for a file named
+codec_name-arg.ffpreset in the above-mentioned
+directories, where codec_name is the name of the codec to which
+the preset file options will be applied. For example, if you select
+the video codec with -vcodec libvpx and use -vpre 1080p,
+then it will search for the file libvpx-1080p.ffpreset.
+
avpreset files are specified with the pre option. They work similar to
+ffpreset files, but they only allow encoder- specific options. Therefore, an
+option=value pair specifying an encoder cannot be used.
+
When the pre option is specified, ffmpeg will look for files with the
+suffix .avpreset in the directories $AVCONV_DATADIR (if set), and
+$HOME/.avconv, and in the datadir defined at configuration time (usually
+PREFIX/share/ffmpeg), in that order.
+
First ffmpeg searches for a file named codec_name-arg.avpreset in
+the above-mentioned directories, where codec_name is the name of the codec
+to which the preset file options will be applied. For example, if you select the
+video codec with -vcodec libvpx and use -pre 1080p, then it will
+search for the file libvpx-1080p.avpreset.
+
If no such file is found, then ffmpeg will search for a file named +arg.avpreset in the same directories. +
+ + +If you specify the input format and device then ffmpeg can grab video +and audio directly. +
+ffmpeg -f oss -i /dev/dsp -f video4linux2 -i /dev/video0 /tmp/out.mpg +
Or with an ALSA audio source (mono input, card id 1) instead of OSS: +
ffmpeg -f alsa -ac 1 -i hw:1 -f video4linux2 -i /dev/video0 /tmp/out.mpg +
Note that you must activate the right video source and channel before +launching ffmpeg with any TV viewer such as +xawtv by Gerd Knorr. You also +have to set the audio recording levels correctly with a +standard mixer. +
+ +Grab the X11 display with ffmpeg via +
+ffmpeg -f x11grab -video_size cif -framerate 25 -i :0.0 /tmp/out.mpg +
0.0 is display.screen number of your X11 server, same as +the DISPLAY environment variable. +
+ffmpeg -f x11grab -video_size cif -framerate 25 -i :0.0+10,20 /tmp/out.mpg +
0.0 is display.screen number of your X11 server, same as the DISPLAY environment +variable. 10 is the x-offset and 20 the y-offset for the grabbing. +
+ +Any supported file format and protocol can serve as input to ffmpeg: +
+Examples: +
ffmpeg -i /tmp/test%d.Y /tmp/out.mpg +
It will use the files: +
/tmp/test0.Y, /tmp/test0.U, /tmp/test0.V, +/tmp/test1.Y, /tmp/test1.U, /tmp/test1.V, etc... +
The Y files use twice the resolution of the U and V files. They are +raw files, without header. They can be generated by all decent video +decoders. You must specify the size of the image with the -s option +if ffmpeg cannot guess it. +
+ffmpeg -i /tmp/test.yuv /tmp/out.avi +
test.yuv is a file containing raw YUV planar data. Each frame is composed +of the Y plane followed by the U and V planes at half vertical and +horizontal resolution. +
+ffmpeg -i mydivx.avi hugefile.yuv +
ffmpeg -i /tmp/a.wav -s 640x480 -i /tmp/a.yuv /tmp/a.mpg +
Converts the audio file a.wav and the raw YUV video file a.yuv +to MPEG file a.mpg. +
+ffmpeg -i /tmp/a.wav -ar 22050 /tmp/a.mp2 +
Converts a.wav to MPEG audio at 22050 Hz sample rate. +
+ffmpeg -i /tmp/a.wav -map 0:a -b:a 64k /tmp/a.mp2 -map 0:a -b:a 128k /tmp/b.mp2 +
Converts a.wav to a.mp2 at 64 kbits and to b.mp2 at 128 kbits. ’-map +file:index’ specifies which input stream is used for each output +stream, in the order of the definition of output streams. +
+ffmpeg -i snatch_1.vob -f avi -c:v mpeg4 -b:v 800k -g 300 -bf 2 -c:a libmp3lame -b:a 128k snatch.avi +
This is a typical DVD ripping example; the input is a VOB file, the
+output an AVI file with MPEG-4 video and MP3 audio. Note that in this
+command we use B-frames so the MPEG-4 stream is DivX5 compatible, and
+GOP size is 300 which means one intra frame every 10 seconds for 29.97fps
+input video. Furthermore, the audio stream is MP3-encoded so you need
+to enable LAME support by passing --enable-libmp3lame to configure.
+The mapping is particularly useful for DVD transcoding
+to get the desired audio language.
+
NOTE: To see the supported input formats, use ffmpeg -demuxers.
+
For extracting images from a video: +
ffmpeg -i foo.avi -r 1 -s WxH -f image2 foo-%03d.jpeg +
This will extract one video frame per second from the video and will +output them in files named foo-001.jpeg, foo-002.jpeg, +etc. Images will be rescaled to fit the new WxH values. +
+If you want to extract just a limited number of frames, you can use the
+above command in combination with the -frames:v or -t option,
+or in combination with -ss to start extracting from a certain point in time.
+
For creating a video from many images: +
ffmpeg -f image2 -framerate 12 -i foo-%03d.jpeg -s WxH foo.avi +
The syntax foo-%03d.jpeg specifies to use a decimal number
+composed of three digits padded with zeroes to express the sequence
+number. It is the same syntax supported by the C printf function, but
+only formats accepting a normal integer are suitable.
+
When importing an image sequence, -i also supports expanding
+shell-like wildcard patterns (globbing) internally, by selecting the
+image2-specific -pattern_type glob option.
+
For example, for creating a video from filenames matching the glob pattern
+foo-*.jpeg:
+
ffmpeg -f image2 -pattern_type glob -framerate 12 -i 'foo-*.jpeg' -s WxH foo.avi +
ffmpeg -i test1.avi -i test2.avi -map 1:1 -map 1:0 -map 0:1 -map 0:0 -c copy -y test12.nut +
The resulting output file test12.nut will contain the first four streams +from the input files in reverse order. +
+ffmpeg -i myfile.avi -b 4000k -minrate 4000k -maxrate 4000k -bufsize 1835k out.m2v +
ffmpeg -i src.ext -lmax 21*QP2LAMBDA dst.ext +
This section documents the syntax and formats employed by the FFmpeg +libraries and tools. +
+ +FFmpeg adopts the following quoting and escaping mechanism, unless +explicitly specified. The following rules are applied: +
+Note that you may need to add a second level of escaping when using +the command line or a script, which depends on the syntax of the +adopted shell language. +
+The function av_get_token defined in
+libavutil/avstring.h can be used to parse a token quoted or
+escaped according to the rules defined above.
+
The tool tools/ffescape in the FFmpeg source tree can be used +to automatically quote or escape a string in a script. +
+ +Crime d'Amour containing the ' special
+character:
+Crime d\'Amour +
' needs to be escaped
+when quoting it:
+'Crime d'\''Amour' +
' this string starts and ends with whitespaces ' +
' The string '\'string\'' is a string ' +
'c:\foo' can be written as c:\\foo +
The accepted syntax is: +
[(YYYY-MM-DD|YYYYMMDD)[T|t| ]]((HH:MM:SS[.m...]]])|(HHMMSS[.m...]]]))[Z] +now +
If the value is "now" it takes the current time. +
+Time is local time unless Z is appended, in which case it is +interpreted as UTC. +If the year-month-day part is not specified it takes the current +year-month-day. +
+ +There are two accepted syntaxes for expressing time duration. +
+[-][HH:]MM:SS[.m...] +
HH expresses the number of hours, MM the number of minutes +for a maximum of 2 digits, and SS the number of seconds for a +maximum of 2 digits. The m at the end expresses decimal value for +SS. +
+or +
+[-]S+[.m...][s|ms|us] +
S expresses the number of seconds, with the optional decimal part +m. The optional literal suffixes ‘s’, ‘ms’ or ‘us’ +indicate to interpret the value as seconds, milliseconds or microseconds, +respectively. +
+In both expressions, the optional ‘-’ indicates negative duration. +
+ +The following examples are all valid time duration: +
+55 seconds +
+0.2 seconds +
+200 milliseconds, that’s 0.2s +
+200000 microseconds, that’s 0.2s +
+12 hours, 03 minutes and 45 seconds +
+23.189 seconds +
Specify the size of the sourced video, it may be a string of the form +widthxheight, or the name of a size abbreviation. +
+The following abbreviations are recognized: +
720x480 +
720x576 +
352x240 +
352x288 +
640x480 +
768x576 +
352x240 +
352x240 +
128x96 +
176x144 +
352x288 +
704x576 +
1408x1152 +
160x120 +
320x240 +
640x480 +
800x600 +
1024x768 +
1600x1200 +
2048x1536 +
1280x1024 +
2560x2048 +
5120x4096 +
852x480 +
1366x768 +
1600x1024 +
1920x1200 +
2560x1600 +
3200x2048 +
3840x2400 +
6400x4096 +
7680x4800 +
320x200 +
640x350 +
852x480 +
1280x720 +
1920x1080 +
2048x1080 +
1998x1080 +
2048x858 +
4096x2160 +
3996x2160 +
4096x1716 +
640x360 +
240x160 +
400x240 +
432x240 +
480x320 +
960x540 +
2048x1080 +
4096x2160 +
3840x2160 +
7680x4320 +
Specify the frame rate of a video, expressed as the number of frames +generated per second. It has to be a string in the format +frame_rate_num/frame_rate_den, an integer number, a float +number or a valid video frame rate abbreviation. +
+The following abbreviations are recognized: +
30000/1001 +
25/1 +
30000/1001 +
25/1 +
30000/1001 +
25/1 +
24/1 +
24000/1001 +
A ratio can be expressed as an expression, or in the form +numerator:denominator. +
+Note that a ratio with infinite (1/0) or negative value is +considered valid, so you should check on the returned value if you +want to exclude those values. +
+The undefined value can be expressed using the "0:0" string. +
+ +It can be the name of a color as defined below (case insensitive match) or a
+[0x|#]RRGGBB[AA] sequence, possibly followed by @ and a string
+representing the alpha component.
+
The alpha component may be a string composed by "0x" followed by an +hexadecimal number or a decimal number between 0.0 and 1.0, which +represents the opacity value (‘0x00’ or ‘0.0’ means completely +transparent, ‘0xff’ or ‘1.0’ completely opaque). If the alpha +component is not specified then ‘0xff’ is assumed. +
+The string ‘random’ will result in a random color. +
+The following names of colors are recognized: +
0xF0F8FF +
0xFAEBD7 +
0x00FFFF +
0x7FFFD4 +
0xF0FFFF +
0xF5F5DC +
0xFFE4C4 +
0x000000 +
0xFFEBCD +
0x0000FF +
0x8A2BE2 +
0xA52A2A +
0xDEB887 +
0x5F9EA0 +
0x7FFF00 +
0xD2691E +
0xFF7F50 +
0x6495ED +
0xFFF8DC +
0xDC143C +
0x00FFFF +
0x00008B +
0x008B8B +
0xB8860B +
0xA9A9A9 +
0x006400 +
0xBDB76B +
0x8B008B +
0x556B2F +
0xFF8C00 +
0x9932CC +
0x8B0000 +
0xE9967A +
0x8FBC8F +
0x483D8B +
0x2F4F4F +
0x00CED1 +
0x9400D3 +
0xFF1493 +
0x00BFFF +
0x696969 +
0x1E90FF +
0xB22222 +
0xFFFAF0 +
0x228B22 +
0xFF00FF +
0xDCDCDC +
0xF8F8FF +
0xFFD700 +
0xDAA520 +
0x808080 +
0x008000 +
0xADFF2F +
0xF0FFF0 +
0xFF69B4 +
0xCD5C5C +
0x4B0082 +
0xFFFFF0 +
0xF0E68C +
0xE6E6FA +
0xFFF0F5 +
0x7CFC00 +
0xFFFACD +
0xADD8E6 +
0xF08080 +
0xE0FFFF +
0xFAFAD2 +
0x90EE90 +
0xD3D3D3 +
0xFFB6C1 +
0xFFA07A +
0x20B2AA +
0x87CEFA +
0x778899 +
0xB0C4DE +
0xFFFFE0 +
0x00FF00 +
0x32CD32 +
0xFAF0E6 +
0xFF00FF +
0x800000 +
0x66CDAA +
0x0000CD +
0xBA55D3 +
0x9370D8 +
0x3CB371 +
0x7B68EE +
0x00FA9A +
0x48D1CC +
0xC71585 +
0x191970 +
0xF5FFFA +
0xFFE4E1 +
0xFFE4B5 +
0xFFDEAD +
0x000080 +
0xFDF5E6 +
0x808000 +
0x6B8E23 +
0xFFA500 +
0xFF4500 +
0xDA70D6 +
0xEEE8AA +
0x98FB98 +
0xAFEEEE +
0xD87093 +
0xFFEFD5 +
0xFFDAB9 +
0xCD853F +
0xFFC0CB +
0xDDA0DD +
0xB0E0E6 +
0x800080 +
0xFF0000 +
0xBC8F8F +
0x4169E1 +
0x8B4513 +
0xFA8072 +
0xF4A460 +
0x2E8B57 +
0xFFF5EE +
0xA0522D +
0xC0C0C0 +
0x87CEEB +
0x6A5ACD +
0x708090 +
0xFFFAFA +
0x00FF7F +
0x4682B4 +
0xD2B48C +
0x008080 +
0xD8BFD8 +
0xFF6347 +
0x40E0D0 +
0xEE82EE +
0xF5DEB3 +
0xFFFFFF +
0xF5F5F5 +
0xFFFF00 +
0x9ACD32 +
A channel layout specifies the spatial disposition of the channels in +a multi-channel audio stream. To specify a channel layout, FFmpeg +makes use of a special syntax. +
+Individual channels are identified by an id, as given by the table +below: +
front left +
front right +
front center +
low frequency +
back left +
back right +
front left-of-center +
front right-of-center +
back center +
side left +
side right +
top center +
top front left +
top front center +
top front right +
top back left +
top back center +
top back right +
downmix left +
downmix right +
wide left +
wide right +
surround direct left +
surround direct right +
low frequency 2 +
Standard channel layout compositions can be specified by using the +following identifiers: +
FC +
FL+FR +
FL+FR+LFE +
FL+FR+FC +
FL+FR+BC +
FL+FR+FC+BC +
FL+FR+BL+BR +
FL+FR+SL+SR +
FL+FR+FC+LFE +
FL+FR+FC+BL+BR +
FL+FR+FC+SL+SR +
FL+FR+FC+LFE+BC +
FL+FR+FC+LFE+BL+BR +
FL+FR+FC+LFE+SL+SR +
FL+FR+FC+BC+SL+SR +
FL+FR+FLC+FRC+SL+SR +
FL+FR+FC+BL+BR+BC +
FL+FR+FC+LFE+BC+SL+SR +
FL+FR+FC+LFE+BL+BR+BC +
FL+FR+LFE+FLC+FRC+SL+SR +
FL+FR+FC+BL+BR+SL+SR +
FL+FR+FC+FLC+FRC+SL+SR +
FL+FR+FC+LFE+BL+BR+SL+SR +
FL+FR+FC+LFE+BL+BR+FLC+FRC +
FL+FR+FC+LFE+FLC+FRC+SL+SR +
FL+FR+FC+LFE+BL+BR+TFL+TFR +
FL+FR+FC+BL+BR+BC+SL+SR +
FL+FR+BL+BR+TFL+TFR+TBL+TBR +
FL+FR+FC+BL+BR+BC+SL+SR+WL+WR+TBL+TBR+TBC+TFC+TFL+TFR +
DL+DR +
FL+FR+FC+LFE+BL+BR+FLC+FRC+BC+SL+SR+TC+TFL+TFC+TFR+TBL+TBC+TBR+LFE2+TSL+TSR+BFC+BFL+BFR +
A custom channel layout can be specified as a sequence of terms, separated by ’+’. +Each term can be: +
A standard channel layout can be specified by the following: +
av_channel_layout_default). Note that not all channel counts have a
+default layout.
+
+AV_CH_* macros in libavutil/channel_layout.h.
+Before libavutil version 53 the trailing character "c" to specify a number of +channels was optional, but now it is required, while a channel layout mask can +also be specified as a decimal number (if and only if not followed by "c" or "C"). +
+See also the function av_channel_layout_from_string defined in
+libavutil/channel_layout.h.
+
When evaluating an arithmetic expression, FFmpeg uses an internal +formula evaluator, implemented through the libavutil/eval.h +interface. +
+An expression may contain unary, binary operators, constants, and +functions. +
+Two expressions expr1 and expr2 can be combined to form +another expression "expr1;expr2". +expr1 and expr2 are evaluated in turn, and the new +expression evaluates to the value of expr2. +
+The following binary operators are available: +, -,
+*, /, ^.
+
The following unary operators are available: +, -.
+
The following functions are available: +
Compute absolute value of x. +
+Compute arccosine of x. +
+Compute arcsine of x. +
+Compute arctangent of x. +
+Compute principal value of the arc tangent of y/x. +
+Return 1 if x is greater than or equal to min and lesser than or +equal to max, 0 otherwise. +
+Compute bitwise and/or operation on x and y. +
+The results of the evaluation of x and y are converted to +integers before executing the bitwise operation. +
+Note that both the conversion to integer and the conversion back to +floating point can lose precision. Beware of unexpected results for +large numbers (usually 2^53 and larger). +
+Round the value of expression expr upwards to the nearest +integer. For example, "ceil(1.5)" is "2.0". +
+Return the value of x clipped between min and max. +
+Compute cosine of x. +
+Compute hyperbolic cosine of x. +
+Return 1 if x and y are equivalent, 0 otherwise. +
+Compute exponential of x (with base e, the Euler’s number).
+
Round the value of expression expr downwards to the nearest +integer. For example, "floor(-1.5)" is "-2.0". +
+Compute Gauss function of x, corresponding to
+exp(-x*x/2) / sqrt(2*PI).
+
Return the greatest common divisor of x and y. If both x and +y are 0 or either or both are less than zero then behavior is undefined. +
+Return 1 if x is greater than y, 0 otherwise. +
+Return 1 if x is greater than or equal to y, 0 otherwise. +
+This function is similar to the C function with the same name; it returns +"sqrt(x*x + y*y)", the length of the hypotenuse of a +right triangle with sides of length x and y, or the distance of the +point (x, y) from the origin. +
+Evaluate x, and if the result is non-zero return the result of +the evaluation of y, return 0 otherwise. +
+Evaluate x, and if the result is non-zero return the evaluation +result of y, otherwise the evaluation result of z. +
+Evaluate x, and if the result is zero return the result of the +evaluation of y, return 0 otherwise. +
+Evaluate x, and if the result is zero return the evaluation +result of y, otherwise the evaluation result of z. +
+Return 1.0 if x is +/-INFINITY, 0.0 otherwise. +
+Return 1.0 if x is NAN, 0.0 otherwise. +
+Load the value of the internal variable with number +var, which was previously stored with st(var, expr). +The function returns the loaded value. +
+Return linear interpolation between x and y by amount of z. +
+Compute natural logarithm of x. +
+Return 1 if x is lesser than y, 0 otherwise. +
+Return 1 if x is lesser than or equal to y, 0 otherwise. +
+Return the maximum between x and y. +
+Return the minimum between x and y. +
+Compute the remainder of division of x by y. +
+Return 1.0 if expr is zero, 0.0 otherwise. +
+Compute the power of x elevated y, it is equivalent to +"(x)^(y)". +
+Print the value of expression t with loglevel l. If +l is not specified then a default log level is used. +Returns the value of the expression printed. +
+Prints t with loglevel l +
+Return a pseudo random value between 0.0 and 1.0. x is the index of the +internal variable which will be used to save the seed/state. +
+Find an input value for which the function represented by expr +with argument ld(0) is 0 in the interval 0..max. +
+The expression in expr must denote a continuous function or the +result is undefined. +
+ld(0) is used to represent the function input value, which means
+that the given expression will be evaluated multiple times with
+various input values that the expression can access through
+ld(0). When the expression evaluates to 0 then the
+corresponding input value will be returned.
+
Round the value of expression expr to the nearest integer. For example, "round(1.5)" is "2.0". +
+Compute sign of x. +
+Compute sine of x. +
+Compute hyperbolic sine of x. +
+Compute the square root of expr. This is equivalent to +"(expr)^.5". +
+Compute expression 1/(1 + exp(4*x)).
+
Store the value of the expression expr in an internal +variable. var specifies the number of the variable where to +store the value, and it is a value ranging from 0 to 9. The function +returns the value stored in the internal variable. +Note, Variables are currently not shared between expressions. +
+Compute tangent of x. +
+Compute hyperbolic tangent of x. +
+Evaluate a Taylor series at x, given an expression representing
+the ld(id)-th derivative of a function at 0.
+
When the series does not converge the result is undefined. +
+ld(id) is used to represent the derivative order in expr,
+which means that the given expression will be evaluated multiple times
+with various input values that the expression can access through
+ld(id). If id is not specified then 0 is assumed.
+
Note, when you have the derivatives at y instead of 0,
+taylor(expr, x-y) can be used.
+
Return the current (wallclock) time in seconds. +
+Round the value of expression expr towards zero to the nearest +integer. For example, "trunc(-1.5)" is "-1.0". +
+Evaluate expression expr while the expression cond is +non-zero, and returns the value of the last expr evaluation, or +NAN if cond was always false. +
The following constants are available: +
area of the unit disc, approximately 3.14 +
exp(1) (Euler’s number), approximately 2.718 +
golden ratio (1+sqrt(5))/2, approximately 1.618 +
Assuming that an expression is considered "true" if it has a non-zero +value, note that: +
+* works like AND
+
+ works like OR
+
For example the construct: +
if (A AND B) then C +
is equivalent to: +
if(A*B, C) +
In your C code, you can extend the list of unary and binary functions, +and define recognized constants, so that they are available for your +expressions. +
+The evaluator also recognizes the International System unit prefixes. +If ’i’ is appended after the prefix, binary prefixes are used, which +are based on powers of 1024 instead of powers of 1000. +The ’B’ postfix multiplies the value by 8, and can be appended after a +unit prefix or used alone. This allows using for example ’KB’, ’MiB’, +’G’ and ’B’ as number postfix. +
+The list of available International System prefixes follows, with +indication of the corresponding powers of 10 and of 2. +
10^-24 / 2^-80 +
10^-21 / 2^-70 +
10^-18 / 2^-60 +
10^-15 / 2^-50 +
10^-12 / 2^-40 +
10^-9 / 2^-30 +
10^-6 / 2^-20 +
10^-3 / 2^-10 +
10^-2 +
10^-1 +
10^2 +
10^3 / 2^10 +
10^3 / 2^10 +
10^6 / 2^20 +
10^9 / 2^30 +
10^12 / 2^40 +
10^15 / 2^50 +
10^18 / 2^60 +
10^21 / 2^70 +
10^24 / 2^80 +
libavcodec provides some generic global options, which can be set on +all the encoders and decoders. In addition each codec may support +so-called private options, which are specific for a given codec. +
+Sometimes, a global option may only affect a specific kind of codec, +and may be nonsensical or ignored by another, so you need to be aware +of the meaning of the specified options. Also some options are +meant only for decoding or encoding. +
+Options may be set by specifying -option value in the
+FFmpeg tools, or by setting the value explicitly in the
+AVCodecContext options or using the libavutil/opt.h API
+for programmatic use.
+
The list of supported options follow: +
+Set bitrate in bits/s. Default value is 200K. +
+Set audio bitrate (in bits/s). Default value is 128K. +
+Set video bitrate tolerance (in bits/s). In 1-pass mode, bitrate +tolerance specifies how far ratecontrol is willing to deviate from the +target average bitrate value. This is not related to min/max +bitrate. Lowering tolerance too much has an adverse effect on quality. +
+Set generic flags. +
+Possible values: +
Use four motion vector by macroblock (mpeg4). +
Use 1/4 pel motion compensation. +
Use loop filter. +
Use fixed qscale. +
Use internal 2pass ratecontrol in first pass mode. +
Use internal 2pass ratecontrol in second pass mode. +
Only decode/encode grayscale. +
Set error[?] variables during encoding. +
Input bitstream might be randomly truncated. +
Don’t output frames whose parameters differ from first decoded frame in stream. +Error AVERROR_INPUT_CHANGED is returned when a frame is dropped. +
+Use interlaced DCT. +
Force low delay. +
Place global headers in extradata instead of every keyframe. +
Only write platform-, build- and time-independent data. (except (I)DCT). +This ensures that file and data checksums are reproducible and match between +platforms. Its primary use is for regression testing. +
Apply H263 advanced intra coding / mpeg4 ac prediction. +
Apply interlaced motion estimation. +
Use closed gop. +
Output even potentially corrupted frames. +
Set codec time base. +
+It is the fundamental unit of time (in seconds) in terms of which
+frame timestamps are represented. For fixed-fps content, timebase
+should be 1 / frame_rate and timestamp increments should be
+identically 1.
+
Set the group of picture (GOP) size. Default value is 12. +
+Set audio sampling rate (in Hz). +
+Set number of audio channels. +
+Set cutoff bandwidth. (Supported only by selected encoders, see +their respective documentation sections.) +
+Set audio frame size. +
+Each submitted frame except the last must contain exactly frame_size +samples per channel. May be 0 when the codec has +CODEC_CAP_VARIABLE_FRAME_SIZE set, in that case the frame size is not +restricted. It is set by some decoders to indicate constant frame +size. +
+Set the frame number. +
+Set video quantizer scale compression (VBR). It is used as a constant +in the ratecontrol equation. Recommended range for default rc_eq: +0.0-1.0. +
+Set video quantizer scale blur (VBR). +
+Set min video quantizer scale (VBR). Must be included between -1 and +69, default value is 2. +
+Set max video quantizer scale (VBR). Must be included between -1 and +1024, default value is 31. +
+Set max difference between the quantizer scale (VBR). +
+Set max number of B frames between non-B-frames. +
+Must be an integer between -1 and 16. 0 means that B-frames are +disabled. If a value of -1 is used, it will choose an automatic value +depending on the encoder. +
+Default value is 0. +
+Set qp factor between P and B frames. +
+Workaround not auto detected encoder bugs. +
+Possible values: +
Xvid interlacing bug (autodetected if fourcc==XVIX) +
(autodetected if fourcc==UMP4) +
padding bug (autodetected) +
old standard qpel (autodetected per fourcc/version) +
direct-qpel-blocksize bug (autodetected per fourcc/version) +
edge padding bug (autodetected per fourcc/version) +
Workaround various bugs in microsoft broken decoders. +
trancated frames +
Specify how strictly to follow the standards. +
+Possible values: +
strictly conform to an older more strict version of the spec or reference software +
strictly conform to all the things in the spec no matter what consequences +
allow unofficial extensions +
allow non standardized experimental things, experimental +(unfinished/work in progress/not well tested) decoders and encoders. +Note: experimental decoders can pose a security risk, do not use this for +decoding untrusted input. +
Set QP offset between P and B frames. +
+Set error detection flags. +
+Possible values: +
verify embedded CRCs +
detect bitstream specification deviations +
detect improper bitstream length +
abort decoding on minor error detection +
ignore decoding errors, and continue decoding. +This is useful if you want to analyze the content of a video and thus want +everything to be decoded no matter what. This option will not result in a video +that is pleasing to watch in case of errors. +
consider things that violate the spec and have not been seen in the wild as errors +
consider all spec non compliancies as errors +
consider things that a sane encoder should not do as an error +
Set max bitrate tolerance (in bits/s). Requires bufsize to be set. +
+Set min bitrate tolerance (in bits/s). Most useful in setting up a CBR +encode. It is of little use elsewise. +
+Set ratecontrol buffer size (in bits). +
+Set QP factor between P and I frames. +
+Set QP offset between P and I frames. +
+Set DCT algorithm. +
+Possible values: +
autoselect a good one (default) +
fast integer +
accurate integer +
floating point AAN DCT +
Compress bright areas stronger than medium ones. +
+Set temporal complexity masking. +
+Set spatial complexity masking. +
+Set inter masking. +
+Compress dark areas stronger than medium ones. +
+Select IDCT implementation. +
+Possible values: +
Automatically pick a IDCT compatible with the simple one +
+floating point AAN IDCT +
Set error concealment strategy. +
+Possible values: +
iterative motion vector (MV) search (slow) +
use strong deblock filter for damaged MBs +
favor predicting from the previous frame instead of the current +
Set sample aspect ratio. +
+Set sample aspect ratio. Alias to aspect. +
+Print specific debug info. +
+Possible values: +
picture info +
rate control +
macroblock (MB) type +
per-block quantization parameter (QP) +
display complexity metadata for the upcoming frame, GoP or for a given duration. +
+error recognition +
memory management control operations (H.264) +
picture buffer allocations +
threading operations +
skip motion compensation +
Set full pel me compare function. +
+Possible values: +
sum of absolute differences, fast (default) +
sum of squared errors +
sum of absolute Hadamard transformed differences +
sum of absolute DCT transformed differences +
sum of squared quantization errors (avoid, low quality) +
number of bits needed for the block +
rate distortion optimal, slow +
0 +
sum of absolute vertical differences +
sum of squared vertical differences +
noise preserving sum of squared differences +
5/3 wavelet, only used in snow +
9/7 wavelet, only used in snow +
Set sub pel me compare function. +
+Possible values: +
sum of absolute differences, fast (default) +
sum of squared errors +
sum of absolute Hadamard transformed differences +
sum of absolute DCT transformed differences +
sum of squared quantization errors (avoid, low quality) +
number of bits needed for the block +
rate distortion optimal, slow +
0 +
sum of absolute vertical differences +
sum of squared vertical differences +
noise preserving sum of squared differences +
5/3 wavelet, only used in snow +
9/7 wavelet, only used in snow +
Set macroblock compare function. +
+Possible values: +
sum of absolute differences, fast (default) +
sum of squared errors +
sum of absolute Hadamard transformed differences +
sum of absolute DCT transformed differences +
sum of squared quantization errors (avoid, low quality) +
number of bits needed for the block +
rate distortion optimal, slow +
0 +
sum of absolute vertical differences +
sum of squared vertical differences +
noise preserving sum of squared differences +
5/3 wavelet, only used in snow +
9/7 wavelet, only used in snow +
Set interlaced dct compare function. +
+Possible values: +
sum of absolute differences, fast (default) +
sum of squared errors +
sum of absolute Hadamard transformed differences +
sum of absolute DCT transformed differences +
sum of squared quantization errors (avoid, low quality) +
number of bits needed for the block +
rate distortion optimal, slow +
0 +
sum of absolute vertical differences +
sum of squared vertical differences +
noise preserving sum of squared differences +
5/3 wavelet, only used in snow +
9/7 wavelet, only used in snow +
Set diamond type & size for motion estimation. +
full motion estimation(slowest) +
umh motion estimation +
hex motion estimation +
l2s diamond motion estimation +
var diamond motion estimation +
small diamond motion estimation +
funny diamond motion estimation +
sab diamond motion estimation +
Set amount of motion predictors from the previous frame. +
+Set pre motion estimation compare function. +
+Possible values: +
sum of absolute differences, fast (default) +
sum of squared errors +
sum of absolute Hadamard transformed differences +
sum of absolute DCT transformed differences +
sum of squared quantization errors (avoid, low quality) +
number of bits needed for the block +
rate distortion optimal, slow +
0 +
sum of absolute vertical differences +
sum of squared vertical differences +
noise preserving sum of squared differences +
5/3 wavelet, only used in snow +
9/7 wavelet, only used in snow +
Set diamond type & size for motion estimation pre-pass. +
+Set sub pel motion estimation quality. +
+Set limit motion vectors range (1023 for DivX player). +
+Set macroblock decision algorithm (high quality mode). +
+Possible values: +
use mbcmp (default) +
use fewest bits +
use best rate distortion +
Set number of bits which should be loaded into the rc buffer before +decoding starts. +
+Possible values: +
Allow non spec compliant speedup tricks. +
Skip bitstream encoding. +
Ignore cropping information from sps. +
Place global headers at every keyframe instead of in extradata. +
Frame data might be split into multiple chunks. +
Show all frames before the first keyframe. +
Export motion vectors into frame side-data (see AV_FRAME_DATA_MOTION_VECTORS)
+for codecs that support it. See also doc/examples/export_mvs.c.
+
Do not skip samples and export skip information as frame side data. +
Do not reset ASS ReadOrder field on flush. +
Generate/parse embedded ICC profiles from/to colorimetry tags. +
Possible values: +
Export motion vectors into frame side-data (see AV_FRAME_DATA_MOTION_VECTORS)
+for codecs that support it. See also doc/examples/export_mvs.c.
+
Export encoder Producer Reference Time into packet side-data (see AV_PKT_DATA_PRFT)
+for codecs that support it.
+
Export video encoding parameters through frame side data (see AV_FRAME_DATA_VIDEO_ENC_PARAMS)
+for codecs that support it. At present, those are H.264 and VP9.
+
Export film grain parameters through frame side data (see AV_FRAME_DATA_FILM_GRAIN_PARAMS).
+Supported at present by AV1 decoders.
+
Set the number of threads to be used, in case the selected codec +implementation supports multi-threading. +
+Possible values: +
automatically select the number of threads to set +
Default value is ‘auto’. +
+Set intra_dc_precision. +
+Set nsse weight. +
+Set number of macroblock rows at the top which are skipped. +
+Set number of macroblock rows at the bottom which are skipped. +
+Set encoder codec profile. Default value is ‘unknown’. Encoder specific +profiles are documented in the relevant encoder documentation. +
+Possible values: +
Decode at 1= 1/2, 2=1/4, 3=1/8 resolutions. +
+Set min macroblock lagrange factor (VBR). +
+Set max macroblock lagrange factor (VBR). +
+Make decoder discard processing depending on the frame type selected +by the option value. +
+skip_loop_filter skips frame loop filtering, skip_idct +skips frame IDCT/dequantization, skip_frame skips decoding. +
+Possible values: +
Discard no frame. +
+Discard useless frames like 0-sized frames. +
+Discard all non-reference frames. +
+Discard all bidirectional frames. +
+Discard all frames excepts keyframes. +
+Discard all frames except I frames. +
+Discard all frames. +
Default value is ‘default’. +
+Refine the two motion vectors used in bidirectional macroblocks. +
+Set minimum interval between IDR-frames. +
+Set reference frames to consider for motion compensation. +
+Set rate-distortion optimal quantization. +
+Possible values: +
Possible values: +
Possible values: +
BT.709 +
BT.470 M +
BT.470 BG +
SMPTE 170 M +
SMPTE 240 M +
Film +
BT.2020 +
SMPTE ST 428-1 +
SMPTE 431-2 +
SMPTE 432-1 +
JEDEC P22 +
Possible values: +
BT.709 +
BT.470 M +
BT.470 BG +
SMPTE 170 M +
SMPTE 240 M +
Linear +
Log +
Log square root +
IEC 61966-2-4 +
BT.1361 +
IEC 61966-2-1 +
BT.2020 - 10 bit +
BT.2020 - 12 bit +
SMPTE ST 2084 +
SMPTE ST 428-1 +
ARIB STD-B67 +
Possible values: +
RGB +
BT.709 +
FCC +
BT.470 BG +
SMPTE 170 M +
SMPTE 240 M +
YCOCG +
BT.2020 NCL +
BT.2020 CL +
SMPTE 2085 +
Chroma-derived NCL +
Chroma-derived CL +
ICtCp +
If used as input parameter, it serves as a hint to the decoder, which +color_range the input has. +Possible values: +
MPEG (219*2^(n-8)) +
JPEG (2^n-1) +
Possible values: +
Set the log level offset. +
+Number of slices, used in parallelized encoding. +
+Select which multithreading methods to use. +
+Use of ‘frame’ will increase decoding delay by one frame per +thread, so clients which cannot provide future frames should not use +it. +
+Possible values: +
Decode more than one part of a single frame at once. +
+Multithreading using slices works only when the video was encoded with +slices. +
+Decode more than one frame at once. +
Default value is ‘slice+frame’. +
+Set audio service type. +
+Possible values: +
Main Audio Service +
Effects +
Visually Impaired +
Hearing Impaired +
Dialogue +
Commentary +
Emergency +
Voice Over +
Karaoke +
Set sample format audio decoders should prefer. Default value is
+none.
+
Set the input subtitles character encoding. +
+Set/override the field order of the video. +Possible values: +
Progressive video +
Interlaced video, top field coded and displayed first +
Interlaced video, bottom field coded and displayed first +
Interlaced video, top coded first, bottom displayed first +
Interlaced video, bottom coded first, top displayed first +
Set to 1 to disable processing alpha (transparency). This works like the +‘gray’ flag in the flags option which skips chroma information +instead of alpha. Default is 0. +
+"," separated list of allowed decoders. By default all are allowed. +
+Separator used to separate the fields printed on the command line about the +Stream parameters. +For example, to separate the fields with newlines and indentation: +
ffprobe -dump_separator " + " -i ~/videos/matrixbench_mpeg2.mpg +
Maximum number of pixels per image. This value can be used to avoid out of +memory failures due to large images. +
+Enable cropping if cropping parameters are multiples of the required
+alignment for the left and top parameters. If the alignment is not met the
+cropping will be partially applied to maintain alignment.
+Default is 1 (enabled).
+Note: The required alignment depends on if AV_CODEC_FLAG_UNALIGNED is set and the
+CPU. AV_CODEC_FLAG_UNALIGNED cannot be changed from the command line. Also hardware
+decoders will not apply left/top Cropping.
+
Decoders are configured elements in FFmpeg which allow the decoding of +multimedia streams. +
+When you configure your FFmpeg build, all the supported native decoders
+are enabled by default. Decoders requiring an external library must be enabled
+manually via the corresponding --enable-lib option. You can list all
+available decoders using the configure option --list-decoders.
+
You can disable all the decoders with the configure option
+--disable-decoders and selectively enable / disable single decoders
+with the options --enable-decoder=DECODER /
+--disable-decoder=DECODER.
+
The option -decoders of the ff* tools will display the list of
+enabled decoders.
+
A description of some of the currently available video decoders +follows. +
+ +AOMedia Video 1 (AV1) decoder. +
+ +Select an operating point of a scalable AV1 bitstream (0 - 31). Default is 0. +
+Raw video decoder. +
+This decoder decodes rawvideo streams. +
+ +Specify the assumed field type of the input video. +
the video is assumed to be progressive (default) +
bottom-field-first is assumed +
top-field-first is assumed +
dav1d AV1 decoder. +
+libdav1d allows libavcodec to decode the AOMedia Video 1 (AV1) codec.
+Requires the presence of the libdav1d headers and library during configuration.
+You need to explicitly configure the build with --enable-libdav1d.
+
The following options are supported by the libdav1d wrapper. +
+Set amount of frame threads to use during decoding. The default value is 0 (autodetect).
+This option is deprecated for libdav1d >= 1.0 and will be removed in the future. Use the
+option max_frame_delay and the global option threads instead.
+
Set amount of tile threads to use during decoding. The default value is 0 (autodetect).
+This option is deprecated for libdav1d >= 1.0 and will be removed in the future. Use the
+global option threads instead.
+
Set max amount of frames the decoder may buffer internally. The default value is 0 +(autodetect). +
+Apply film grain to the decoded video if present in the bitstream. Defaults to the
+internal default of the library.
+This option is deprecated and will be removed in the future. See the global option
+export_side_data to export Film Grain parameters instead of applying it.
+
Select an operating point of a scalable AV1 bitstream (0 - 31). Defaults to the +internal default of the library. +
+Output all spatial layers of a scalable AV1 bitstream. The default value is false. +
+AVS2-P2/IEEE1857.4 video decoder wrapper. +
+This decoder allows libavcodec to decode AVS2 streams with davs2 library. +
+ + +AVS3-P2/IEEE1857.10 video decoder. +
+libuavs3d allows libavcodec to decode AVS3 streams.
+Requires the presence of the libuavs3d headers and library during configuration.
+You need to explicitly configure the build with --enable-libuavs3d.
+
The following option is supported by the libuavs3d wrapper. +
+Set amount of frame threads to use during decoding. The default value is 0 (autodetect). +
+The family of Intel QuickSync Video decoders (VC1, MPEG-2, H.264, HEVC, +JPEG/MJPEG, VP8, VP9, AV1). +
+ +The following options are supported by all qsv decoders. +
+Internal parallelization depth, the higher the value the higher the latency. +
+A GPU-accelerated copy between video and system memory +
Extra options for hevc_qsv. +
+A user plugin to load in an internal session +
A :-separate list of hexadecimal plugin UIDs to load in an internal session +
+Uncompressed 4:2:2 10-bit decoder. +
+ +Set the line size of the v210 data in bytes. The default value is 0 +(autodetect). You can use the special -1 value for a strideless v210 as seen in +BOXX files. +
+A description of some of the currently available audio decoders +follows. +
+ +AC-3 audio decoder. +
+This decoder implements part of ATSC A/52:2010 and ETSI TS 102 366, as well as +the undocumented RealAudio 3 (a.k.a. dnet). +
+ +Dynamic Range Scale Factor. The factor to apply to dynamic range values +from the AC-3 stream. This factor is applied exponentially. The default value is 1. +There are 3 notable scale factor ranges: +
DRC disabled. Produces full range audio. +
DRC enabled. Applies a fraction of the stream DRC value. +Audio reproduction is between full range and full compression. +
DRC enabled. Applies drc_scale asymmetrically. +Loud sounds are fully compressed. Soft sounds are enhanced. +
FLAC audio decoder. +
+This decoder aims to implement the complete FLAC specification from Xiph. +
+ +The lavc FLAC encoder used to produce buggy streams with high lpc values +(like the default value). This option makes it possible to decode such streams +correctly by using lavc’s old buggy lpc logic for decoding. +
+Internal wave synthesizer. +
+This decoder generates wave patterns according to predefined sequences. Its +use is purely internal and the format of the data it accepts is not publicly +documented. +
+ +libcelt decoder wrapper. +
+libcelt allows libavcodec to decode the Xiph CELT ultra-low delay audio codec.
+Requires the presence of the libcelt headers and library during configuration.
+You need to explicitly configure the build with --enable-libcelt.
+
libgsm decoder wrapper. +
+libgsm allows libavcodec to decode the GSM full rate audio codec. Requires
+the presence of the libgsm headers and library during configuration. You need
+to explicitly configure the build with --enable-libgsm.
+
This decoder supports both the ordinary GSM and the Microsoft variant. +
+ +libilbc decoder wrapper. +
+libilbc allows libavcodec to decode the Internet Low Bitrate Codec (iLBC)
+audio codec. Requires the presence of the libilbc headers and library during
+configuration. You need to explicitly configure the build with
+--enable-libilbc.
+
The following option is supported by the libilbc wrapper. +
+Enable the enhancement of the decoded audio when set to 1. The default +value is 0 (disabled). +
+libopencore-amrnb decoder wrapper. +
+libopencore-amrnb allows libavcodec to decode the Adaptive Multi-Rate
+Narrowband audio codec. Using it requires the presence of the
+libopencore-amrnb headers and library during configuration. You need to
+explicitly configure the build with --enable-libopencore-amrnb.
+
An FFmpeg native decoder for AMR-NB exists, so users can decode AMR-NB +without this library. +
+ +libopencore-amrwb decoder wrapper. +
+libopencore-amrwb allows libavcodec to decode the Adaptive Multi-Rate
+Wideband audio codec. Using it requires the presence of the
+libopencore-amrwb headers and library during configuration. You need to
+explicitly configure the build with --enable-libopencore-amrwb.
+
An FFmpeg native decoder for AMR-WB exists, so users can decode AMR-WB +without this library. +
+ +libopus decoder wrapper. +
+libopus allows libavcodec to decode the Opus Interactive Audio Codec.
+Requires the presence of the libopus headers and library during
+configuration. You need to explicitly configure the build with
+--enable-libopus.
+
An FFmpeg native decoder for Opus exists, so users can decode Opus +without this library. +
+ + +ARIB STD-B24 caption decoder. +
+Implements profiles A and C of the ARIB STD-B24 standard. +
+ +Sets the base path for the libaribb24 library. This is utilized for reading of +configuration files (for custom unicode conversions), and for dumping of +non-text symbols as images under that location. +
+Unset by default. +
+Tells the decoder wrapper to skip text blocks that contain half-height ruby +text. +
+Enabled by default. +
+Compute clut once if no matching CLUT is in the stream. +
Compute clut if no matching CLUT is in the stream. +
Never compute CLUT +
Always compute CLUT and override the one provided in the stream. +
Selects the dvb substream, or all substreams if -1 which is default. +
+This codec decodes the bitmap subtitles used in DVDs; the same subtitles can +also be found in VobSub file pairs and in some Matroska files. +
+ +Specify the global palette used by the bitmaps. When stored in VobSub, the +palette is normally specified in the index file; in Matroska, the palette is +stored in the codec extra-data in the same format as in VobSub. In DVDs, the +palette is stored in the IFO file, and therefore not available when reading +from dumped VOB files. +
+The format for this option is a string containing 16 24-bits hexadecimal
+numbers (without 0x prefix) separated by commas, for example 0d00ee,
+ee450d, 101010, eaeaea, 0ce60b, ec14ed, ebff0b, 0d617a, 7b7b7b, d1d1d1,
+7b2a0e, 0d950c, 0f007b, cf0dec, cfa80c, 7c127b.
+
Specify the IFO file from which the global palette is obtained. +(experimental) +
+Only decode subtitle entries marked as forced. Some titles have forced
+and non-forced subtitles in the same track. Setting this flag to 1
+will only keep the forced subtitles. Default value is 0.
+
Libzvbi allows libavcodec to decode DVB teletext pages and DVB teletext
+subtitles. Requires the presence of the libzvbi headers and library during
+configuration. You need to explicitly configure the build with
+--enable-libzvbi.
+
List of teletext page numbers to decode. Pages that do not match the specified
+list are dropped. You may use the special * string to match all pages,
+or subtitle to match all subtitle pages.
+Default value is *.
+
Set default character set used for decoding, a value between 0 and 87 (see +ETS 300 706, Section 15, Table 32). Default value is -1, which does not +override the libzvbi default. This option is needed for some legacy level 1.0 +transmissions which cannot signal the proper charset. +
Discards the top teletext line. Default value is 1. +
Specifies the format of the decoded subtitles. +
The default format, you should use this for teletext pages, because certain +graphics and colors cannot be expressed in simple text or even ASS. +
Simple text based output without formatting. +
Formatted ASS output, subtitle pages and teletext pages are returned in +different styles, subtitle pages are stripped down to text, but an effort is +made to keep the text alignment and the formatting. +
X offset of generated bitmaps, default is 0. +
Y offset of generated bitmaps, default is 0. +
Chops leading and trailing spaces and removes empty lines from the generated +text. This option is useful for teletext based subtitles where empty spaces may +be present at the start or at the end of the lines or empty lines may be +present between the subtitle lines because of double-sized teletext characters. +Default value is 1. +
Sets the display duration of the decoded teletext pages or subtitles in +milliseconds. Default value is -1 which means infinity or until the next +subtitle event comes. +
Force transparent background of the generated teletext bitmaps. Default value +is 0 which means an opaque background. +
Sets the opacity (0-255) of the teletext background. If +txt_transparent is not set, it only affects characters between a start +box and an end box, typically subtitles. Default value is 0 if +txt_transparent is set, 255 otherwise. +
+Encoders are configured elements in FFmpeg which allow the encoding of +multimedia streams. +
+When you configure your FFmpeg build, all the supported native encoders
+are enabled by default. Encoders requiring an external library must be enabled
+manually via the corresponding --enable-lib option. You can list all
+available encoders using the configure option --list-encoders.
+
You can disable all the encoders with the configure option
+--disable-encoders and selectively enable / disable single encoders
+with the options --enable-encoder=ENCODER /
+--disable-encoder=ENCODER.
+
The option -encoders of the ff* tools will display the list of
+enabled encoders.
+
A description of some of the currently available audio encoders +follows. +
+ +Advanced Audio Coding (AAC) encoder. +
+This encoder is the default AAC encoder, natively implemented into FFmpeg. +
+ +Set bit rate in bits/s. Setting this automatically activates constant bit rate +(CBR) mode. If this option is unspecified it is set to 128kbps. +
+Set quality for variable bit rate (VBR) mode. This option is valid only using
+the ffmpeg command-line tool. For library interface users, use
+global_quality.
+
Set cutoff frequency. If unspecified will allow the encoder to dynamically +adjust the cutoff to improve clarity on low bitrates. +
+Set AAC encoder coding method. Possible values: +
+Two loop searching (TLS) method. This is the default method. +
+This method first sets quantizers depending on band thresholds and then tries +to find an optimal combination by adding or subtracting a specific value from +all quantizers and adjusting some individual quantizer a little. Will tune +itself based on whether aac_is, aac_ms and aac_pns +are enabled. +
+Average noise to mask ratio (ANMR) trellis-based solution. +
+This is an experimental coder which currently produces a lower quality, is more +unstable and is slower than the default twoloop coder but has potential. +Currently has no support for the aac_is or aac_pns options. +Not currently recommended. +
+Constant quantizer method. +
+Uses a cheaper version of twoloop algorithm that doesn’t try to do as many +clever adjustments. Worse with low bitrates (less than 64kbps), but is better +and much faster at higher bitrates. +
+Sets mid/side coding mode. The default value of "auto" will automatically use +M/S with bands which will benefit from such coding. Can be forced for all bands +using the value "enable", which is mainly useful for debugging or disabled using +"disable". +
+Sets intensity stereo coding tool usage. By default, it’s enabled and will +automatically toggle IS for similar pairs of stereo bands if it’s beneficial. +Can be disabled for debugging by setting the value to "disable". +
+Uses perceptual noise substitution to replace low entropy high frequency bands +with imperceptible white noise during the decoding process. By default, it’s +enabled, but can be disabled for debugging purposes by using "disable". +
+Enables the use of a multitap FIR filter which spans through the high frequency +bands to hide quantization noise during the encoding process and is reverted +by the decoder. As well as decreasing unpleasant artifacts in the high range +this also reduces the entropy in the high bands and allows for more bits to +be used by the mid-low bands. By default it’s enabled but can be disabled for +debugging by setting the option to "disable". +
+Enables the use of the long term prediction extension which increases coding +efficiency in very low bandwidth situations such as encoding of voice or +solo piano music by extending constant harmonic peaks in bands throughout +frames. This option is implied by profile:a aac_low and is incompatible with +aac_pred. Use in conjunction with -ar to decrease the samplerate. +
+Enables the use of a more traditional style of prediction where the spectral +coefficients transmitted are replaced by the difference of the current +coefficients minus the previous "predicted" coefficients. In theory and sometimes +in practice this can improve quality for low to mid bitrate audio. +This option implies the aac_main profile and is incompatible with aac_ltp. +
+Sets the encoding profile, possible values: +
+The default, AAC "Low-complexity" profile. Is the most compatible and produces +decent quality. +
+Equivalent to -profile:a aac_low -aac_pns 0. PNS was introduced with the
+MPEG4 specifications.
+
Long term prediction profile, is enabled by and will enable the aac_ltp +option. Introduced in MPEG4. +
+Main-type prediction profile, is enabled by and will enable the aac_pred +option. Introduced in MPEG2. +
+If this option is unspecified it is set to ‘aac_low’. +
AC-3 audio encoders. +
+These encoders implement part of ATSC A/52:2010 and ETSI TS 102 366, as well as +the undocumented RealAudio 3 (a.k.a. dnet). +
+The ac3 encoder uses floating-point math, while the ac3_fixed
+encoder only uses fixed-point integer math. This does not mean that one is
+always faster, just that one or the other may be better suited to a
+particular system. The ac3_fixed encoder is not the default codec for
+any of the output formats, so it must be specified explicitly using the option
+-acodec ac3_fixed in order to use it.
+
The AC-3 metadata options are used to set parameters that describe the audio, +but in most cases do not affect the audio encoding itself. Some of the options +do directly affect or influence the decoding and playback of the resulting +bitstream, while others are just for informational purposes. A few of the +options will add bits to the output stream that could otherwise be used for +audio data, and will thus affect the quality of the output. Those will be +indicated accordingly with a note in the option list below. +
+These parameters are described in detail in several publicly-available +documents. +
Allow Per-Frame Metadata. Specifies if the encoder should check for changing +metadata for each frame. +
The metadata values set at initialization will be used for every frame in the +stream. (default) +
Metadata values can be changed before encoding each frame. +
Center Mix Level. The amount of gain the decoder should apply to the center +channel when downmixing to stereo. This field will only be written to the +bitstream if a center channel is present. The value is specified as a scale +factor. There are 3 valid values: +
Apply -3dB gain +
Apply -4.5dB gain (default) +
Apply -6dB gain +
Surround Mix Level. The amount of gain the decoder should apply to the surround +channel(s) when downmixing to stereo. This field will only be written to the +bitstream if one or more surround channels are present. The value is specified +as a scale factor. There are 3 valid values: +
Apply -3dB gain +
Apply -6dB gain (default) +
Silence Surround Channel(s) +
Audio Production Information is optional information describing the mixing +environment. Either none or both of the fields are written to the bitstream. +
+Mixing Level. Specifies peak sound pressure level (SPL) in the production
+environment when the mix was mastered. Valid values are 80 to 111, or -1 for
+unknown or not indicated. The default value is -1, but that value cannot be
+used if the Audio Production Information is written to the bitstream. Therefore,
+if the room_type option is not the default value, the mixing_level
+option must not be -1.
+
Room Type. Describes the equalization used during the final mixing session at
+the studio or on the dubbing stage. A large room is a dubbing stage with the
+industry standard X-curve equalization; a small room has flat equalization.
+This field will not be written to the bitstream if both the mixing_level
+option and the room_type option have the default values.
+
Not Indicated (default) +
Large Room +
Small Room +
Copyright Indicator. Specifies whether a copyright exists for this audio. +
No Copyright Exists (default) +
Copyright Exists +
Dialogue Normalization. Indicates how far the average dialogue level of the +program is below digital 100% full scale (0 dBFS). This parameter determines a +level shift during audio reproduction that sets the average volume of the +dialogue to a preset level. The goal is to match volume level between program +sources. A value of -31dB will result in no volume level change, relative to +the source volume, during audio reproduction. Valid values are whole numbers in +the range -31 to -1, with -31 being the default. +
+Dolby Surround Mode. Specifies whether the stereo signal uses Dolby Surround +(Pro Logic). This field will only be written to the bitstream if the audio +stream is stereo. Using this option does NOT mean the encoder will actually +apply Dolby Surround processing. +
Not Indicated (default) +
Not Dolby Surround Encoded +
Dolby Surround Encoded +
Original Bit Stream Indicator. Specifies whether this audio is from the +original source and not a copy. +
Not Original Source +
Original Source (default) +
The extended bitstream options are part of the Alternate Bit Stream Syntax as
+specified in Annex D of the A/52:2010 standard. It is grouped into 2 parts.
+If any one parameter in a group is specified, all values in that group will be
+written to the bitstream. Default values are used for those that are written
+but have not been specified. If the mixing levels are written, the decoder
+will use these values instead of the ones specified in the center_mixlev
+and surround_mixlev options if it supports the Alternate Bit Stream
+Syntax.
+
Preferred Stereo Downmix Mode. Allows the user to select either Lt/Rt +(Dolby Surround) or Lo/Ro (normal stereo) as the preferred stereo downmix mode. +
Not Indicated (default) +
Lt/Rt Downmix Preferred +
Lo/Ro Downmix Preferred +
Lt/Rt Center Mix Level. The amount of gain the decoder should apply to the +center channel when downmixing to stereo in Lt/Rt mode. +
Apply +3dB gain +
Apply +1.5dB gain +
Apply 0dB gain +
Apply -1.5dB gain +
Apply -3.0dB gain +
Apply -4.5dB gain (default) +
Apply -6.0dB gain +
Silence Center Channel +
Lt/Rt Surround Mix Level. The amount of gain the decoder should apply to the +surround channel(s) when downmixing to stereo in Lt/Rt mode. +
Apply -1.5dB gain +
Apply -3.0dB gain +
Apply -4.5dB gain +
Apply -6.0dB gain (default) +
Silence Surround Channel(s) +
Lo/Ro Center Mix Level. The amount of gain the decoder should apply to the +center channel when downmixing to stereo in Lo/Ro mode. +
Apply +3dB gain +
Apply +1.5dB gain +
Apply 0dB gain +
Apply -1.5dB gain +
Apply -3.0dB gain +
Apply -4.5dB gain (default) +
Apply -6.0dB gain +
Silence Center Channel +
Lo/Ro Surround Mix Level. The amount of gain the decoder should apply to the +surround channel(s) when downmixing to stereo in Lo/Ro mode. +
Apply -1.5dB gain +
Apply -3.0dB gain +
Apply -4.5dB gain +
Apply -6.0dB gain (default) +
Silence Surround Channel(s) +
Dolby Surround EX Mode. Indicates whether the stream uses Dolby Surround EX +(7.1 matrixed to 5.1). Using this option does NOT mean the encoder will actually +apply Dolby Surround EX processing. +
Not Indicated (default) +
Dolby Surround EX Off +
Dolby Surround EX On +
Dolby Headphone Mode. Indicates whether the stream uses Dolby Headphone +encoding (multi-channel matrixed to 2.0 for use with headphones). Using this +option does NOT mean the encoder will actually apply Dolby Headphone +processing. +
Not Indicated (default) +
Dolby Headphone Off +
Dolby Headphone On +
A/D Converter Type. Indicates whether the audio has passed through HDCD A/D +conversion. +
Standard A/D Converter (default) +
HDCD A/D Converter +
Stereo Rematrixing. Enables/Disables use of rematrixing for stereo input. This +is an optional AC-3 feature that increases quality by selectively encoding +the left/right channels as mid/side. This option is enabled by default, and it +is highly recommended that it be left as enabled except for testing purposes. +
+Set lowpass cutoff frequency. If unspecified, the encoder selects a default +determined by various other encoding parameters. +
+These options are only valid for the floating-point encoder and do not exist +for the fixed-point encoder due to the corresponding features not being +implemented in fixed-point. +
+Enables/Disables use of channel coupling, which is an optional AC-3 feature +that increases quality by combining high frequency information from multiple +channels into a single channel. The per-channel high frequency information is +sent with less accuracy in both the frequency and time domains. This allows +more bits to be used for lower frequencies while preserving enough information +to reconstruct the high frequencies. This option is enabled by default for the +floating-point encoder and should generally be left as enabled except for +testing purposes or to increase encoding speed. +
Selected by Encoder (default) +
Disable Channel Coupling +
Enable Channel Coupling +
Coupling Start Band. Sets the channel coupling start band, from 1 to 15. If a +value higher than the bandwidth is used, it will be reduced to 1 less than the +coupling end band. If auto is used, the start band will be determined by +the encoder based on the bit rate, sample rate, and channel layout. This option +has no effect if channel coupling is disabled. +
Selected by Encoder (default) +
FLAC (Free Lossless Audio Codec) Encoder +
+ +The following options are supported by FFmpeg’s flac encoder. +
+Sets the compression level, which chooses defaults for many other options +if they are not set explicitly. Valid values are from 0 to 12, 5 is the +default. +
+Sets the size of the frames in samples per channel. +
+Sets the LPC coefficient precision, valid values are from 1 to 15, 15 is the +default. +
+Sets the first stage LPC algorithm +
LPC is not used +
+fixed LPC coefficients +
+Number of passes to use for Cholesky factorization during LPC analysis +
+The minimum partition order +
+The maximum partition order +
+Bruteforce search +
Channel mode +
The mode is chosen automatically for each frame +
Channels are independently coded +
Chooses if rice parameters are calculated exactly or approximately. +if set to 1 then they are chosen exactly, which slows the code down slightly and +improves compression slightly. +
+Multi Dimensional Quantization. If set to 1 then a 2nd stage LPC algorithm is +applied after the first stage to finetune the coefficients. This is quite slow +and slightly improves compression. +
+Opus encoder. +
+This is a native FFmpeg encoder for the Opus format. Currently its in development and +only implements the CELT part of the codec. Its quality is usually worse and at best +is equal to the libopus encoder. +
+ +Set bit rate in bits/s. If unspecified it uses the number of channels and the layout +to make a good guess. +
+Sets the maximum delay in milliseconds. Lower delays than 20ms will very quickly +decrease quality. +
libfdk-aac AAC (Advanced Audio Coding) encoder wrapper. +
+The libfdk-aac library is based on the Fraunhofer FDK AAC code from +the Android project. +
+Requires the presence of the libfdk-aac headers and library during
+configuration. You need to explicitly configure the build with
+--enable-libfdk-aac. The library is also incompatible with GPL,
+so if you allow the use of GPL, you should configure with
+--enable-gpl --enable-nonfree --enable-libfdk-aac.
+
This encoder has support for the AAC-HE profiles. +
+VBR encoding, enabled through the vbr or flags ++qscale options, is experimental and only works with some +combinations of parameters. +
+Support for encoding 7.1 audio is only available with libfdk-aac 0.1.3 or +higher. +
+For more information see the fdk-aac project at +http://sourceforge.net/p/opencore-amr/fdk-aac/. +
+ +The following options are mapped on the shared FFmpeg codec options. +
+Set bit rate in bits/s. If the bitrate is not explicitly specified, it +is automatically set to a suitable value depending on the selected +profile. +
+In case VBR mode is enabled the option is ignored. +
+Set audio sampling rate (in Hz). +
+Set the number of audio channels. +
+Enable fixed quality, VBR (Variable Bit Rate) mode. +Note that VBR is implicitly enabled when the vbr value is +positive. +
+Set cutoff frequency. If not specified (or explicitly set to 0) it +will use a value automatically computed by the library. Default value +is 0. +
+Set audio profile. +
+The following profiles are recognized: +
Low Complexity AAC (LC) +
+High Efficiency AAC (HE-AAC) +
+High Efficiency AAC version 2 (HE-AACv2) +
+Low Delay AAC (LD) +
+Enhanced Low Delay AAC (ELD) +
If not specified it is set to ‘aac_low’. +
The following are private options of the libfdk_aac encoder. +
+Enable afterburner feature if set to 1, disabled if set to 0. This +improves the quality but also the required processing power. +
+Default value is 1. +
+Enable SBR (Spectral Band Replication) for ELD if set to 1, disabled +if set to 0. +
+Default value is 0. +
+Enable ELDv2 (LD-MPS extension for ELD stereo signals) for ELDv2 if set to 1, +disabled if set to 0. +
+Note that option is available when fdk-aac version (AACENCODER_LIB_VL0.AACENCODER_LIB_VL1.AACENCODER_LIB_VL2) > (4.0.0). +
+Default value is 0. +
+Set SBR/PS signaling style. +
+It can assume one of the following values: +
choose signaling implicitly (explicit hierarchical by default, +implicit if global header is disabled) +
+implicit backwards compatible signaling +
+explicit SBR, implicit PS signaling +
+explicit hierarchical signaling +
Default value is ‘default’. +
+Output LATM/LOAS encapsulated data if set to 1, disabled if set to 0. +
+Default value is 0. +
+Set StreamMuxConfig and PCE repetition period (in frames) for sending +in-band configuration buffers within LATM/LOAS transport layer. +
+Must be a 16-bits non-negative integer. +
+Default value is 0. +
+Set VBR mode, from 1 to 5. 1 is lowest quality (though still pretty +good) and 5 is highest quality. A value of 0 will disable VBR, and CBR +(Constant Bit Rate) is enabled. +
+Currently only the ‘aac_low’ profile supports VBR encoding. +
+VBR modes 1-5 correspond to roughly the following average bit rates: +
+32 kbps/channel +
40 kbps/channel +
48-56 kbps/channel +
64 kbps/channel +
about 80-96 kbps/channel +
Default value is 0. +
ffmpeg to convert an audio file to VBR AAC in an M4A (MP4)
+container:
+ffmpeg -i input.wav -codec:a libfdk_aac -vbr 3 output.m4a +
ffmpeg to convert an audio file to CBR 64k kbps AAC, using the
+High-Efficiency AAC profile:
+ffmpeg -i input.wav -c:a libfdk_aac -profile:a aac_he -b:a 64k output.m4a +
LAME (Lame Ain’t an MP3 Encoder) MP3 encoder wrapper. +
+Requires the presence of the libmp3lame headers and library during
+configuration. You need to explicitly configure the build with
+--enable-libmp3lame.
+
See libshine for a fixed-point MP3 encoder, although with a +lower quality. +
+ +The following options are supported by the libmp3lame wrapper. The
+lame-equivalent of the options are listed in parentheses.
+
Set bitrate expressed in bits/s for CBR or ABR. LAME bitrate is
+expressed in kilobits/s.
+
Set constant quality setting for VBR. This option is valid only
+using the ffmpeg command-line tool. For library interface
+users, use global_quality.
+
Set algorithm quality. Valid arguments are integers in the 0-9 range, +with 0 meaning highest quality but slowest, and 9 meaning fastest +while producing the worst quality. +
+Set lowpass cutoff frequency. If unspecified, the encoder dynamically +adjusts the cutoff. +
+Enable use of bit reservoir when set to 1. Default value is 1. LAME +has this enabled by default, but can be overridden by use +--nores option. +
+Enable the encoder to use (on a frame by frame basis) either L/R +stereo or mid/side stereo. Default value is 1. +
+Enable the encoder to use ABR when set to 1. The lame
+--abr sets the target bitrate, while this options only
+tells FFmpeg to use ABR still relies on b to set bitrate.
+
OpenCORE Adaptive Multi-Rate Narrowband encoder. +
+Requires the presence of the libopencore-amrnb headers and library during
+configuration. You need to explicitly configure the build with
+--enable-libopencore-amrnb --enable-version3.
+
This is a mono-only encoder. Officially it only supports 8000Hz sample rate, +but you can override it by setting strict to ‘unofficial’ or +lower. +
+ +Set bitrate in bits per second. Only the following bitrates are supported, +otherwise libavcodec will round to the nearest valid bitrate. +
+Allow discontinuous transmission (generate comfort noise) when set to 1. The +default value is 0 (disabled). +
+libopus Opus Interactive Audio Codec encoder wrapper. +
+Requires the presence of the libopus headers and library during
+configuration. You need to explicitly configure the build with
+--enable-libopus.
+
Most libopus options are modelled after the opusenc utility from
+opus-tools. The following is an option mapping chart describing options
+supported by the libopus wrapper, and their opusenc-equivalent
+in parentheses.
+
Set the bit rate in bits/s. FFmpeg’s b option is
+expressed in bits/s, while opusenc’s bitrate in
+kilobits/s.
+
Set VBR mode. The FFmpeg vbr option has the following
+valid arguments, with the opusenc equivalent options
+in parentheses:
+
Use constant bit rate encoding. +
+Use variable bit rate encoding (the default). +
+Use constrained variable bit rate encoding. +
Set encoding algorithm complexity. Valid options are integers in +the 0-10 range. 0 gives the fastest encodes but lower quality, while 10 +gives the highest quality but slowest encoding. The default is 10. +
+Set maximum frame size, or duration of a frame in milliseconds. The +argument must be exactly the following: 2.5, 5, 10, 20, 40, 60. Smaller +frame sizes achieve lower latency but less quality at a given bitrate. +Sizes greater than 20ms are only interesting at fairly low bitrates. +The default is 20ms. +
+Set expected packet loss percentage. The default is 0. +
+Enable inband forward error correction. packet_loss must be non-zero +to take advantage - frequency of FEC ’side-data’ is proportional to expected packet loss. +Default is disabled. +
+Set intended application type. Valid options are listed below: +
+Favor improved speech intelligibility. +
Favor faithfulness to the input (the default). +
Restrict to only the lowest delay modes. +
Set cutoff bandwidth in Hz. The argument must be exactly one of the +following: 4000, 6000, 8000, 12000, or 20000, corresponding to +narrowband, mediumband, wideband, super wideband, and fullband +respectively. The default is 0 (cutoff disabled). +
+Set channel mapping family to be used by the encoder. The default value of -1 +uses mapping family 0 for mono and stereo inputs, and mapping family 1 +otherwise. The default also disables the surround masking and LFE bandwidth +optimzations in libopus, and requires that the input contains 8 channels or +fewer. +
+Other values include 0 for mono and stereo, 1 for surround sound with masking +and LFE bandwidth optimizations, and 255 for independent streams with an +unspecified channel layout. +
+If set to 0, disables the use of phase inversion for intensity stereo, +improving the quality of mono downmixes, but slightly reducing normal stereo +quality. The default is 1 (phase inversion enabled). +
+Shine Fixed-Point MP3 encoder wrapper. +
+Shine is a fixed-point MP3 encoder. It has a far better performance on +platforms without an FPU, e.g. armel CPUs, and some phones and tablets. +However, as it is more targeted on performance than quality, it is not on par +with LAME and other production-grade encoders quality-wise. Also, according to +the project’s homepage, this encoder may not be free of bugs as the code was +written a long time ago and the project was dead for at least 5 years. +
+This encoder only supports stereo and mono input. This is also CBR-only. +
+The original project (last updated in early 2007) is at +http://sourceforge.net/projects/libshine-fxp/. We only support the +updated fork by the Savonet/Liquidsoap project at https://github.com/savonet/shine. +
+Requires the presence of the libshine headers and library during
+configuration. You need to explicitly configure the build with
+--enable-libshine.
+
See also libmp3lame. +
+ +The following options are supported by the libshine wrapper. The
+shineenc-equivalent of the options are listed in parentheses.
+
Set bitrate expressed in bits/s for CBR. shineenc -b option
+is expressed in kilobits/s.
+
TwoLAME MP2 encoder wrapper. +
+Requires the presence of the libtwolame headers and library during
+configuration. You need to explicitly configure the build with
+--enable-libtwolame.
+
The following options are supported by the libtwolame wrapper. The
+twolame-equivalent options follow the FFmpeg ones and are in
+parentheses.
+
Set bitrate expressed in bits/s for CBR. twolame b
+option is expressed in kilobits/s. Default value is 128k.
+
Set quality for experimental VBR support. Maximum value range is
+from -50 to 50, useful range is from -10 to 10. The higher the
+value, the better the quality. This option is valid only using the
+ffmpeg command-line tool. For library interface users,
+use global_quality.
+
Set the mode of the resulting audio. Possible values: +
+Choose mode automatically based on the input. This is the default. +
Stereo +
Joint stereo +
Dual channel +
Mono +
Set psychoacoustic model to use in encoding. The argument must be +an integer between -1 and 4, inclusive. The higher the value, the +better the quality. The default value is 3. +
+Enable energy levels extensions when set to 1. The default value is +0 (disabled). +
+Enable CRC error protection when set to 1. The default value is 0 +(disabled). +
+Set MPEG audio copyright flag when set to 1. The default value is 0 +(disabled). +
+Set MPEG audio original flag when set to 1. The default value is 0 +(disabled). +
+VisualOn Adaptive Multi-Rate Wideband encoder. +
+Requires the presence of the libvo-amrwbenc headers and library during
+configuration. You need to explicitly configure the build with
+--enable-libvo-amrwbenc --enable-version3.
+
This is a mono-only encoder. Officially it only supports 16000Hz sample +rate, but you can override it by setting strict to +‘unofficial’ or lower. +
+ +Set bitrate in bits/s. Only the following bitrates are supported, otherwise +libavcodec will round to the nearest valid bitrate. +
+Allow discontinuous transmission (generate comfort noise) when set to 1. The +default value is 0 (disabled). +
+libvorbis encoder wrapper. +
+Requires the presence of the libvorbisenc headers and library during
+configuration. You need to explicitly configure the build with
+--enable-libvorbis.
+
The following options are supported by the libvorbis wrapper. The
+oggenc-equivalent of the options are listed in parentheses.
+
To get a more accurate and extensive documentation of the libvorbis
+options, consult the libvorbisenc’s and oggenc’s documentations.
+See http://xiph.org/vorbis/,
+http://wiki.xiph.org/Vorbis-tools, and oggenc(1).
+
Set bitrate expressed in bits/s for ABR. oggenc -b is
+expressed in kilobits/s.
+
Set constant quality setting for VBR. The value should be a float +number in the range of -1.0 to 10.0. The higher the value, the better +the quality. The default value is ‘3.0’. +
+This option is valid only using the ffmpeg command-line tool.
+For library interface users, use global_quality.
+
Set cutoff bandwidth in Hz, a value of 0 disables cutoff. oggenc’s
+related option is expressed in kHz. The default value is ‘0’ (cutoff
+disabled).
+
Set minimum bitrate expressed in bits/s. oggenc -m is
+expressed in kilobits/s.
+
Set maximum bitrate expressed in bits/s. oggenc -M is
+expressed in kilobits/s. This only has effect on ABR mode.
+
Set noise floor bias for impulse blocks. The value is a float number from +-15.0 to 0.0. A negative bias instructs the encoder to pay special attention +to the crispness of transients in the encoded audio. The tradeoff for better +transient response is a higher bitrate. +
+Motion JPEG encoder. +
+ +Set the huffman encoding strategy. Possible values: +
+Use the default huffman tables. This is the default strategy. +
+Compute and use optimal huffman tables. +
+WavPack lossless audio encoder. +
+ +The equivalent options for wavpack command line utility are listed in
+parentheses.
+
The following shared options are effective for this encoder. Only special notes +about this particular encoder will be documented here. For the general meaning +of the options, see the Codec Options chapter. +
+For this encoder, the range for this option is between 128 and 131072. Default +is automatically decided based on sample rate and number of channel. +
+For the complete formula of calculating default, see +libavcodec/wavpackenc.c. +
+Set whether to enable joint stereo. Valid values are: +
+Force mid/side audio encoding. +
Force left/right audio encoding. +
Let the encoder decide automatically. +
Set whether to enable optimization for mono. This option is only effective for +non-mono streams. Available values: +
+enabled +
disabled +
A description of some of the currently available video encoders +follows. +
+ +A64 / Commodore 64 multicolor charset encoder. a64_multi5 is extended with 5th color (colram).
+
Cinepak aka CVID encoder. +Compatible with Windows 3.1 and vintage MacOS. +
+ +Keyframe interval.
+A keyframe is inserted at least every -g frames, sometimes sooner.
+
Quality factor. Lower is better. Higher gives lower bitrate.
+The following table lists bitrates when encoding akiyo_cif.y4m for various values of -q:v with -g 100:
+
-q:v 1 1918 kb/s-q:v 2 1735 kb/s-q:v 4 1500 kb/s-q:v 10 1041 kb/s-q:v 20 826 kb/s-q:v 40 553 kb/s-q:v 100 394 kb/s-q:v 200 312 kb/s-q:v 400 266 kb/s-q:v 1000 237 kb/sMax extra codebook recalculation passes, more is better and slower. +
+Avoid wasting bytes, ignore vintage MacOS decoder. +
+The minimum and maximum number of strips to use. +Wider range sometimes improves quality. +More strips is generally better quality but costs more bits. +Fewer strips tend to yield more keyframes. +Vintage compatible is 1..3. +
+How much number of strips is allowed to change between frames. +Higher is better but slower. +
+GIF image/animation encoder. +
+ +Sets the flags used for GIF encoding. +
+Enables picture offsetting. +
+Default is enabled. +
+Enables transparency detection between frames. +
+Default is enabled. +
+Enables encoding one full GIF image per frame, rather than an animated GIF. +
+Default value is 0. +
+Writes a palette to the global GIF header where feasible. +
+If disabled, every frame will always have a palette written, even if there +is a global palette supplied. +
+Default value is 1. +
+Vidvox Hap video encoder. +
+ +Specifies the Hap format to encode. +
+Default value is hap. +
+Specifies the number of chunks to split frames into, between 1 and 64. This +permits multithreaded decoding of large frames, potentially at the cost of +data-rate. The encoder may modify this value to divide frames evenly. +
+Default value is 1. +
+Specifies the second-stage compressor to use. If set to none, +chunks will be limited to 1, as chunked uncompressed frames offer no +benefit. +
+Default value is snappy. +
+The native jpeg 2000 encoder is lossy by default, the -q:v
+option can be used to set the encoding quality. Lossless encoding
+can be selected with -pred 1.
+
Can be set to either j2k or jp2 (the default) that
+makes it possible to store non-rgb pix_fmts.
+
Sets tile width. Range is 1 to 1073741824. Default is 256. +
+Sets tile height. Range is 1 to 1073741824. Default is 256. +
+Allows setting the discrete wavelet transform (DWT) type +
Default is dwt97int
+
Enable this to add SOP marker at the start of each packet. Disabled by default. +
+Enable this to add EPH marker at the end of each packet header. Disabled by default. +
+Sets the progression order to be used by the encoder. +Possible values are: +
Set to lrcp by default.
+
By default, when this option is not used, compression is done using the quality metric.
+This option allows for compression using compression ratio. The compression ratio for each
+level could be specified. The compression ratio of a layer l species the what ratio of
+total file size is contained in the first l layers.
+
Example usage: +
+ffmpeg -i input.bmp -c:v jpeg2000 -layer_rates "100,10,1" output.j2k +
This would compress the image to contain 3 layers, where the data contained in the +first layer would be compressed by 1000 times, compressed by 100 in the first two layers, +and shall contain all data while using all 3 layers. +
+rav1e AV1 encoder wrapper. +
+Requires the presence of the rav1e headers and library during configuration.
+You need to explicitly configure the build with --enable-librav1e.
+
Sets the maximum quantizer to use when using bitrate mode. +
+Sets the minimum quantizer to use when using bitrate mode. +
+Uses quantizer mode to encode at the given quantizer (0-255). +
+Selects the speed preset (0-10) to encode with. +
+Selects how many tiles to encode with. +
+Selects how many rows of tiles to encode with. +
+Selects how many columns of tiles to encode with. +
+Set rav1e options using a list of key=value pairs separated
+by ":". See rav1e --help for a list of options.
+
For example to specify librav1e encoding options with -rav1e-params: +
+ffmpeg -i input -c:v librav1e -b:v 500K -rav1e-params speed=5:low_latency=true output.mp4 +
libaom AV1 encoder wrapper. +
+Requires the presence of the libaom headers and library during
+configuration. You need to explicitly configure the build with
+--enable-libaom.
+
The wrapper supports the following standard libavcodec options: +
+Set bitrate target in bits/second. By default this will use +variable-bitrate mode. If maxrate and minrate are +also set to the same value then it will use constant-bitrate mode, +otherwise if crf is set as well then it will use +constrained-quality mode. +
+Set key frame placement. The GOP size sets the maximum distance between +key frames; if zero the output stream will be intra-only. The minimum +distance is ignored unless it is the same as the GOP size, in which case +key frames will always appear at a fixed interval. Not set by default, +so without this option the library has completely free choice about +where to place key frames. +
+Set minimum/maximum quantisation values. Valid range is from 0 to 63 +(warning: this does not match the quantiser values actually used by AV1 +- divide by four to map real quantiser values to this range). Defaults +to min/max (no constraint). +
+Set rate control buffering parameters. Not used if not set - defaults +to unconstrained variable bitrate. +
+Set the number of threads to use while encoding. This may require the +tiles or row-mt options to also be set to actually +use the specified number of threads fully. Defaults to the number of +hardware threads supported by the host machine. +
+Set the encoding profile. Defaults to using the profile which matches +the bit depth and chroma subsampling of the input. +
+The wrapper also has some specific options: +
+Set the quality/encoding speed tradeoff. Valid range is from 0 to 8, +higher numbers indicating greater speed and lower quality. The default +value is 1, which will be slow and high quality. +
+Enable use of alternate reference frames. Defaults to the internal +default of the library. +
+Set altref noise reduction max frame count. Default is -1. +
+Set altref noise reduction filter strength. Range is -1 to 6. Default is -1. +
+Set adaptive quantization mode. Possible values: +
+Disabled. +
+Variance-based. +
+Complexity-based. +
+Cyclic refresh. +
Set the distortion metric the encoder is tuned with. Default is psnr.
+
Set the maximum number of frames which the encoder may keep in flight +at any one time for lookahead purposes. Defaults to the internal +default of the library. +
+Enable error resilience features: +
Improve resilience against losses of whole frames. +
Not enabled by default. +
+Set the quality/size tradeoff for constant-quality (no bitrate target) +and constrained-quality (with maximum bitrate target) modes. Valid +range is 0 to 63, higher numbers indicating lower quality and smaller +output size. Only used if set; by default only the bitrate target is +used. +
+Set a change threshold on blocks below which they will be skipped by +the encoder. Defined in arbitrary units as a nonnegative integer, +defaulting to zero (no blocks are skipped). +
+Set a threshold for dropping frames when close to rate control bounds. +Defined as a percentage of the target buffer - when the rate control +buffer falls below this percentage, frames will be dropped until it +has refilled above the threshold. Defaults to zero (no frames are +dropped). +
+Amount of noise to be removed for grain synthesis. Grain synthesis is disabled if +this option is not set or set to 0. +
+Block size used for denoising for grain synthesis. If not set, AV1 codec +uses the default value of 32. +
+Set datarate undershoot (min) percentage of the target bitrate. Range is -1 to 100. +Default is -1. +
+Set datarate overshoot (max) percentage of the target bitrate. Range is -1 to 1000. +Default is -1. +
+Minimum percentage variation of the GOP bitrate from the target bitrate. If minsection-pct
+is not set, the libaomenc wrapper computes it as follows: (minrate * 100 / bitrate).
+Range is -1 to 100. Default is -1 (unset).
+
Maximum percentage variation of the GOP bitrate from the target bitrate. If maxsection-pct
+is not set, the libaomenc wrapper computes it as follows: (maxrate * 100 / bitrate).
+Range is -1 to 5000. Default is -1 (unset).
+
Enable frame parallel decodability features. Default is true. +
+Set the number of tiles to encode the input video with, as columns x +rows. Larger numbers allow greater parallelism in both encoding and +decoding, but may decrease coding efficiency. Defaults to the minimum +number of tiles required by the size of the input video (this is 1x1 +(that is, a single tile) for sizes up to and including 4K). +
+Set the number of tiles as log2 of the number of tile rows and columns. +Provided for compatibility with libvpx/VP9. +
+Enable row based multi-threading. Disabled by default. +
+Enable Constrained Directional Enhancement Filter. The libaom-av1 +encoder enables CDEF by default. +
+Enable Loop Restoration Filter. Default is true for libaom-av1. +
+Enable the use of global motion for block prediction. Default is true. +
+Enable block copy mode for intra block prediction. This mode is +useful for screen content. Default is true. +
+Enable rectangular partitions. Default is true. +
+Enable 1:4/4:1 partitions. Default is true. +
+Enable AB shape partitions. Default is true. +
+Enable angle delta intra prediction. Default is true. +
+Enable chroma predicted from luma intra prediction. Default is true. +
+Enable filter intra predictor. Default is true. +
+Enable intra edge filter. Default is true. +
+Enable smooth intra prediction mode. Default is true. +
+Enable paeth predictor in intra prediction. Default is true. +
+Enable palette prediction mode. Default is true. +
+Enable extended transform type, including FLIPADST_DCT, DCT_FLIPADST, +FLIPADST_FLIPADST, ADST_FLIPADST, FLIPADST_ADST, IDTX, V_DCT, H_DCT, +V_ADST, H_ADST, V_FLIPADST, H_FLIPADST. Default is true. +
+Enable 64-pt transform. Default is true. +
+Use reduced set of transform types. Default is false. +
+Use DCT only for INTRA modes. Default is false. +
+Use DCT only for INTER modes. Default is false. +
+Use Default-transform only for INTRA modes. Default is false. +
+Enable temporal mv prediction. Default is true. +
+Use reduced set of single and compound references. Default is false. +
+Enable obmc. Default is true. +
+Enable dual filter. Default is true. +
+Enable difference-weighted compound. Default is true. +
+Enable distance-weighted compound. Default is true. +
+Enable one sided compound. Default is true. +
+Enable interinter wedge compound. Default is true. +
+Enable interintra wedge compound. Default is true. +
+Enable masked compound. Default is true. +
+Enable interintra compound. Default is true. +
+Enable smooth interintra mode. Default is true. +
+Set libaom options using a list of key=value pairs separated
+by ":". For a list of supported options, see aomenc --help under the
+section "AV1 Specific Options".
+
For example to specify libaom encoding options with -aom-params: +
+ffmpeg -i input -c:v libaom-av1 -b:v 500K -aom-params tune=psnr:enable-tpl-model=1 output.mp4 +
SVT-AV1 encoder wrapper. +
+Requires the presence of the SVT-AV1 headers and library during configuration.
+You need to explicitly configure the build with --enable-libsvtav1.
+
Set the encoding profile. +
Set the operating point level. For example: ’4.0’ +
+Set the Hierarchical prediction levels. +
This is the default. +
Set the operating point tier. +
This is the default. +
Set the maximum quantizer to use when using a bitrate mode. +
+Set the minimum quantizer to use when using a bitrate mode. +
+Constant rate factor value used in crf rate control mode (0-63). +
+Set the quantizer used in cqp rate control mode (0-63). +
+Enable scene change detection. +
+Set number of frames to look ahead (0-120). +
+Set the quality-speed tradeoff, in the range 0 to 13. Higher values are +faster but lower quality. +
+Set log2 of the number of rows of tiles to use (0-6). +
+Set log2 of the number of columns of tiles to use (0-4). +
+Set SVT-AV1 options using a list of key=value pairs separated +by ":". See the SVT-AV1 encoder user guide for a list of accepted parameters. +
+libjxl JPEG XL encoder wrapper. +
+Requires the presence of the libjxl headers and library during
+configuration. You need to explicitly configure the build with
+--enable-libjxl.
+
The libjxl wrapper supports the following options: +
+Set the target Butteraugli distance. This is a quality setting: lower +distance yields higher quality, with distance=1.0 roughly comparable to +libjpeg Quality 90 for photographic content. Setting distance=0.0 yields +true lossless encoding. Valid values range between 0.0 and 15.0, and sane +values rarely exceed 5.0. Setting distance=0.1 usually attains +transparency for most input. The default is 1.0. +
+Set the encoding effort used. Higher effort values produce more consistent +quality and usually produces a better quality/bpp curve, at the cost of +more CPU time required. Valid values range from 1 to 9, and the default is 7. +
+Force the encoder to use Modular mode instead of choosing automatically. The +default is to use VarDCT for lossy encoding and Modular for lossless. VarDCT +is generally superior to Modular for lossy encoding but does not support +lossless encoding. +
+Kvazaar H.265/HEVC encoder. +
+Requires the presence of the libkvazaar headers and library during +configuration. You need to explicitly configure the build with +--enable-libkvazaar. +
+ +Set target video bitrate in bit/s and enable rate control. +
+Set kvazaar parameters as a list of name=value pairs separated +by commas (,). See kvazaar documentation for a list of options. +
+Cisco libopenh264 H.264/MPEG-4 AVC encoder wrapper. +
+This encoder requires the presence of the libopenh264 headers and
+library during configuration. You need to explicitly configure the
+build with --enable-libopenh264. The library is detected using
+pkg-config.
+
For more information about the library see +http://www.openh264.org. +
+ +The following FFmpeg global options affect the configurations of the +libopenh264 encoder. +
+Set the bitrate (as a number of bits per second). +
+Set the GOP size. +
+Set the max bitrate (as a number of bits per second). +
+Set global header in the bitstream. +
+Set the number of slices, used in parallelized encoding. Default value +is 0. This is only used when slice_mode is set to +‘fixed’. +
+Set slice mode. Can assume one of the following possible values: +
+a fixed number of slices +
one slice per row of macroblocks +
automatic number of slices according to number of threads +
dynamic slicing +
Default value is ‘auto’. +
+Enable loop filter, if set to 1 (automatically enabled). To disable +set a value of 0. +
+Set profile restrictions. If set to the value of ‘main’ enable
+CABAC (set the SEncParamExt.iEntropyCodingModeFlag flag to 1).
+
Set maximum NAL size in bytes. +
+Allow skipping frames to hit the target bitrate if set to 1. +
libtheora Theora encoder wrapper. +
+Requires the presence of the libtheora headers and library during
+configuration. You need to explicitly configure the build with
+--enable-libtheora.
+
For more information about the libtheora project see +http://www.theora.org/. +
+ +The following global options are mapped to internal libtheora options +which affect the quality and the bitrate of the encoded stream. +
+Set the video bitrate in bit/s for CBR (Constant Bit Rate) mode. In +case VBR (Variable Bit Rate) mode is enabled this option is ignored. +
+Used to enable constant quality mode (VBR) encoding through the
+qscale flag, and to enable the pass1 and pass2
+modes.
+
Set the GOP size. +
+Set the global quality as an integer in lambda units. +
+Only relevant when VBR mode is enabled with flags +qscale. The
+value is converted to QP units by dividing it by FF_QP2LAMBDA,
+clipped in the [0 - 10] range, and then multiplied by 6.3 to get a
+value in the native libtheora range [0-63]. A higher value corresponds
+to a higher quality.
+
Enable VBR mode when set to a non-negative value, and set constant +quality value as a double floating point value in QP units. +
+The value is clipped in the [0-10] range, and then multiplied by 6.3 +to get a value in the native libtheora range [0-63]. +
+This option is valid only using the ffmpeg command-line
+tool. For library interface users, use global_quality.
+
ffmpeg:
+ffmpeg -i INPUT -codec:v libtheora -q:v 10 OUTPUT.ogg +
ffmpeg to convert a CBR 1000 kbps Theora video stream:
+ffmpeg -i INPUT -codec:v libtheora -b:v 1000k OUTPUT.ogg +
VP8/VP9 format supported through libvpx. +
+Requires the presence of the libvpx headers and library during configuration.
+You need to explicitly configure the build with --enable-libvpx.
+
The following options are supported by the libvpx wrapper. The
+vpxenc-equivalent options or values are listed in parentheses
+for easy migration.
+
To reduce the duplication of documentation, only the private options +and some others requiring special attention are documented here. For +the documentation of the undocumented generic options, see +the Codec Options chapter. +
+To get more documentation of the libvpx options, invoke the command
+ffmpeg -h encoder=libvpx, ffmpeg -h encoder=libvpx-vp9 or
+vpxenc --help. Further information is available in the libvpx API
+documentation.
+
Set bitrate in bits/s. Note that FFmpeg’s b option is
+expressed in bits/s, while vpxenc’s target-bitrate is in
+kilobits/s.
+
Minimum (Best Quality) Quantizer. +
+Maximum (Worst Quality) Quantizer. +Can be changed per-frame. +
+Set ratecontrol buffer size (in bits). Note vpxenc’s options are
+specified in milliseconds, the libvpx wrapper converts this value as follows:
+buf-sz = bufsize * 1000 / bitrate,
+buf-optimal-sz = bufsize * 1000 / bitrate * 5 / 6.
+
Set number of bits which should be loaded into the rc buffer before decoding
+starts. Note vpxenc’s option is specified in milliseconds, the libvpx
+wrapper converts this value as follows:
+rc_init_occupancy * 1000 / bitrate.
+
Set datarate undershoot (min) percentage of the target bitrate. +
+Set datarate overshoot (max) percentage of the target bitrate. +
+Set GOP max bitrate in bits/s. Note vpxenc’s option is specified as a
+percentage of the target bitrate, the libvpx wrapper converts this value as
+follows: (maxrate * 100 / bitrate).
+
Set GOP min bitrate in bits/s. Note vpxenc’s option is specified as a
+percentage of the target bitrate, the libvpx wrapper converts this value as
+follows: (minrate * 100 / bitrate).
+
(minrate == maxrate == bitrate).
+
Use best quality deadline. Poorly named and quite slow, this option should be +avoided as it may give worse quality output than good. +
Use good quality deadline. This is a good trade-off between speed and quality +when used with the cpu-used option. +
Use realtime quality deadline. +
Set quality/speed ratio modifier. Higher values speed up the encode at the cost +of quality. +
+Set a change threshold on blocks below which they will be skipped by the +encoder. +
+Note that FFmpeg’s slices option gives the total number of partitions,
+while vpxenc’s token-parts is given as
+log2(partitions).
+
Set maximum I-frame bitrate as a percentage of the target bitrate. A value of 0 +means unlimited. +
+VPX_EFLAG_FORCE_KF
+
Enable use of alternate reference frames (2-pass only). +Values greater than 1 enable multi-layer alternate reference frames (VP9 only). +
Set altref noise reduction max frame count. +
Set altref noise reduction filter type: backward, forward, centered. +
Set altref noise reduction filter strength. +
Set number of frames to look ahead for frametype and ratecontrol. +
Set minimum golden/alternate reference frame interval (VP9 only). +
Enable error resiliency features. +
+Increase sharpness at the expense of lower PSNR. +The valid range is [0, 7]. +
+Sets the temporal scalability configuration using a :-separated list of
+key=value pairs. For example, to specify temporal scalability parameters
+with ffmpeg:
+
ffmpeg -i INPUT -c:v libvpx -ts-parameters ts_number_layers=3:\ +ts_target_bitrate=250,500,1000:ts_rate_decimator=4,2,1:\ +ts_periodicity=4:ts_layer_id=0,2,1,2:ts_layering_mode=3 OUTPUT +
Below is a brief explanation of each of the parameters, please
+refer to struct vpx_codec_enc_cfg in vpx/vpx_encoder.h for more
+details.
+
Number of temporal coding layers. +
Target bitrate for each temporal layer (in kbps). +(bitrate should be inclusive of the lower temporal layer). +
Frame rate decimation factor for each temporal layer. +
Length of the sequence defining frame temporal layer membership. +
Template defining the membership of frames to temporal layers. +
(optional) Selecting the temporal structure from a set of pre-defined temporal layering modes. +Currently supports the following options. +
No temporal layering flags are provided internally,
+relies on flags being passed in using metadata field in AVFrame
+with following keys.
+
Sets the flags passed into the encoder to indicate the referencing scheme for
+the current frame.
+Refer to function vpx_codec_encode in vpx/vpx_encoder.h for more
+details.
+
Explicitly sets the temporal id of the current frame to encode. +
Two temporal layers. 0-1... +
Three temporal layers. 0-2-1-2...; with single reference frame. +
Same as option "3", except there is a dependency between +the two temporal layer 2 frames within the temporal period. +
Enable lossless mode. +
Set number of tile columns to use. Note this is given as
+log2(tile_columns). For example, 8 tile columns would be requested by
+setting the tile-columns option to 3.
+
Set number of tile rows to use. Note this is given as log2(tile_rows).
+For example, 4 tile rows would be requested by setting the tile-rows
+option to 2.
+
Enable frame parallel decodability features. +
Set adaptive quantization mode (0: off (default), 1: variance 2: complexity, 3: +cyclic refresh, 4: equator360). +
Set input color space. The VP9 bitstream supports signaling the following +colorspaces: +
Enable row based multi-threading. +
Set content type: default (0), screen (1), film (2). +
Corpus VBR mode is a variant of standard VBR where the complexity distribution +midpoint is passed in rather than calculated for a specific clip or chunk. +
+The valid range is [0, 10000]. 0 (default) uses standard VBR. +
Enable temporal dependency model. +
Using per-frame metadata, set members of the structure vpx_svc_ref_frame_config_t in vpx/vp8cx.h to fine-control referencing schemes and frame buffer management.
+
Use a :-separated list of key=value pairs.
+For example,
+
av_dict_set(&av_frame->metadata, "ref-frame-config", \ +"rfc_update_buffer_slot=7:rfc_lst_fb_idx=0:rfc_gld_fb_idx=1:rfc_alt_fb_idx=2:rfc_reference_last=0:rfc_reference_golden=0:rfc_reference_alt_ref=0"); +
Indicates the buffer slot number to update +
Indicates whether to update the LAST frame +
Indicates whether to update GOLDEN frame +
Indicates whether to update ALT_REF frame +
LAST frame buffer index +
GOLDEN frame buffer index +
ALT_REF frame buffer index +
Indicates whether to reference LAST frame +
Indicates whether to reference GOLDEN frame +
Indicates whether to reference ALT_REF frame +
Indicates frame duration +
For more information about libvpx see: +http://www.webmproject.org/ +
+ +libwebp WebP Image encoder wrapper +
+libwebp is Google’s official encoder for WebP images. It can encode in either +lossy or lossless mode. Lossy images are essentially a wrapper around a VP8 +frame. Lossless images are a separate codec developed by Google. +
+ +Currently, libwebp only supports YUV420 for lossy and RGB for lossless due +to limitations of the format and libwebp. Alpha is supported for either mode. +Because of API limitations, if RGB is passed in when encoding lossy or YUV is +passed in for encoding lossless, the pixel format will automatically be +converted using functions from libwebp. This is not ideal and is done only for +convenience. +
+ +Enables/Disables use of lossless mode. Default is 0. +
+For lossy, this is a quality/speed tradeoff. Higher values give better quality +for a given size at the cost of increased encoding time. For lossless, this is +a size/speed tradeoff. Higher values give smaller size at the cost of increased +encoding time. More specifically, it controls the number of extra algorithms +and compression tools used, and varies the combination of these tools. This +maps to the method option in libwebp. The valid range is 0 to 6. +Default is 4. +
+For lossy encoding, this controls image quality. For lossless encoding, this +controls the effort and time spent in compression. +Range is 0 to 100. Default is 75. +
+Configuration preset. This does some automatic settings based on the general +type of the image. +
Do not use a preset. +
Use the encoder default. +
Digital picture, like portrait, inner shot +
Outdoor photograph, with natural lighting +
Hand or line drawing, with high-contrast details +
Small-sized colorful images +
Text-like +
x264 H.264/MPEG-4 AVC encoder wrapper. +
+This encoder requires the presence of the libx264 headers and library
+during configuration. You need to explicitly configure the build with
+--enable-libx264.
+
libx264 supports an impressive number of features, including 8x8 and +4x4 adaptive spatial transform, adaptive B-frame placement, CAVLC/CABAC +entropy coding, interlacing (MBAFF), lossless mode, psy optimizations +for detail retention (adaptive quantization, psy-RD, psy-trellis). +
+Many libx264 encoder options are mapped to FFmpeg global codec
+options, while unique encoder options are provided through private
+options. Additionally the x264opts and x264-params
+private options allows one to pass a list of key=value tuples as accepted
+by the libx264 x264_param_parse function.
+
The x264 project website is at +http://www.videolan.org/developers/x264.html. +
+The libx264rgb encoder is the same as libx264, except it accepts packed RGB +pixel formats as input instead of YUV. +
+ +x264 supports 8- to 10-bit color spaces. The exact bit depth is controlled at +x264’s configure time. +
+ +The following options are supported by the libx264 wrapper. The
+x264-equivalent options or values are listed in parentheses
+for easy migration.
+
To reduce the duplication of documentation, only the private options +and some others requiring special attention are documented here. For +the documentation of the undocumented generic options, see +the Codec Options chapter. +
+To get a more accurate and extensive documentation of the libx264
+options, invoke the command x264 --fullhelp or consult
+the libx264 documentation.
+
Set bitrate in bits/s. Note that FFmpeg’s b option is
+expressed in bits/s, while x264’s bitrate is in
+kilobits/s.
+
Minimum quantizer scale. +
+Maximum quantizer scale. +
+Maximum difference between quantizer scales. +
+Quantizer curve blur +
+Quantizer curve compression factor +
+Number of reference frames each P-frame can use. The range is from 0-16. +
+Sets the threshold for the scene change detection. +
+Performs Trellis quantization to increase efficiency. Enabled by default. +
+Maximum range of the motion search in pixels. +
+Set motion estimation method. Possible values in the decreasing order +of speed: +
+Diamond search with radius 1 (fastest). ‘epzs’ is an alias for +‘dia’. +
Hexagonal search with radius 2. +
Uneven multi-hexagon search. +
Exhaustive search. +
Hadamard exhaustive search (slowest). +
Normally, when forcing a I-frame type, the encoder can select any type +of I-frame. This option forces it to choose an IDR-frame. +
+Sub-pixel motion estimation method. +
+Adaptive B-frame placement decision algorithm. Use only on first-pass. +
+Minimum GOP size. +
+Set entropy encoder. Possible values: +
+Enable CABAC. +
+Enable CAVLC and disable CABAC. It generates the same effect as
+x264’s --no-cabac option.
+
Set full pixel motion estimation comparison algorithm. Possible values: +
+Enable chroma in motion estimation. +
+Ignore chroma in motion estimation. It generates the same effect as
+x264’s --no-chroma-me option.
+
Number of encoding threads. +
+Set multithreading technique. Possible values: +
+Slice-based multithreading. It generates the same effect as
+x264’s --sliced-threads option.
+
Frame-based multithreading. +
Set encoding flags. It can be used to disable closed GOP and enable
+open GOP by setting it to -cgop. The result is similar to
+the behavior of x264’s --open-gop option.
+
Set the encoding preset. +
+Set tuning of the encoding params. +
+Set profile restrictions. +
+Enable fast settings when encoding first pass, when set to 1. When set
+to 0, it has the same effect of x264’s
+--slow-firstpass option.
+
Set the quality for constant quality mode. +
+In CRF mode, prevents VBV from lowering quality beyond this point. +
+Set constant quantization rate control method parameter. +
+Set AQ method. Possible values: +
+Disabled. +
+Variance AQ (complexity mask). +
+Auto-variance AQ (experimental). +
Set AQ strength, reduce blocking and blurring in flat and textured areas. +
+Use psychovisual optimizations when set to 1. When set to 0, it has the
+same effect as x264’s --no-psy option.
+
Set strength of psychovisual optimization, in +psy-rd:psy-trellis format. +
+Set number of frames to look ahead for frametype and ratecontrol. +
+Enable weighted prediction for B-frames when set to 1. When set to 0,
+it has the same effect as x264’s --no-weightb option.
+
Set weighted prediction method for P-frames. Possible values: +
+Disabled +
Enable only weighted refs +
Enable both weighted refs and duplicates +
Enable calculation and printing SSIM stats after the encoding. +
+Enable the use of Periodic Intra Refresh instead of IDR frames when set +to 1. +
+Configure the encoder to generate AVC-Intra. +Valid values are 50,100 and 200 +
+Configure the encoder to be compatible with the bluray standard. +It is a shorthand for setting "bluray-compat=1 force-cfr=1". +
+Set the influence on how often B-frames are used. +
+Set method for keeping of some B-frames as references. Possible values: +
+Disabled. +
Strictly hierarchical pyramid. +
Non-strict (not Blu-ray compatible). +
Enable the use of one reference per partition, as opposed to one
+reference per macroblock when set to 1. When set to 0, it has the
+same effect as x264’s --no-mixed-refs option.
+
Enable adaptive spatial transform (high profile 8x8 transform)
+when set to 1. When set to 0, it has the same effect as
+x264’s --no-8x8dct option.
+
Enable early SKIP detection on P-frames when set to 1. When set
+to 0, it has the same effect as x264’s
+--no-fast-pskip option.
+
Enable use of access unit delimiters when set to 1. +
+Enable use macroblock tree ratecontrol when set to 1. When set
+to 0, it has the same effect as x264’s
+--no-mbtree option.
+
Set loop filter parameters, in alpha:beta form. +
+Set fluctuations reduction in QP (before curve compression). +
+Set partitions to consider as a comma-separated list of. Possible +values in the list: +
+8x8 P-frame partition. +
4x4 P-frame partition. +
4x4 B-frame partition. +
8x8 I-frame partition. +
4x4 I-frame partition. +(Enabling ‘p4x4’ requires ‘p8x8’ to be enabled. Enabling +‘i8x8’ requires adaptive spatial transform (8x8dct +option) to be enabled.) +
Do not consider any partitions. +
Consider every partition. +
Set direct MV prediction mode. Possible values: +
+Disable MV prediction. +
Enable spatial predicting. +
Enable temporal predicting. +
Automatically decided. +
Set the limit of the size of each slice in bytes. If not specified +but RTP payload size (ps) is specified, that is used. +
+Set the file name for multi-pass stats. +
+Set signal HRD information (requires vbv-bufsize to be set). +Possible values: +
+Disable HRD information signaling. +
Variable bit rate. +
Constant bit rate (not allowed in MP4 container). +
Set any x264 option, see x264 --fullhelp for a list.
+
Argument is a list of key=value couples separated by +":". In filter and psy-rd options that use ":" as a separator +themselves, use "," instead. They accept it as well since long ago but this +is kept undocumented for some reason. +
+For example to specify libx264 encoding options with ffmpeg:
+
ffmpeg -i foo.mpg -c:v libx264 -x264opts keyint=123:min-keyint=20 -an out.mkv +
Import closed captions (which must be ATSC compatible format) into output. +Only the mpeg2 and h264 decoders provide these. Default is 1 (on). +
+Import user data unregistered SEI if available into output. Default is 0 (off). +
+Override the x264 configuration using a :-separated list of key=value +parameters. +
+This option is functionally the same as the x264opts, but is +duplicated for compatibility with the Libav fork. +
+For example to specify libx264 encoding options with ffmpeg:
+
ffmpeg -i INPUT -c:v libx264 -x264-params level=30:bframes=0:weightp=0:\ +cabac=0:ref=1:vbv-maxrate=768:vbv-bufsize=2000:analyse=all:me=umh:\ +no-fast-pskip=1:subq=6:8x8dct=0:trellis=0 OUTPUT +
Encoding ffpresets for common usages are provided so they can be used with the +general presets system (e.g. passing the pre option). +
+ +x265 H.265/HEVC encoder wrapper. +
+This encoder requires the presence of the libx265 headers and library +during configuration. You need to explicitly configure the build with +--enable-libx265. +
+ +Sets target video bitrate. +
+Set the GOP size. +
+Minimum GOP size. +
+Number of reference frames each P-frame can use. The range is from 1-16. +
+Set the x265 preset. +
+Set the x265 tune parameter. +
+Set profile restrictions. +
+Set the quality for constant quality mode. +
+Set constant quantization rate control method parameter. +
+Minimum quantizer scale. +
+Maximum quantizer scale. +
+Maximum difference between quantizer scales. +
+Quantizer curve blur +
+Quantizer curve compression factor +
+Normally, when forcing a I-frame type, the encoder can select any type +of I-frame. This option forces it to choose an IDR-frame. +
+Import user data unregistered SEI if available into output. Default is 0 (off). +
+Set x265 options using a list of key=value couples separated
+by ":". See x265 --help for a list of options.
+
For example to specify libx265 encoding options with -x265-params: +
+ffmpeg -i input -c:v libx265 -x265-params crf=26:psy-rd=1 output.mp4 +
xavs2 AVS2-P2/IEEE1857.4 encoder wrapper. +
+This encoder requires the presence of the libxavs2 headers and library +during configuration. You need to explicitly configure the build with +--enable-libxavs2. +
+The following standard libavcodec options are used: +
The encoder also has its own specific options: +
+Set the number of parallel threads for rows from 1 to 8 (default 5). +
+Set the xavs2 quantization parameter from 1 to 63 (default 34). This is +used to set the initial qp for the first frame. +
+Set the xavs2 quantization parameter from 1 to 63 (default 34). This is +used to set the qp value under constant-QP mode. +
+Set the max qp for rate control from 1 to 63 (default 55). +
+Set the min qp for rate control from 1 to 63 (default 20). +
+Set the Speed level from 0 to 9 (default 0). Higher is better but slower. +
+Set the log level from -1 to 3 (default 0). -1: none, 0: error, +1: warning, 2: info, 3: debug. +
+Set xavs2 options using a list of key=value couples separated +by ":". +
+For example to specify libxavs2 encoding options with -xavs2-params: +
+ffmpeg -i input -c:v libxavs2 -xavs2-params RdoqLevel=0 output.avs2 +
Xvid MPEG-4 Part 2 encoder wrapper. +
+This encoder requires the presence of the libxvidcore headers and library
+during configuration. You need to explicitly configure the build with
+--enable-libxvid --enable-gpl.
+
The native mpeg4 encoder supports the MPEG-4 Part 2 format, so
+users can encode to this format without this library.
+
The following options are supported by the libxvid wrapper. Some of +the following options are listed but are not documented, and +correspond to shared codec options. See the Codec +Options chapter for their documentation. The other shared options +which are not listed have no effect for the libxvid encoder. +
+Set specific encoding flags. Possible values: +
+Use four motion vector by macroblock. +
+Enable high quality AC prediction. +
+Only encode grayscale. +
+Enable the use of global motion compensation (GMC). +
+Enable quarter-pixel motion compensation. +
+Enable closed GOP. +
+Place global headers in extradata instead of every keyframe. +
+Set motion estimation method. Possible values in decreasing order of +speed and increasing order of quality: +
+Use no motion estimation (default). +
+Enable advanced diamond zonal search for 16x16 blocks and half-pixel +refinement for 16x16 blocks. ‘x1’ and ‘log’ are aliases for +‘phods’. +
+Enable all of the things described above, plus advanced diamond zonal +search for 8x8 blocks, half-pixel refinement for 8x8 blocks, and motion +estimation on chroma planes. +
+Enable all of the things described above, plus extended 16x16 and 8x8 +blocks search. +
Set macroblock decision algorithm. Possible values in the increasing +order of quality: +
+Use macroblock comparing function algorithm (default). +
+Enable rate distortion-based half pixel and quarter pixel refinement for +16x16 blocks. +
+Enable all of the things described above, plus rate distortion-based +half pixel and quarter pixel refinement for 8x8 blocks, and rate +distortion-based search using square pattern. +
Enable lumi masking adaptive quantization when set to 1. Default is 0 +(disabled). +
+Enable variance adaptive quantization when set to 1. Default is 0 +(disabled). +
+When combined with lumi_aq, the resulting quality will not +be better than any of the two specified individually. In other +words, the resulting quality will be the worse one of the two +effects. +
+Set structural similarity (SSIM) displaying method. Possible values: +
+Disable displaying of SSIM information. +
+Output average SSIM at the end of encoding to stdout. The format of +showing the average SSIM is: +
+Average SSIM: %f +
For users who are not familiar with C, %f means a float number, or +a decimal (e.g. 0.939232). +
+Output both per-frame SSIM data during encoding and average SSIM at +the end of encoding to stdout. The format of per-frame information +is: +
+SSIM: avg: %1.3f min: %1.3f max: %1.3f +
For users who are not familiar with C, %1.3f means a float number +rounded to 3 digits after the dot (e.g. 0.932). +
+Set SSIM accuracy. Valid options are integers within the range of +0-4, while 0 gives the most accurate result and 4 computes the +fastest. +
+This provides wrappers to encoders (both audio and video) in the +MediaFoundation framework. It can access both SW and HW encoders. +Video encoders can take input in either of nv12 or yuv420p form +(some encoders support both, some support only either - in practice, +nv12 is the safer choice, especially among HW encoders). +
+ +MPEG-2 video encoder. +
+ +Select the mpeg2 profile to encode: +
+Spatially Scalable +
SNR Scalable +
Select the mpeg2 level to encode: +
+Specifies if the encoder should write a sequence_display_extension to the +output. +
Decide automatically to write it or not (this is the default) by checking if +the data to be written is different from the default or unspecified values. +
Never write it. +
Always write it. +
Specifies the video_format written into the sequence display extension +indicating the source of the video pictures. The default is ‘unspecified’, +can be ‘component’, ‘pal’, ‘ntsc’, ‘secam’ or ‘mac’. +For maximum compatibility, use ‘component’. +
Import closed captions (which must be ATSC compatible format) into output. +Default is 1 (on). +
PNG image encoder. +
+ +Set physical density of pixels, in dots per inch, unset by default +
Set physical density of pixels, in dots per meter, unset by default +
Apple ProRes encoder. +
+FFmpeg contains 2 ProRes encoders, the prores-aw and prores-ks encoder.
+The used encoder can be chosen with the -vcodec option.
+
Select the ProRes profile to encode +
Select quantization matrix. +
If set to auto, the matrix matching the profile will be picked. +If not set, the matrix providing the highest quality, default, will be +picked. +
+How many bits to allot for coding one macroblock. Different profiles use +between 200 and 2400 bits per macroblock, the maximum is 8000. +
+Number of macroblocks in each slice (1-8); the default value (8) +should be good in almost all situations. +
+Override the 4-byte vendor ID. +A custom vendor ID like apl0 would claim the stream was produced by +the Apple encoder. +
+Specify number of bits for alpha component. +Possible values are 0, 8 and 16. +Use 0 to disable alpha plane coding. +
+In the default mode of operation the encoder has to honor frame constraints +(i.e. not produce frames with size bigger than requested) while still making +output picture as good as possible. +A frame containing a lot of small details is harder to compress and the encoder +would spend more time searching for appropriate quantizers for each slice. +
+Setting a higher bits_per_mb limit will improve the speed. +
+For the fastest encoding speed set the qscale parameter (4 is the +recommended value) and do not set a size constraint. +
+ +The family of Intel QuickSync Video encoders (MPEG-2, H.264, HEVC, JPEG/MJPEG +and VP9) +
+ +The ratecontrol method is selected as follows: +
Note that depending on your system, a different mode than the one you specified +may be selected by the encoder. Set the verbosity level to verbose or +higher to see the actual settings used by the QSV runtime. +
+ +Additional libavcodec global options are mapped to MSDK options as follows: +
+Following options are used by all qsv encoders. +
+Specifies how many asynchronous operations an application performs +before the application explicitly synchronizes the result. If zero, +the value is not specified. +
+This option itemizes a range of choices from veryfast (best speed) to veryslow +(best quality). +
Forcing I frames as IDR frames. +
+For encoders set this flag to ON to reduce power consumption and GPU usage. +
Following options can be used durning qsv encoding. +
+Supported in h264_qsv and hevc_qsv. +Change these value to reset qsv codec’s qp configuration. +
+Supported in h264_qsv and hevc_qsv. +Change this value to reset qsv codec’s MaxFrameSize configuration. +
+Change this value to reset qsv codec’s gop configuration. +
+Supported in h264_qsv and hevc_qsv. +Change these value to reset qsv codec’s Intra Refresh configuration. +
+Supported in h264_qsv. +Change these value to reset qsv codec’s max/min qp configuration. +
+Supported in h264_qsv and hevc_qsv. +Change this value to reset qsv codec’s low_delay_brc configuration. +
+Change this value to reset qsv codec’s framerate configuration. +
+Change these value to reset qsv codec’s bitrate control configuration. +
+Supported in h264_qsv and hevc_qsv. +Change this value to reset qsv codec’s pic_timing_sei configuration. +
These options are used by h264_qsv +
+Extended bitrate control. +
+Set this flag to insert the recovery point SEI message at the beginning of every +intra refresh cycle. +
+Enable rate distortion optimization. +
+Maximum encoded frame size in bytes. +
+Maximum encoded frame size for I frames in bytes. If this value is set as larger +than zero, then for I frames the value set by max_frame_size is ignored. +
+Maximum encoded frame size for P frames in bytes. If this value is set as larger +than zero, then for P frames the value set by max_frame_size is ignored. +
+Maximum encoded slice size in bytes. +
+Toggle bitrate limitations. +Modifies bitrate to be in the range imposed by the QSV encoder. Setting this +flag off may lead to violation of HRD conformance. Mind that specifying bitrate +below the QSV encoder range might significantly affect quality. If on this +option takes effect in non CQP modes: if bitrate is not in the range imposed +by the QSV encoder, it will be changed to be in the range. +
+Setting this flag enables macroblock level bitrate control that generally +improves subjective visual quality. Enabling this flag may have negative impact +on performance and objective visual quality metric. +
+Setting this flag turns on or off LowDelayBRC feautre in qsv plugin, which provides +more accurate bitrate control to minimize the variance of bitstream size frame +by frame. Value: -1-default 0-off 1-on +
+This flag controls insertion of I frames by the QSV encoder. Turn ON this flag +to allow changing of frame type from P and B to I. +
+This flag controls changing of frame type from B to P. +
+Enable P-pyramid: 0-default 1-simple 2-pyramid(bf need to be set to 0). +
+This option controls usage of B frames as reference. +
+This option disable deblocking. It has value in range 0~2. +
+If set, CAVLC is used; if unset, CABAC is used for encoding. +
+Video conferencing mode, please see ratecontrol method. +
+Distance (in I-frames) between IDR frames. +
+Insert picture timing SEI with pic_struct_syntax element. +
+Put all the SEI messages into one NALU. +
+Maximum number of frames buffered in the DPB. +
+Use VBR algorithm with look ahead. +
+Depth of look ahead in number frames. +
+Downscaling factor for the frames saved for the lookahead analysis. +
Specifies intra refresh type. The major goal of intra refresh is improvement of +error resilience without significant impact on encoded bitstream size caused by +I frames. The SDK encoder achieves this by encoding part of each frame in +refresh cycle using intra MBs. none means no refresh. vertical means +vertical refresh, by column of MBs. horizontal means horizontal refresh, +by rows of MBs. slice means horizontal refresh by slices without +overlapping. In case of slice, in_ref_cycle_size is ignored. To enable +intra refresh, B frame should be set to 0. +
+Specifies number of pictures within refresh cycle starting from 2. 0 and 1 are +invalid values. +
+Specifies QP difference for inserted intra MBs. This is signed value in +[-51, 51] range if target encoding bit-depth for luma samples is 8 and this +range is [-63, 63] for 10 bit-depth or [-75, 75] for 12 bit-depth respectively. +
+Distance between the beginnings of the intra-refresh cycles in frames. +
+Use A53 Closed Captions (if available). +
+Insert the Access Unit Delimiter NAL. +
+Multi-Frame Mode. +
Repeat pps for every frame. +
+Maximum video quantizer scale for I frame. +
+Minimum video quantizer scale for I frame. +
+Maximum video quantizer scale for P frame. +
+Minimum video quantizer scale for P frame. +
+Maximum video quantizer scale for B frame. +
+Minimum video quantizer scale for B frame. +
+Provides a hint to encoder about the scenario for the encoding session. +
Accuracy of the AVBR ratecontrol (unit of tenth of percent). +
+Convergence of the AVBR ratecontrol (unit of 100 frames) +
+The parameters avbr_accuracy and avbr_convergence are for the +average variable bitrate control (AVBR) algorithm. +The algorithm focuses on overall encoding quality while meeting the specified +bitrate, target_bitrate, within the accuracy range avbr_accuracy, +after a avbr_Convergence period. This method does not follow HRD and the +instant bitrate is not capped or padded. +
+Use per-frame metadata "qsv_skip_frame" to skip frame when encoding. This option +defines the usage of this metadata. +
Frame skipping is disabled. +
Encoder inserts into bitstream frame where all macroblocks are encoded as +skipped. +
Similar to insert_dummy, but encoder inserts nothing into bitstream. The skipped +frames are still used in brc. For example, gop still include skipped frames, and +the frames after skipped frames will be larger in size. +
skip_frame metadata indicates the number of missed frames before the current +frame. +
These options are used by hevc_qsv +
+Extended bitrate control. +
+Set this flag to insert the recovery point SEI message at the beginning of every +intra refresh cycle. +
+Enable rate distortion optimization. +
+Maximum encoded frame size in bytes. +
+Maximum encoded frame size for I frames in bytes. If this value is set as larger +than zero, then for I frames the value set by max_frame_size is ignored. +
+Maximum encoded frame size for P frames in bytes. If this value is set as larger +than zero, then for P frames the value set by max_frame_size is ignored. +
+Maximum encoded slice size in bytes. +
+Setting this flag enables macroblock level bitrate control that generally +improves subjective visual quality. Enabling this flag may have negative impact +on performance and objective visual quality metric. +
+Setting this flag turns on or off LowDelayBRC feautre in qsv plugin, which provides +more accurate bitrate control to minimize the variance of bitstream size frame +by frame. Value: -1-default 0-off 1-on +
+This flag controls insertion of I frames by the QSV encoder. Turn ON this flag +to allow changing of frame type from P and B to I. +
+This flag controls changing of frame type from B to P. +
+Enable P-pyramid: 0-default 1-simple 2-pyramid(bf need to be set to 0). +
+This option controls usage of B frames as reference. +
+This option disable deblocking. It has value in range 0~2. +
+Distance (in I-frames) between IDR frames. +
Output an IDR-frame only at the beginning of the stream. +
A user plugin to load in an internal session. +
A :-separate list of hexadecimal plugin UIDs to load in +an internal session. +
+Depth of look ahead in number frames, available when extbrc option is enabled. +
+Set the encoding profile (scc requires libmfx >= 1.32). +
+Set the encoding tier (only level >= 4 can support high tier). +This option only takes effect when the level option is specified. +
+1: GPB (generalized P/B frame) +
+0: regular P frame. +
+Number of columns for tiled encoding. +
+Number of rows for tiled encoding. +
+Insert the Access Unit Delimiter NAL. +
+Insert picture timing SEI with pic_struct_syntax element. +
+Turn this option ON to enable transformskip. It is supported on platform equal +or newer than ICL. +
+Specifies intra refresh type. The major goal of intra refresh is improvement of +error resilience without significant impact on encoded bitstream size caused by +I frames. The SDK encoder achieves this by encoding part of each frame in +refresh cycle using intra MBs. none means no refresh. vertical means +vertical refresh, by column of MBs. horizontal means horizontal refresh, +by rows of MBs. slice means horizontal refresh by slices without +overlapping. In case of slice, in_ref_cycle_size is ignored. To enable +intra refresh, B frame should be set to 0. +
+Specifies number of pictures within refresh cycle starting from 2. 0 and 1 are +invalid values. +
+Specifies QP difference for inserted intra MBs. This is signed value in +[-51, 51] range if target encoding bit-depth for luma samples is 8 and this +range is [-63, 63] for 10 bit-depth or [-75, 75] for 12 bit-depth respectively. +
+Distance between the beginnings of the intra-refresh cycles in frames. +
+Maximum video quantizer scale for I frame. +
+Minimum video quantizer scale for I frame. +
+Maximum video quantizer scale for P frame. +
+Minimum video quantizer scale for P frame. +
+Maximum video quantizer scale for B frame. +
+Minimum video quantizer scale for B frame. +
+Provides a hint to encoder about the scenario for the encoding session. +
Accuracy of the AVBR ratecontrol (unit of tenth of percent). +
+Convergence of the AVBR ratecontrol (unit of 100 frames) +
+The parameters avbr_accuracy and avbr_convergence are for the +average variable bitrate control (AVBR) algorithm. +The algorithm focuses on overall encoding quality while meeting the specified +bitrate, target_bitrate, within the accuracy range avbr_accuracy, +after a avbr_Convergence period. This method does not follow HRD and the +instant bitrate is not capped or padded. +
+Use per-frame metadata "qsv_skip_frame" to skip frame when encoding. This option +defines the usage of this metadata. +
Frame skipping is disabled. +
Encoder inserts into bitstream frame where all macroblocks are encoded as +skipped. +
Similar to insert_dummy, but encoder inserts nothing into bitstream. The skipped +frames are still used in brc. For example, gop still include skipped frames, and +the frames after skipped frames will be larger in size. +
skip_frame metadata indicates the number of missed frames before the current +frame. +
These options are used by mpeg2_qsv +
These options are used by vp9_qsv +
Number of columns for tiled encoding (requires libmfx >= 1.29). +
+Number of rows for tiled encoding (requires libmfx >= 1.29). +
These options are used by av1_qsv (requires libvpl). +
Number of columns for tiled encoding. +
+Number of rows for tiled encoding. +
+This flag controls insertion of I frames by the QSV encoder. Turn ON this flag +to allow changing of frame type from P and B to I. +
+This flag controls changing of frame type from B to P. +
+This option controls usage of B frames as reference. +
+Extended bitrate control. +
+Depth of look ahead in number frames, available when extbrc option is enabled. +
dia size for the iterative motion estimation +
Wrappers for hardware encoders accessible via VAAPI. +
+These encoders only accept input in VAAPI hardware surfaces. If you have input +in software frames, use the hwupload filter to upload them to the GPU. +
+The following standard libavcodec options are used: +
If not set, this will be determined automatically from the format of the input +frames and the profiles supported by the driver. +
Speed / quality tradeoff: higher values are faster / worse quality. +
Size / quality tradeoff: higher values are smaller / worse quality. +
All encoders support the following options: +
Some drivers/platforms offer a second encoder for some codecs intended to use +less power than the default encoder; setting this option will attempt to use +that encoder. Note that it may support a reduced feature set, so some other +options may not be available in this mode. +
+Set the number of normal intra frames between full-refresh (IDR) frames in +open-GOP mode. The intra frames are still IRAPs, but will not include global +headers and may have non-decodable leading pictures. +
+Set the B-frame reference depth. When set to one (the default), all B-frames +will refer only to P- or I-frames. When set to greater values multiple layers +of B-frames will be present, frames in each layer only referring to frames in +higher layers. +
+Maximum processing parallelism. Increase this to improve single channel +performance. This option doesn’t work if driver doesn’t implement vaSyncBuffer +function. Please make sure there are enough hw_frames allocated if a large +number of async_depth is used. +
+Set the allowed max size in bytes for each frame. If the frame size exceeds +the limitation, encoder will adjust the QP value to control the frame size. +Invalid in CQP rate control mode. +
+Set the rate control mode to use. A given driver may only support a subset of +modes. +
+Possible modes: +
Choose the mode automatically based on driver support and the other options. +This is the default. +
Constant-quality. +
Constant-bitrate. +
Variable-bitrate. +
Intelligent constant-quality. +
Quality-defined variable-bitrate. +
Average variable bitrate. +
Each encoder also has its own specific options: +
profile sets the value of profile_idc and the constraint_set*_flags. +level sets the value of level_idc. +
+Set entropy encoder (default is cabac). Possible values: +
+Use CABAC. +
+Use CAVLC. +
Include access unit delimiters in the stream (not included by default). +
+Set SEI message types to include. +Some combination of the following values: +
Include a user_data_unregistered message containing information about +the encoder. +
Include picture timing parameters (buffering_period and +pic_timing messages). +
Include recovery points where appropriate (recovery_point messages). +
profile and level set the values of +general_profile_idc and general_level_idc respectively. +
+Include access unit delimiters in the stream (not included by default). +
+Set general_tier_flag. This may affect the level chosen for the stream +if it is not explicitly specified. +
+Set SEI message types to include. +Some combination of the following values: +
Include HDR metadata if the input frames have it +(mastering_display_colour_volume and content_light_level +messages). +
Set the number of tiles to encode the input video with, as columns x rows. +Larger numbers allow greater parallelism in both encoding and decoding, but +may decrease coding efficiency. +
+Only baseline DCT encoding is supported. The encoder always uses the standard +quantisation and huffman tables - global_quality scales the standard +quantisation table (range 1-100). +
+For YUV, 4:2:0, 4:2:2 and 4:4:4 subsampling modes are supported. RGB is also +supported, and will create an RGB JPEG. +
+Include JFIF header in each frame (not included by default). +
Include standard huffman tables (on by default). Turning this off will save +a few hundred bytes in each output frame, but may lose compatibility with some +JPEG decoders which don’t fully handle MJPEG. +
profile and level set the value of profile_and_level_indication. +
+B-frames are not supported. +
+global_quality sets the q_idx used for non-key frames (range 0-127). +
+Manually set the loop filter parameters. +
global_quality sets the q_idx used for P-frames (range 0-255). +
+Manually set the loop filter parameters. +
B-frames are supported, but the output stream is always in encode order rather than display +order. If B-frames are enabled, it may be necessary to use the vp9_raw_reorder +bitstream filter to modify the output stream to display frames in the correct order. +
+Only normal frames are produced - the vp9_superframe bitstream filter may be +required to produce a stream usable with all decoders. +
+Vizrt Binary Image encoder. +
+This format is used by the broadcast vendor Vizrt for quick texture streaming. +Advanced features of the format such as LZW compression of texture data or +generation of mipmaps are not supported. +
+ +Sets the texture compression used by the VBN file. Can be dxt1, +dxt5 or raw. Default is dxt5. +
SMPTE VC-2 (previously BBC Dirac Pro). This codec was primarily aimed at +professional broadcasting but since it supports yuv420, yuv422 and yuv444 at +8 (limited range or full range), 10 or 12 bits, this makes it suitable for +other tasks which require low overhead and low compression (like screen +recording). +
+ +Sets target video bitrate. Usually that’s around 1:6 of the uncompressed +video bitrate (e.g. for 1920x1080 50fps yuv422p10 that’s around 400Mbps). Higher +values (close to the uncompressed bitrate) turn on lossless compression mode. +
+Enables field coding when set (e.g. to tt - top field first) for interlaced +inputs. Should increase compression with interlaced content as it splits the +fields and encodes each separately. +
+Sets the total amount of wavelet transforms to apply, between 1 and 5 (default). +Lower values reduce compression and quality. Less capable decoders may not be +able to handle values of wavelet_depth over 3. +
+Sets the transform type. Currently only 5_3 (LeGall) and 9_7 +(Deslauriers-Dubuc) +are implemented, with 9_7 being the one with better compression and thus +is the default. +
+Sets the slice size for each slice. Larger values result in better compression. +For compatibility with other more limited decoders use slice_width of +32 and slice_height of 8. +
+Sets the undershoot tolerance of the rate control system in percent. This is +to prevent an expensive search from being run. +
+Sets the quantization matrix preset to use by default or when wavelet_depth +is set to 5 +
This codec encodes the bitmap subtitle format that is used in DVDs. +Typically they are stored in VOBSUB file pairs (*.idx + *.sub), +and they can also be used in Matroska files. +
+ +Specify the global palette used by the bitmaps. +
+The format for this option is a string containing 16 24-bits hexadecimal
+numbers (without 0x prefix) separated by commas, for example 0d00ee,
+ee450d, 101010, eaeaea, 0ce60b, ec14ed, ebff0b, 0d617a, 7b7b7b, d1d1d1,
+7b2a0e, 0d950c, 0f007b, cf0dec, cfa80c, 7c127b.
+
When set to 1, enable a work-around that makes the number of pixel rows +even in all subtitles. This fixes a problem with some players that +cut off the bottom row if the number is odd. The work-around just adds +a fully transparent row if needed. The overhead is low, typically +one byte per subtitle on average. +
+By default, this work-around is disabled. +
When you configure your FFmpeg build, all the supported bitstream
+filters are enabled by default. You can list all available ones using
+the configure option --list-bsfs.
+
You can disable all the bitstream filters using the configure option
+--disable-bsfs, and selectively enable any bitstream filter using
+the option --enable-bsf=BSF, or you can disable a particular
+bitstream filter using the option --disable-bsf=BSF.
+
The option -bsfs of the ff* tools will display the list of
+all the supported bitstream filters included in your build.
+
The ff* tools have a -bsf option applied per stream, taking a +comma-separated list of filters, whose parameters follow the filter +name after a ’=’. +
+ffmpeg -i INPUT -c:v copy -bsf:v filter1[=opt1=str1:opt2=str2][,filter2] OUTPUT +
Below is a description of the currently available bitstream filters, +with their parameters, if any. +
+ +Convert MPEG-2/4 AAC ADTS to an MPEG-4 Audio Specific Configuration +bitstream. +
+This filter creates an MPEG-4 AudioSpecificConfig from an MPEG-2/4 +ADTS header and removes the ADTS header. +
+This filter is required for example when copying an AAC stream from a +raw ADTS AAC or an MPEG-TS container to MP4A-LATM, to an FLV file, or +to MOV/MP4 files and related formats such as 3GP or M4A. Please note +that it is auto-inserted for MP4A-LATM and MOV/MP4 and related formats. +
+ +Modify metadata embedded in an AV1 stream. +
+Insert or remove temporal delimiter OBUs in all temporal units of the +stream. +
+Insert a TD at the beginning of every TU which does not already have one. +
Remove the TD from the beginning of every TU which has one. +
Set the color description fields in the stream (see AV1 section 6.4.2). +
+Set the color range in the stream (see AV1 section 6.4.2; note that +this cannot be set for streams using BT.709 primaries, sRGB transfer +characteristic and identity (RGB) matrix coefficients). +
Limited range. +
Full range. +
Set the chroma sample location in the stream (see AV1 section 6.4.2). +This can only be set for 4:2:0 streams. +
+Left position (matching the default in MPEG-2 and H.264). +
Top-left position. +
Set the tick rate (time_scale / num_units_in_display_tick) in +the timing info in the sequence header. +
Set the number of ticks in each picture, to indicate that the stream +has a fixed framerate. Ignored if tick_rate is not also set. +
+Deletes Padding OBUs. +
+Remove zero padding at the end of a packet. +
+ +Extract the core from a DCA/DTS stream, dropping extensions such as +DTS-HD. +
+ +Add extradata to the beginning of the filtered packets except when +said packets already exactly begin with the extradata that is intended +to be added. +
+The additional argument specifies which packets should be filtered. +It accepts the values: +
add extradata to all key packets +
+add extradata to all packets +
If not specified it is assumed ‘k’. +
+For example the following ffmpeg command forces a global
+header (thus disabling individual packet headers) in the H.264 packets
+generated by the libx264 encoder, but corrects them by adding
+the header stored in extradata to the key packets:
+
ffmpeg -i INPUT -map 0 -flags:v +global_header -c:v libx264 -bsf:v dump_extra out.ts +
Blocks in DV which are marked as damaged are replaced by blocks of the specified color. +
+The color to replace damaged blocks by +
A 16 bit mask which specifies which of the 16 possible error status values are +to be replaced by colored blocks. 0xFFFE is the default which replaces all non 0 +error status values. +
No error, no concealment +
Error, No concealment +
Reserved +
Error or concealment +
Not reserved +
The specific error status code +
see page 44-46 or section 5.5 of +http://web.archive.org/web/20060927044735/http://www.smpte.org/smpte_store/standards/pdf/s314m.pdf +
+Extract the core from a E-AC-3 stream, dropping extra channels. +
+ +Extract the in-band extradata. +
+Certain codecs allow the long-term headers (e.g. MPEG-2 sequence headers, +or H.264/HEVC (VPS/)SPS/PPS) to be transmitted either "in-band" (i.e. as a part +of the bitstream containing the coded frames) or "out of band" (e.g. on the +container level). This latter form is called "extradata" in FFmpeg terminology. +
+This bitstream filter detects the in-band headers and makes them available as +extradata. +
+When this option is enabled, the long-term headers are removed from the +bitstream after extraction. +
Remove units with types in or not in a given set from the stream. +
+List of unit types or ranges of unit types to pass through while removing +all others. This is specified as a ’|’-separated list of unit type values +or ranges of values with ’-’. +
+Identical to pass_types, except the units in the given set +removed and all others passed through. +
Extradata is unchanged by this transformation, but note that if the stream +contains inline parameter sets then the output may be unusable if they are +removed. +
+For example, to remove all non-VCL NAL units from an H.264 stream: +
ffmpeg -i INPUT -c:v copy -bsf:v 'filter_units=pass_types=1-5' OUTPUT +
To remove all AUDs, SEI and filler from an H.265 stream: +
ffmpeg -i INPUT -c:v copy -bsf:v 'filter_units=remove_types=35|38-40' OUTPUT +
Extract Rgb or Alpha part of an HAPQA file, without recompression, in order to create an HAPQ or an HAPAlphaOnly file. +
+Specifies the texture to keep. +
+Convert HAPQA to HAPQ +
ffmpeg -i hapqa_inputfile.mov -c copy -bsf:v hapqa_extract=texture=color -tag:v HapY -metadata:s:v:0 encoder="HAPQ" hapq_file.mov +
Convert HAPQA to HAPAlphaOnly +
ffmpeg -i hapqa_inputfile.mov -c copy -bsf:v hapqa_extract=texture=alpha -tag:v HapA -metadata:s:v:0 encoder="HAPAlpha Only" hapalphaonly_file.mov +
Modify metadata embedded in an H.264 stream. +
+Insert or remove AUD NAL units in all access units of the stream. +
+Default is pass. +
+Set the sample aspect ratio of the stream in the VUI parameters. +See H.264 table E-1. +
+Set whether the stream is suitable for display using overscan +or not (see H.264 section E.2.1). +
+Set the video format in the stream (see H.264 section E.2.1 and +table E-2). +
+Set the colour description in the stream (see H.264 section E.2.1 +and tables E-3, E-4 and E-5). +
+Set the chroma sample location in the stream (see H.264 section +E.2.1 and figure E-1). +
+Set the tick rate (time_scale / num_units_in_tick) in the VUI +parameters. This is the smallest time unit representable in the +stream, and in many cases represents the field rate of the stream +(double the frame rate). +
Set whether the stream has fixed framerate - typically this indicates +that the framerate is exactly half the tick rate, but the exact +meaning is dependent on interlacing and the picture structure (see +H.264 section E.2.1 and table E-6). +
Zero constraint_set4_flag and constraint_set5_flag in the SPS. These +bits were reserved in a previous version of the H.264 spec, and thus +some hardware decoders require these to be zero. The result of zeroing +this is still a valid bitstream. +
+Set the frame cropping offsets in the SPS. These values will replace +the current ones if the stream is already cropped. +
+These fields are set in pixels. Note that some sizes may not be +representable if the chroma is subsampled or the stream is interlaced +(see H.264 section 7.4.2.1.1). +
+Insert a string as SEI unregistered user data. The argument must +be of the form UUID+string, where the UUID is as hex digits +possibly separated by hyphens, and the string can be anything. +
+For example, ‘086f3693-b7b3-4f2c-9653-21492feee5b8+hello’ will +insert the string “hello” associated with the given UUID. +
+Deletes both filler NAL units and filler SEI messages. +
+Insert, extract or remove Display orientation SEI messages. +See H.264 section D.1.27 and D.2.27 for syntax and semantics. +
+Default is pass. +
+Insert mode works in conjunction with rotate and flip options.
+Any pre-existing Display orientation messages will be removed in insert or remove mode.
+Extract mode attaches the display matrix to the packet as side data.
+
Set rotation in display orientation SEI (anticlockwise angle in degrees). +Range is -360 to +360. Default is NaN. +
+Set flip in display orientation SEI. +
+Default is unset. +
+Set the level in the SPS. Refer to H.264 section A.3 and tables A-1 +to A-5. +
+The argument must be the name of a level (for example, ‘4.2’), a +level_idc value (for example, ‘42’), or the special name ‘auto’ +indicating that the filter should attempt to guess the level from the +input stream properties. +
+Convert an H.264 bitstream from length prefixed mode to start code +prefixed mode (as defined in the Annex B of the ITU-T H.264 +specification). +
+This is required by some streaming formats, typically the MPEG-2
+transport stream format (muxer mpegts).
+
For example to remux an MP4 file containing an H.264 stream to mpegts
+format with ffmpeg, you can use the command:
+
ffmpeg -i INPUT.mp4 -codec copy -bsf:v h264_mp4toannexb OUTPUT.ts +
Please note that this filter is auto-inserted for MPEG-TS (muxer
+mpegts) and raw H.264 (muxer h264) output formats.
+
This applies a specific fixup to some Blu-ray streams which contain +redundant PPSs modifying irrelevant parameters of the stream which +confuse other transformations which require correct extradata. +
+ +Modify metadata embedded in an HEVC stream. +
+Insert or remove AUD NAL units in all access units of the stream. +
+Set the sample aspect ratio in the stream in the VUI parameters. +
+Set the video format in the stream (see H.265 section E.3.1 and +table E.2). +
+Set the colour description in the stream (see H.265 section E.3.1 +and tables E.3, E.4 and E.5). +
+Set the chroma sample location in the stream (see H.265 section +E.3.1 and figure E.1). +
+Set the tick rate in the VPS and VUI parameters (time_scale / +num_units_in_tick). Combined with num_ticks_poc_diff_one, this can +set a constant framerate in the stream. Note that it is likely to be +overridden by container parameters when the stream is in a container. +
+Set poc_proportional_to_timing_flag in VPS and VUI and use this value +to set num_ticks_poc_diff_one_minus1 (see H.265 sections 7.4.3.1 and +E.3.1). Ignored if tick_rate is not also set. +
+Set the conformance window cropping offsets in the SPS. These values +will replace the current ones if the stream is already cropped. +
+These fields are set in pixels. Note that some sizes may not be +representable if the chroma is subsampled (H.265 section 7.4.3.2.1). +
+Set the level in the VPS and SPS. See H.265 section A.4 and tables +A.6 and A.7. +
+The argument must be the name of a level (for example, ‘5.1’), a +general_level_idc value (for example, ‘153’ for level 5.1), +or the special name ‘auto’ indicating that the filter should +attempt to guess the level from the input stream properties. +
+Convert an HEVC/H.265 bitstream from length prefixed mode to start code +prefixed mode (as defined in the Annex B of the ITU-T H.265 +specification). +
+This is required by some streaming formats, typically the MPEG-2
+transport stream format (muxer mpegts).
+
For example to remux an MP4 file containing an HEVC stream to mpegts
+format with ffmpeg, you can use the command:
+
ffmpeg -i INPUT.mp4 -codec copy -bsf:v hevc_mp4toannexb OUTPUT.ts +
Please note that this filter is auto-inserted for MPEG-TS (muxer
+mpegts) and raw HEVC/H.265 (muxer h265 or
+hevc) output formats.
+
Modifies the bitstream to fit in MOV and to be usable by the Final Cut +Pro decoder. This filter only applies to the mpeg2video codec, and is +likely not needed for Final Cut Pro 7 and newer with the appropriate +-tag:v. +
+For example, to remux 30 MB/sec NTSC IMX to MOV: +
+ffmpeg -i input.mxf -c copy -bsf:v imxdump -tag:v mx3n output.mov +
Convert MJPEG/AVI1 packets to full JPEG/JFIF packets. +
+MJPEG is a video codec wherein each video frame is essentially a +JPEG image. The individual frames can be extracted without loss, +e.g. by +
+ffmpeg -i ../some_mjpeg.avi -c:v copy frames_%d.jpg +
Unfortunately, these chunks are incomplete JPEG images, because +they lack the DHT segment required for decoding. Quoting from +http://www.digitalpreservation.gov/formats/fdd/fdd000063.shtml: +
+Avery Lee, writing in the rec.video.desktop newsgroup in 2001, +commented that "MJPEG, or at least the MJPEG in AVIs having the +MJPG fourcc, is restricted JPEG with a fixed – and *omitted* – +Huffman table. The JPEG must be YCbCr colorspace, it must be 4:2:2, +and it must use basic Huffman encoding, not arithmetic or +progressive. . . . You can indeed extract the MJPEG frames and +decode them with a regular JPEG decoder, but you have to prepend +the DHT segment to them, or else the decoder won’t have any idea +how to decompress the data. The exact table necessary is given in +the OpenDML spec." +
+This bitstream filter patches the header of frames extracted from an MJPEG +stream (carrying the AVI1 header ID and lacking a DHT segment) to +produce fully qualified JPEG images. +
+ffmpeg -i mjpeg-movie.avi -c:v copy -bsf:v mjpeg2jpeg frame_%d.jpg +exiftran -i -9 frame*.jpg +ffmpeg -i frame_%d.jpg -c:v copy rotated.avi +
Add an MJPEG A header to the bitstream, to enable decoding by +Quicktime. +
+ +Extract a representable text file from MOV subtitles, stripping the +metadata header from each subtitle packet. +
+See also the text2movsub filter. +
+ +Decompress non-standard compressed MP3 audio headers. +
+ +Modify metadata embedded in an MPEG-2 stream. +
+Set the display aspect ratio in the stream. +
+The following fixed values are supported: +
Any other value will result in square pixels being signalled instead +(see H.262 section 6.3.3 and table 6-3). +
+Set the frame rate in the stream. This is constructed from a table +of known values combined with a small multiplier and divisor - if +the supplied value is not exactly representable, the nearest +representable value will be used instead (see H.262 section 6.3.3 +and table 6-4). +
+Set the video format in the stream (see H.262 section 6.3.6 and +table 6-6). +
+Set the colour description in the stream (see H.262 section 6.3.6 +and tables 6-7, 6-8 and 6-9). +
+Unpack DivX-style packed B-frames. +
+DivX-style packed B-frames are not valid MPEG-4 and were only a +workaround for the broken Video for Windows subsystem. +They use more space, can cause minor AV sync issues, require more +CPU power to decode (unless the player has some decoded picture queue +to compensate the 2,0,2,0 frame per packet style) and cause +trouble if copied into a standard container like mp4 or mpeg-ps/ts, +because MPEG-4 decoders may not be able to decode them, since they are +not valid MPEG-4. +
+For example to fix an AVI file containing an MPEG-4 stream with
+DivX-style packed B-frames using ffmpeg, you can use the command:
+
ffmpeg -i INPUT.avi -codec copy -bsf:v mpeg4_unpack_bframes OUTPUT.avi +
Damages the contents of packets or simply drops them without damaging the +container. Can be used for fuzzing or testing error resilience/concealment. +
+Parameters: +
Accepts an expression whose evaluation per-packet determines how often bytes in that +packet will be modified. A value below 0 will result in a variable frequency. +Default is 0 which results in no modification. However, if neither amount nor drop is specified, +amount will be set to -1. See below for accepted variables. +
Accepts an expression evaluated per-packet whose value determines whether that packet is dropped. +Evaluation to a positive value results in the packet being dropped. Evaluation to a negative +value results in a variable chance of it being dropped, roughly inverse in proportion to the magnitude +of the value. Default is 0 which results in no drops. See below for accepted variables. +
Accepts a non-negative integer, which assigns a variable chance of it being dropped, roughly inverse
+in proportion to the value. Default is 0 which results in no drops. This option is kept for backwards
+compatibility and is equivalent to setting drop to a negative value with the same magnitude
+i.e. dropamount=4 is the same as drop=-4. Ignored if drop is also specified.
+
Both amount and drop accept expressions containing the following variables:
+
The index of the packet, starting from zero. +
The timebase for packet timestamps. +
Packet presentation timestamp. +
Packet decoding timestamp. +
Constant representing AV_NOPTS_VALUE. +
First non-AV_NOPTS_VALUE PTS seen in the stream. +
First non-AV_NOPTS_VALUE DTS seen in the stream. +
Packet duration, in timebase units. +
Packet position in input; may be -1 when unknown or not set. +
Packet size, in bytes. +
Whether packet is marked as a keyframe. +
A pseudo random integer, primarily derived from the content of packet payload. +
Apply modification to every byte but don’t drop any packets. +
ffmpeg -i INPUT -c copy -bsf noise=1 output.mkv +
Drop every video packet not marked as a keyframe after timestamp 30s but do not +modify any of the remaining packets. +
ffmpeg -i INPUT -c copy -bsf:v noise=drop='gt(t\,30)*not(key)' output.mkv +
Drop one second of audio every 10 seconds and add some random noise to the rest. +
ffmpeg -i INPUT -c copy -bsf:a noise=amount=-1:drop='between(mod(t\,10)\,9\,10)' output.mkv +
This bitstream filter passes the packets through unchanged. +
+ +Repacketize PCM audio to a fixed number of samples per packet or a fixed packet +rate per second. This is similar to the (ffmpeg-filters)asetnsamples audio +filter but works on audio packets instead of audio frames. +
+Set the number of samples per each output audio packet. The number is intended +as the number of samples per each channel. Default value is 1024. +
+If set to 1, the filter will pad the last audio packet with silence, so that it +will contain the same number of samples (or roughly the same number of samples, +see frame_rate) as the previous ones. Default value is 1. +
+This option makes the filter output a fixed number of packets per second instead +of a fixed number of samples per packet. If the audio sample rate is not +divisible by the frame rate then the number of samples will not be constant but +will vary slightly so that each packet will start as close to the frame +boundary as possible. Using this option has precedence over nb_out_samples. +
You can generate the well known 1602-1601-1602-1601-1602 pattern of 48kHz audio +for NTSC frame rate using the frame_rate option. +
ffmpeg -f lavfi -i sine=r=48000:d=1 -c pcm_s16le -bsf pcm_rechunk=r=30000/1001 -f framecrc - +
Merge a sequence of PGS Subtitle segments ending with an "end of display set" +segment into a single packet. +
+This is required by some containers that support PGS subtitles
+(muxer matroska).
+
Modify color property metadata embedded in prores stream. +
+Set the color primaries. +Available values are: +
+Keep the same color primaries property (default). +
+BT601 625 +
+BT601 525 +
+DCI P3 +
+P3 D65 +
+Set the color transfer. +Available values are: +
+Keep the same transfer characteristics property (default). +
+BT 601, BT 709, BT 2020 +
SMPTE ST 2084 +
ARIB STD-B67 +
Set the matrix coefficient. +Available values are: +
+Keep the same colorspace property (default). +
+BT 601 +
+Set Rec709 colorspace for each frame of the file +
ffmpeg -i INPUT -c copy -bsf:v prores_metadata=color_primaries=bt709:color_trc=bt709:colorspace=bt709 output.mov +
Set Hybrid Log-Gamma parameters for each frame of the file +
ffmpeg -i INPUT -c copy -bsf:v prores_metadata=color_primaries=bt2020:color_trc=arib-std-b67:colorspace=bt2020nc output.mov +
Remove extradata from packets. +
+It accepts the following parameter: +
Set which frame types to remove extradata from. +
+Remove extradata from non-keyframes only. +
+Remove extradata from keyframes only. +
+Remove extradata from all frames. +
+Set PTS and DTS in packets. +
+It accepts the following parameters: +
Set expressions for PTS, DTS or both. +
Set expression for duration. +
Set output time base. +
The expressions are evaluated through the eval API and can contain the following +constants: +
+The count of the input packet. Starting from 0. +
+The demux timestamp in input in case of ts or dts option or presentation
+timestamp in case of pts option.
+
The original position in the file of the packet, or undefined if undefined +for the current packet +
+The demux timestamp in input. +
+The presentation timestamp in input. +
+The duration in input. +
+The DTS of the first packet. +
+The PTS of the first packet. +
+The previous input DTS. +
+The previous input PTS. +
+The previous input duration. +
+The previous output DTS. +
+The previous output PTS. +
+The previous output duration. +
+The next input DTS. +
+The next input PTS. +
+The next input duration. +
+The timebase of stream packet belongs. +
+The output timebase. +
+The sample rate of stream packet belongs. +
+The AV_NOPTS_VALUE constant. +
Convert text subtitles to MOV subtitles (as used by the mov_text
+codec) with metadata headers.
+
See also the mov2textsub filter. +
+ +Log trace output containing all syntax elements in the coded stream +headers (everything above the level of individual coded blocks). +This can be useful for debugging low-level stream issues. +
+Supports AV1, H.264, H.265, (M)JPEG, MPEG-2 and VP9, but depending +on the build only a subset of these may be available. +
+ +Extract the core from a TrueHD stream, dropping ATMOS data. +
+ +Modify metadata embedded in a VP9 stream. +
+Set the color space value in the frame header. Note that any frame +set to RGB will be implicitly set to PC range and that RGB is +incompatible with profiles 0 and 2. +
Set the color range value in the frame header. Note that any value +imposed by the color space will take precedence over this value. +
Merge VP9 invisible (alt-ref) frames back into VP9 superframes. This +fixes merging of split/segmented VP9 streams where the alt-ref frame +was split from its visible counterpart. +
+ +Split VP9 superframes into single frames. +
+ +Given a VP9 stream with correct timestamps but possibly out of order, +insert additional show-existing-frame packets to correct the ordering. +
+ +The libavformat library provides some generic global options, which +can be set on all the muxers and demuxers. In addition each muxer or +demuxer may support so-called private options, which are specific for +that component. +
+Options may be set by specifying -option value in the
+FFmpeg tools, or by setting the value explicitly in the
+AVFormatContext options or using the libavutil/opt.h API
+for programmatic use.
+
The list of supported options follows: +
+Possible values: +
Reduce buffering. +
Set probing size in bytes, i.e. the size of the data to analyze to get +stream information. A higher value will enable detecting more +information in case it is dispersed into the stream, but will increase +latency. Must be an integer not lesser than 32. It is 5000000 by default. +
+Set the maximum number of buffered packets when probing a codec. +Default is 2500 packets. +
+Set packet size. +
+Set format flags. Some are implemented for a limited number of formats. +
+Possible values for input files: +
Discard corrupted packets. +
Enable fast, but inaccurate seeks for some formats. +
Generate missing PTS if DTS is present. +
Ignore DTS if PTS is set. Inert when nofillin is set. +
Ignore index. +
Reduce the latency introduced by buffering during initial input streams analysis. +
Do not fill in missing values in packet fields that can be exactly calculated. +
Disable AVParsers, this needs +nofillin too.
+
Try to interleave output packets by DTS. At present, available only for AVIs with an index. +
Possible values for output files: +
Automatically apply bitstream filters as required by the output format. Enabled by default. +
Only write platform-, build- and time-independent data. +This ensures that file and data checksums are reproducible and match between +platforms. Its primary use is for regression testing. +
Write out packets immediately. +
Stop muxing at the end of the shortest stream. +It may be needed to increase max_interleave_delta to avoid flushing the longer +streams before EOF. +
Allow seeking to non-keyframes on demuxer level when supported if set to 1. +Default is 0. +
+Specify how many microseconds are analyzed to probe the input. A +higher value will enable detecting more accurate information, but will +increase latency. It defaults to 5,000,000 microseconds = 5 seconds. +
+Set decryption key. +
+Set max memory used for timestamp index (per stream). +
+Set max memory used for buffering real-time frames. +
+Print specific debug info. +
+Possible values: +
Set maximum muxing or demuxing delay in microseconds. +
+Set number of frames used to probe fps. +
+Set microseconds by which audio packets should be interleaved earlier. +
+Set microseconds for each chunk. +
+Set size in bytes for each chunk. +
+Set error detection flags. f_err_detect is deprecated and
+should be used only via the ffmpeg tool.
+
Possible values: +
Verify embedded CRCs. +
Detect bitstream specification deviations. +
Detect improper bitstream length. +
Abort decoding on minor error detection. +
Consider things that violate the spec and have not been seen in the +wild as errors. +
Consider all spec non compliancies as errors. +
Consider things that a sane encoder should not do as an error. +
Set maximum buffering duration for interleaving. The duration is +expressed in microseconds, and defaults to 10000000 (10 seconds). +
+To ensure all the streams are interleaved correctly, libavformat will +wait until it has at least one packet for each stream before actually +writing any packets to the output file. When some streams are +"sparse" (i.e. there are large gaps between successive packets), this +can result in excessive buffering. +
+This field specifies the maximum difference between the timestamps of the +first and the last packet in the muxing queue, above which libavformat +will output a packet regardless of whether it has queued a packet for all +the streams. +
+If set to 0, libavformat will continue buffering packets until it has +a packet for each stream, regardless of the maximum timestamp +difference between the buffered packets. +
+Use wallclock as timestamps if set to 1. Default is 0. +
+Possible values: +
Shift timestamps to make them non-negative. +Also note that this affects only leading negative timestamps, and not +non-monotonic negative timestamps. +
Shift timestamps so that the first timestamp is 0. +
Enables shifting when required by the target format. +
Disables shifting of timestamp. +
When shifting is enabled, all output timestamps are shifted by the +same amount. Audio, video, and subtitles desynching and relative +timestamp differences are preserved compared to how they would have +been without shifting. +
+Set number of bytes to skip before reading header and frames if set to 1. +Default is 0. +
+Correct single timestamp overflows if set to 1. Default is 1. +
+Flush the underlying I/O stream after each packet. Default is -1 (auto), which +means that the underlying protocol will decide, 1 enables it, and has the +effect of reducing the latency, 0 disables it and may increase IO throughput in +some cases. +
+Set the output time offset. +
+offset must be a time duration specification, +see (ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual. +
+The offset is added by the muxer to the output timestamps. +
+Specifying a positive offset means that the corresponding streams are
+delayed bt the time duration specified in offset. Default value
+is 0 (meaning that no offset is applied).
+
"," separated list of allowed demuxers. By default all are allowed. +
+Separator used to separate the fields printed on the command line about the +Stream parameters. +For example, to separate the fields with newlines and indentation: +
ffprobe -dump_separator " + " -i ~/videos/matrixbench_mpeg2.mpg +
Specifies the maximum number of streams. This can be used to reject files that +would require too many resources due to a large number of streams. +
+Skip estimation of input duration when calculated using PTS. +At present, applicable for MPEG-PS and MPEG-TS. +
+Specify how strictly to follow the standards. f_strict is deprecated and
+should be used only via the ffmpeg tool.
+
Possible values: +
strictly conform to an older more strict version of the spec or reference software +
strictly conform to all the things in the spec no matter what consequences +
allow unofficial extensions +
allow non standardized experimental things, experimental +(unfinished/work in progress/not well tested) decoders and encoders. +Note: experimental decoders can pose a security risk, do not use this for +decoding untrusted input. +
Format stream specifiers allow selection of one or more streams that +match specific properties. +
+The exact semantics of stream specifiers is defined by the
+avformat_match_stream_specifier() function declared in the
+libavformat/avformat.h header and documented in the
+(ffmpeg)Stream specifiers section in the ffmpeg(1) manual.
+
Demuxers are configured elements in FFmpeg that can read the +multimedia streams from a particular type of file. +
+When you configure your FFmpeg build, all the supported demuxers
+are enabled by default. You can list all available ones using the
+configure option --list-demuxers.
+
You can disable all the demuxers using the configure option
+--disable-demuxers, and selectively enable a single demuxer with
+the option --enable-demuxer=DEMUXER, or disable it
+with the option --disable-demuxer=DEMUXER.
+
The option -demuxers of the ff* tools will display the list of
+enabled demuxers. Use -formats to view a combined list of
+enabled demuxers and muxers.
+
The description of some of the currently available demuxers follows. +
+ +Audible Format 2, 3, and 4 demuxer. +
+This demuxer is used to demux Audible Format 2, 3, and 4 (.aa) files. +
+ +Raw Audio Data Transport Stream AAC demuxer. +
+This demuxer is used to demux an ADTS input containing a single AAC stream +alongwith any ID3v1/2 or APE tags in it. +
+ +Animated Portable Network Graphics demuxer. +
+This demuxer is used to demux APNG files. +All headers, but the PNG signature, up to (but not including) the first +fcTL chunk are transmitted as extradata. +Frames are then split as being all the chunks between two fcTL ones, or +between the last fcTL and IEND chunks. +
+Ignore the loop variable in the file if set. Default is enabled. +
+Maximum framerate in frames per second. Default of 0 imposes no limit. +
+Default framerate in frames per second when none is specified in the file +(0 meaning as fast as possible). Default is 15. +
+Advanced Systems Format demuxer. +
+This demuxer is used to demux ASF files and MMS network streams. +
+Do not try to resynchronize by looking for a certain optional start code. +
Virtual concatenation script demuxer. +
+This demuxer reads a list of files and other directives from a text file and +demuxes them one after the other, as if all their packets had been muxed +together. +
+The timestamps in the files are adjusted so that the first file starts at 0 +and each next file starts where the previous one finishes. Note that it is +done globally and may cause gaps if all streams do not have exactly the same +length. +
+All files must have the same streams (same codecs, same time base, etc.). +
+The duration of each file is used to adjust the timestamps of the next file:
+if the duration is incorrect (because it was computed using the bit-rate or
+because the file is truncated, for example), it can cause artifacts. The
+duration directive can be used to override the duration stored in
+each file.
+
The script is a text file in extended-ASCII, with one directive per line. +Empty lines, leading spaces and lines starting with ’#’ are ignored. The +following directive is recognized: +
+file pathPath to a file to read; special characters and spaces must be escaped with +backslash or single quotes. +
+All subsequent file-related directives apply to that file. +
+ffconcat version 1.0Identify the script type and version. +
+To make FFmpeg recognize the format automatically, this directive must +appear exactly as is (no extra space or byte-order-mark) on the very first +line of the script. +
+duration durDuration of the file. This information can be specified from the file; +specifying it here may be more efficient or help if the information from the +file is not available or accurate. +
+If the duration is set for all files, then it is possible to seek in the +whole concatenated video. +
+inpoint timestampIn point of the file. When the demuxer opens the file it instantly seeks to the +specified timestamp. Seeking is done so that all streams can be presented +successfully at In point. +
+This directive works best with intra frame codecs, because for non-intra frame +ones you will usually get extra packets before the actual In point and the +decoded content will most likely contain frames before In point too. +
+For each file, packets before the file In point will have timestamps less than
+the calculated start timestamp of the file (negative in case of the first
+file), and the duration of the files (if not specified by the duration
+directive) will be reduced based on their specified In point.
+
Because of potential packets before the specified In point, packet timestamps +may overlap between two concatenated files. +
+outpoint timestampOut point of the file. When the demuxer reaches the specified decoding +timestamp in any of the streams, it handles it as an end of file condition and +skips the current and all the remaining packets from all streams. +
+Out point is exclusive, which means that the demuxer will not output packets +with a decoding timestamp greater or equal to Out point. +
+This directive works best with intra frame codecs and formats where all streams +are tightly interleaved. For non-intra frame codecs you will usually get +additional packets with presentation timestamp after Out point therefore the +decoded content will most likely contain frames after Out point too. If your +streams are not tightly interleaved you may not get all the packets from all +streams before Out point and you may only will be able to decode the earliest +stream until Out point. +
+The duration of the files (if not specified by the duration
+directive) will be reduced based on their specified Out point.
+
file_packet_metadata key=valueMetadata of the packets of the file. The specified metadata will be set for
+each file packet. You can specify this directive multiple times to add multiple
+metadata entries.
+This directive is deprecated, use file_packet_meta instead.
+
file_packet_meta key valueMetadata of the packets of the file. The specified metadata will be set for +each file packet. You can specify this directive multiple times to add multiple +metadata entries. +
+option key valueOption to access, open and probe the file. +Can be present multiple times. +
+streamIntroduce a stream in the virtual file. +All subsequent stream-related directives apply to the last introduced +stream. +Some streams properties must be set in order to allow identifying the +matching streams in the subfiles. +If no streams are defined in the script, the streams from the first file are +copied. +
+exact_stream_id idSet the id of the stream. +If this directive is given, the string with the corresponding id in the +subfiles will be used. +This is especially useful for MPEG-PS (VOB) files, where the order of the +streams is not reliable. +
+stream_meta key valueMetadata for the stream. +Can be present multiple times. +
+stream_codec valueCodec for the stream. +
+stream_extradata hex_stringExtradata for the string, encoded in hexadecimal. +
+chapter id start endAdd a chapter. id is an unique identifier, possibly small and +consecutive. +
+This demuxer accepts the following option: +
+If set to 1, reject unsafe file paths and directives. +A file path is considered safe if it +does not contain a protocol specification and is relative and all components +only contain characters from the portable character set (letters, digits, +period, underscore and hyphen) and have no period at the beginning of a +component. +
+If set to 0, any file name is accepted. +
+The default is 1. +
+If set to 1, try to perform automatic conversions on packet data to make the +streams concatenable. +The default is 1. +
+Currently, the only conversion is adding the h264_mp4toannexb bitstream +filter to H.264 streams in MP4 format. This is necessary in particular if +there are resolution changes. +
+If set to 1, every packet will contain the lavf.concat.start_time and the +lavf.concat.duration packet metadata values which are the start_time and +the duration of the respective file segments in the concatenated output +expressed in microseconds. The duration metadata is only set if it is known +based on the concat file. +The default is 0. +
+# my first filename +file /mnt/share/file-1.wav +# my second filename including whitespace +file '/mnt/share/file 2.wav' +# my third filename including whitespace plus single quote +file '/mnt/share/file 3'\''.wav' +
ffconcat version 1.0 + +file file-1.wav +duration 20.0 + +file subdir/file-2.wav +
Dynamic Adaptive Streaming over HTTP demuxer. +
+This demuxer presents all AVStreams found in the manifest.
+By setting the discard flags on AVStreams the caller can decide
+which streams to actually receive.
+Each stream mirrors the id and bandwidth properties from the
+<Representation> as metadata keys named "id" and "variant_bitrate" respectively.
+
This demuxer accepts the following option: +
+16-byte key, in hex, to decrypt files encrypted using ISO Common Encryption (CENC/AES-128 CTR; ISO/IEC 23001-7). +
+Interoperable Master Format demuxer. +
+This demuxer presents audio and video streams found in an IMF Composition. +
+ +Adobe Flash Video Format demuxer. +
+This demuxer is used to demux FLV files and RTMP network streams. In case of live network streams, if you force format, you may use live_flv option instead of flv to survive timestamp discontinuities. +KUX is a flv variant used on the Youku platform. +
+ffmpeg -f flv -i myfile.flv ... +ffmpeg -f live_flv -i rtmp://<any.server>/anything/key .... +
Allocate the streams according to the onMetaData array content. +
+Ignore the size of previous tag value. +
+Output all context of the onMetadata. +
Animated GIF demuxer. +
+It accepts the following options: +
+Set the minimum valid delay between frames in hundredths of seconds. +Range is 0 to 6000. Default value is 2. +
+Set the maximum valid delay between frames in hundredth of seconds. +Range is 0 to 65535. Default value is 65535 (nearly eleven minutes), +the maximum value allowed by the specification. +
+Set the default delay between frames in hundredths of seconds. +Range is 0 to 6000. Default value is 10. +
+GIF files can contain information to loop a certain number of times (or +infinitely). If ignore_loop is set to 1, then the loop setting +from the input will be ignored and looping will not occur. If set to 0, +then looping will occur and will cycle the number of times according to +the GIF. Default value is 1. +
For example, with the overlay filter, place an infinitely looping GIF +over another video: +
ffmpeg -i input.mp4 -ignore_loop 0 -i input.gif -filter_complex overlay=shortest=1 out.mkv +
Note that in the above example the shortest option for overlay filter is +used to end the output video at the length of the shortest input file, +which in this case is input.mp4 as the GIF in this example loops +infinitely. +
+ +HLS demuxer +
+Apple HTTP Live Streaming demuxer. +
+This demuxer presents all AVStreams from all variant streams. +The id field is set to the bitrate variant index number. By setting +the discard flags on AVStreams (by pressing ’a’ or ’v’ in ffplay), +the caller can decide which variant streams to actually receive. +The total bitrate of the variant that the stream belongs to is +available in a metadata key named "variant_bitrate". +
+It accepts the following options: +
+segment index to start live streams at (negative values are from the end). +
+prefer to use #EXT-X-START if it’s in playlist instead of live_start_index. +
+’,’ separated list of file extensions that hls is allowed to access. +
+Maximum number of times a insufficient list is attempted to be reloaded. +Default value is 1000. +
+The maximum number of times to load m3u8 when it refreshes without new segments. +Default value is 1000. +
+Use persistent HTTP connections. Applicable only for HTTP streams. +Enabled by default. +
+Use multiple HTTP connections for downloading HTTP segments. +Enabled by default for HTTP/1.1 servers. +
+Use HTTP partial requests for downloading HTTP segments. +0 = disable, 1 = enable, -1 = auto, Default is auto. +
+Set options for the demuxer of media segments using a list of key=value pairs separated by :.
+
Image file demuxer. +
+This demuxer reads from a list of image files specified by a pattern. +The syntax and meaning of the pattern is specified by the +option pattern_type. +
+The pattern may contain a suffix which is used to automatically +determine the format of the images contained in the files. +
+The size, the pixel format, and the format of each image must be the +same for all the files in the sequence. +
+This demuxer accepts the following options: +
Set the frame rate for the video stream. It defaults to 25. +
If set to 1, loop over the input. Default value is 0. +
Select the pattern type used to interpret the provided filename. +
+pattern_type accepts one of the following values. +
Disable pattern matching, therefore the video will only contain the specified +image. You should use this option if you do not want to create sequences from +multiple images and your filenames may contain special pattern characters. +
Select a sequence pattern type, used to specify a sequence of files +indexed by sequential numbers. +
+A sequence pattern may contain the string "%d" or "%0Nd", which +specifies the position of the characters representing a sequential +number in each filename matched by the pattern. If the form +"%d0Nd" is used, the string representing the number in each +filename is 0-padded and N is the total number of 0-padded +digits representing the number. The literal character ’%’ can be +specified in the pattern with the string "%%". +
+If the sequence pattern contains "%d" or "%0Nd", the first filename of +the file list specified by the pattern must contain a number +inclusively contained between start_number and +start_number+start_number_range-1, and all the following +numbers must be sequential. +
+For example the pattern "img-%03d.bmp" will match a sequence of +filenames of the form img-001.bmp, img-002.bmp, ..., +img-010.bmp, etc.; the pattern "i%%m%%g-%d.jpg" will match a +sequence of filenames of the form i%m%g-1.jpg, +i%m%g-2.jpg, ..., i%m%g-10.jpg, etc. +
+Note that the pattern must not necessarily contain "%d" or +"%0Nd", for example to convert a single image file +img.jpeg you can employ the command: +
ffmpeg -i img.jpeg img.png +
Select a glob wildcard pattern type. +
+The pattern is interpreted like a glob() pattern. This is only
+selectable if libavformat was compiled with globbing support.
+
Select a mixed glob wildcard/sequence pattern. +
+If your version of libavformat was compiled with globbing support, and
+the provided pattern contains at least one glob meta character among
+%*?[]{} that is preceded by an unescaped "%", the pattern is
+interpreted like a glob() pattern, otherwise it is interpreted
+like a sequence pattern.
+
All glob special characters %*?[]{} must be prefixed
+with "%". To escape a literal "%" you shall use "%%".
+
For example the pattern foo-%*.jpeg will match all the
+filenames prefixed by "foo-" and terminating with ".jpeg", and
+foo-%?%?%?.jpeg will match all the filenames prefixed with
+"foo-", followed by a sequence of three characters, and terminating
+with ".jpeg".
+
This pattern type is deprecated in favor of glob and +sequence. +
Default value is glob_sequence. +
Set the pixel format of the images to read. If not specified the pixel +format is guessed from the first image file in the sequence. +
Set the index of the file matched by the image file pattern to start +to read from. Default value is 0. +
Set the index interval range to check when looking for the first image +file in the sequence, starting from start_number. Default value +is 5. +
If set to 1, will set frame timestamp to modification time of image file. Note +that monotonity of timestamps is not provided: images go in the same order as +without this option. Default value is 0. +If set to 2, will set frame timestamp to the modification time of the image file in +nanosecond precision. +
Set the video size of the images to read. If not specified the video +size is guessed from the first image file in the sequence. +
If set to 1, will add two extra fields to the metadata found in input, making them +also available for other filters (see drawtext filter for examples). Default +value is 0. The extra fields are described below: +
Corresponds to the full path to the input file being read. +
Corresponds to the name of the file being read. +
ffmpeg for creating a video from the images in the file
+sequence img-001.jpeg, img-002.jpeg, ..., assuming an
+input frame rate of 10 frames per second:
+ffmpeg -framerate 10 -i 'img-%03d.jpeg' out.mkv +
ffmpeg -framerate 10 -start_number 100 -i 'img-%03d.jpeg' out.mkv +
ffmpeg -framerate 10 -pattern_type glob -i "*.png" out.mkv +
The Game Music Emu library is a collection of video game music file emulators. +
+See https://bitbucket.org/mpyne/game-music-emu/overview for more information. +
+It accepts the following options: +
+Set the index of which track to demux. The demuxer can only export one track. +Track indexes start at 0. Default is to pick the first track. Number of tracks +is exported as tracks metadata entry. +
+Set the sampling rate of the exported track. Range is 1000 to 999999. Default is 44100. +
+The demuxer buffers the entire file into memory. Adjust this value to set the maximum buffer size, +which in turn, acts as a ceiling for the size of files that can be read. +Default is 50 MiB. +
+ModPlug based module demuxer +
+See https://github.com/Konstanty/libmodplug +
+It will export one 2-channel 16-bit 44.1 kHz audio stream.
+Optionally, a pal8 16-color video stream can be exported with or without printed metadata.
+
It accepts the following options: +
+Apply a simple low-pass filter. Can be 1 (on) or 0 (off). Default is 0. +
+Set amount of reverb. Range 0-100. Default is 0. +
+Set delay in ms, clamped to 40-250 ms. Default is 0. +
+Apply bass expansion a.k.a. XBass or megabass. Range is 0 (quiet) to 100 (loud). Default is 0. +
+Set cutoff i.e. upper-bound for bass frequencies. Range is 10-100 Hz. Default is 0. +
+Apply a Dolby Pro-Logic surround effect. Range is 0 (quiet) to 100 (heavy). Default is 0. +
+Set surround delay in ms, clamped to 5-40 ms. Default is 0. +
+The demuxer buffers the entire file into memory. Adjust this value to set the maximum buffer size, +which in turn, acts as a ceiling for the size of files that can be read. Range is 0 to 100 MiB. +0 removes buffer size limit (not recommended). Default is 5 MiB. +
+String which is evaluated using the eval API to assign colors to the generated video stream.
+Variables which can be used are x, y, w, h, t, speed,
+tempo, order, pattern and row.
+
Generate video stream. Can be 1 (on) or 0 (off). Default is 0. +
+Set video frame width in ’chars’ where one char indicates 8 pixels. Range is 20-512. Default is 30. +
+Set video frame height in ’chars’ where one char indicates 8 pixels. Range is 20-512. Default is 30. +
+Print metadata on video stream. Includes speed, tempo, order, pattern,
+row and ts (time in ms). Can be 1 (on) or 0 (off). Default is 1.
+
libopenmpt based module demuxer +
+See https://lib.openmpt.org/libopenmpt/ for more information. +
+Some files have multiple subsongs (tracks) this can be set with the subsong +option. +
+It accepts the following options: +
+Set the subsong index. This can be either ’all’, ’auto’, or the index of the +subsong. Subsong indexes start at 0. The default is ’auto’. +
+The default value is to let libopenmpt choose. +
+Set the channel layout. Valid values are 1, 2, and 4 channel layouts. +The default value is STEREO. +
+Set the sample rate for libopenmpt to output. +Range is from 1000 to INT_MAX. The value default is 48000. +
Demuxer for Quicktime File Format & ISO/IEC Base Media File Format (ISO/IEC 14496-12 or MPEG-4 Part 12, ISO/IEC 15444-12 or JPEG 2000 Part 12). +
+Registered extensions: mov, mp4, m4a, 3gp, 3g2, mj2, psp, m4b, ism, ismv, isma, f4v +
+ +This demuxer accepts the following options: +
Enable loading of external tracks, disabled by default. +Enabling this can theoretically leak information in some use cases. +
+Allows loading of external tracks via absolute paths, disabled by default. +Enabling this poses a security risk. It should only be enabled if the source +is known to be non-malicious. +
+When seeking, identify the closest point in each stream individually and demux packets in +that stream from identified point. This can lead to a different sequence of packets compared +to demuxing linearly from the beginning. Default is true. +
+Ignore any edit list atoms. The demuxer, by default, modifies the stream index to reflect the +timeline described by the edit list. Default is false. +
+Modify the stream index to reflect the timeline described by the edit list. ignore_editlist
+must be set to false for this option to be effective.
+If both ignore_editlist and this option are set to false, then only the
+start of the stream index is modified to reflect initial dwell time or starting timestamp
+described by the edit list. Default is true.
+
Don’t parse chapters. This includes GoPro ’HiLight’ tags/moments. Note that chapters are +only parsed when input is seekable. Default is false. +
+For seekable fragmented input, set fragment’s starting timestamp from media fragment random access box, if present. +
+Following options are available: +
Auto-detect whether to set mfra timestamps as PTS or DTS (default) +
+Set mfra timestamps as DTS +
+Set mfra timestamps as PTS +
+Don’t use mfra box to set timestamps +
For fragmented input, set fragment’s starting timestamp to baseMediaDecodeTime from the tfdt box.
+Default is enabled, which will prefer to use the tfdt box to set DTS. Disable to use the earliest_presentation_time from the sidx box.
+In either case, the timestamp from the mfra box will be used if it’s available and use_mfra_for is
+set to pts or dts.
+
Export unrecognized boxes within the udta box as metadata entries. The first four +characters of the box type are set as the key. Default is false. +
+Export entire contents of XMP_ box and uuid box as a string with key xmp. Note that
+if export_all is set and this option isn’t, the contents of XMP_ box are still exported
+but with key XMP_. Default is false.
+
4-byte key required to decrypt Audible AAX and AAX+ files. See Audible AAX subsection below. +
+Fixed key used for handling Audible AAX/AAX+ files. It has been pre-set so should not be necessary to +specify. +
+16-byte key, in hex, to decrypt files encrypted using ISO Common Encryption (CENC/AES-128 CTR; ISO/IEC 23001-7). +
+Very high sample deltas written in a trak’s stts box may occasionally be intended but usually they are written in +error or used to store a negative value for dts correction when treated as signed 32-bit integers. This option lets +the user set an upper limit, beyond which the delta is clamped to 1. Values greater than the limit if negative when +cast to int32 are used to adjust onward dts. +
+Unit is the track time scale. Range is 0 to UINT_MAX. Default is UINT_MAX - 48000*10 which allows upto
+a 10 second dts correction for 48 kHz audio streams while accommodating 99.9% of uint32 range.
+
Audible AAX files are encrypted M4B files, and they can be decrypted by specifying a 4 byte activation secret. +
ffmpeg -activation_bytes 1CEB00DA -i test.aax -vn -c:a copy output.mp4 +
MPEG-2 transport stream demuxer. +
+This demuxer accepts the following options: +
Set size limit for looking up a new synchronization. Default value is +65536. +
+Skip PMTs for programs not defined in the PAT. Default value is 0. +
+Override teletext packet PTS and DTS values with the timestamps calculated +from the PCR of the first program which the teletext stream is part of and is +not discarded. Default value is 1, set this option to 0 if you want your +teletext packet PTS and DTS values untouched. +
+Output option carrying the raw packet size in bytes. +Show the detected raw packet size, cannot be set by the user. +
+Scan and combine all PMTs. The value is an integer with value from -1 +to 1 (-1 means automatic setting, 1 means enabled, 0 means +disabled). Default value is -1. +
+Re-use existing streams when a PMT’s version is updated and elementary +streams move to different PIDs. Default value is 0. +
+Set maximum size, in bytes, of packet emitted by the demuxer. Payloads above this size +are split across multiple packets. Range is 1 to INT_MAX/2. Default is 204800 bytes. +
MJPEG encapsulated in multi-part MIME demuxer. +
+This demuxer allows reading of MJPEG, where each frame is represented as a part of +multipart/x-mixed-replace stream. +
Default implementation applies a relaxed standard to multi-part MIME boundary detection, +to prevent regression with numerous existing endpoints not generating a proper MIME +MJPEG stream. Turning this option on by setting it to 1 will result in a stricter check +of the boundary value. +
Raw video demuxer. +
+This demuxer allows one to read raw video data. Since there is no header +specifying the assumed video parameters, the user must specify them +in order to be able to decode the data correctly. +
+This demuxer accepts the following options: +
Set input video frame rate. Default value is 25. +
+Set the input video pixel format. Default value is yuv420p.
+
Set the input video size. This value must be specified explicitly. +
For example to read a rawvideo file input.raw with
+ffplay, assuming a pixel format of rgb24, a video
+size of 320x240, and a frame rate of 10 images per second, use
+the command:
+
ffplay -f rawvideo -pixel_format rgb24 -video_size 320x240 -framerate 10 input.raw +
SBaGen script demuxer. +
+This demuxer reads the script language used by SBaGen +http://uazu.net/sbagen/ to generate binaural beats sessions. A SBG +script looks like that: +
-SE +a: 300-2.5/3 440+4.5/0 +b: 300-2.5/0 440+4.5/3 +off: - +NOW == a ++0:07:00 == b ++0:14:00 == a ++0:21:00 == b ++0:30:00 off +
A SBG script can mix absolute and relative timestamps. If the script uses +either only absolute timestamps (including the script start time) or only +relative ones, then its layout is fixed, and the conversion is +straightforward. On the other hand, if the script mixes both kind of +timestamps, then the NOW reference for relative timestamps will be +taken from the current time of day at the time the script is read, and the +script layout will be frozen according to that reference. That means that if +the script is directly played, the actual times will match the absolute +timestamps up to the sound controller’s clock accuracy, but if the user +somehow pauses the playback or seeks, all times will be shifted accordingly. +
+ +JSON captions used for TED Talks. +
+TED does not provide links to the captions, but they can be guessed from the +page. The file tools/bookmarklets.html from the FFmpeg source tree +contains a bookmarklet to expose them. +
+This demuxer accepts the following option: +
Set the start time of the TED talk, in milliseconds. The default is 15000 +(15s). It is used to sync the captions with the downloadable videos, because +they include a 15s intro. +
Example: convert the captions to a format most players understand: +
ffmpeg -i http://www.ted.com/talks/subtitles/id/1/lang/en talk1-en.srt +
Vapoursynth wrapper. +
+Due to security concerns, Vapoursynth scripts will not
+be autodetected so the input format has to be forced. For ff* CLI tools,
+add -f vapoursynth before the input -i yourscript.vpy.
+
This demuxer accepts the following option: +
The demuxer buffers the entire script into memory. Adjust this value to set the maximum buffer size, +which in turn, acts as a ceiling for the size of scripts that can be read. +Default is 1 MiB. +
Muxers are configured elements in FFmpeg which allow writing +multimedia streams to a particular type of file. +
+When you configure your FFmpeg build, all the supported muxers
+are enabled by default. You can list all available muxers using the
+configure option --list-muxers.
+
You can disable all the muxers with the configure option
+--disable-muxers and selectively enable / disable single muxers
+with the options --enable-muxer=MUXER /
+--disable-muxer=MUXER.
+
The option -muxers of the ff* tools will display the list of
+enabled muxers. Use -formats to view a combined list of
+enabled demuxers and muxers.
+
A description of some of the currently available muxers follows. +
+ +A64 muxer for Commodore 64 video. Accepts a single a64_multi or a64_multi5 codec video stream.
+
Audio Data Transport Stream muxer. It accepts a single AAC stream. +
+ +It accepts the following options: +
+Enable to write ID3v2.4 tags at the start of the stream. Default is disabled. +
+Enable to write APE tags at the end of the stream. Default is disabled. +
+Enable to set MPEG version bit in the ADTS frame header to 1 which indicates MPEG-2. Default is 0, which indicates MPEG-4. +
+Audio Interchange File Format muxer. +
+ +It accepts the following options: +
+Enable ID3v2 tags writing when set to 1. Default is 0 (disabled). +
+Select ID3v2 version to write. Currently only version 3 and 4 (aka. +ID3v2.3 and ID3v2.4) are supported. The default is version 4. +
+Muxer for audio of High Voltage Software’s Lego Racers game. It accepts a single ADPCM_IMA_ALP stream +with no more than 2 channels nor a sample rate greater than 44100 Hz. +
+Extensions: tun, pcm +
+ +It accepts the following options: +
+Set file type. +
+Set file type as music. Must have a sample rate of 22050 Hz. +
+Set file type as sfx. +
+Set file type as per output file extension. .pcm results in type pcm else type tun is set. (default)
+
Advanced Systems Format muxer. +
+Note that Windows Media Audio (wma) and Windows Media Video (wmv) use this +muxer too. +
+ +It accepts the following options: +
+Set the muxer packet size. By tuning this setting you may reduce data +fragmentation or muxer overhead depending on your source. Default value is +3200, minimum is 100, maximum is 64k. +
+Audio Video Interleaved muxer. +
+ +It accepts the following options: +
+Reserve the specified amount of bytes for the OpenDML master index of each +stream within the file header. By default additional master indexes are +embedded within the data packets if there is no space left in the first master +index and are linked together as a chain of indexes. This index structure can +cause problems for some use cases, e.g. third-party software strictly relying +on the OpenDML index specification or when file seeking is slow. Reserving +enough index space in the file header avoids these problems. +
+The required index space depends on the output file size and should be about 16 +bytes per gigabyte. When this option is omitted or set to zero the necessary +index space is guessed. +
+Write the channel layout mask into the audio stream header. +
+This option is enabled by default. Disabling the channel mask can be useful in +specific scenarios, e.g. when merging multiple audio streams into one for +compatibility with software that only supports a single audio stream in AVI +(see (ffmpeg-filters)the "amerge" section in the ffmpeg-filters manual). +
+If set to true, store positive height for raw RGB bitmaps, which indicates +bitmap is stored bottom-up. Note that this option does not flip the bitmap +which has to be done manually beforehand, e.g. by using the vflip filter. +Default is false and indicates bitmap is stored top down. +
+Chromaprint fingerprinter. +
+This muxer feeds audio data to the Chromaprint library, +which generates a fingerprint for the provided audio data. See https://acoustid.org/chromaprint +
+It takes a single signed native-endian 16-bit raw audio stream of at most 2 channels. +
+ +Threshold for detecting silence. Range is from -1 to 32767, where -1 disables +silence detection. Silence detection can only be used with version 3 of the +algorithm. +Silence detection must be disabled for use with the AcoustID service. Default is -1. +
+Version of algorithm to fingerprint with. Range is 0 to 4. +Version 3 enables silence detection. Default is 1. +
+Format to output the fingerprint as. Accepts the following options: +
Binary raw fingerprint +
+Binary compressed fingerprint +
+Base64 compressed fingerprint (default) +
+CRC (Cyclic Redundancy Check) testing format. +
+This muxer computes and prints the Adler-32 CRC of all the input audio +and video frames. By default audio frames are converted to signed +16-bit raw audio and video frames to raw video before computing the +CRC. +
+The output of the muxer consists of a single line of the form: +CRC=0xCRC, where CRC is a hexadecimal number 0-padded to +8 digits containing the CRC for all the decoded input frames. +
+See also the framecrc muxer. +
+ +For example to compute the CRC of the input, and store it in the file +out.crc: +
ffmpeg -i INPUT -f crc out.crc +
You can print the CRC to stdout with the command: +
ffmpeg -i INPUT -f crc - +
You can select the output format of each frame with ffmpeg by
+specifying the audio and video codec and format. For example to
+compute the CRC of the input audio converted to PCM unsigned 8-bit
+and the input video converted to MPEG-2 video, use the command:
+
ffmpeg -i INPUT -c:a pcm_u8 -c:v mpeg2video -f crc - +
Dynamic Adaptive Streaming over HTTP (DASH) muxer that creates segments +and manifest files according to the MPEG-DASH standard ISO/IEC 23009-1:2014. +
+For more information see: +
+It creates a MPD manifest file and segment files for each stream. +
+The segment filename might contain pre-defined identifiers used with SegmentTemplate +as defined in section 5.3.9.4.4 of the standard. Available identifiers are "$RepresentationID$", +"$Number$", "$Bandwidth$" and "$Time$". +In addition to the standard identifiers, an ffmpeg-specific "$ext$" identifier is also supported. +When specified ffmpeg will replace $ext$ in the file name with muxing format’s extensions such as mp4, webm etc., +
+ffmpeg -re -i <input> -map 0 -map 0 -c:a libfdk_aac -c:v libx264 \ +-b:v:0 800k -b:v:1 300k -s:v:1 320x170 -profile:v:1 baseline \ +-profile:v:0 main -bf 1 -keyint_min 120 -g 120 -sc_threshold 0 \ +-b_strategy 0 -ar:a:1 22050 -use_timeline 1 -use_template 1 \ +-window_size 5 -adaptation_sets "id=0,streams=v id=1,streams=a" \ +-f dash /path/to/out.mpd +
Set the segment length in seconds (fractional value can be set). The value is +treated as average segment duration when use_template is enabled and +use_timeline is disabled and as minimum segment duration for all the other +use cases. +
Set the length in seconds of fragments within segments (fractional value can be set). +
Set the type of interval for fragmentation. +
Set the maximum number of segments kept in the manifest. +
Set the maximum number of segments kept outside of the manifest before removing from disk. +
Enable (1) or disable (0) removal of all segments when finished. +
Enable (1) or disable (0) use of SegmentTemplate instead of SegmentList. +
Enable (1) or disable (0) use of SegmentTimeline in SegmentTemplate. +
Enable (1) or disable (0) storing all segments in one file, accessed using byte ranges. +
DASH-templated name to be used for baseURL. Implies single_file set to "1". In the template, "$ext$" is replaced with the file name extension specific for the segment format. +
DASH-templated name to used for the initialization segment. Default is "init-stream$RepresentationID$.$ext$". "$ext$" is replaced with the file name extension specific for the segment format. +
DASH-templated name to used for the media segments. Default is "chunk-stream$RepresentationID$-$Number%05d$.$ext$". "$ext$" is replaced with the file name extension specific for the segment format. +
URL of the page that will return the UTC timestamp in ISO format. Example: "https://time.akamai.com/?iso" +
Use the given HTTP method to create output files. Generally set to PUT or POST. +
Override User-Agent field in HTTP header. Applicable only for HTTP output. +
Use persistent HTTP connections. Applicable only for HTTP output. +
Generate HLS playlist files as well. The master playlist is generated with the filename hls_master_name. +One media playlist file is generated for each stream with filenames media_0.m3u8, media_1.m3u8, etc. +
HLS master playlist name. Default is "master.m3u8". +
Enable (1) or disable (0) chunk streaming mode of output. In chunk streaming +mode, each frame will be a moof fragment which forms a chunk. +
Assign streams to AdaptationSets. Syntax is "id=x,streams=a,b,c id=y,streams=d,e" with x and y being the IDs +of the adaptation sets and a,b,c,d and e are the indices of the mapped streams. +
+To map all video (or audio) streams to an AdaptationSet, "v" (or "a") can be used as stream identifier instead of IDs. +
+When no assignment is defined, this defaults to an AdaptationSet for each stream. +
+Optional syntax is "id=x,seg_duration=x,frag_duration=x,frag_type=type,descriptor=descriptor_string,streams=a,b,c id=y,seg_duration=y,frag_type=type,streams=d,e" and so on, +descriptor is useful to the scheme defined by ISO/IEC 23009-1:2014/Amd.2:2015. +For example, -adaptation_sets "id=0,descriptor=<SupplementalProperty schemeIdUri=\"urn:mpeg:dash:srd:2014\" value=\"0,0,0,1,1,2,2\"/>,streams=v". +Please note that descriptor string should be a self-closing xml tag. +seg_duration, frag_duration and frag_type override the global option values for each adaptation set. +For example, -adaptation_sets "id=0,seg_duration=2,frag_duration=1,frag_type=duration,streams=v id=1,seg_duration=2,frag_type=none,streams=a" +type_id marks an adaptation set as containing streams meant to be used for Trick Mode for the referenced adaptation set. +For example, -adaptation_sets "id=0,seg_duration=2,frag_type=none,streams=0 id=1,seg_duration=10,frag_type=none,trick_id=0,streams=1" +
Set timeout for socket I/O operations. Applicable only for HTTP output. +
Enable (1) or Disable (0) segment index correction logic. Applicable only when +use_template is enabled and use_timeline is disabled. +
+When enabled, the logic monitors the flow of segment indexes. If a streams’s +segment index value is not at the expected real time position, then the logic +corrects that index value. +
+Typically this logic is needed in live streaming use cases. The network bandwidth +fluctuations are common during long run streaming. Each fluctuation can cause +the segment indexes fall behind the expected real time position. +
Set container format (mp4/webm) options using a : separated list of
+key=value parameters. Values containing : special characters must be
+escaped.
+
Write global SIDX atom. Applicable only for single file, mp4 output, non-streaming mode. +
+Possible values: +
If this flag is set, the dash segment files format will be selected based on the stream codec. This is the default mode. +
+If this flag is set, the dash segment files will be in in ISOBMFF format. +
+If this flag is set, the dash segment files will be in in WebM format. +
Ignore IO errors during open and write. Useful for long-duration runs with network output. +
+Enable Low-latency HLS(LHLS). Adds #EXT-X-PREFETCH tag with current segment’s URI. +hls.js player folks are trying to standardize an open LHLS spec. The draft spec is available in https://github.com/video-dev/hlsjs-rfcs/blob/lhls-spec/proposals/0001-lhls.md +This option tries to comply with the above open spec. +It enables streaming and hls_playlist options automatically. +This is an experimental feature. +
+Note: This is not Apple’s version LHLS. See https://datatracker.ietf.org/doc/html/draft-pantos-hls-rfc8216bis +
+Enable Low-latency Dash by constraining the presence and values of some elements. +
+Publish master playlist repeatedly every after specified number of segment intervals. +
+Write Producer Reference Time elements on supported streams. This also enables writing +prft boxes in the underlying muxer. Applicable only when the utc_url option is enabled. +It’s set to auto by default, in which case the muxer will attempt to enable it only in modes +that require it. +
+Set one or more manifest profiles. +
+A :-separated list of key=value options to pass to the underlying HTTP +protocol. Applicable only for HTTP output. +
+Set an intended target latency in seconds (fractional value can be set) for serving. Applicable only when streaming and write_prft options are enabled. +This is an informative fields clients can use to measure the latency of the service. +
+Set the minimum playback rate indicated as appropriate for the purposes of automatically +adjusting playback latency and buffer occupancy during normal playback by clients. +
+Set the maximum playback rate indicated as appropriate for the purposes of automatically +adjusting playback latency and buffer occupancy during normal playback by clients. +
+Set the mpd update period ,for dynamic content. + The unit is second. +
+The fifo pseudo-muxer allows the separation of encoding and muxing by using +first-in-first-out queue and running the actual muxer in a separate thread. This +is especially useful in combination with the tee muxer and can be used to +send data to several destinations with different reliability/writing speed/latency. +
+API users should be aware that callback functions (interrupt_callback, +io_open and io_close) used within its AVFormatContext must be thread-safe. +
+The behavior of the fifo muxer if the queue fills up or if the output fails is +selectable, +
+Specify the format name. Useful if it cannot be guessed from the +output name suffix. +
+Specify size of the queue (number of packets). Default value is 60. +
+Specify format options for the underlying muxer. Muxer options can be specified +as a list of key=value pairs separated by ’:’. +
+If set to 1 (true), in case the fifo queue fills up, packets will be dropped +rather than blocking the encoder. This makes it possible to continue streaming without +delaying the input, at the cost of omitting part of the stream. By default +this option is set to 0 (false), so in such cases the encoder will be blocked +until the muxer processes some of the packets and none of them is lost. +
+If failure occurs, attempt to recover the output. This is especially useful +when used with network output, since it makes it possible to restart streaming transparently. +By default this option is set to 0 (false). +
+Sets maximum number of successive unsuccessful recovery attempts after which +the output fails permanently. By default this option is set to 0 (unlimited). +
+Waiting time before the next recovery attempt after previous unsuccessful +recovery attempt. Default value is 5 seconds. +
+If set to 0 (false), the real time is used when waiting for the recovery +attempt (i.e. the recovery will be attempted after at least +recovery_wait_time seconds). +If set to 1 (true), the time of the processed stream is taken into account +instead (i.e. the recovery will be attempted after at least recovery_wait_time +seconds of the stream is omitted). +By default, this option is set to 0 (false). +
+If set to 1 (true), recovery will be attempted regardless of type of the error +causing the failure. By default this option is set to 0 (false) and in case of +certain (usually permanent) errors the recovery is not attempted even when +attempt_recovery is set to 1. +
+Specify whether to wait for the keyframe after recovering from +queue overflow or failure. This option is set to 0 (false) by default. +
+Buffer the specified amount of packets and delay writing the output. Note that +queue_size must be big enough to store the packets for timeshift. At the +end of the input the fifo buffer is flushed at realtime speed. +
+ffmpeg -re -i ... -c:v libx264 -c:a aac -f fifo -fifo_format flv -map 0:v -map 0:a + -drop_pkts_on_overflow 1 -attempt_recovery 1 -recovery_wait_time 1 rtmp://example.com/live/stream_name +
Adobe Flash Video Format muxer. +
+This muxer accepts the following options: +
+Possible values: +
+Place AAC sequence header based on audio stream data. +
+Disable sequence end tag. +
+Disable metadata tag. +
+Disable duration and filesize in metadata when they are equal to zero +at the end of stream. (Be used to non-seekable living stream). +
+Used to facilitate seeking; particularly for HTTP pseudo streaming. +
Per-packet CRC (Cyclic Redundancy Check) testing format. +
+This muxer computes and prints the Adler-32 CRC for each audio +and video packet. By default audio frames are converted to signed +16-bit raw audio and video frames to raw video before computing the +CRC. +
+The output of the muxer consists of a line for each audio and video +packet of the form: +
stream_index, packet_dts, packet_pts, packet_duration, packet_size, 0xCRC +
CRC is a hexadecimal number 0-padded to 8 digits containing the +CRC of the packet. +
+ +For example to compute the CRC of the audio and video frames in +INPUT, converted to raw audio and video packets, and store it +in the file out.crc: +
ffmpeg -i INPUT -f framecrc out.crc +
To print the information to stdout, use the command: +
ffmpeg -i INPUT -f framecrc - +
With ffmpeg, you can select the output format to which the
+audio and video frames are encoded before computing the CRC for each
+packet by specifying the audio and video codec. For example, to
+compute the CRC of each decoded input audio frame converted to PCM
+unsigned 8-bit and of each decoded input video frame converted to
+MPEG-2 video, use the command:
+
ffmpeg -i INPUT -c:a pcm_u8 -c:v mpeg2video -f framecrc - +
See also the crc muxer. +
+ +Per-packet hash testing format. +
+This muxer computes and prints a cryptographic hash for each audio +and video packet. This can be used for packet-by-packet equality +checks without having to individually do a binary comparison on each. +
+By default audio frames are converted to signed 16-bit raw audio and +video frames to raw video before computing the hash, but the output +of explicit conversions to other codecs can also be used. It uses the +SHA-256 cryptographic hash function by default, but supports several +other algorithms. +
+The output of the muxer consists of a line for each audio and video +packet of the form: +
stream_index, packet_dts, packet_pts, packet_duration, packet_size, hash +
hash is a hexadecimal number representing the computed hash +for the packet. +
+Use the cryptographic hash function specified by the string algorithm.
+Supported values include MD5, murmur3, RIPEMD128,
+RIPEMD160, RIPEMD256, RIPEMD320, SHA160,
+SHA224, SHA256 (default), SHA512/224, SHA512/256,
+SHA384, SHA512, CRC32 and adler32.
+
To compute the SHA-256 hash of the audio and video frames in INPUT, +converted to raw audio and video packets, and store it in the file +out.sha256: +
ffmpeg -i INPUT -f framehash out.sha256 +
To print the information to stdout, using the MD5 hash function, use +the command: +
ffmpeg -i INPUT -f framehash -hash md5 - +
See also the hash muxer. +
+ +Per-packet MD5 testing format. +
+This is a variant of the framehash muxer. Unlike that muxer, +it defaults to using the MD5 hash function. +
+ +To compute the MD5 hash of the audio and video frames in INPUT, +converted to raw audio and video packets, and store it in the file +out.md5: +
ffmpeg -i INPUT -f framemd5 out.md5 +
To print the information to stdout, use the command: +
ffmpeg -i INPUT -f framemd5 - +
See also the framehash and md5 muxers. +
+ +Animated GIF muxer. +
+It accepts the following options: +
+Set the number of times to loop the output. Use -1 for no loop, 0
+for looping indefinitely (default).
+
Force the delay (expressed in centiseconds) after the last frame. Each frame
+ends with a delay until the next frame. The default is -1, which is a
+special value to tell the muxer to re-use the previous delay. In case of a
+loop, you might want to customize this value to mark a pause for instance.
+
For example, to encode a gif looping 10 times, with a 5 seconds delay between +the loops: +
ffmpeg -i INPUT -loop 10 -final_delay 500 out.gif +
Note 1: if you wish to extract the frames into separate GIF files, you need to +force the image2 muxer: +
ffmpeg -i INPUT -c:v gif -f image2 "out%d.gif" +
Note 2: the GIF format has a very large time base: the delay between two frames +can therefore not be smaller than one centi second. +
+ +Hash testing format. +
+This muxer computes and prints a cryptographic hash of all the input +audio and video frames. This can be used for equality checks without +having to do a complete binary comparison. +
+By default audio frames are converted to signed 16-bit raw audio and +video frames to raw video before computing the hash, but the output +of explicit conversions to other codecs can also be used. Timestamps +are ignored. It uses the SHA-256 cryptographic hash function by default, +but supports several other algorithms. +
+The output of the muxer consists of a single line of the form: +algo=hash, where algo is a short string representing +the hash function used, and hash is a hexadecimal number +representing the computed hash. +
+Use the cryptographic hash function specified by the string algorithm.
+Supported values include MD5, murmur3, RIPEMD128,
+RIPEMD160, RIPEMD256, RIPEMD320, SHA160,
+SHA224, SHA256 (default), SHA512/224, SHA512/256,
+SHA384, SHA512, CRC32 and adler32.
+
To compute the SHA-256 hash of the input converted to raw audio and +video, and store it in the file out.sha256: +
ffmpeg -i INPUT -f hash out.sha256 +
To print an MD5 hash to stdout use the command: +
ffmpeg -i INPUT -f hash -hash md5 - +
See also the framehash muxer. +
+ +Apple HTTP Live Streaming muxer that segments MPEG-TS according to +the HTTP Live Streaming (HLS) specification. +
+It creates a playlist file, and one or more segment files. The output filename +specifies the playlist filename. +
+By default, the muxer creates a file for each segment produced. These files +have the same name as the playlist, followed by a sequential number and a +.ts extension. +
+Make sure to require a closed GOP when encoding and to set the GOP +size to fit your segment time constraint. +
+For example, to convert an input file with ffmpeg:
+
ffmpeg -i in.mkv -c:v h264 -flags +cgop -g 30 -hls_time 1 out.m3u8 +
This example will produce the playlist, out.m3u8, and segment files: +out0.ts, out1.ts, out2.ts, etc. +
+See also the segment muxer, which provides a more generic and +flexible implementation of a segmenter, and can be used to perform HLS +segmentation. +
+ +This muxer supports the following options: +
+Set the initial target segment length. Default value is 0. +
+duration must be a time duration specification, +see (ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual. +
+Segment will be cut on the next key frame after this time has passed on the first m3u8 list.
+After the initial playlist is filled ffmpeg will cut segments
+at duration equal to hls_time
+
Set the target segment length. Default value is 2. +
+duration must be a time duration specification, +see (ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual. +Segment will be cut on the next key frame after this time has passed. +
+Set the maximum number of playlist entries. If set to 0 the list file +will contain all the segments. Default value is 5. +
+Set the number of unreferenced segments to keep on disk before hls_flags delete_segments
+deletes them. Increase this to allow continue clients to download segments which
+were recently referenced in the playlist. Default value is 1, meaning segments older than
+hls_list_size+1 will be deleted.
+
Set output format options using a :-separated list of key=value
+parameters. Values containing : special characters must be
+escaped.
+hls_ts_options is deprecated, use hls_segment_options instead of it..
+
Start the playlist sequence number (#EXT-X-MEDIA-SEQUENCE) according to the specified source.
+Unless hls_flags single_file is set, it also specifies source of starting sequence numbers of
+segment and subtitle filenames. In any case, if hls_flags append_list
+is set and read playlist sequence number is greater than the specified start sequence number,
+then that value will be used as start value.
+
It accepts the following values: +
+Set the starting sequence numbers according to start_number option value. +
+The start number will be the seconds since epoch (1970-01-01 00:00:00) +
+The start number will be the microseconds since epoch (1970-01-01 00:00:00) +
+The start number will be based on the current date/time as YYYYmmddHHMMSS. e.g. 20161231235759. +
+Start the playlist sequence number (#EXT-X-MEDIA-SEQUENCE) from the specified number
+when hls_start_number_source value is generic. (This is the default case.)
+Unless hls_flags single_file is set, it also specifies starting sequence numbers of segment and subtitle filenames.
+Default value is 0.
+
Explicitly set whether the client MAY (1) or MUST NOT (0) cache media segments. +
+Append baseurl to every entry in the playlist. +Useful to generate playlists with absolute paths. +
+Note that the playlist sequence number must be unique for each segment +and it is not to be confused with the segment filename sequence number +which can be cyclic, for example if the wrap option is +specified. +
+Set the segment filename. Unless hls_flags single_file is set,
+filename is used as a string format with the segment number:
+
ffmpeg -i in.nut -hls_segment_filename 'file%03d.ts' out.m3u8 +
This example will produce the playlist, out.m3u8, and segment files: +file000.ts, file001.ts, file002.ts, etc. +
+filename may contain full path or relative path specification, +but only the file name part without any path info will be contained in the m3u8 segment list. +Should a relative path be specified, the path of the created segment +files will be relative to the current working directory. +When strftime_mkdir is set, the whole expanded value of filename will be written into the m3u8 segment list. +
+When var_stream_map is set with two or more variant streams, the
+filename pattern must contain the string "%v", this string specifies
+the position of variant stream index in the generated segment file names.
+
ffmpeg -i in.ts -b:v:0 1000k -b:v:1 256k -b:a:0 64k -b:a:1 32k \ + -map 0:v -map 0:a -map 0:v -map 0:a -f hls -var_stream_map "v:0,a:0 v:1,a:1" \ + -hls_segment_filename 'file_%v_%03d.ts' out_%v.m3u8 +
This example will produce the playlists segment file sets: +file_0_000.ts, file_0_001.ts, file_0_002.ts, etc. and +file_1_000.ts, file_1_001.ts, file_1_002.ts, etc. +
+The string "%v" may be present in the filename or in the last directory name +containing the file, but only in one of them. (Additionally, %v may appear multiple times in the last +sub-directory or filename.) If the string %v is present in the directory name, then +sub-directories are created after expanding the directory name pattern. This +enables creation of segments corresponding to different variant streams in +subdirectories. +
ffmpeg -i in.ts -b:v:0 1000k -b:v:1 256k -b:a:0 64k -b:a:1 32k \ + -map 0:v -map 0:a -map 0:v -map 0:a -f hls -var_stream_map "v:0,a:0 v:1,a:1" \ + -hls_segment_filename 'vs%v/file_%03d.ts' vs%v/out.m3u8 +
This example will produce the playlists segment file sets: +vs0/file_000.ts, vs0/file_001.ts, vs0/file_002.ts, etc. and +vs1/file_000.ts, vs1/file_001.ts, vs1/file_002.ts, etc. +
+Use strftime() on filename to expand the segment filename with localtime. +The segment number is also available in this mode, but to use it, you need to specify second_level_segment_index +hls_flag and %%d will be the specifier. +
ffmpeg -i in.nut -strftime 1 -hls_segment_filename 'file-%Y%m%d-%s.ts' out.m3u8 +
This example will produce the playlist, out.m3u8, and segment files:
+file-20160215-1455569023.ts, file-20160215-1455569024.ts, etc.
+Note: On some systems/environments, the %s specifier is not available. See
+ strftime() documentation.
+
ffmpeg -i in.nut -strftime 1 -hls_flags second_level_segment_index -hls_segment_filename 'file-%Y%m%d-%%04d.ts' out.m3u8 +
This example will produce the playlist, out.m3u8, and segment files: +file-20160215-0001.ts, file-20160215-0002.ts, etc. +
+Used together with -strftime_mkdir, it will create all subdirectories which +is expanded in filename. +
ffmpeg -i in.nut -strftime 1 -strftime_mkdir 1 -hls_segment_filename '%Y%m%d/file-%Y%m%d-%s.ts' out.m3u8 +
This example will create a directory 201560215 (if it does not exist), and then +produce the playlist, out.m3u8, and segment files: +20160215/file-20160215-1455569023.ts, 20160215/file-20160215-1455569024.ts, etc. +
+ffmpeg -i in.nut -strftime 1 -strftime_mkdir 1 -hls_segment_filename '%Y/%m/%d/file-%Y%m%d-%s.ts' out.m3u8 +
This example will create a directory hierarchy 2016/02/15 (if any of them do not exist), and then +produce the playlist, out.m3u8, and segment files: +2016/02/15/file-20160215-1455569023.ts, 2016/02/15/file-20160215-1455569024.ts, etc. +
+Set output format options using a :-separated list of key=value
+parameters. Values containing : special characters must be
+escaped.
+
Use the information in key_info_file for segment encryption. The first
+line of key_info_file specifies the key URI written to the playlist. The
+key URL is used to access the encryption key during playback. The second line
+specifies the path to the key file used to obtain the key during the encryption
+process. The key file is read as a single packed array of 16 octets in binary
+format. The optional third line specifies the initialization vector (IV) as a
+hexadecimal string to be used instead of the segment sequence number (default)
+for encryption. Changes to key_info_file will result in segment
+encryption with the new key/IV and an entry in the playlist for the new key
+URI/IV if hls_flags periodic_rekey is enabled.
+
Key info file format: +
key URI +key file path +IV (optional) +
Example key URIs: +
http://server/file.key +/path/to/file.key +file.key +
Example key file paths: +
file.key +/path/to/file.key +
Example IV: +
0123456789ABCDEF0123456789ABCDEF +
Key info file example: +
http://server/file.key +/path/to/file.key +0123456789ABCDEF0123456789ABCDEF +
Example shell script: +
#!/bin/sh
+BASE_URL=${1:-'.'}
+openssl rand 16 > file.key
+echo $BASE_URL/file.key > file.keyinfo
+echo file.key >> file.keyinfo
+echo $(openssl rand -hex 16) >> file.keyinfo
+ffmpeg -f lavfi -re -i testsrc -c:v h264 -hls_flags delete_segments \
+ -hls_key_info_file file.keyinfo out.m3u8
+Enable (1) or disable (0) the AES128 encryption. +When enabled every segment generated is encrypted and the encryption key +is saved as playlist name.key. +
+16-octet key to encrypt the segments, by default it +is randomly generated. +
+If set, keyurl is prepended instead of baseurl to the key filename +in the playlist. +
+16-octet initialization vector for every segment instead +of the autogenerated ones. +
+Possible values: +
+Output segment files in MPEG-2 Transport Stream format. This is +compatible with all HLS versions. +
+Output segment files in fragmented MP4 format, similar to MPEG-DASH. +fmp4 files may be used in HLS version 7 and above. +
+Set filename to the fragment files header file, default filename is init.mp4. +
+Use -strftime 1 on filename to expand the segment filename with localtime.
+
ffmpeg -i in.nut -hls_segment_type fmp4 -strftime 1 -hls_fmp4_init_filename "%s_init.mp4" out.m3u8 +
This will produce init like this +1602678741_init.mp4 +
+Resend init file after m3u8 file refresh every time, default is 0. +
+When var_stream_map is set with two or more variant streams, the
+filename pattern must contain the string "%v", this string specifies
+the position of variant stream index in the generated init file names.
+The string "%v" may be present in the filename or in the last directory name
+containing the file. If the string is present in the directory name, then
+sub-directories are created after expanding the directory name pattern. This
+enables creation of init files corresponding to different variant streams in
+subdirectories.
+
Possible values: +
+If this flag is set, the muxer will store all segments in a single MPEG-TS +file, and will use byte ranges in the playlist. HLS playlists generated with +this way will have the version number 4. +For example: +
ffmpeg -i in.nut -hls_flags single_file out.m3u8 +
Will produce the playlist, out.m3u8, and a single segment file, +out.ts. +
+Segment files removed from the playlist are deleted after a period of time +equal to the duration of the segment plus the duration of the playlist. +
+Append new segments into the end of old segment list,
+and remove the #EXT-X-ENDLIST from the old segment list.
+
Round the duration info in the playlist file segment info to integer +values, instead of using floating point. +If there are no other features requiring higher HLS versions be used, +then this will allow ffmpeg to output a HLS version 2 m3u8. +
+Add the #EXT-X-DISCONTINUITY tag to the playlist, before the
+first segment’s information.
+
Do not append the EXT-X-ENDLIST tag at the end of the playlist.
+
The file specified by hls_key_info_file will be checked periodically and
+detect updates to the encryption info. Be sure to replace this file atomically,
+including the file containing the AES encryption key.
+
Add the #EXT-X-INDEPENDENT-SEGMENTS to playlists that has video segments
+and when all the segments of that playlist are guaranteed to start with a Key frame.
+
Add the #EXT-X-I-FRAMES-ONLY to playlists that has video segments
+and can play only I-frames in the #EXT-X-BYTERANGE mode.
+
Allow segments to start on frames other than keyframes. This improves
+behavior on some players when the time between keyframes is inconsistent,
+but may make things worse on others, and can cause some oddities during
+seeking. This flag should be used with the hls_time option.
+
Generate EXT-X-PROGRAM-DATE-TIME tags.
+
Makes it possible to use segment indexes as %%d in hls_segment_filename expression +besides date/time values when strftime is on. +To get fixed width numbers with trailing zeroes, %%0xd format is available where x is the required width. +
+Makes it possible to use segment sizes (counted in bytes) as %%s in hls_segment_filename +expression besides date/time values when strftime is on. +To get fixed width numbers with trailing zeroes, %%0xs format is available where x is the required width. +
+Makes it possible to use segment duration (calculated in microseconds) as %%t in hls_segment_filename +expression besides date/time values when strftime is on. +To get fixed width numbers with trailing zeroes, %%0xt format is available where x is the required width. +
+ffmpeg -i sample.mpeg \ + -f hls -hls_time 3 -hls_list_size 5 \ + -hls_flags second_level_segment_index+second_level_segment_size+second_level_segment_duration \ + -strftime 1 -strftime_mkdir 1 -hls_segment_filename "segment_%Y%m%d%H%M%S_%%04d_%%08s_%%013t.ts" stream.m3u8 +
This will produce segments like this: +segment_20170102194334_0003_00122200_0000003000000.ts, segment_20170102194334_0004_00120072_0000003000000.ts etc. +
+Write segment data to filename.tmp and rename to filename only once the segment is complete. A webserver
+serving up segments can be configured to reject requests to *.tmp to prevent access to in-progress segments
+before they have been added to the m3u8 playlist. This flag also affects how m3u8 playlist files are created.
+If this flag is set, all playlist files will written into temporary file and renamed after they are complete, similarly as segments are handled.
+But playlists with file protocol and with type (hls_playlist_type) other than vod
+are always written into temporary file regardless of this flag. Master playlist files (master_pl_name), if any, with file protocol,
+are always written into temporary file regardless of this flag if master_pl_publish_rate value is other than zero.
+
Emit #EXT-X-PLAYLIST-TYPE:EVENT in the m3u8 header. Forces
+hls_list_size to 0; the playlist can only be appended to.
+
Emit #EXT-X-PLAYLIST-TYPE:VOD in the m3u8 header. Forces
+hls_list_size to 0; the playlist must not change.
+
Use the given HTTP method to create the hls files. +
ffmpeg -re -i in.ts -f hls -method PUT http://example.com/live/out.m3u8 +
This example will upload all the mpegts segment files to the HTTP
+server using the HTTP PUT method, and update the m3u8 files every
+refresh times using the same method.
+Note that the HTTP server must support the given method for uploading
+files.
+
Override User-Agent field in HTTP header. Applicable only for HTTP output. +
+Map string which specifies how to group the audio, video and subtitle streams +into different variant streams. The variant stream groups are separated +by space. +Expected string format is like this "a:0,v:0 a:1,v:1 ....". Here a:, v:, s: are +the keys to specify audio, video and subtitle streams respectively. +Allowed values are 0 to 9 (limited just based on practical usage). +
+When there are two or more variant streams, the output filename pattern must +contain the string "%v", this string specifies the position of variant stream +index in the output media playlist filenames. The string "%v" may be present in +the filename or in the last directory name containing the file. If the string is +present in the directory name, then sub-directories are created after expanding +the directory name pattern. This enables creation of variant streams in +subdirectories. +
+ffmpeg -re -i in.ts -b:v:0 1000k -b:v:1 256k -b:a:0 64k -b:a:1 32k \ + -map 0:v -map 0:a -map 0:v -map 0:a -f hls -var_stream_map "v:0,a:0 v:1,a:1" \ + http://example.com/live/out_%v.m3u8 +
This example creates two hls variant streams. The first variant stream will +contain video stream of bitrate 1000k and audio stream of bitrate 64k and the +second variant stream will contain video stream of bitrate 256k and audio +stream of bitrate 32k. Here, two media playlist with file names out_0.m3u8 and +out_1.m3u8 will be created. If you want something meaningful text instead of indexes +in result names, you may specify names for each or some of the variants +as in the following example. +
+ +ffmpeg -re -i in.ts -b:v:0 1000k -b:v:1 256k -b:a:0 64k -b:a:1 32k \ + -map 0:v -map 0:a -map 0:v -map 0:a -f hls -var_stream_map "v:0,a:0,name:my_hd v:1,a:1,name:my_sd" \ + http://example.com/live/out_%v.m3u8 +
This example creates two hls variant streams as in the previous one. +But here, the two media playlist with file names out_my_hd.m3u8 and +out_my_sd.m3u8 will be created. +
+ffmpeg -re -i in.ts -b:v:0 1000k -b:v:1 256k -b:a:0 64k \ + -map 0:v -map 0:a -map 0:v -f hls -var_stream_map "v:0 a:0 v:1" \ + http://example.com/live/out_%v.m3u8 +
This example creates three hls variant streams. The first variant stream will +be a video only stream with video bitrate 1000k, the second variant stream will +be an audio only stream with bitrate 64k and the third variant stream will be a +video only stream with bitrate 256k. Here, three media playlist with file names +out_0.m3u8, out_1.m3u8 and out_2.m3u8 will be created. +
ffmpeg -re -i in.ts -b:v:0 1000k -b:v:1 256k -b:a:0 64k -b:a:1 32k \ + -map 0:v -map 0:a -map 0:v -map 0:a -f hls -var_stream_map "v:0,a:0 v:1,a:1" \ + http://example.com/live/vs_%v/out.m3u8 +
This example creates the variant streams in subdirectories. Here, the first +media playlist is created at http://example.com/live/vs_0/out.m3u8 and +the second one at http://example.com/live/vs_1/out.m3u8. +
ffmpeg -re -i in.ts -b:a:0 32k -b:a:1 64k -b:v:0 1000k -b:v:1 3000k \ + -map 0:a -map 0:a -map 0:v -map 0:v -f hls \ + -var_stream_map "a:0,agroup:aud_low a:1,agroup:aud_high v:0,agroup:aud_low v:1,agroup:aud_high" \ + -master_pl_name master.m3u8 \ + http://example.com/live/out_%v.m3u8 +
This example creates two audio only and two video only variant streams. In +addition to the #EXT-X-STREAM-INF tag for each variant stream in the master +playlist, #EXT-X-MEDIA tag is also added for the two audio only variant streams +and they are mapped to the two video only variant streams with audio group names +’aud_low’ and ’aud_high’. +
+By default, a single hls variant containing all the encoded streams is created. +
+ffmpeg -re -i in.ts -b:a:0 32k -b:a:1 64k -b:v:0 1000k \ + -map 0:a -map 0:a -map 0:v -f hls \ + -var_stream_map "a:0,agroup:aud_low,default:yes a:1,agroup:aud_low v:0,agroup:aud_low" \ + -master_pl_name master.m3u8 \ + http://example.com/live/out_%v.m3u8 +
This example creates two audio only and one video only variant streams. In +addition to the #EXT-X-STREAM-INF tag for each variant stream in the master +playlist, #EXT-X-MEDIA tag is also added for the two audio only variant streams +and they are mapped to the one video only variant streams with audio group name +’aud_low’, and the audio group have default stat is NO or YES. +
+By default, a single hls variant containing all the encoded streams is created. +
+ffmpeg -re -i in.ts -b:a:0 32k -b:a:1 64k -b:v:0 1000k \ + -map 0:a -map 0:a -map 0:v -f hls \ + -var_stream_map "a:0,agroup:aud_low,default:yes,language:ENG a:1,agroup:aud_low,language:CHN v:0,agroup:aud_low" \ + -master_pl_name master.m3u8 \ + http://example.com/live/out_%v.m3u8 +
This example creates two audio only and one video only variant streams. In +addition to the #EXT-X-STREAM-INF tag for each variant stream in the master +playlist, #EXT-X-MEDIA tag is also added for the two audio only variant streams +and they are mapped to the one video only variant streams with audio group name +’aud_low’, and the audio group have default stat is NO or YES, and one audio +have and language is named ENG, the other audio language is named CHN. +
+By default, a single hls variant containing all the encoded streams is created. +
+ffmpeg -y -i input_with_subtitle.mkv \ + -b:v:0 5250k -c:v h264 -pix_fmt yuv420p -profile:v main -level 4.1 \ + -b:a:0 256k \ + -c:s webvtt -c:a mp2 -ar 48000 -ac 2 -map 0:v -map 0:a:0 -map 0:s:0 \ + -f hls -var_stream_map "v:0,a:0,s:0,sgroup:subtitle" \ + -master_pl_name master.m3u8 -t 300 -hls_time 10 -hls_init_time 4 -hls_list_size \ + 10 -master_pl_publish_rate 10 -hls_flags \ + delete_segments+discont_start+split_by_time ./tmp/video.m3u8 +
This example adds #EXT-X-MEDIA tag with TYPE=SUBTITLES in
+the master playlist with webvtt subtitle group name ’subtitle’. Please make sure
+the input file has one text subtitle stream at least.
+
Map string which specifies different closed captions groups and their
+attributes. The closed captions stream groups are separated by space.
+Expected string format is like this
+"ccgroup:<group name>,instreamid:<INSTREAM-ID>,language:<language code> ....".
+’ccgroup’ and ’instreamid’ are mandatory attributes. ’language’ is an optional
+attribute.
+The closed captions groups configured using this option are mapped to different
+variant streams by providing the same ’ccgroup’ name in the
+var_stream_map string. If var_stream_map is not set, then the
+first available ccgroup in cc_stream_map is mapped to the output variant
+stream. The examples for these two use cases are given below.
+
ffmpeg -re -i in.ts -b:v 1000k -b:a 64k -a53cc 1 -f hls \ + -cc_stream_map "ccgroup:cc,instreamid:CC1,language:en" \ + -master_pl_name master.m3u8 \ + http://example.com/live/out.m3u8 +
This example adds #EXT-X-MEDIA tag with TYPE=CLOSED-CAPTIONS in
+the master playlist with group name ’cc’, language ’en’ (english) and
+INSTREAM-ID ’CC1’. Also, it adds CLOSED-CAPTIONS attribute with group
+name ’cc’ for the output variant stream.
+
ffmpeg -re -i in.ts -b:v:0 1000k -b:v:1 256k -b:a:0 64k -b:a:1 32k \ + -a53cc:0 1 -a53cc:1 1\ + -map 0:v -map 0:a -map 0:v -map 0:a -f hls \ + -cc_stream_map "ccgroup:cc,instreamid:CC1,language:en ccgroup:cc,instreamid:CC2,language:sp" \ + -var_stream_map "v:0,a:0,ccgroup:cc v:1,a:1,ccgroup:cc" \ + -master_pl_name master.m3u8 \ + http://example.com/live/out_%v.m3u8 +
This example adds two #EXT-X-MEDIA tags with TYPE=CLOSED-CAPTIONS in
+the master playlist for the INSTREAM-IDs ’CC1’ and ’CC2’. Also, it adds
+CLOSED-CAPTIONS attribute with group name ’cc’ for the two output variant
+streams.
+
Create HLS master playlist with the given name. +
+ffmpeg -re -i in.ts -f hls -master_pl_name master.m3u8 http://example.com/live/out.m3u8 +
This example creates HLS master playlist with name master.m3u8 and it is +published at http://example.com/live/ +
+Publish master play list repeatedly every after specified number of segment intervals. +
+ffmpeg -re -i in.ts -f hls -master_pl_name master.m3u8 \ +-hls_time 2 -master_pl_publish_rate 30 http://example.com/live/out.m3u8 +
This example creates HLS master playlist with name master.m3u8 and keep +publishing it repeatedly every after 30 segments i.e. every after 60s. +
+Use persistent HTTP connections. Applicable only for HTTP output. +
+Set timeout for socket I/O operations. Applicable only for HTTP output. +
+Ignore IO errors during open, write and delete. Useful for long-duration runs with network output. +
+Set custom HTTP headers, can override built in default headers. Applicable only for HTTP output. +
+ICO file muxer. +
+Microsoft’s icon file format (ICO) has some strict limitations that should be noted: +
+BMP Bit Depth FFmpeg Pixel Format +1bit pal8 +4bit pal8 +8bit pal8 +16bit rgb555le +24bit bgr24 +32bit bgra +
Image file muxer. +
+The image file muxer writes video frames to image files. +
+The output filenames are specified by a pattern, which can be used to +produce sequentially numbered series of files. +The pattern may contain the string "%d" or "%0Nd", this string +specifies the position of the characters representing a numbering in +the filenames. If the form "%0Nd" is used, the string +representing the number in each filename is 0-padded to N +digits. The literal character ’%’ can be specified in the pattern with +the string "%%". +
+If the pattern contains "%d" or "%0Nd", the first filename of +the file list specified will contain the number 1, all the following +numbers will be sequential. +
+The pattern may contain a suffix which is used to automatically +determine the format of the image files to write. +
+For example the pattern "img-%03d.bmp" will specify a sequence of +filenames of the form img-001.bmp, img-002.bmp, ..., +img-010.bmp, etc. +The pattern "img%%-%d.jpg" will specify a sequence of filenames of the +form img%-1.jpg, img%-2.jpg, ..., img%-10.jpg, +etc. +
+The image muxer supports the .Y.U.V image file format. This format is +special in that that each image frame consists of three files, for +each of the YUV420P components. To read or write this image file format, +specify the name of the ’.Y’ file. The muxer will automatically open the +’.U’ and ’.V’ files as required. +
+ +If set to 1, expand the filename with pts from pkt->pts. +Default value is 0. +
+Start the sequence from the specified number. Default value is 1. +
+If set to 1, the filename will always be interpreted as just a +filename, not a pattern, and the corresponding file will be continuously +overwritten with new images. Default value is 0. +
+If set to 1, expand the filename with date and time information from
+strftime(). Default value is 0.
+
Write output to a temporary file, which is renamed to target filename once +writing is completed. Default is disabled. +
+Set protocol options as a :-separated list of key=value parameters. Values
+containing the : special character must be escaped.
+
The following example shows how to use ffmpeg for creating a
+sequence of files img-001.jpeg, img-002.jpeg, ...,
+taking one image every second from the input video:
+
ffmpeg -i in.avi -vsync cfr -r 1 -f image2 'img-%03d.jpeg' +
Note that with ffmpeg, if the format is not specified with the
+-f option and the output filename specifies an image file
+format, the image2 muxer is automatically selected, so the previous
+command can be written as:
+
ffmpeg -i in.avi -vsync cfr -r 1 'img-%03d.jpeg' +
Note also that the pattern must not necessarily contain "%d" or +"%0Nd", for example to create a single image file +img.jpeg from the start of the input video you can employ the command: +
ffmpeg -i in.avi -f image2 -frames:v 1 img.jpeg +
The strftime option allows you to expand the filename with
+date and time information. Check the documentation of
+the strftime() function for the syntax.
+
For example to generate image files from the strftime()
+"%Y-%m-%d_%H-%M-%S" pattern, the following ffmpeg command
+can be used:
+
ffmpeg -f v4l2 -r 1 -i /dev/video0 -f image2 -strftime 1 "%Y-%m-%d_%H-%M-%S.jpg" +
You can set the file name with current frame’s PTS: +
ffmpeg -f v4l2 -r 1 -i /dev/video0 -copyts -f image2 -frame_pts true %d.jpg" +
A more complex example is to publish contents of your desktop directly to a +WebDAV server every second: +
ffmpeg -f x11grab -framerate 1 -i :0.0 -q:v 6 -update 1 -protocol_opts method=PUT http://example.com/desktop.jpg +
Matroska container muxer. +
+This muxer implements the matroska and webm container specs. +
+ +The recognized metadata settings in this muxer are: +
+Set title name provided to a single track. This gets mapped to +the FileDescription element for a stream written as attachment. +
+Specify the language of the track in the Matroska languages form. +
+The language can be either the 3 letters bibliographic ISO-639-2 (ISO +639-2/B) form (like "fre" for French), or a language code mixed with a +country code for specialities in languages (like "fre-ca" for Canadian +French). +
+Set stereo 3D video layout of two views in a single video track. +
+The following values are recognized: +
video is not stereo +
Both views are arranged side by side, Left-eye view is on the left +
Both views are arranged in top-bottom orientation, Left-eye view is at bottom +
Both views are arranged in top-bottom orientation, Left-eye view is on top +
Each view is arranged in a checkerboard interleaved pattern, Left-eye view being first +
Each view is arranged in a checkerboard interleaved pattern, Right-eye view being first +
Each view is constituted by a row based interleaving, Right-eye view is first row +
Each view is constituted by a row based interleaving, Left-eye view is first row +
Both views are arranged in a column based interleaving manner, Right-eye view is first column +
Both views are arranged in a column based interleaving manner, Left-eye view is first column +
All frames are in anaglyph format viewable through red-cyan filters +
Both views are arranged side by side, Right-eye view is on the left +
All frames are in anaglyph format viewable through green-magenta filters +
Both eyes laced in one Block, Left-eye view is first +
Both eyes laced in one Block, Right-eye view is first +
For example a 3D WebM clip can be created using the following command line: +
ffmpeg -i sample_left_right_clip.mpg -an -c:v libvpx -metadata stereo_mode=left_right -y stereo_clip.webm +
This muxer supports the following options: +
+By default, this muxer writes the index for seeking (called cues in Matroska +terms) at the end of the file, because it cannot know in advance how much space +to leave for the index at the beginning of the file. However for some use cases +– e.g. streaming where seeking is possible but slow – it is useful to put the +index at the beginning of the file. +
+If this option is set to a non-zero value, the muxer will reserve a given amount +of space in the file header and then try to write the cues there when the muxing +finishes. If the reserved space does not suffice, no Cues will be written, the +file will be finalized and writing the trailer will return an error. +A safe size for most use cases should be about 50kB per hour of video. +
+Note that cues are only written if the output is seekable and this option will +have no effect if it is not. +
+If set, the muxer will write the index at the beginning of the file +by shifting the main data if necessary. This can be combined with +reserve_index_space in which case the data is only shifted if +the initially reserved space turns out to be insufficient. +
+This option is ignored if the output is unseekable. +
+This option controls how the FlagDefault of the output tracks will be set. +It influences which tracks players should play by default. The default mode +is ‘passthrough’. +
Every track with disposition default will have the FlagDefault set. +Additionally, for each type of track (audio, video or subtitle), if no track +with disposition default of this type exists, then the first track of this type +will be marked as default (if existing). This ensures that the default flag +is set in a sensible way even if the input originated from containers that +lack the concept of default tracks. +
This mode is the same as infer except that if no subtitle track with +disposition default exists, no subtitle track will be marked as default. +
In this mode the FlagDefault is set if and only if the AV_DISPOSITION_DEFAULT +flag is set in the disposition of the corresponding stream. +
If set to true, store positive height for raw RGB bitmaps, which indicates +bitmap is stored bottom-up. Note that this option does not flip the bitmap +which has to be done manually beforehand, e.g. by using the vflip filter. +Default is false and indicates bitmap is stored top down. +
+MD5 testing format. +
+This is a variant of the hash muxer. Unlike that muxer, it +defaults to using the MD5 hash function. +
+ +To compute the MD5 hash of the input converted to raw +audio and video, and store it in the file out.md5: +
ffmpeg -i INPUT -f md5 out.md5 +
You can print the MD5 to stdout with the command: +
ffmpeg -i INPUT -f md5 - +
See also the hash and framemd5 muxers. +
+ +MOV/MP4/ISMV (Smooth Streaming) muxer. +
+The mov/mp4/ismv muxer supports fragmentation. Normally, a MOV/MP4
+file has all the metadata about all packets stored in one location
+(written at the end of the file, it can be moved to the start for
+better playback by adding faststart to the movflags, or
+using the qt-faststart tool). A fragmented
+file consists of a number of fragments, where packets and metadata
+about these packets are stored together. Writing a fragmented
+file has the advantage that the file is decodable even if the
+writing is interrupted (while a normal MOV/MP4 is undecodable if
+it is not properly finished), and it requires less memory when writing
+very long files (since writing normal MOV/MP4 files stores info about
+every single packet in memory until the file is closed). The downside
+is that it is less compatible with other applications.
+
Fragmentation is enabled by setting one of the AVOptions that define +how to cut the file into fragments: +
+Reserves space for the moov atom at the beginning of the file instead of placing the +moov atom at the end. If the space reserved is insufficient, muxing will fail. +
Start a new fragment at each video keyframe. +
Create fragments that are duration microseconds long. +
Create fragments that contain up to size bytes of payload data. +
Allow the caller to manually choose when to cut fragments, by
+calling av_write_frame(ctx, NULL) to write a fragment with
+the packets written so far. (This is only useful with other
+applications integrating libavformat, not from ffmpeg.)
+
Don’t create fragments that are shorter than duration microseconds long. +
If more than one condition is specified, fragments are cut when
+one of the specified conditions is fulfilled. The exception to this is
+-min_frag_duration, which has to be fulfilled for any of the other
+conditions to apply.
+
Additionally, the way the output file is written can be adjusted +through a few other options: +
+Write an initial moov atom directly at the start of the file, without +describing any samples in it. Generally, an mdat/moov pair is written +at the start of the file, as a normal MOV/MP4 file, containing only +a short portion of the file. With this option set, there is no initial +mdat atom, and the moov atom only describes the tracks but has +a zero duration. +
+This option is implicitly set when writing ismv (Smooth Streaming) files. +
Write a separate moof (movie fragment) atom for each track. Normally, +packets for all tracks are written in a moof atom (which is slightly +more efficient), but with this option set, the muxer writes one moof/mdat +pair for each track, making it easier to separate tracks. +
+This option is implicitly set when writing ismv (Smooth Streaming) files. +
Skip writing of sidx atom. When bitrate overhead due to sidx atom is high, +this option could be used for cases where sidx atom is not mandatory. +When global_sidx flag is enabled, this option will be ignored. +
Run a second pass moving the index (moov atom) to the beginning of the file. +This operation can take a while, and will not work in various situations such +as fragmented output, thus it is not enabled by default. +
Add RTP hinting tracks to the output file. +
Disable Nero chapter markers (chpl atom). Normally, both Nero chapters +and a QuickTime chapter track are written to the file. With this option +set, only the QuickTime chapter track will be written. Nero chapters can +cause failures when the file is reprocessed with certain tagging programs, like +mp3Tag 2.61a and iTunes 11.3, most likely other versions are affected as well. +
Do not write any absolute base_data_offset in tfhd atoms. This avoids +tying fragments to absolute byte positions in the file/streams. +
Similarly to the omit_tfhd_offset, this flag avoids writing the +absolute base_data_offset field in tfhd atoms, but does so by using +the new default-base-is-moof flag instead. This flag is new from +14496-12:2012. This may make the fragments easier to parse in certain +circumstances (avoiding basing track fragment location calculations +on the implicit end of the previous track fragment). +
Specify on to force writing a timecode track, off to disable it
+and auto to write a timecode track only for mov and mp4 output (default).
+
Enables utilization of version 1 of the CTTS box, in which the CTS offsets can +be negative. This enables the initial sample to have DTS/CTS of zero, and +reduces the need for edit lists for some cases such as video tracks with +B-frames. Additionally, eases conformance with the DASH-IF interoperability +guidelines. +
+This option is implicitly set when writing ismv (Smooth Streaming) files. +
+Force or disable writing bitrate box inside stsd box of a track.
+The box contains decoding buffer size (in bytes), maximum bitrate and
+average bitrate for the track. The box will be skipped if none of these values
+can be computed.
+Default is -1 or auto, which will write the box only in MP4 mode.
+
Write producer time reference box (PRFT) with a specified time source for the +NTP field in the PRFT box. Set value as ‘wallclock’ to specify timesource +as wallclock time and ‘pts’ to specify timesource as input packets’ PTS +values. +
+Setting value to ‘pts’ is applicable only for a live encoding use case, +where PTS values are set as as wallclock time at the source. For example, an +encoding use case with decklink capture source where video_pts and +audio_pts are set to ‘abs_wallclock’. +
+Enable to skip writing the name inside a hdlr box.
+Default is false.
+
Set the timescale written in the movie header box (mvhd).
+Range is 1 to INT_MAX. Default is 1000.
+
Set the timescale used for video tracks. Range is 0 to INT_MAX.
+If set to 0, the timescale is automatically set based on
+the native stream time base. Default is 0.
+
Smooth Streaming content can be pushed in real time to a publishing +point on IIS with this muxer. Example: +
ffmpeg -re <normal input/transcoding options> -movflags isml+frag_keyframe -f ismv http://server/publishingpoint.isml/Streams(Encoder1) +
The MP3 muxer writes a raw MP3 stream with the following optional features: +
id3v2_version private option controls which one is
+used (3 or 4). Setting id3v2_version to 0 disables the ID3v2 header
+completely.
+
+The muxer supports writing attached pictures (APIC frames) to the ID3v2 header. +The pictures are supplied to the muxer in form of a video stream with a single +packet. There can be any number of those streams, each will correspond to a +single APIC frame. The stream metadata tags title and comment map +to APIC description and picture type respectively. See +http://id3.org/id3v2.4.0-frames for allowed picture types. +
+Note that the APIC frames must be written at the beginning, so the muxer will +buffer the audio frames until it gets all the pictures. It is therefore advised +to provide the pictures as soon as possible to avoid excessive buffering. +
+write_xing private option can be used to disable it. The frame contains
+various information that may be useful to the decoder, like the audio duration
+or encoder delay.
+
+write_id3v1 private option, but as its capabilities are
+very limited, its usage is not recommended.
+Examples: +
+Write an mp3 with an ID3v2.3 header and an ID3v1 footer: +
ffmpeg -i INPUT -id3v2_version 3 -write_id3v1 1 out.mp3 +
To attach a picture to an mp3 file select both the audio and the picture stream
+with map:
+
ffmpeg -i input.mp3 -i cover.png -c copy -map 0 -map 1 +-metadata:s:v title="Album cover" -metadata:s:v comment="Cover (Front)" out.mp3 +
Write a "clean" MP3 without any extra features: +
ffmpeg -i input.wav -write_xing 0 -id3v2_version 0 out.mp3 +
MPEG transport stream muxer. +
+This muxer implements ISO 13818-1 and part of ETSI EN 300 468. +
+The recognized metadata settings in mpegts muxer are service_provider
+and service_name. If they are not set the default for
+service_provider is ‘FFmpeg’ and the default for
+service_name is ‘Service01’.
+
The muxer options are: +
+Set the ‘transport_stream_id’. This identifies a transponder in DVB.
+Default is 0x0001.
+
Set the ‘original_network_id’. This is unique identifier of a
+network in DVB. Its main use is in the unique identification of a service
+through the path ‘Original_Network_ID, Transport_Stream_ID’. Default
+is 0x0001.
+
Set the ‘service_id’, also known as program in DVB. Default is
+0x0001.
+
Set the program ‘service_type’. Default is digital_tv.
+Accepts the following options:
+
Any hexadecimal value between 0x01 and 0xff as defined in
+ETSI 300 468.
+
Digital TV service. +
Digital Radio service. +
Teletext service. +
Advanced Codec Digital Radio service. +
MPEG2 Digital HDTV service. +
Advanced Codec Digital SDTV service. +
Advanced Codec Digital HDTV service. +
Set the first PID for PMTs. Default is 0x1000, minimum is 0x0020,
+maximum is 0x1ffa. This option has no effect in m2ts mode where the PMT
+PID is fixed 0x0100.
+
Set the first PID for elementary streams. Default is 0x0100, minimum is
+0x0020, maximum is 0x1ffa. This option has no effect in m2ts mode
+where the elementary stream PIDs are fixed.
+
Enable m2ts mode if set to 1. Default value is -1 which
+disables m2ts mode.
+
Set a constant muxrate. Default is VBR. +
+Set minimum PES packet payload in bytes. Default is 2930.
+
Set mpegts flags. Accepts the following options: +
Reemit PAT/PMT before writing the next packet. +
Use LATM packetization for AAC. +
Reemit PAT and PMT at each video frame. +
Conform to System B (DVB) instead of System A (ATSC). +
Mark the initial packet of each stream as discontinuity. +
Emit NIT table. +
Disable writing of random access indicator. +
Preserve original timestamps, if value is set to 1. Default value
+is -1, which results in shifting timestamps so that they start from 0.
+
Omit the PES packet length for video packets. Default is 1 (true).
+
Override the default PCR retransmission time in milliseconds. Default is
+-1 which means that the PCR interval will be determined automatically:
+20 ms is used for CBR streams, the highest multiple of the frame duration which
+is less than 100 ms is used for VBR streams.
+
Maximum time in seconds between PAT/PMT tables. Default is 0.1.
+
Maximum time in seconds between SDT tables. Default is 0.5.
+
Maximum time in seconds between NIT tables. Default is 0.5.
+
Set PAT, PMT, SDT and NIT version (default 0, valid values are from 0 to 31, inclusively).
+This option allows updating stream structure so that standard consumer may
+detect the change. To do so, reopen output AVFormatContext (in case of API
+usage) or restart ffmpeg instance, cyclically changing
+tables_version value:
+
ffmpeg -i source1.ts -codec copy -f mpegts -tables_version 0 udp://1.1.1.1:1111 +ffmpeg -i source2.ts -codec copy -f mpegts -tables_version 1 udp://1.1.1.1:1111 +... +ffmpeg -i source3.ts -codec copy -f mpegts -tables_version 31 udp://1.1.1.1:1111 +ffmpeg -i source1.ts -codec copy -f mpegts -tables_version 0 udp://1.1.1.1:1111 +ffmpeg -i source2.ts -codec copy -f mpegts -tables_version 1 udp://1.1.1.1:1111 +... +
ffmpeg -i file.mpg -c copy \ + -mpegts_original_network_id 0x1122 \ + -mpegts_transport_stream_id 0x3344 \ + -mpegts_service_id 0x5566 \ + -mpegts_pmt_start_pid 0x1500 \ + -mpegts_start_pid 0x150 \ + -metadata service_provider="Some provider" \ + -metadata service_name="Some Channel" \ + out.ts +
MXF muxer. +
+ +The muxer options are: +
+Set if user comments should be stored if available or never. +IRT D-10 does not allow user comments. The default is thus to write them for +mxf and mxf_opatom but not for mxf_d10 +
Null muxer. +
+This muxer does not generate any output file, it is mainly useful for +testing or benchmarking purposes. +
+For example to benchmark decoding with ffmpeg you can use the
+command:
+
ffmpeg -benchmark -i INPUT -f null out.null +
Note that the above command does not read or write the out.null
+file, but specifying the output file is required by the ffmpeg
+syntax.
+
Alternatively you can write the command as: +
ffmpeg -benchmark -i INPUT -f null - +
Change the syncpoint usage in nut: +
Use of this option is not recommended, as the resulting files are very damage
+ sensitive and seeking is not possible. Also in general the overhead from
+ syncpoints is negligible. Note, -write_index 0 can be used to disable
+ all growing data tables, allowing to mux endless streams with limited memory
+ and without these disadvantages.
+
The none and timestamped flags are experimental. +
Write index at the end, the default is to write an index. +
ffmpeg -i INPUT -f_strict experimental -syncpoints none - | processor +
Ogg container muxer. +
+Preferred page duration, in microseconds. The muxer will attempt to create +pages that are approximately duration microseconds long. This allows the +user to compromise between seek granularity and container overhead. The default +is 1 second. A value of 0 will fill all segments, making pages as large as +possible. A value of 1 will effectively use 1 packet-per-page in most +situations, giving a small seek granularity at the cost of additional container +overhead. +
Serial value from which to set the streams serial number. +Setting it to different and sufficiently large values ensures that the produced +ogg files can be safely chained. +
+Raw muxers accept a single stream matching the designated codec. They do not store timestamps or metadata. +The recognized extension is the same as the muxer name unless indicated otherwise. +
+ +Dolby Digital, also known as AC-3, audio. +
+ +CRI Middleware ADX audio. +
+This muxer will write out the total sample count near the start of the first packet +when the output is seekable and the count can be stored in 32 bits. +
+ +aptX (Audio Processing Technology for Bluetooth) audio. +
+ +aptX HD (Audio Processing Technology for Bluetooth) audio. +
+Extensions: aptxhd +
+ +AVS2-P2/IEEE1857.4 video. +
+Extensions: avs, avs2 +
+ +Chinese AVS (Audio Video Standard) video. +
+Extensions: cavs +
+ +Codec 2 audio. +
+No extension is registered so format name has to be supplied e.g. with the ffmpeg CLI tool -f codec2raw.
+
Data muxer accepts a single stream with any codec of any type.
+The input stream has to be selected using the -map option with the ffmpeg CLI tool.
+
No extension is registered so format name has to be supplied e.g. with the ffmpeg CLI tool -f data.
+
BBC Dirac video. The Dirac Pro codec is a subset and is standardized as SMPTE VC-2. +
+Extensions: drc, vc2 +
+ +Avid DNxHD video. It is standardized as SMPTE VC-3. Accepts DNxHR streams. +
+Extensions: dnxhd, dnxhr +
+ +DTS Coherent Acoustics (DCA) audio. +
+ +Dolby Digital Plus, also known as Enhanced AC-3, audio. +
+ +ITU-T G.722 audio. +
+ +ITU-T G.723.1 audio. +
+Extensions: tco, rco +
+ +ITU-T G.726 big-endian ("left-justified") audio. +
+No extension is registered so format name has to be supplied e.g. with the ffmpeg CLI tool -f g726.
+
ITU-T G.726 little-endian ("right-justified") audio. +
+No extension is registered so format name has to be supplied e.g. with the ffmpeg CLI tool -f g726le.
+
Global System for Mobile Communications audio. +
+ +ITU-T H.261 video. +
+ +ITU-T H.263 / H.263-1996, H.263+ / H.263-1998 / H.263 version 2 video. +
+ +ITU-T H.264 / MPEG-4 Part 10 AVC video. Bitstream shall be converted to Annex B syntax if it’s in length-prefixed mode. +
+Extensions: h264, 264 +
+ +ITU-T H.265 / MPEG-H Part 2 HEVC video. Bitstream shall be converted to Annex B syntax if it’s in length-prefixed mode. +
+Extensions: hevc, h265, 265 +
+ +MPEG-4 Part 2 video. +
+ +Motion JPEG video. +
+Extensions: mjpg, mjpeg +
+ +Meridian Lossless Packing, also known as Packed PCM, audio. +
+ +MPEG-1 Audio Layer II audio. +
+Extensions: mp2, m2a, mpa +
+ +MPEG-1 Part 2 video. +
+Extensions: mpg, mpeg, m1v +
+ +ITU-T H.262 / MPEG-2 Part 2 video. +
+Extensions: m2v +
+ +AV1 low overhead Open Bitstream Units muxer. Temporal delimiter OBUs will be inserted in all temporal units of the stream. +
+ +Raw uncompressed video. +
+Extensions: yuv, rgb +
+ +Bluetooth SIG low-complexity subband codec audio. +
+Extensions: sbc, msbc +
+ +Dolby TrueHD audio. +
+Extensions: thd +
+ +SMPTE 421M / VC-1 video. +
+ +Basic stream segmenter. +
+This muxer outputs streams to a number of separate files of nearly
+fixed duration. Output filename pattern can be set in a fashion
+similar to image2, or by using a strftime template if
+the strftime option is enabled.
+
stream_segment is a variant of the muxer used to write to
+streaming output formats, i.e. which do not require global headers,
+and is recommended for outputting e.g. to MPEG transport stream segments.
+ssegment is a shorter alias for stream_segment.
+
Every segment starts with a keyframe of the selected reference stream, +which is set through the reference_stream option. +
+Note that if you want accurate splitting for a video file, you need to +make the input key frames correspond to the exact splitting times +expected by the segmenter, or the segment muxer will start the new +segment with the key frame found next after the specified start +time. +
+The segment muxer works best with a single constant frame rate video. +
+Optionally it can generate a list of the created segments, by setting +the option segment_list. The list type is specified by the +segment_list_type option. The entry filenames in the segment +list are set by default to the basename of the corresponding segment +files. +
+See also the hls muxer, which provides a more specific +implementation for HLS segmentation. +
+ +The segment muxer supports the following options: +
+if set to 1, increment timecode between each segment
+If this is selected, the input need to have
+a timecode in the first video stream. Default value is
+0.
+
Set the reference stream, as specified by the string specifier.
+If specifier is set to auto, the reference is chosen
+automatically. Otherwise it must be a stream specifier (see the “Stream
+specifiers” chapter in the ffmpeg manual) which specifies the
+reference stream. The default value is auto.
+
Override the inner container format, by default it is guessed by the filename +extension. +
+Set output format options using a :-separated list of key=value
+parameters. Values containing the : special character must be
+escaped.
+
Generate also a listfile named name. If not specified no +listfile is generated. +
+Set flags affecting the segment list generation. +
+It currently supports the following flags: +
Allow caching (only affects M3U8 list files). +
+Allow live-friendly file generation. +
Update the list file so that it contains at most size +segments. If 0 the list file will contain all the segments. Default +value is 0. +
+Prepend prefix to each entry. Useful to generate absolute paths. +By default no prefix is applied. +
+Select the listing format. +
+The following values are recognized: +
Generate a flat list for the created segments, one segment per line. +
+Generate a list for the created segments, one segment per line, +each line matching the format (comma-separated values): +
segment_filename,segment_start_time,segment_end_time +
segment_filename is the name of the output file generated by the +muxer according to the provided pattern. CSV escaping (according to +RFC4180) is applied if required. +
+segment_start_time and segment_end_time specify +the segment start and end time expressed in seconds. +
+A list file with the suffix ".csv" or ".ext" will
+auto-select this format.
+
‘ext’ is deprecated in favor or ‘csv’. +
+Generate an ffconcat file for the created segments. The resulting file +can be read using the FFmpeg concat demuxer. +
+A list file with the suffix ".ffcat" or ".ffconcat" will
+auto-select this format.
+
Generate an extended M3U8 file, version 3, compliant with +http://tools.ietf.org/id/draft-pantos-http-live-streaming. +
+A list file with the suffix ".m3u8" will auto-select this format.
+
If not specified the type is guessed from the list file name suffix. +
+Set segment duration to time, the value must be a duration +specification. Default value is "2". See also the +segment_times option. +
+Note that splitting may not be accurate, unless you force the +reference stream key-frames at the given time. See the introductory +notice and the examples below. +
+If set to "1" split at regular clock time intervals starting from 00:00 +o’clock. The time value specified in segment_time is +used for setting the length of the splitting interval. +
+For example with segment_time set to "900" this makes it possible +to create files at 12:00 o’clock, 12:15, 12:30, etc. +
+Default value is "0". +
+Delay the segment splitting times with the specified duration when using +segment_atclocktime. +
+For example with segment_time set to "900" and +segment_clocktime_offset set to "300" this makes it possible to +create files at 12:05, 12:20, 12:35, etc. +
+Default value is "0". +
+Force the segmenter to only start a new segment if a packet reaches the muxer +within the specified duration after the segmenting clock time. This way you +can make the segmenter more resilient to backward local time jumps, such as +leap seconds or transition to standard time from daylight savings time. +
+Default is the maximum possible duration which means starting a new segment +regardless of the elapsed time since the last clock time. +
+Specify the accuracy time when selecting the start time for a +segment, expressed as a duration specification. Default value is "0". +
+When delta is specified a key-frame will start a new segment if its +PTS satisfies the relation: +
PTS >= start_time - time_delta +
This option is useful when splitting video content, which is always +split at GOP boundaries, in case a key frame is found just before the +specified split time. +
+In particular may be used in combination with the ffmpeg option +force_key_frames. The key frame times specified by +force_key_frames may not be set accurately because of rounding +issues, with the consequence that a key frame time may result set just +before the specified time. For constant frame rate videos a value of +1/(2*frame_rate) should address the worst case mismatch between +the specified time and the time set by force_key_frames. +
+Specify a list of split points. times contains a list of comma +separated duration specifications, in increasing order. See also +the segment_time option. +
+Specify a list of split video frame numbers. frames contains a +list of comma separated integer numbers, in increasing order. +
+This option specifies to start a new segment whenever a reference +stream key frame is found and the sequential number (starting from 0) +of the frame is greater or equal to the next value in the list. +
+Wrap around segment index once it reaches limit. +
+Set the sequence number of the first segment. Defaults to 0.
+
Use the strftime function to define the name of the new
+segments to write. If this is selected, the output segment name must
+contain a strftime function template. Default value is
+0.
+
If enabled, allow segments to start on frames other than keyframes. This
+improves behavior on some players when the time between keyframes is
+inconsistent, but may make things worse on others, and can cause some oddities
+during seeking. Defaults to 0.
+
Reset timestamps at the beginning of each segment, so that each segment
+will start with near-zero timestamps. It is meant to ease the playback
+of the generated segments. May not work with some combinations of
+muxers/codecs. It is set to 0 by default.
+
Specify timestamp offset to apply to the output packet timestamps. The +argument must be a time duration specification, and defaults to 0. +
+If enabled, write an empty segment if there are no packets during the period a
+segment would usually span. Otherwise, the segment will be filled with the next
+packet written. Defaults to 0.
+
Make sure to require a closed GOP when encoding and to set the GOP +size to fit your segment time constraint. +
+ +ffmpeg -i in.mkv -codec hevc -flags +cgop -g 60 -map 0 -f segment -segment_list out.list out%03d.nut +
ffmpeg -i in.mkv -f segment -segment_time 10 -segment_format_options movflags=+faststart out%03d.mp4 +
ffmpeg -i in.mkv -codec copy -map 0 -f segment -segment_list out.csv -segment_times 1,2,3,5,8,13,21 out%03d.nut +
ffmpeg force_key_frames
+option to force key frames in the input at the specified location, together
+with the segment option segment_time_delta to account for
+possible roundings operated when setting key frame times.
+ffmpeg -i in.mkv -force_key_frames 1,2,3,5,8,13,21 -codec:v mpeg4 -codec:a pcm_s16le -map 0 \ +-f segment -segment_list out.csv -segment_times 1,2,3,5,8,13,21 -segment_time_delta 0.05 out%03d.nut +
In order to force key frames on the input file, transcoding is +required. +
+ffmpeg -i in.mkv -codec copy -map 0 -f segment -segment_list out.csv -segment_frames 100,200,300,500,800 out%03d.nut +
libx264
+and aac encoders:
+ffmpeg -i in.mkv -map 0 -codec:v libx264 -codec:a aac -f ssegment -segment_list out.list out%03d.ts +
ffmpeg -re -i in.mkv -codec copy -map 0 -f segment -segment_list playlist.m3u8 \ +-segment_list_flags +live -segment_time 10 out%03d.mkv +
Smooth Streaming muxer generates a set of files (Manifest, chunks) suitable for serving with conventional web server. +
+Specify the number of fragments kept in the manifest. Default 0 (keep all). +
+Specify the number of fragments kept outside of the manifest before removing from disk. Default 5. +
+Specify the number of lookahead fragments. Default 2. +
+Specify the minimum fragment duration (in microseconds). Default 5000000. +
+Specify whether to remove all fragments when finished. Default 0 (do not remove). +
+Per stream hash testing format. +
+This muxer computes and prints a cryptographic hash of all the input frames, +on a per-stream basis. This can be used for equality checks without having +to do a complete binary comparison. +
+By default audio frames are converted to signed 16-bit raw audio and +video frames to raw video before computing the hash, but the output +of explicit conversions to other codecs can also be used. Timestamps +are ignored. It uses the SHA-256 cryptographic hash function by default, +but supports several other algorithms. +
+The output of the muxer consists of one line per stream of the form: +streamindex,streamtype,algo=hash, where +streamindex is the index of the mapped stream, streamtype is a +single character indicating the type of stream, algo is a short string +representing the hash function used, and hash is a hexadecimal number +representing the computed hash. +
+Use the cryptographic hash function specified by the string algorithm.
+Supported values include MD5, murmur3, RIPEMD128,
+RIPEMD160, RIPEMD256, RIPEMD320, SHA160,
+SHA224, SHA256 (default), SHA512/224, SHA512/256,
+SHA384, SHA512, CRC32 and adler32.
+
To compute the SHA-256 hash of the input converted to raw audio and +video, and store it in the file out.sha256: +
ffmpeg -i INPUT -f streamhash out.sha256 +
To print an MD5 hash to stdout use the command: +
ffmpeg -i INPUT -f streamhash -hash md5 - +
See also the hash and framehash muxers. +
+ +The tee muxer can be used to write the same data to several outputs, such as files or streams. +It can be used, for example, to stream a video over a network and save it to disk at the same time. +
+It is different from specifying several outputs to the ffmpeg
+command-line tool. With the tee muxer, the audio and video data will be encoded only once.
+With conventional multiple outputs, multiple encoding operations in parallel are initiated,
+which can be a very expensive process. The tee muxer is not useful when using the libavformat API
+directly because it is then possible to feed the same packets to several muxers directly.
+
Since the tee muxer does not represent any particular output format, ffmpeg cannot auto-select
+output streams. So all streams intended for output must be specified using -map. See
+the examples below.
+
Some encoders may need different options depending on the output format; +the auto-detection of this can not work with the tee muxer, so they need to be explicitly specified. +The main example is the global_header flag. +
+The slave outputs are specified in the file name given to the muxer, +separated by ’|’. If any of the slave name contains the ’|’ separator, +leading or trailing spaces or any special character, those must be +escaped (see (ffmpeg-utils)the "Quoting and escaping" +section in the ffmpeg-utils(1) manual). +
+ +If set to 1, slave outputs will be processed in separate threads using the fifo +muxer. This allows to compensate for different speed/latency/reliability of +outputs and setup transparent recovery. By default this feature is turned off. +
+Options to pass to fifo pseudo-muxer instances. See fifo. +
+Muxer options can be specified for each slave by prepending them as a list of +key=value pairs separated by ’:’, between square brackets. If +the options values contain a special character or the ’:’ separator, they +must be escaped; note that this is a second level escaping. +
+The following special options are also recognized: +
Specify the format name. Required if it cannot be guessed from the +output URL. +
+Specify a list of bitstream filters to apply to the specified +output. +
+It is possible to specify to which streams a given bitstream filter
+applies, by appending a stream specifier to the option separated by
+/. spec must be a stream specifier (see Format stream specifiers).
+
If the stream specifier is not specified, the bitstream filters will be
+applied to all streams in the output. This will cause that output operation
+to fail if the output contains streams to which the bitstream filter cannot
+be applied e.g. h264_mp4toannexb being applied to an output containing an audio stream.
+
Options for a bitstream filter must be specified in the form of opt=value.
+
Several bitstream filters can be specified, separated by ",". +
+This allows to override tee muxer use_fifo option for individual slave muxer. +
+This allows to override tee muxer fifo_options for individual slave muxer. +See fifo. +
+Select the streams that should be mapped to the slave output, +specified by a stream specifier. If not specified, this defaults to +all the mapped streams. This will cause that output operation to fail +if the output format does not accept all mapped streams. +
+You may use multiple stream specifiers separated by commas (,) e.g.: a:0,v
+
Specify behaviour on output failure. This can be set to either abort (which is
+default) or ignore. abort will cause whole process to fail in case of failure
+on this slave output. ignore will ignore failure on this output, so other outputs
+will continue without being affected.
+
ffmpeg -i ... -c:v libx264 -c:a mp2 -f tee -map 0:v -map 0:a + "archive-20121107.mkv|[f=mpegts]udp://10.0.1.255:1234/" +
ffmpeg -i ... -c:v libx264 -c:a mp2 -f tee -map 0:v -map 0:a + "[onfail=ignore]archive-20121107.mkv|[f=mpegts]udp://10.0.1.255:1234/" +
ffmpeg to encode the input, and send the output
+to three different destinations. The dump_extra bitstream
+filter is used to add extradata information to all the output video
+keyframes packets, as requested by the MPEG-TS format. The select
+option is applied to out.aac in order to make it contain only
+audio packets.
+ffmpeg -i ... -map 0 -flags +global_header -c:v libx264 -c:a aac + -f tee "[bsfs/v=dump_extra=freq=keyframe]out.ts|[movflags=+faststart]out.mp4|[select=a]out.aac" +
a:1 for the audio output. Note
+that a second level escaping must be performed, as ":" is a special
+character used to separate options.
+ffmpeg -i ... -map 0 -flags +global_header -c:v libx264 -c:a aac + -f tee "[bsfs/v=dump_extra=freq=keyframe]out.ts|[movflags=+faststart]out.mp4|[select=\'a:1\']out.aac" +
WebM Live Chunk Muxer. +
+This muxer writes out WebM headers and chunks as separate files which can be +consumed by clients that support WebM Live streams via DASH. +
+ +This muxer supports the following options: +
+Index of the first chunk (defaults to 0). +
+Filename of the header where the initialization data will be written. +
+Duration of each audio chunk in milliseconds (defaults to 5000). +
ffmpeg -f v4l2 -i /dev/video0 \ + -f alsa -i hw:0 \ + -map 0:0 \ + -c:v libvpx-vp9 \ + -s 640x360 -keyint_min 30 -g 30 \ + -f webm_chunk \ + -header webm_live_video_360.hdr \ + -chunk_start_index 1 \ + webm_live_video_360_%d.chk \ + -map 1:0 \ + -c:a libvorbis \ + -b:a 128k \ + -f webm_chunk \ + -header webm_live_audio_128.hdr \ + -chunk_start_index 1 \ + -audio_chunk_duration 1000 \ + webm_live_audio_128_%d.chk +
WebM DASH Manifest muxer. +
+This muxer implements the WebM DASH Manifest specification to generate the DASH +manifest XML. It also supports manifest generation for DASH live streams. +
+For more information see: +
+This muxer supports the following options: +
+This option has the following syntax: "id=x,streams=a,b,c id=y,streams=d,e" where x and y are the +unique identifiers of the adaptation sets and a,b,c,d and e are the indices of the corresponding +audio and video streams. Any number of adaptation sets can be added using this option. +
+Set this to 1 to create a live stream DASH Manifest. Default: 0. +
+Start index of the first chunk. This will go in the ‘startNumber’ attribute +of the ‘SegmentTemplate’ element in the manifest. Default: 0. +
+Duration of each chunk in milliseconds. This will go in the ‘duration’ +attribute of the ‘SegmentTemplate’ element in the manifest. Default: 1000. +
+URL of the page that will return the UTC timestamp in ISO format. This will go +in the ‘value’ attribute of the ‘UTCTiming’ element in the manifest. +Default: None. +
+Smallest time (in seconds) shifting buffer for which any Representation is +guaranteed to be available. This will go in the ‘timeShiftBufferDepth’ +attribute of the ‘MPD’ element. Default: 60. +
+Minimum update period (in seconds) of the manifest. This will go in the +‘minimumUpdatePeriod’ attribute of the ‘MPD’ element. Default: 0. +
+ffmpeg -f webm_dash_manifest -i video1.webm \ + -f webm_dash_manifest -i video2.webm \ + -f webm_dash_manifest -i audio1.webm \ + -f webm_dash_manifest -i audio2.webm \ + -map 0 -map 1 -map 2 -map 3 \ + -c copy \ + -f webm_dash_manifest \ + -adaptation_sets "id=0,streams=0,1 id=1,streams=2,3" \ + manifest.xml +
FFmpeg is able to dump metadata from media files into a simple UTF-8-encoded +INI-like text file and then load it back using the metadata muxer/demuxer. +
+The file format is as follows: +
Next a chapter section must contain chapter start and end times in form +‘START=num’, ‘END=num’, where num is a positive +integer. +
+A ffmetadata file might look like this: +
;FFMETADATA1 +title=bike\\shed +;this is a comment +artist=FFmpeg troll team + +[CHAPTER] +TIMEBASE=1/1000 +START=0 +#chapter ends at 0:01:00 +END=60000 +title=chapter \#1 +[STREAM] +title=multi\ +line +
By using the ffmetadata muxer and demuxer it is possible to extract +metadata from an input file to an ffmetadata file, and then transcode +the file into an output file with the edited ffmetadata file. +
+Extracting an ffmetadata file with ffmpeg goes as follows: +
ffmpeg -i INPUT -f ffmetadata FFMETADATAFILE +
Reinserting edited metadata information from the FFMETADATAFILE file can +be done as: +
ffmpeg -i INPUT -i FFMETADATAFILE -map_metadata 1 -codec copy OUTPUT +
The libavformat library provides some generic global options, which +can be set on all the protocols. In addition each protocol may support +so-called private options, which are specific for that component. +
+Options may be set by specifying -option value in the
+FFmpeg tools, or by setting the value explicitly in the
+AVFormatContext options or using the libavutil/opt.h API
+for programmatic use.
+
The list of supported options follows: +
+Set a ","-separated list of allowed protocols. "ALL" matches all protocols. Protocols +prefixed by "-" are disabled. +All protocols are allowed by default but protocols used by an another +protocol (nested protocols) are restricted to a per protocol subset. +
Protocols are configured elements in FFmpeg that enable access to +resources that require specific protocols. +
+When you configure your FFmpeg build, all the supported protocols are +enabled by default. You can list all available ones using the +configure option "–list-protocols". +
+You can disable all the protocols using the configure option +"–disable-protocols", and selectively enable a protocol using the +option "–enable-protocol=PROTOCOL", or you can disable a +particular protocol using the option +"–disable-protocol=PROTOCOL". +
+The option "-protocols" of the ff* tools will display the list of +supported protocols. +
+All protocols accept the following options: +
+Maximum time to wait for (network) read/write operations to complete, +in microseconds. +
A description of the currently available protocols follows. +
+ +Advanced Message Queueing Protocol (AMQP) version 0-9-1 is a broker based +publish-subscribe communication protocol. +
+FFmpeg must be compiled with –enable-librabbitmq to support AMQP. A separate +AMQP broker must also be run. An example open-source AMQP broker is RabbitMQ. +
+After starting the broker, an FFmpeg client may stream data to the broker using +the command: +
+ffmpeg -re -i input -f mpegts amqp://[[user]:[password]@]hostname[:port][/vhost] +
Where hostname and port (default is 5672) is the address of the broker. The +client may also set a user/password for authentication. The default for both +fields is "guest". Name of virtual host on broker can be set with vhost. The +default value is "/". +
+Muliple subscribers may stream from the broker using the command: +
ffplay amqp://[[user]:[password]@]hostname[:port][/vhost] +
In RabbitMQ all data published to the broker flows through a specific exchange, +and each subscribing client has an assigned queue/buffer. When a packet arrives +at an exchange, it may be copied to a client’s queue depending on the exchange +and routing_key fields. +
+The following options are supported: +
+Sets the exchange to use on the broker. RabbitMQ has several predefined +exchanges: "amq.direct" is the default exchange, where the publisher and +subscriber must have a matching routing_key; "amq.fanout" is the same as a +broadcast operation (i.e. the data is forwarded to all queues on the fanout +exchange independent of the routing_key); and "amq.topic" is similar to +"amq.direct", but allows for more complex pattern matching (refer to the RabbitMQ +documentation). +
+Sets the routing key. The default value is "amqp". The routing key is used on +the "amq.direct" and "amq.topic" exchanges to decide whether packets are written +to the queue of a subscriber. +
+Maximum size of each packet sent/received to the broker. Default is 131072. +Minimum is 4096 and max is any large value (representable by an int). When +receiving packets, this sets an internal buffer size in FFmpeg. It should be +equal to or greater than the size of the published packets to the broker. Otherwise +the received message may be truncated causing decoding errors. +
+The timeout in seconds during the initial connection to the broker. The +default value is rw_timeout, or 5 seconds if rw_timeout is not set. +
+Sets the delivery mode of each message sent to broker. +The following values are accepted: +
Delivery mode set to "persistent" (2). This is the default value. +Messages may be written to the broker’s disk depending on its setup. +
+Delivery mode set to "non-persistent" (1). +Messages will stay in broker’s memory unless the broker is under memory +pressure. +
+Asynchronous data filling wrapper for input stream. +
+Fill data in a background thread, to decouple I/O operation from demux thread. +
+async:URL +async:http://host/resource +async:cache:http://host/resource +
Read BluRay playlist. +
+The accepted options are: +
BluRay angle +
+Start chapter (1...N) +
+Playlist to read (BDMV/PLAYLIST/?????.mpls) +
+Examples: +
+Read longest playlist from BluRay mounted to /mnt/bluray: +
bluray:/mnt/bluray +
Read angle 2 of playlist 4 from BluRay mounted to /mnt/bluray, start from chapter 2: +
-playlist 4 -angle 2 -chapter 2 bluray:/mnt/bluray +
Caching wrapper for input stream. +
+Cache the input stream to temporary file. It brings seeking capability to live streams. +
+The accepted options are: +
Amount in bytes that may be read ahead when seeking isn’t supported. Range is -1 to INT_MAX. +-1 for unlimited. Default is 65536. +
+URL Syntax is +
cache:URL +
Physical concatenation protocol. +
+Read and seek from many resources in sequence as if they were +a unique resource. +
+A URL accepted by this protocol has the syntax: +
concat:URL1|URL2|...|URLN +
where URL1, URL2, ..., URLN are the urls of the +resource to be concatenated, each one possibly specifying a distinct +protocol. +
+For example to read a sequence of files split1.mpeg,
+split2.mpeg, split3.mpeg with ffplay use the
+command:
+
ffplay concat:split1.mpeg\|split2.mpeg\|split3.mpeg +
Note that you may need to escape the character "|" which is special for +many shells. +
+ +Physical concatenation protocol using a line break delimited list of +resources. +
+Read and seek from many resources in sequence as if they were +a unique resource. +
+A URL accepted by this protocol has the syntax: +
concatf:URL +
where URL is the url containing a line break delimited list of +resources to be concatenated, each one possibly specifying a distinct +protocol. Special characters must be escaped with backslash or single +quotes. See (ffmpeg-utils)the "Quoting and escaping" +section in the ffmpeg-utils(1) manual. +
+For example to read a sequence of files split1.mpeg,
+split2.mpeg, split3.mpeg listed in separate lines within
+a file split.txt with ffplay use the command:
+
ffplay concatf:split.txt +
Where split.txt contains the lines: +
split1.mpeg +split2.mpeg +split3.mpeg +
AES-encrypted stream reading protocol. +
+The accepted options are: +
Set the AES decryption key binary block from given hexadecimal representation. +
+Set the AES decryption initialization vector binary block from given hexadecimal representation. +
Accepted URL formats: +
crypto:URL +crypto+URL +
Data in-line in the URI. See http://en.wikipedia.org/wiki/Data_URI_scheme. +
+For example, to convert a GIF file given inline with ffmpeg:
+
ffmpeg -i "data:image/gif;base64,R0lGODdhCAAIAMIEAAAAAAAA//8AAP//AP///////////////ywAAAAACAAIAAADF0gEDLojDgdGiJdJqUX02iB4E8Q9jUMkADs=" smiley.png +
File access protocol. +
+Read from or write to a file. +
+A file URL can have the form: +
file:filename +
where filename is the path of the file to read. +
+An URL that does not have a protocol prefix will be assumed to be a +file URL. Depending on the build, an URL that looks like a Windows +path with the drive letter at the beginning will also be assumed to be +a file URL (usually not the case in builds for unix-like systems). +
+For example to read from a file input.mpeg with ffmpeg
+use the command:
+
ffmpeg -i file:input.mpeg output.mpeg +
This protocol accepts the following options: +
+Truncate existing files on write, if set to 1. A value of 0 prevents +truncating. Default value is 1. +
+Set I/O operation maximum block size, in bytes. Default value is
+INT_MAX, which results in not limiting the requested block size.
+Setting this value reasonably low improves user termination request reaction
+time, which is valuable for files on slow medium.
+
If set to 1, the protocol will retry reading at the end of the file, allowing +reading files that still are being written. In order for this to terminate, +you either need to use the rw_timeout option, or use the interrupt callback +(for API users). +
+Controls if seekability is advertised on the file. 0 means non-seekable, -1 +means auto (seekable for normal files, non-seekable for named pipes). +
+Many demuxers handle seekable and non-seekable resources differently, +overriding this might speed up opening certain files at the cost of losing some +features (e.g. accurate seeking). +
FTP (File Transfer Protocol). +
+Read from or write to remote resources using FTP protocol. +
+Following syntax is required. +
ftp://[user[:password]@]server[:port]/path/to/remote/resource.mpeg +
This protocol accepts the following options. +
+Set timeout in microseconds of socket I/O operations used by the underlying low level +operation. By default it is set to -1, which means that the timeout is +not specified. +
+Set a user to be used for authenticating to the FTP server. This is overridden by the +user in the FTP URL. +
+Set a password to be used for authenticating to the FTP server. This is overridden by +the password in the FTP URL, or by ftp-anonymous-password if no user is set. +
+Password used when login as anonymous user. Typically an e-mail address +should be used. +
+Control seekability of connection during encoding. If set to 1 the +resource is supposed to be seekable, if set to 0 it is assumed not +to be seekable. Default value is 0. +
NOTE: Protocol can be used as output, but it is recommended to not do +it, unless special care is taken (tests, customized server configuration +etc.). Different FTP servers behave in different way during seek +operation. ff* tools may produce incomplete content due to server limitations. +
+ +Gopher protocol. +
+ +Gophers protocol. +
+The Gopher protocol with TLS encapsulation. +
+ +Read Apple HTTP Live Streaming compliant segmented stream as +a uniform one. The M3U8 playlists describing the segments can be +remote HTTP resources or local files, accessed using the standard +file protocol. +The nested protocol is declared by specifying +"+proto" after the hls URI scheme name, where proto +is either "file" or "http". +
+hls+http://host/path/to/remote/resource.m3u8 +hls+file://path/to/local/resource.m3u8 +
Using this protocol is discouraged - the hls demuxer should work +just as well (if not, please report the issues) and is more complete. +To use the hls demuxer instead, simply use the direct URLs to the +m3u8 files. +
+ +HTTP (Hyper Text Transfer Protocol). +
+This protocol accepts the following options: +
+Control seekability of connection. If set to 1 the resource is +supposed to be seekable, if set to 0 it is assumed not to be seekable, +if set to -1 it will try to autodetect if it is seekable. Default +value is -1. +
+If set to 1 use chunked Transfer-Encoding for posts, default is 1. +
+Set a specific content type for the POST messages or for listen mode. +
+set HTTP proxy to tunnel through e.g. http://example.com:1234 +
+Set custom HTTP headers, can override built in default headers. The +value must be a string encoding the headers. +
+Use persistent connections if set to 1, default is 0. +
+Set custom HTTP post data. +
+Set the Referer header. Include ’Referer: URL’ header in HTTP request. +
+Override the User-Agent header. If not specified the protocol will use a +string describing the libavformat build. ("Lavf/<version>") +
+If set then eof is treated like an error and causes reconnection, this is useful +for live / endless streams. +
+If set then even streamed/non seekable streams will be reconnected on errors. +
+Reconnect automatically in case of TCP/TLS errors during connect. +
+A comma separated list of HTTP status codes to reconnect on. The list can +include specific status codes (e.g. ’503’) or the strings ’4xx’ / ’5xx’. +
+Sets the maximum delay in seconds after which to give up reconnecting +
+Export the MIME type. +
+Exports the HTTP response version number. Usually "1.0" or "1.1". +
+If set to 1 request ICY (SHOUTcast) metadata from the server. If the server +supports this, the metadata has to be retrieved by the application by reading +the icy_metadata_headers and icy_metadata_packet options. +The default is 1. +
+If the server supports ICY metadata, this contains the ICY-specific HTTP reply +headers, separated by newline characters. +
+If the server supports ICY metadata, and icy was set to 1, this +contains the last non-empty metadata packet sent by the server. It should be +polled in regular intervals by applications interested in mid-stream metadata +updates. +
+Set the cookies to be sent in future requests. The format of each cookie is the +same as the value of a Set-Cookie HTTP response field. Multiple cookies can be +delimited by a newline character. +
+Set initial byte offset. +
+Try to limit the request to bytes preceding this offset. +
+When used as a client option it sets the HTTP method for the request. +
+When used as a server option it sets the HTTP method that is going to be +expected from the client(s). +If the expected and the received HTTP method do not match the client will +be given a Bad Request response. +When unset the HTTP method is not checked for now. This will be replaced by +autodetection in the future. +
+If set to 1 enables experimental HTTP server. This can be used to send data when +used as an output option, or read data from a client with HTTP POST when used as +an input option. +If set to 2 enables experimental multi-client HTTP server. This is not yet implemented +in ffmpeg.c and thus must not be used as a command line option. +
# Server side (sending): +ffmpeg -i somefile.ogg -c copy -listen 1 -f ogg http://server:port + +# Client side (receiving): +ffmpeg -i http://server:port -c copy somefile.ogg + +# Client can also be done with wget: +wget http://server:port -O somefile.ogg + +# Server side (receiving): +ffmpeg -listen 1 -i http://server:port -c copy somefile.ogg + +# Client side (sending): +ffmpeg -i somefile.ogg -chunked_post 0 -c copy -f ogg http://server:port + +# Client can also be done with wget: +wget --post-file=somefile.ogg http://server:port +
Send an Expect: 100-continue header for POST. If set to 1 it will send, if set +to 0 it won’t, if set to -1 it will try to send if it is applicable. Default +value is -1. +
+Set HTTP authentication type. No option for Digest, since this method requires +getting nonce parameters from the server first and can’t be used straight away like +Basic. +
+Choose the HTTP authentication type automatically. This is the default. +
Choose the HTTP basic authentication. +
+Basic authentication sends a Base64-encoded string that contains a user name and password +for the client. Base64 is not a form of encryption and should be considered the same as +sending the user name and password in clear text (Base64 is a reversible encoding). +If a resource needs to be protected, strongly consider using an authentication scheme +other than basic authentication. HTTPS/TLS should be used with basic authentication. +Without these additional security enhancements, basic authentication should not be used +to protect sensitive or valuable information. +
Some HTTP requests will be denied unless cookie values are passed in with the +request. The cookies option allows these cookies to be specified. At +the very least, each cookie must specify a value along with a path and domain. +HTTP requests that match both the domain and path will automatically include the +cookie value in the HTTP Cookie header field. Multiple cookies can be delimited +by a newline. +
+The required syntax to play a stream specifying a cookie is: +
ffplay -cookies "nlqptid=nltid=tsn; path=/; domain=somedomain.com;" http://somedomain.com/somestream.m3u8 +
Icecast protocol (stream to Icecast servers) +
+This protocol accepts the following options: +
+Set the stream genre. +
+Set the stream name. +
+Set the stream description. +
+Set the stream website URL. +
+Set if the stream should be public. +The default is 0 (not public). +
+Override the User-Agent header. If not specified a string of the form +"Lavf/<version>" will be used. +
+Set the Icecast mountpoint password. +
+Set the stream content type. This must be set if it is different from +audio/mpeg. +
+This enables support for Icecast versions < 2.4.0, that do not support the +HTTP PUT method but the SOURCE method. +
+Establish a TLS (HTTPS) connection to Icecast. +
+icecast://[username[:password]@]server:port/mountpoint +
InterPlanetary File System (IPFS) protocol support. One can access files stored +on the IPFS network through so-called gateways. These are http(s) endpoints. +This protocol wraps the IPFS native protocols (ipfs:// and ipns://) to be sent +to such a gateway. Users can (and should) host their own node which means this +protocol will use one’s local gateway to access files on the IPFS network. +
+If a user doesn’t have a node of their own then the public gateway https://dweb.link
+is used by default.
+
This protocol accepts the following options: +
+Defines the gateway to use. When not set, the protocol will first try
+locating the local gateway by looking at $IPFS_GATEWAY, $IPFS_PATH
+and $HOME/.ipfs/, in that order. If that fails https://dweb.link will be used.
+
One can use this protocol in 2 ways. Using IPFS: +
ffplay ipfs://QmbGtJg23skhvFmu9mJiePVByhfzu5rwo74MEkVDYAmF5T +
Or the IPNS protocol (IPNS is mutable IPFS): +
ffplay ipns://QmbGtJg23skhvFmu9mJiePVByhfzu5rwo74MEkVDYAmF5T +
MMS (Microsoft Media Server) protocol over TCP. +
+ +MMS (Microsoft Media Server) protocol over HTTP. +
+The required syntax is: +
mmsh://server[:port][/app][/playpath] +
MD5 output protocol. +
+Computes the MD5 hash of the data to be written, and on close writes +this to the designated output or stdout if none is specified. It can +be used to test muxers without writing an actual file. +
+Some examples follow. +
# Write the MD5 hash of the encoded AVI file to the file output.avi.md5. +ffmpeg -i input.flv -f avi -y md5:output.avi.md5 + +# Write the MD5 hash of the encoded AVI file to stdout. +ffmpeg -i input.flv -f avi -y md5: +
Note that some formats (typically MOV) require the output protocol to +be seekable, so they will fail with the MD5 output protocol. +
+ +UNIX pipe access protocol. +
+Read and write from UNIX pipes. +
+The accepted syntax is: +
pipe:[number] +
number is the number corresponding to the file descriptor of the +pipe (e.g. 0 for stdin, 1 for stdout, 2 for stderr). If number +is not specified, by default the stdout file descriptor will be used +for writing, stdin for reading. +
+For example to read from stdin with ffmpeg:
+
cat test.wav | ffmpeg -i pipe:0 +# ...this is the same as... +cat test.wav | ffmpeg -i pipe: +
For writing to stdout with ffmpeg:
+
ffmpeg -i test.wav -f avi pipe:1 | cat > test.avi +# ...this is the same as... +ffmpeg -i test.wav -f avi pipe: | cat > test.avi +
This protocol accepts the following options: +
+Set I/O operation maximum block size, in bytes. Default value is
+INT_MAX, which results in not limiting the requested block size.
+Setting this value reasonably low improves user termination request reaction
+time, which is valuable if data transmission is slow.
+
Note that some formats (typically MOV), require the output protocol to +be seekable, so they will fail with the pipe output protocol. +
+ +Pro-MPEG Code of Practice #3 Release 2 FEC protocol. +
+The Pro-MPEG CoP#3 FEC is a 2D parity-check forward error correction mechanism +for MPEG-2 Transport Streams sent over RTP. +
+This protocol must be used in conjunction with the rtp_mpegts muxer and
+the rtp protocol.
+
The required syntax is: +
-f rtp_mpegts -fec prompeg=option=val... rtp://hostname:port +
The destination UDP ports are port + 2 for the column FEC stream
+and port + 4 for the row FEC stream.
+
This protocol accepts the following options: +
The number of columns (4-20, LxD <= 100) +
+The number of rows (4-20, LxD <= 100) +
+Example usage: +
+-f rtp_mpegts -fec prompeg=l=8:d=4 rtp://hostname:port +
Reliable Internet Streaming Transport protocol +
+The accepted options are: +
Supported values: +
This one is default. +
Set internal RIST buffer size in milliseconds for retransmission of data. +Default value is 0 which means the librist default (1 sec). Maximum value is 30 +seconds. +
+Size of the librist receiver output fifo in number of packets. This must be a +power of 2. +Defaults to 8192 (vs the librist default of 1024). +
+Survive in case of librist fifo buffer overrun. Default value is 0. +
+Set maximum packet size for sending data. 1316 by default. +
+Set loglevel for RIST logging messages. You only need to set this if you +explicitly want to enable debug level messages or packet loss simulation, +otherwise the regular loglevel is respected. +
+Set override of encryption secret, by default is unset. +
+Set encryption type, by default is disabled. +Acceptable values are 128 and 256. +
Real-Time Messaging Protocol. +
+The Real-Time Messaging Protocol (RTMP) is used for streaming multimedia +content across a TCP/IP network. +
+The required syntax is: +
rtmp://[username:password@]server[:port][/app][/instance][/playpath] +
The accepted parameters are: +
An optional username (mostly for publishing). +
+An optional password (mostly for publishing). +
+The address of the RTMP server. +
+The number of the TCP port to use (by default is 1935). +
+It is the name of the application to access. It usually corresponds to
+the path where the application is installed on the RTMP server
+(e.g. /ondemand/, /flash/live/, etc.). You can override
+the value parsed from the URI through the rtmp_app option, too.
+
It is the path or name of the resource to play with reference to the
+application specified in app, may be prefixed by "mp4:". You
+can override the value parsed from the URI through the rtmp_playpath
+option, too.
+
Act as a server, listening for an incoming connection. +
+Maximum time to wait for the incoming connection. Implies listen. +
Additionally, the following parameters can be set via command line options
+(or in code via AVOptions):
+
Name of application to connect on the RTMP server. This option +overrides the parameter specified in the URI. +
+Set the client buffer time in milliseconds. The default is 3000. +
+Extra arbitrary AMF connection parameters, parsed from a string,
+e.g. like B:1 S:authMe O:1 NN:code:1.23 NS:flag:ok O:0.
+Each value is prefixed by a single character denoting the type,
+B for Boolean, N for number, S for string, O for object, or Z for null,
+followed by a colon. For Booleans the data must be either 0 or 1 for
+FALSE or TRUE, respectively. Likewise for Objects the data must be 0 or
+1 to end or begin an object, respectively. Data items in subobjects may
+be named, by prefixing the type with ’N’ and specifying the name before
+the value (i.e. NB:myFlag:1). This option may be used multiple
+times to construct arbitrary AMF sequences.
+
Version of the Flash plugin used to run the SWF player. The default +is LNX 9,0,124,2. (When publishing, the default is FMLE/3.0 (compatible; +<libavformat version>).) +
+Number of packets flushed in the same request (RTMPT only). The default +is 10. +
+Specify that the media is a live stream. No resuming or seeking in
+live streams is possible. The default value is any, which means the
+subscriber first tries to play the live stream specified in the
+playpath. If a live stream of that name is not found, it plays the
+recorded stream. The other possible values are live and
+recorded.
+
URL of the web page in which the media was embedded. By default no +value will be sent. +
+Stream identifier to play or to publish. This option overrides the +parameter specified in the URI. +
+Name of live stream to subscribe to. By default no value will be sent. +It is only sent if the option is specified or if rtmp_live +is set to live. +
+SHA256 hash of the decompressed SWF file (32 bytes). +
+Size of the decompressed SWF file, required for SWFVerification. +
+URL of the SWF player for the media. By default no value will be sent. +
+URL to player swf file, compute hash/size automatically. +
+URL of the target stream. Defaults to proto://host[:port]/app. +
+Set TCP_NODELAY to disable Nagle’s algorithm. Default value is 0. +
+Remark: Writing to the socket is currently not optimized to minimize system calls and reduces the efficiency / effect of TCP_NODELAY. +
+For example to read with ffplay a multimedia resource named
+"sample" from the application "vod" from an RTMP server "myserver":
+
ffplay rtmp://myserver/vod/sample +
To publish to a password protected server, passing the playpath and +app names separately: +
ffmpeg -re -i <input> -f flv -rtmp_playpath some/long/path -rtmp_app long/app/name rtmp://username:password@myserver/ +
Encrypted Real-Time Messaging Protocol. +
+The Encrypted Real-Time Messaging Protocol (RTMPE) is used for +streaming multimedia content within standard cryptographic primitives, +consisting of Diffie-Hellman key exchange and HMACSHA256, generating +a pair of RC4 keys. +
+ +Real-Time Messaging Protocol over a secure SSL connection. +
+The Real-Time Messaging Protocol (RTMPS) is used for streaming +multimedia content across an encrypted connection. +
+ +Real-Time Messaging Protocol tunneled through HTTP. +
+The Real-Time Messaging Protocol tunneled through HTTP (RTMPT) is used +for streaming multimedia content within HTTP requests to traverse +firewalls. +
+ +Encrypted Real-Time Messaging Protocol tunneled through HTTP. +
+The Encrypted Real-Time Messaging Protocol tunneled through HTTP (RTMPTE) +is used for streaming multimedia content within HTTP requests to traverse +firewalls. +
+ +Real-Time Messaging Protocol tunneled through HTTPS. +
+The Real-Time Messaging Protocol tunneled through HTTPS (RTMPTS) is used +for streaming multimedia content within HTTPS requests to traverse +firewalls. +
+ +libsmbclient permits one to manipulate CIFS/SMB network resources. +
+Following syntax is required. +
+smb://[[domain:]user[:password@]]server[/share[/path[/file]]] +
This protocol accepts the following options. +
+Set timeout in milliseconds of socket I/O operations used by the underlying +low level operation. By default it is set to -1, which means that the timeout +is not specified. +
+Truncate existing files on write, if set to 1. A value of 0 prevents +truncating. Default value is 1. +
+Set the workgroup used for making connections. By default workgroup is not specified. +
+For more information see: http://www.samba.org/. +
+ +Secure File Transfer Protocol via libssh +
+Read from or write to remote resources using SFTP protocol. +
+Following syntax is required. +
+sftp://[user[:password]@]server[:port]/path/to/remote/resource.mpeg +
This protocol accepts the following options. +
+Set timeout of socket I/O operations used by the underlying low level +operation. By default it is set to -1, which means that the timeout +is not specified. +
+Truncate existing files on write, if set to 1. A value of 0 prevents +truncating. Default value is 1. +
+Specify the path of the file containing private key to use during authorization. +By default libssh searches for keys in the ~/.ssh/ directory. +
+Example: Play a file stored on remote server. +
+ffplay sftp://user:password@server_address:22/home/user/resource.mpeg +
Real-Time Messaging Protocol and its variants supported through +librtmp. +
+Requires the presence of the librtmp headers and library during +configuration. You need to explicitly configure the build with +"–enable-librtmp". If enabled this will replace the native RTMP +protocol. +
+This protocol provides most client functions and a few server +functions needed to support RTMP, RTMP tunneled in HTTP (RTMPT), +encrypted RTMP (RTMPE), RTMP over SSL/TLS (RTMPS) and tunneled +variants of these encrypted types (RTMPTE, RTMPTS). +
+The required syntax is: +
rtmp_proto://server[:port][/app][/playpath] options +
where rtmp_proto is one of the strings "rtmp", "rtmpt", "rtmpe", +"rtmps", "rtmpte", "rtmpts" corresponding to each RTMP variant, and +server, port, app and playpath have the same +meaning as specified for the RTMP native protocol. +options contains a list of space-separated options of the form +key=val. +
+See the librtmp manual page (man 3 librtmp) for more information. +
+For example, to stream a file in real-time to an RTMP server using
+ffmpeg:
+
ffmpeg -re -i myfile -f flv rtmp://myserver/live/mystream +
To play the same stream using ffplay:
+
ffplay "rtmp://myserver/live/mystream live=1" +
Real-time Transport Protocol. +
+The required syntax for an RTP URL is: +rtp://hostname[:port][?option=val...] +
+port specifies the RTP port to use. +
+The following URL options are supported: +
+Set the TTL (Time-To-Live) value (for multicast only). +
+Set the remote RTCP port to n. +
+Set the local RTP port to n. +
+Set the local RTCP port to n. +
+Set max packet size (in bytes) to n. +
+Set the maximum UDP socket buffer size in bytes. +
+Do a connect() on the UDP socket (if set to 1) or not (if set
+to 0).
+
List allowed source IP addresses. +
+List disallowed (blocked) source IP addresses. +
+Send packets to the source address of the latest received packet (if +set to 1) or to a default remote address (if set to 0). +
+Set the local RTP port to n. +
+Local IP address of a network interface used for sending packets or joining +multicast groups. +
+Set timeout (in microseconds) of socket I/O operations to n. +
+This is a deprecated option. Instead, localrtpport should be +used. +
+Important notes: +
+Real-Time Streaming Protocol. +
+RTSP is not technically a protocol handler in libavformat, it is a demuxer +and muxer. The demuxer supports both normal RTSP (with data transferred +over RTP; this is used by e.g. Apple and Microsoft) and Real-RTSP (with +data transferred over RDT). +
+The muxer can be used to send a stream using RTSP ANNOUNCE to a server +supporting it (currently Darwin Streaming Server and Mischa Spiegelmock’s +RTSP server). +
+The required syntax for a RTSP url is: +
rtsp://hostname[:port]/path +
Options can be set on the ffmpeg/ffplay command
+line, or set in code via AVOptions or in
+avformat_open_input.
+
The following options are supported. +
+Set RTSP transport protocols. +
+It accepts the following values: +
Use UDP as lower transport protocol. +
+Use TCP (interleaving within the RTSP control channel) as lower +transport protocol. +
Default value is ‘0’. +
+Set RTSP flags. +
+The following values are accepted: +
Use MP4A-LATM packetization instead of MPEG4-GENERIC for AAC. +
Use RFC 2190 packetization instead of RFC 4629 for H.263. +
Don’t send RTCP sender reports. +
Use mode 0 for H.264 in RTP. +
Send RTCP BYE packets when finishing. +
Default value is ‘0’. +
+ +Set minimum local UDP port. Default value is 5000. +
+Set maximum local UDP port. Default value is 65000. +
+Set the maximum socket buffer size in bytes. +
+Set max send packet size (in bytes). Default value is 1472. +
The following options are supported. +
+Do not start playing the stream immediately if set to 1. Default value +is 0. +
+Set RTSP transport protocols. +
+It accepts the following values: +
Use UDP as lower transport protocol. +
+Use TCP (interleaving within the RTSP control channel) as lower +transport protocol. +
+Use UDP multicast as lower transport protocol. +
+Use HTTP tunneling as lower transport protocol, which is useful for +passing proxies. +
+Use HTTPs tunneling as lower transport protocol, which is useful for +passing proxies and widely used for security consideration. +
Multiple lower transport protocols may be specified, in that case they are +tried one at a time (if the setup of one fails, the next one is tried). +For the muxer, only the ‘tcp’ and ‘udp’ options are supported. +
+Set RTSP flags. +
+The following values are accepted: +
Accept packets only from negotiated peer address and port. +
Act as a server, listening for an incoming connection. +
Try TCP for RTP transport first, if TCP is available as RTSP RTP transport. +
Export raw MPEG-TS stream instead of demuxing. The flag will simply write out +the raw stream, with the original PAT/PMT/PIDs intact. +
Default value is ‘none’. +
+Set media types to accept from the server. +
+The following flags are accepted: +
By default it accepts all media types. +
+Set minimum local UDP port. Default value is 5000. +
+Set maximum local UDP port. Default value is 65000. +
+Set maximum timeout (in seconds) to establish an initial connection. Setting +listen_timeout > 0 sets rtsp_flags to ‘listen’. Default is -1 +which means an infinite timeout when ‘listen’ mode is set. +
+Set number of packets to buffer for handling of reordered packets. +
+Set socket TCP I/O timeout in microseconds. +
+Override User-Agent header. If not specified, it defaults to the +libavformat identifier string. +
+Set the maximum socket buffer size in bytes. +
When receiving data over UDP, the demuxer tries to reorder received packets
+(since they may arrive out of order, or packets may get lost totally). This
+can be disabled by setting the maximum demuxing delay to zero (via
+the max_delay field of AVFormatContext).
+
When watching multi-bitrate Real-RTSP streams with ffplay, the
+streams to display can be chosen with -vst n and
+-ast n for video and audio respectively, and can be switched
+on the fly by pressing v and a.
+
The following examples all make use of the ffplay and
+ffmpeg tools.
+
ffplay -max_delay 500000 -rtsp_transport udp rtsp://server/video.mp4 +
ffplay -rtsp_transport http rtsp://server/video.mp4 +
ffmpeg -re -i input -f rtsp -muxdelay 0.1 rtsp://server/live.sdp +
ffmpeg -rtsp_flags listen -i rtsp://ownaddress/live.sdp output +
Session Announcement Protocol (RFC 2974). This is not technically a +protocol handler in libavformat, it is a muxer and demuxer. +It is used for signalling of RTP streams, by announcing the SDP for the +streams regularly on a separate port. +
+ +The syntax for a SAP url given to the muxer is: +
sap://destination[:port][?options] +
The RTP packets are sent to destination on port port,
+or to port 5004 if no port is specified.
+options is a &-separated list. The following options
+are supported:
+
Specify the destination IP address for sending the announcements to. +If omitted, the announcements are sent to the commonly used SAP +announcement multicast address 224.2.127.254 (sap.mcast.net), or +ff0e::2:7ffe if destination is an IPv6 address. +
+Specify the port to send the announcements on, defaults to +9875 if not specified. +
+Specify the time to live value for the announcements and RTP packets, +defaults to 255. +
+If set to 1, send all RTP streams on the same port pair. If zero (the +default), all streams are sent on unique ports, with each stream on a +port 2 numbers higher than the previous. +VLC/Live555 requires this to be set to 1, to be able to receive the stream. +The RTP stack in libavformat for receiving requires all streams to be sent +on unique ports. +
Example command lines follow. +
+To broadcast a stream on the local subnet, for watching in VLC: +
+ffmpeg -re -i input -f sap sap://224.0.0.255?same_port=1 +
Similarly, for watching in ffplay:
+
ffmpeg -re -i input -f sap sap://224.0.0.255 +
And for watching in ffplay, over IPv6:
+
ffmpeg -re -i input -f sap sap://[ff0e::1:2:3:4] +
The syntax for a SAP url given to the demuxer is: +
sap://[address][:port] +
address is the multicast address to listen for announcements on, +if omitted, the default 224.2.127.254 (sap.mcast.net) is used. port +is the port that is listened on, 9875 if omitted. +
+The demuxers listens for announcements on the given address and port. +Once an announcement is received, it tries to receive that particular stream. +
+Example command lines follow. +
+To play back the first stream announced on the normal SAP multicast address: +
+ffplay sap:// +
To play back the first stream announced on one the default IPv6 SAP multicast address: +
+ffplay sap://[ff0e::2:7ffe] +
Stream Control Transmission Protocol. +
+The accepted URL syntax is: +
sctp://host:port[?options] +
The protocol accepts the following options: +
If set to any value, listen for an incoming connection. Outgoing connection is done by default. +
+Set the maximum number of streams. By default no limit is set. +
Haivision Secure Reliable Transport Protocol via libsrt. +
+The supported syntax for a SRT URL is: +
srt://hostname:port[?options] +
options contains a list of &-separated options of the form +key=val. +
+or +
+options srt://hostname:port +
options contains a list of ’-key val’ +options. +
+This protocol accepts the following options. +
+Connection timeout; SRT cannot connect for RTT > 1500 msec +(2 handshake exchanges) with the default connect timeout of +3 seconds. This option applies to the caller and rendezvous +connection modes. The connect timeout is 10 times the value +set for the rendezvous mode (which can be used as a +workaround for this connection problem with earlier versions). +
+Flight Flag Size (Window Size), in bytes. FFS is actually an +internal parameter and you should set it to not less than +recv_buffer_size and mss. The default value +is relatively large, therefore unless you set a very large receiver buffer, +you do not need to change this option. Default value is 25600. +
+Sender nominal input rate, in bytes per seconds. Used along with +oheadbw, when maxbw is set to relative (0), to +calculate maximum sending rate when recovery packets are sent +along with the main media stream: +inputbw * (100 + oheadbw) / 100 +if inputbw is not set while maxbw is set to +relative (0), the actual input rate is evaluated inside +the library. Default value is 0. +
+IP Type of Service. Applies to sender only. Default value is 0xB8. +
+IP Time To Live. Applies to sender only. Default value is 64. +
+Timestamp-based Packet Delivery Delay. +Used to absorb bursts of missed packet retransmissions. +This flag sets both rcvlatency and peerlatency +to the same value. Note that prior to version 1.3.0 +this is the only flag to set the latency, however +this is effectively equivalent to setting peerlatency, +when side is sender and rcvlatency +when side is receiver, and the bidirectional stream +sending is not supported. +
+Set socket listen timeout. +
+Maximum sending bandwidth, in bytes per seconds. +-1 infinite (CSRTCC limit is 30mbps) +0 relative to input rate (see inputbw) +>0 absolute limit value +Default value is 0 (relative) +
+Connection mode. +caller opens client connection. +listener starts server to listen for incoming connections. +rendezvous use Rendez-Vous connection mode. +Default value is caller. +
+Maximum Segment Size, in bytes. Used for buffer allocation +and rate calculation using a packet counter assuming fully +filled packets. The smallest MSS between the peers is +used. This is 1500 by default in the overall internet. +This is the maximum size of the UDP packet and can be +only decreased, unless you have some unusual dedicated +network settings. Default value is 1500. +
+If set to 1, Receiver will send ‘UMSG_LOSSREPORT‘ messages +periodically until a lost packet is retransmitted or +intentionally dropped. Default value is 1. +
+Recovery bandwidth overhead above input rate, in percents. +See inputbw. Default value is 25%. +
+HaiCrypt Encryption/Decryption Passphrase string, length +from 10 to 79 characters. The passphrase is the shared +secret between the sender and the receiver. It is used +to generate the Key Encrypting Key using PBKDF2 +(Password-Based Key Derivation Function). It is used +only if pbkeylen is non-zero. It is used on +the receiver only if the received data is encrypted. +The configured passphrase cannot be recovered (write-only). +
+If true, both connection parties must have the same password +set (including empty, that is, with no encryption). If the +password doesn’t match or only one side is unencrypted, +the connection is rejected. Default is true. +
+The number of packets to be transmitted after which the
+encryption key is switched to a new key. Default is -1.
+-1 means auto (0x1000000 in srt library). The range for
+this option is integers in the 0 - INT_MAX.
+
The interval between when a new encryption key is sent and
+when switchover occurs. This value also applies to the
+subsequent interval between when switchover occurs and
+when the old encryption key is decommissioned. Default is -1.
+-1 means auto (0x1000 in srt library). The range for
+this option is integers in the 0 - INT_MAX.
+
The sender’s extra delay before dropping packets. This delay is +added to the default drop delay time interval value. +
+Special value -1: Do not drop packets on the sender at all. +
+Sets the maximum declared size of a packet transferred +during the single call to the sending function in Live +mode. Use 0 if this value isn’t used (which is default in +file mode). +Default is -1 (automatic), which typically means MPEG-TS; +if you are going to use SRT +to send any different kind of payload, such as, for example, +wrapping a live stream in very small frames, then you can +use a bigger maximum frame size, though not greater than +1456 bytes. +
+Alias for ‘payload_size’. +
+The latency value (as described in rcvlatency) that is +set by the sender side as a minimum value for the receiver. +
+Sender encryption key length, in bytes. +Only can be set to 0, 16, 24 and 32. +Enable sender encryption if not 0. +Not required on receiver (set to 0), +key size obtained from sender in HaiCrypt handshake. +Default value is 0. +
+The time that should elapse since the moment when the +packet was sent and the moment when it’s delivered to +the receiver application in the receiving function. +This time should be a buffer time large enough to cover +the time spent for sending, unexpectedly extended RTT +time, and the time needed to retransmit the lost UDP +packet. The effective latency value will be the maximum +of this options’ value and the value of peerlatency +set by the peer side. Before version 1.3.0 this option +is only available as latency. +
+Set UDP receive buffer size, expressed in bytes. +
+Set UDP send buffer size, expressed in bytes. +
+Set raise error timeouts for read, write and connect operations. Note that the +SRT library has internal timeouts which can be controlled separately, the +value set here is only a cap on those. +
+Too-late Packet Drop. When enabled on receiver, it skips +missing packets that have not been delivered in time and +delivers the following packets to the application when +their time-to-play has come. It also sends a fake ACK to +the sender. When enabled on sender and enabled on the +receiving peer, the sender drops the older packets that +have no chance of being delivered in time. It was +automatically enabled in the sender if the receiver +supports it. +
+Set send buffer size, expressed in bytes. +
+Set receive buffer size, expressed in bytes. +
+Receive buffer must not be greater than ffs. +
+The value up to which the Reorder Tolerance may grow. When +Reorder Tolerance is > 0, then packet loss report is delayed +until that number of packets come in. Reorder Tolerance +increases every time a "belated" packet has come, but it +wasn’t due to retransmission (that is, when UDP packets tend +to come out of order), with the difference between the latest +sequence and this packet’s sequence, and not more than the +value of this option. By default it’s 0, which means that this +mechanism is turned off, and the loss report is always sent +immediately upon experiencing a "gap" in sequences. +
+The minimum SRT version that is required from the peer. A connection +to a peer that does not satisfy the minimum version requirement +will be rejected. +
+The version format in hex is 0xXXYYZZ for x.y.z in human readable +form. +
+A string limited to 512 characters that can be set on the socket prior +to connecting. This stream ID will be able to be retrieved by the +listener side from the socket that is returned from srt_accept and +was connected by a socket with that set stream ID. SRT does not enforce +any special interpretation of the contents of this string. +This option doesn’t make sense in Rendezvous connection; the result +might be that simply one side will override the value from the other +side and it’s the matter of luck which one would win +
+Alias for ‘streamid’ to avoid conflict with ffmpeg command line option. +
+The type of Smoother used for the transmission for that socket, which +is responsible for the transmission and congestion control. The Smoother +type must be exactly the same on both connecting parties, otherwise +the connection is rejected. +
+When set, this socket uses the Message API, otherwise it uses Buffer +API. Note that in live mode (see transtype) there’s only +message API available. In File mode you can chose to use one of two modes: +
+Stream API (default, when this option is false). In this mode you may +send as many data as you wish with one sending instruction, or even use +dedicated functions that read directly from a file. The internal facility +will take care of any speed and congestion control. When receiving, you +can also receive as many data as desired, the data not extracted will be +waiting for the next call. There is no boundary between data portions in +the Stream mode. +
+Message API. In this mode your single sending instruction passes exactly +one piece of data that has boundaries (a message). Contrary to Live mode, +this message may span across multiple UDP packets and the only size +limitation is that it shall fit as a whole in the sending buffer. The +receiver shall use as large buffer as necessary to receive the message, +otherwise the message will not be given up. When the message is not +complete (not all packets received or there was a packet loss) it will +not be given up. +
+Sets the transmission type for the socket, in particular, setting this +option sets multiple other parameters to their default values as required +for a particular transmission type. +
+live: Set options as for live transmission. In this mode, you should +send by one sending instruction only so many data that fit in one UDP packet, +and limited to the value defined first in payload_size (1316 is +default in this mode). There is no speed control in this mode, only the +bandwidth control, if configured, in order to not exceed the bandwidth with +the overhead transmission (retransmitted and control packets). +
+file: Set options as for non-live transmission. See messageapi +for further explanations +
+The number of seconds that the socket waits for unsent data when closing.
+Default is -1. -1 means auto (off with 0 seconds in live mode, on with 180
+seconds in file mode). The range for this option is integers in the
+0 - INT_MAX.
+
When true, use Timestamp-based Packet Delivery mode. The default behavior +depends on the transmission type: enabled in live mode, disabled in file +mode. +
+For more information see: https://github.com/Haivision/srt. +
+ +Secure Real-time Transport Protocol. +
+The accepted options are: +
Select input and output encoding suites. +
+Supported values: +
Set input and output encoding parameters, which are expressed by a +base64-encoded representation of a binary block. The first 16 bytes of +this binary block are used as master key, the following 14 bytes are +used as master salt. +
Virtually extract a segment of a file or another stream. +The underlying stream must be seekable. +
+Accepted options: +
Start offset of the extracted segment, in bytes. +
End offset of the extracted segment, in bytes. +If set to 0, extract till end of file. +
Examples: +
+Extract a chapter from a DVD VOB file (start and end sectors obtained +externally and multiplied by 2048): +
subfile,,start,153391104,end,268142592,,:/media/dvd/VIDEO_TS/VTS_08_1.VOB +
Play an AVI file directly from a TAR archive: +
subfile,,start,183241728,end,366490624,,:archive.tar +
Play a MPEG-TS file from start offset till end: +
subfile,,start,32815239,end,0,,:video.ts +
Writes the output to multiple protocols. The individual outputs are separated +by | +
+tee:file://path/to/local/this.avi|file://path/to/local/that.avi +
Transmission Control Protocol. +
+The required syntax for a TCP url is: +
tcp://hostname:port[?options] +
options contains a list of &-separated options of the form +key=val. +
+The list of supported options follows. +
+Listen for an incoming connection. 0 disables listen, 1 enables listen in +single client mode, 2 enables listen in multi-client mode. Default value is 0. +
+Set raise error timeout, expressed in microseconds. +
+This option is only relevant in read mode: if no data arrived in more +than this time interval, raise error. +
+Set listen timeout, expressed in milliseconds. +
+Set receive buffer size, expressed bytes. +
+Set send buffer size, expressed bytes. +
+Set TCP_NODELAY to disable Nagle’s algorithm. Default value is 0. +
+Remark: Writing to the socket is currently not optimized to minimize system calls and reduces the efficiency / effect of TCP_NODELAY. +
+Set maximum segment size for outgoing TCP packets, expressed in bytes. +
The following example shows how to setup a listening TCP connection
+with ffmpeg, which is then accessed with ffplay:
+
ffmpeg -i input -f format tcp://hostname:port?listen +ffplay tcp://hostname:port +
Transport Layer Security (TLS) / Secure Sockets Layer (SSL) +
+The required syntax for a TLS/SSL url is: +
tls://hostname:port[?options] +
The following parameters can be set via command line options
+(or in code via AVOptions):
+
A file containing certificate authority (CA) root certificates to treat +as trusted. If the linked TLS library contains a default this might not +need to be specified for verification to work, but not all libraries and +setups have defaults built in. +The file must be in OpenSSL PEM format. +
+If enabled, try to verify the peer that we are communicating with. +Note, if using OpenSSL, this currently only makes sure that the +peer certificate is signed by one of the root certificates in the CA +database, but it does not validate that the certificate actually +matches the host name we are trying to connect to. (With other backends, +the host name is validated as well.) +
+This is disabled by default since it requires a CA database to be +provided by the caller in many cases. +
+A file containing a certificate to use in the handshake with the peer. +(When operating as server, in listen mode, this is more often required +by the peer, while client certificates only are mandated in certain +setups.) +
+A file containing the private key for the certificate. +
+If enabled, listen for connections on the provided port, and assume +the server role in the handshake instead of the client role. +
+The HTTP proxy to tunnel through, e.g. http://example.com:1234.
+The proxy must support the CONNECT method.
+
Example command lines: +
+To create a TLS/SSL server that serves an input stream. +
+ffmpeg -i input -f format tls://hostname:port?listen&cert=server.crt&key=server.key +
To play back a stream from the TLS/SSL server using ffplay:
+
ffplay tls://hostname:port +
User Datagram Protocol. +
+The required syntax for an UDP URL is: +
udp://hostname:port[?options] +
options contains a list of &-separated options of the form key=val. +
+In case threading is enabled on the system, a circular buffer is used +to store the incoming data, which allows one to reduce loss of data due to +UDP socket buffer overruns. The fifo_size and +overrun_nonfatal options are related to this buffer. +
+The list of supported options follows. +
+Set the UDP maximum socket buffer size in bytes. This is used to set either +the receive or send buffer size, depending on what the socket is used for. +Default is 32 KB for output, 384 KB for input. See also fifo_size. +
+If set to nonzero, the output will have the specified constant bitrate if the +input has enough packets to sustain it. +
+When using bitrate this specifies the maximum number of bits in +packet bursts. +
+Override the local UDP port to bind with. +
+Local IP address of a network interface used for sending packets or joining +multicast groups. +
+Set the size in bytes of UDP packets. +
+Explicitly allow or disallow reusing UDP sockets. +
+Set the time to live value (for multicast only). +
+Initialize the UDP socket with connect(). In this case, the
+destination address can’t be changed with ff_udp_set_remote_url later.
+If the destination address isn’t known at the start, this option can
+be specified in ff_udp_set_remote_url, too.
+This allows finding out the source address for the packets with getsockname,
+and makes writes return with AVERROR(ECONNREFUSED) if "destination
+unreachable" is received.
+For receiving, this gives the benefit of only receiving packets from
+the specified peer address/port.
+
Only receive packets sent from the specified addresses. In case of multicast, +also subscribe to multicast traffic coming from these addresses only. +
+Ignore packets sent from the specified addresses. In case of multicast, also +exclude the source addresses in the multicast subscription. +
+Set the UDP receiving circular buffer size, expressed as a number of +packets with size of 188 bytes. If not specified defaults to 7*4096. +
+Survive in case of UDP receiving circular buffer overrun. Default +value is 0. +
+Set raise error timeout, expressed in microseconds. +
+This option is only relevant in read mode: if no data arrived in more +than this time interval, raise error. +
+Explicitly allow or disallow UDP broadcasting. +
+Note that broadcasting may not work properly on networks having +a broadcast storm protection. +
ffmpeg to stream over UDP to a remote endpoint:
+ffmpeg -i input -f format udp://hostname:port +
ffmpeg to stream in mpegts format over UDP using 188
+sized UDP packets, using a large input buffer:
+ffmpeg -i input -f mpegts udp://hostname:port?pkt_size=188&buffer_size=65535 +
ffmpeg to receive over UDP from a remote endpoint:
+ffmpeg -i udp://[multicast-address]:port ... +
Unix local socket +
+The required syntax for a Unix socket URL is: +
+unix://filepath +
The following parameters can be set via command line options
+(or in code via AVOptions):
+
Timeout in ms. +
Create the Unix socket in listening mode. +
ZeroMQ asynchronous messaging using the libzmq library. +
+This library supports unicast streaming to multiple clients without relying on +an external server. +
+The required syntax for streaming or connecting to a stream is: +
zmq:tcp://ip-address:port +
Example: +Create a localhost stream on port 5555: +
ffmpeg -re -i input -f mpegts zmq:tcp://127.0.0.1:5555 +
Multiple clients may connect to the stream using: +
ffplay zmq:tcp://127.0.0.1:5555 +
Streaming to multiple clients is implemented using a ZeroMQ Pub-Sub pattern. +The server side binds to a port and publishes data. Clients connect to the +server (via IP address/port) and subscribe to the stream. The order in which +the server and client start generally does not matter. +
+ffmpeg must be compiled with the –enable-libzmq option to support +this protocol. +
+Options can be set on the ffmpeg/ffplay command
+line. The following options are supported:
+
Forces the maximum packet size for sending/receiving data. The default value is +131,072 bytes. On the server side, this sets the maximum size of sent packets +via ZeroMQ. On the clients, it sets an internal buffer size for receiving +packets. Note that pkt_size on the clients should be equal to or greater than +pkt_size on the server. Otherwise the received message may be truncated causing +decoding errors. +
+The libavdevice library provides the same interface as +libavformat. Namely, an input device is considered like a demuxer, and +an output device like a muxer, and the interface and generic device +options are the same provided by libavformat (see the ffmpeg-formats +manual). +
+In addition each input or output device may support so-called private +options, which are specific for that component. +
+Options may be set by specifying -option value in the
+FFmpeg tools, or by setting the value explicitly in the device
+AVFormatContext options or using the libavutil/opt.h API
+for programmatic use.
+
Input devices are configured elements in FFmpeg which enable accessing +the data coming from a multimedia device attached to your system. +
+When you configure your FFmpeg build, all the supported input devices +are enabled by default. You can list all available ones using the +configure option "–list-indevs". +
+You can disable all the input devices using the configure option +"–disable-indevs", and selectively enable an input device using the +option "–enable-indev=INDEV", or you can disable a particular +input device using the option "–disable-indev=INDEV". +
+The option "-devices" of the ff* tools will display the list of +supported input devices. +
+A description of the currently available input devices follows. +
+ +ALSA (Advanced Linux Sound Architecture) input device. +
+To enable this input device during configuration you need libasound +installed on your system. +
+This device allows capturing from an ALSA device. The name of the +device to capture has to be an ALSA card identifier. +
+An ALSA identifier has the syntax: +
hw:CARD[,DEV[,SUBDEV]] +
where the DEV and SUBDEV components are optional. +
+The three arguments (in order: CARD,DEV,SUBDEV) +specify card number or identifier, device number and subdevice number +(-1 means any). +
+To see the list of cards currently recognized by your system check the +files /proc/asound/cards and /proc/asound/devices. +
+For example to capture with ffmpeg from an ALSA device with
+card id 0, you may run the command:
+
ffmpeg -f alsa -i hw:0 alsaout.wav +
For more information see: +http://www.alsa-project.org/alsa-doc/alsa-lib/pcm.html +
+ +Set the sample rate in Hz. Default is 48000. +
+Set the number of channels. Default is 2. +
+Android camera input device. +
+This input devices uses the Android Camera2 NDK API which is +available on devices with API level 24+. The availability of +android_camera is autodetected during configuration. +
+This device allows capturing from all cameras on an Android device, +which are integrated into the Camera2 NDK API. +
+The available cameras are enumerated internally and can be selected +with the camera_index parameter. The input file string is +discarded. +
+Generally the back facing camera has index 0 while the front facing +camera has index 1. +
+ +Set the video size given as a string such as 640x480 or hd720. +Falls back to the first available configuration reported by +Android if requested video size is not available or by default. +
+Set the video framerate. +Falls back to the first available configuration reported by +Android if requested framerate is not available or by default (-1). +
+Set the index of the camera to use. Default is 0. +
+Set the maximum number of frames to buffer. Default is 5. +
+AVFoundation input device. +
+AVFoundation is the currently recommended framework by Apple for streamgrabbing on OSX >= 10.7 as well as on iOS. +
+The input filename has to be given in the following syntax: +
-i "[[VIDEO]:[AUDIO]]" +
The first entry selects the video input while the latter selects the audio input. +The stream has to be specified by the device name or the device index as shown by the device list. +Alternatively, the video and/or audio input device can be chosen by index using the + + -video_device_index <INDEX> + +and/or + + -audio_device_index <INDEX> + +, overriding any +device name or index given in the input filename. +
+All available devices can be enumerated by using -list_devices true, listing +all device names and corresponding indices. +
+There are two device name aliases: +
defaultSelect the AVFoundation default device of the corresponding type. +
+noneDo not record the corresponding media type. +This is equivalent to specifying an empty device name or index. +
+AVFoundation supports the following options: +
+If set to true, a list of all available input devices is given showing all +device names and indices. +
+Specify the video device by its index. Overrides anything given in the input filename. +
+Specify the audio device by its index. Overrides anything given in the input filename. +
+Request the video device to use a specific pixel format.
+If the specified format is not supported, a list of available formats is given
+and the first one in this list is used instead. Available pixel formats are:
+monob, rgb555be, rgb555le, rgb565be, rgb565le, rgb24, bgr24, 0rgb, bgr0, 0bgr, rgb0,
+ bgr48be, uyvy422, yuva444p, yuva444p16le, yuv444p, yuv422p16, yuv422p10, yuv444p10,
+ yuv420p, nv12, yuyv422, gray
+
Set the grabbing frame rate. Default is ntsc, corresponding to a
+frame rate of 30000/1001.
+
Set the video frame size. +
+Capture the mouse pointer. Default is 0. +
+Capture the screen mouse clicks. Default is 0. +
+Capture the raw device data. Default is 0. +Using this option may result in receiving the underlying data delivered to the AVFoundation framework. E.g. for muxed devices that sends raw DV data to the framework (like tape-based camcorders), setting this option to false results in extracted video frames captured in the designated pixel format only. Setting this option to true results in receiving the raw DV stream untouched. +
$ ffmpeg -f avfoundation -list_devices true -i "" +
$ ffmpeg -f avfoundation -i "0:0" out.avi +
$ ffmpeg -f avfoundation -video_device_index 2 -i ":1" out.avi +
$ ffmpeg -f avfoundation -pixel_format bgr0 -i "default:none" out.avi +
$ ffmpeg -f avfoundation -capture_raw_data true -i "zr100:none" out.dv +
BSD video input device. +
+ +Set the frame rate. +
+Set the video frame size. Default is vga.
+
Available values are: +
The decklink input device provides capture capabilities for Blackmagic +DeckLink devices. +
+To enable this input device, you need the Blackmagic DeckLink SDK and you
+need to configure with the appropriate --extra-cflags
+and --extra-ldflags.
+On Windows, you need to run the IDL files through widl.
+
DeckLink is very picky about the formats it supports. Pixel format of the
+input can be set with raw_format.
+Framerate and video size must be determined for your device with
+-list_formats 1. Audio sample rate is always 48 kHz and the number
+of channels can be 2, 8 or 16. Note that all audio channels are bundled in one single
+audio track.
+
If set to true, print a list of devices and exit.
+Defaults to false. This option is deprecated, please use the
+-sources option of ffmpeg to list the available input devices.
+
If set to true, print a list of supported formats and exit. +Defaults to false. +
+This sets the input video format to the format given by the FourCC. To see +the supported values of your device(s) use list_formats. +Note that there is a FourCC 'pal ' that can also be used +as pal (3 letters). +Default behavior is autodetection of the input video format, if the hardware +supports it. +
+Set the pixel format of the captured video. +Available values are: +
This is the default which means 8-bit YUV 422 or 8-bit ARGB if format +autodetection is used, 8-bit YUV 422 otherwise. +
+8-bit YUV 422. +
+10-bit YUV 422. +
+8-bit RGB. +
+8-bit RGB. +
+10-bit RGB. +
+If set to nonzero, an additional teletext stream will be captured from the +vertical ancillary data. Both SD PAL (576i) and HD (1080i or 1080p) +sources are supported. In case of HD sources, OP47 packets are decoded. +
+This option is a bitmask of the SD PAL VBI lines captured, specifically lines 6 +to 22, and lines 318 to 335. Line 6 is the LSB in the mask. Selected lines +which do not contain teletext information will be ignored. You can use the +special all constant to select all possible lines, or +standard to skip lines 6, 318 and 319, which are not compatible with +all receivers. +
+For SD sources, ffmpeg needs to be compiled with --enable-libzvbi. For
+HD sources, on older (pre-4K) DeckLink card models you have to capture in 10
+bit mode.
+
Defines number of audio channels to capture. Must be ‘2’, ‘8’ or ‘16’. +Defaults to ‘2’. +
+Sets the decklink device duplex/profile mode. Must be ‘unset’, ‘half’, ‘full’, +‘one_sub_device_full’, ‘one_sub_device_half’, ‘two_sub_device_full’, +‘four_sub_device_half’ +Defaults to ‘unset’. +
+Note: DeckLink SDK 11.0 have replaced the duplex property by a profile property. +For the DeckLink Duo 2 and DeckLink Quad 2, a profile is shared between any 2 +sub-devices that utilize the same connectors. For the DeckLink 8K Pro, a profile +is shared between all 4 sub-devices. So DeckLink 8K Pro support four profiles. +
+Valid profile modes for DeckLink 8K Pro(with DeckLink SDK >= 11.0): +‘one_sub_device_full’, ‘one_sub_device_half’, ‘two_sub_device_full’, +‘four_sub_device_half’ +
+Valid profile modes for DeckLink Quad 2 and DeckLink Duo 2: +‘half’, ‘full’ +
+Timecode type to include in the frame and video stream metadata. Must be +‘none’, ‘rp188vitc’, ‘rp188vitc2’, ‘rp188ltc’, +‘rp188hfr’, ‘rp188any’, ‘vitc’, ‘vitc2’, or ‘serial’. +Defaults to ‘none’ (not included). +
+In order to properly support 50/60 fps timecodes, the ordering of the queried +timecode types for ‘rp188any’ is HFR, VITC1, VITC2 and LTC for >30 fps +content. Note that this is slightly different to the ordering used by the +DeckLink API, which is HFR, VITC1, LTC, VITC2. +
+Sets the video input source. Must be ‘unset’, ‘sdi’, ‘hdmi’, +‘optical_sdi’, ‘component’, ‘composite’ or ‘s_video’. +Defaults to ‘unset’. +
+Sets the audio input source. Must be ‘unset’, ‘embedded’, +‘aes_ebu’, ‘analog’, ‘analog_xlr’, ‘analog_rca’ or +‘microphone’. Defaults to ‘unset’. +
+Sets the video packet timestamp source. Must be ‘video’, ‘audio’, +‘reference’, ‘wallclock’ or ‘abs_wallclock’. +Defaults to ‘video’. +
+Sets the audio packet timestamp source. Must be ‘video’, ‘audio’, +‘reference’, ‘wallclock’ or ‘abs_wallclock’. +Defaults to ‘audio’. +
+If set to ‘true’, color bars are drawn in the event of a signal loss. +Defaults to ‘true’. +
+Sets maximum input buffer size in bytes. If the buffering reaches this value, +incoming frames will be dropped. +Defaults to ‘1073741824’. +
+Sets the audio sample bit depth. Must be ‘16’ or ‘32’. +Defaults to ‘16’. +
+If set to true, timestamps are forwarded as they are without removing +the initial offset. +Defaults to false. +
+Capture start time alignment in seconds. If set to nonzero, input frames are +dropped till the system timestamp aligns with configured value. +Alignment difference of up to one frame duration is tolerated. +This is useful for maintaining input synchronization across N different +hardware devices deployed for ’N-way’ redundancy. The system time of different +hardware devices should be synchronized with protocols such as NTP or PTP, +before using this option. +Note that this method is not foolproof. In some border cases input +synchronization may not happen due to thread scheduling jitters in the OS. +Either sync could go wrong by 1 frame or in a rarer case +timestamp_align seconds. +Defaults to ‘0’. +
+Drop frames till a frame with timecode is received. Sometimes serial timecode +isn’t received with the first input frame. If that happens, the stored stream +timecode will be inaccurate. If this option is set to true, input frames +are dropped till a frame with timecode is received. +Option timecode_format must be specified. +Defaults to false. +
+If set to true, extracts KLV data from VANC and outputs KLV packets. +KLV VANC packets are joined based on MID and PSC fields and aggregated into +one KLV packet. +Defaults to false. +
+ffmpeg -sources decklink +
ffmpeg -f decklink -list_formats 1 -i 'Intensity Pro' +
ffmpeg -format_code Hi50 -f decklink -i 'Intensity Pro' -c:a copy -c:v copy output.avi +
ffmpeg -raw_format yuv422p10 -format_code Hi50 -f decklink -i 'UltraStudio Mini Recorder' -c:a copy -c:v copy output.avi +
ffmpeg -channels 16 -format_code Hi50 -f decklink -i 'UltraStudio Mini Recorder' -c:a copy -c:v copy output.avi +
Windows DirectShow input device. +
+DirectShow support is enabled when FFmpeg is built with the mingw-w64 project. +Currently only audio and video devices are supported. +
+Multiple devices may be opened as separate inputs, but they may also be +opened on the same input, which should improve synchronism between them. +
+The input name should be in the format: +
+TYPE=NAME[:TYPE=NAME] +
where TYPE can be either audio or video, +and NAME is the device’s name or alternative name.. +
+ +If no options are specified, the device’s defaults are used. +If the device does not support the requested options, it will +fail to open. +
+Set the video size in the captured video. +
+Set the frame rate in the captured video. +
+Set the sample rate (in Hz) of the captured audio. +
+Set the sample size (in bits) of the captured audio. +
+Set the number of channels in the captured audio. +
+If set to true, print a list of devices and exit. +
+If set to true, print a list of selected device’s options +and exit. +
+Set video device number for devices with the same name (starts at 0, +defaults to 0). +
+Set audio device number for devices with the same name (starts at 0, +defaults to 0). +
+Select pixel format to be used by DirectShow. This may only be set when +the video codec is not set or set to rawvideo. +
+Set audio device buffer size in milliseconds (which can directly +impact latency, depending on the device). +Defaults to using the audio device’s +default buffer size (typically some multiple of 500ms). +Setting this value too low can degrade performance. +See also +http://msdn.microsoft.com/en-us/library/windows/desktop/dd377582(v=vs.85).aspx +
+Select video capture pin to use by name or alternative name. +
+Select audio capture pin to use by name or alternative name. +
+Select video input pin number for crossbar device. This will be +routed to the crossbar device’s Video Decoder output pin. +Note that changing this value can affect future invocations +(sets a new default) until system reboot occurs. +
+Select audio input pin number for crossbar device. This will be +routed to the crossbar device’s Audio Decoder output pin. +Note that changing this value can affect future invocations +(sets a new default) until system reboot occurs. +
+If set to true, before capture starts, popup a display dialog +to the end user, allowing them to change video filter properties +and configurations manually. +Note that for crossbar devices, adjusting values in this dialog +may be needed at times to toggle between PAL (25 fps) and NTSC (29.97) +input frame rates, sizes, interlacing, etc. Changing these values can +enable different scan rates/frame rates and avoiding green bars at +the bottom, flickering scan lines, etc. +Note that with some devices, changing these properties can also affect future +invocations (sets new defaults) until system reboot occurs. +
+If set to true, before capture starts, popup a display dialog +to the end user, allowing them to change audio filter properties +and configurations manually. +
+If set to true, before capture starts, popup a display +dialog to the end user, allowing them to manually +modify crossbar pin routings, when it opens a video device. +
+If set to true, before capture starts, popup a display +dialog to the end user, allowing them to manually +modify crossbar pin routings, when it opens an audio device. +
+If set to true, before capture starts, popup a display +dialog to the end user, allowing them to manually +modify TV channels and frequencies. +
+If set to true, before capture starts, popup a display +dialog to the end user, allowing them to manually +modify TV audio (like mono vs. stereo, Language A,B or C). +
+Load an audio capture filter device from file instead of searching +it by name. It may load additional parameters too, if the filter +supports the serialization of its properties to. +To use this an audio capture source has to be specified, but it can +be anything even fake one. +
+Save the currently used audio capture filter device and its +parameters (if the filter supports it) to a file. +If a file with the same name exists it will be overwritten. +
+Load a video capture filter device from file instead of searching +it by name. It may load additional parameters too, if the filter +supports the serialization of its properties to. +To use this a video capture source has to be specified, but it can +be anything even fake one. +
+Save the currently used video capture filter device and its +parameters (if the filter supports it) to a file. +If a file with the same name exists it will be overwritten. +
+If set to false, the timestamp for video frames will be +derived from the wallclock instead of the timestamp provided by +the capture device. This allows working around devices that +provide unreliable timestamps. +
+$ ffmpeg -list_devices true -f dshow -i dummy +
$ ffmpeg -f dshow -i video="Camera" +
$ ffmpeg -f dshow -video_device_number 1 -i video="Camera" +
$ ffmpeg -f dshow -i video="Camera":audio="Microphone" +
$ ffmpeg -list_options true -f dshow -i video="Camera" +
$ ffmpeg -f dshow -audio_pin_name "Audio Out" -video_pin_name 2 -i video=video="@device_pnp_\\?\pci#ven_1a0a&dev_6200&subsys_62021461&rev_01#4&e2c7dd6&0&00e1#{65e8773d-8f56-11d0-a3b9-00a0c9223196}\{ca465100-deb0-4d59-818f-8c477184adf6}":audio="Microphone"
+$ ffmpeg -f dshow -show_video_device_dialog true -crossbar_video_input_pin_number 0 + -crossbar_audio_input_pin_number 3 -i video="AVerMedia BDA Analog Capture":audio="AVerMedia BDA Analog Capture" +
Linux framebuffer input device. +
+The Linux framebuffer is a graphic hardware-independent abstraction +layer to show graphics on a computer monitor, typically on the +console. It is accessed through a file device node, usually +/dev/fb0. +
+For more detailed information read the file +Documentation/fb/framebuffer.txt included in the Linux source tree. +
+See also http://linux-fbdev.sourceforge.net/, and fbset(1). +
+To record from the framebuffer device /dev/fb0 with
+ffmpeg:
+
ffmpeg -f fbdev -framerate 10 -i /dev/fb0 out.avi +
You can take a single screenshot image with the command: +
ffmpeg -f fbdev -framerate 1 -i /dev/fb0 -frames:v 1 screenshot.jpeg +
Set the frame rate. Default is 25. +
+Win32 GDI-based screen capture device. +
+This device allows you to capture a region of the display on Windows. +
+There are two options for the input filename: +
desktop +
or +
title=window_title +
The first option will capture the entire desktop, or a fixed region of the +desktop. The second option will instead capture the contents of a single +window, regardless of its position on the screen. +
+For example, to grab the entire desktop using ffmpeg:
+
ffmpeg -f gdigrab -framerate 6 -i desktop out.mpg +
Grab a 640x480 region at position 10,20:
+
ffmpeg -f gdigrab -framerate 6 -offset_x 10 -offset_y 20 -video_size vga -i desktop out.mpg +
Grab the contents of the window named "Calculator" +
ffmpeg -f gdigrab -framerate 6 -i title=Calculator out.mpg +
Specify whether to draw the mouse pointer. Use the value 0 to
+not draw the pointer. Default value is 1.
+
Set the grabbing frame rate. Default value is ntsc,
+corresponding to a frame rate of 30000/1001.
+
Show grabbed region on screen. +
+If show_region is specified with 1, then the grabbing
+region will be indicated on screen. With this option, it is easy to
+know what is being grabbed if only a portion of the screen is grabbed.
+
Note that show_region is incompatible with grabbing the contents +of a single window. +
+For example: +
ffmpeg -f gdigrab -show_region 1 -framerate 6 -video_size cif -offset_x 10 -offset_y 20 -i desktop out.mpg +
Set the video frame size. The default is to capture the full screen if desktop is selected, or the full window size if title=window_title is selected. +
+When capturing a region with video_size, set the distance from the left edge of the screen or desktop. +
+Note that the offset calculation is from the top left corner of the primary monitor on Windows. If you have a monitor positioned to the left of your primary monitor, you will need to use a negative offset_x value to move the region to that monitor. +
+When capturing a region with video_size, set the distance from the top edge of the screen or desktop. +
+Note that the offset calculation is from the top left corner of the primary monitor on Windows. If you have a monitor positioned above your primary monitor, you will need to use a negative offset_y value to move the region to that monitor. +
+FireWire DV/HDV input device using libiec61883. +
+To enable this input device, you need libiec61883, libraw1394 and
+libavc1394 installed on your system. Use the configure option
+--enable-libiec61883 to compile with the device enabled.
+
The iec61883 capture device supports capturing from a video device +connected via IEEE1394 (FireWire), using libiec61883 and the new Linux +FireWire stack (juju). This is the default DV/HDV input method in Linux +Kernel 2.6.37 and later, since the old FireWire stack was removed. +
+Specify the FireWire port to be used as input file, or "auto" +to choose the first port connected. +
+ +Override autodetection of DV/HDV. This should only be used if auto +detection does not work, or if usage of a different device type +should be prohibited. Treating a DV device as HDV (or vice versa) will +not work and result in undefined behavior. +The values auto, dv and hdv are supported. +
+Set maximum size of buffer for incoming data, in frames. For DV, this +is an exact value. For HDV, it is not frame exact, since HDV does +not have a fixed frame size. +
+Select the capture device by specifying its GUID. Capturing will only +be performed from the specified device and fails if no device with the +given GUID is found. This is useful to select the input if multiple +devices are connected at the same time. +Look at /sys/bus/firewire/devices to find out the GUIDs. +
+ffplay -f iec61883 -i auto +
ffmpeg -f iec61883 -i auto -dvbuffer 100000 out.mpg +
JACK input device. +
+To enable this input device during configuration you need libjack +installed on your system. +
+A JACK input device creates one or more JACK writable clients, one for +each audio channel, with name client_name:input_N, where +client_name is the name provided by the application, and N +is a number which identifies the channel. +Each writable client will send the acquired data to the FFmpeg input +device. +
+Once you have created one or more JACK readable clients, you need to +connect them to one or more JACK writable clients. +
+To connect or disconnect JACK clients you can use the jack_connect
+and jack_disconnect programs, or do it through a graphical interface,
+for example with qjackctl.
+
To list the JACK clients and their properties you can invoke the command
+jack_lsp.
+
Follows an example which shows how to capture a JACK readable client
+with ffmpeg.
+
# Create a JACK writable client with name "ffmpeg". +$ ffmpeg -f jack -i ffmpeg -y out.wav + +# Start the sample jack_metro readable client. +$ jack_metro -b 120 -d 0.2 -f 4000 + +# List the current JACK clients. +$ jack_lsp -c +system:capture_1 +system:capture_2 +system:playback_1 +system:playback_2 +ffmpeg:input_1 +metro:120_bpm + +# Connect metro to the ffmpeg writable client. +$ jack_connect metro:120_bpm ffmpeg:input_1 +
For more information read: +http://jackaudio.org/ +
+ +Set the number of channels. Default is 2. +
+KMS video input device. +
+Captures the KMS scanout framebuffer associated with a specified CRTC or plane as a +DRM object that can be passed to other hardware functions. +
+Requires either DRM master or CAP_SYS_ADMIN to run. +
+If you don’t understand what all of that means, you probably don’t want this. Look at +x11grab instead. +
+ +DRM device to capture on. Defaults to /dev/dri/card0. +
+Pixel format of the framebuffer. This can be autodetected if you are running Linux 5.7 +or later, but needs to be provided for earlier versions. Defaults to bgr0, +which is the most common format used by the Linux console and Xorg X server. +
+Format modifier to signal on output frames. This is necessary to import correctly into +some APIs. It can be autodetected if you are running Linux 5.7 or later, but will need +to be provided explicitly when needed in earlier versions. See the libdrm documentation +for possible values. +
+KMS CRTC ID to define the capture source. The first active plane on the given CRTC +will be used. +
+KMS plane ID to define the capture source. Defaults to the first active plane found if +neither crtc_id nor plane_id are specified. +
+Framerate to capture at. This is not synchronised to any page flipping or framebuffer
+changes - it just defines the interval at which the framebuffer is sampled. Sampling
+faster than the framebuffer update rate will generate independent frames with the same
+content. Defaults to 30.
+
ffmpeg -f kmsgrab -i - -vf 'hwdownload,format=bgr0' output.mp4 +
ffmpeg -crtc_id 42 -framerate 60 -f kmsgrab -i - -vf 'hwmap=derive_device=vaapi,scale_vaapi=w=1920:h=1080:format=nv12' -c:v h264_vaapi output.mp4 +
ffmpeg -f kmsgrab -i - -vf 'hwmap=derive_device=vaapi,crop=960:540:480:270,scale_vaapi=960:540:nv12' -c:v h264_vaapi output.mp4 +
Libavfilter input virtual device. +
+This input device reads data from the open output pads of a libavfilter +filtergraph. +
+For each filtergraph open output, the input device will create a +corresponding stream which is mapped to the generated output. Currently +only video data is supported. The filtergraph is specified through the +option graph. +
+ +Specify the filtergraph to use as input. Each video open output must be +labelled by a unique string of the form "outN", where N is a +number starting from 0 corresponding to the mapped input stream +generated by the device. +The first unlabelled output is automatically assigned to the "out0" +label, but all the others need to be specified explicitly. +
+The suffix "+subcc" can be appended to the output label to create an extra +stream with the closed captions packets attached to that output +(experimental; only for EIA-608 / CEA-708 for now). +The subcc streams are created after all the normal streams, in the order of +the corresponding stream. +For example, if there is "out19+subcc", "out7+subcc" and up to "out42", the +stream #43 is subcc for stream #7 and stream #44 is subcc for stream #19. +
+If not specified defaults to the filename specified for the input +device. +
+Set the filename of the filtergraph to be read and sent to the other +filters. Syntax of the filtergraph is the same as the one specified by +the option graph. +
+Dump graph to stderr. +
+ffplay:
+ffplay -f lavfi -graph "color=c=pink [out0]" dummy +
ffplay -f lavfi color=c=pink +
ffplay -f lavfi -graph "testsrc [out0]; testsrc,hflip [out1]; testsrc,negate [out2]" test3 +
ffplay:
+ffplay -f lavfi "amovie=test.wav" +
ffplay:
+ffplay -f lavfi "movie=test.avi[out0];amovie=test.wav[out1]" +
ffmpeg -f lavfi -i "movie=test.ts[out0+subcc]" -map v frame%08d.png -map s -c copy -f rawvideo subcc.bin +
Audio-CD input device based on libcdio. +
+To enable this input device during configuration you need libcdio
+installed on your system. It requires the configure option
+--enable-libcdio.
+
This device allows playing and grabbing from an Audio-CD. +
+For example to copy with ffmpeg the entire Audio-CD in /dev/sr0,
+you may run the command:
+
ffmpeg -f libcdio -i /dev/sr0 cd.wav +
Set drive reading speed. Default value is 0. +
+The speed is specified CD-ROM speed units. The speed is set through
+the libcdio cdio_cddap_speed_set function. On many CD-ROM
+drives, specifying a value too large will result in using the fastest
+speed.
+
Set paranoia recovery mode flags. It accepts one of the following values: +
+Default value is ‘disable’. +
+For more information about the available recovery modes, consult the +paranoia project documentation. +
IIDC1394 input device, based on libdc1394 and libraw1394. +
+Requires the configure option --enable-libdc1394.
+
Set the frame rate. Default is ntsc, corresponding to a frame
+rate of 30000/1001.
+
Select the pixel format. Default is uyvy422.
+
Set the video size given as a string such as 640x480 or hd720.
+Default is qvga.
+
The OpenAL input device provides audio capture on all systems with a +working OpenAL 1.1 implementation. +
+To enable this input device during configuration, you need OpenAL
+headers and libraries installed on your system, and need to configure
+FFmpeg with --enable-openal.
+
OpenAL headers and libraries should be provided as part of your OpenAL
+implementation, or as an additional download (an SDK). Depending on your
+installation you may need to specify additional flags via the
+--extra-cflags and --extra-ldflags for allowing the build
+system to locate the OpenAL headers and libraries.
+
An incomplete list of OpenAL implementations follows: +
+The official Windows implementation, providing hardware acceleration +with supported devices and software fallback. +See http://openal.org/. +
Portable, open source (LGPL) software implementation. Includes +backends for the most common sound APIs on the Windows, Linux, +Solaris, and BSD operating systems. +See http://kcat.strangesoft.net/openal.html. +
OpenAL is part of Core Audio, the official Mac OS X Audio interface. +See http://developer.apple.com/technologies/mac/audio-and-video.html +
This device allows one to capture from an audio input device handled +through OpenAL. +
+You need to specify the name of the device to capture in the provided +filename. If the empty string is provided, the device will +automatically select the default device. You can get the list of the +supported devices by using the option list_devices. +
+ +Set the number of channels in the captured audio. Only the values +1 (monaural) and 2 (stereo) are currently supported. +Defaults to 2. +
+Set the sample size (in bits) of the captured audio. Only the values +8 and 16 are currently supported. Defaults to +16. +
+Set the sample rate (in Hz) of the captured audio. +Defaults to 44.1k. +
+If set to true, print a list of devices and exit. +Defaults to false. +
+Print the list of OpenAL supported devices and exit: +
$ ffmpeg -list_devices true -f openal -i dummy out.ogg +
Capture from the OpenAL device DR-BT101 via PulseAudio: +
$ ffmpeg -f openal -i 'DR-BT101 via PulseAudio' out.ogg +
Capture from the default device (note the empty string ” as filename): +
$ ffmpeg -f openal -i '' out.ogg +
Capture from two devices simultaneously, writing to two different files,
+within the same ffmpeg command:
+
$ ffmpeg -f openal -i 'DR-BT101 via PulseAudio' out1.ogg -f openal -i 'ALSA Default' out2.ogg +
Note: not all OpenAL implementations support multiple simultaneous capture - +try the latest OpenAL Soft if the above does not work. +
+ +Open Sound System input device. +
+The filename to provide to the input device is the device node +representing the OSS input device, and is usually set to +/dev/dsp. +
+For example to grab from /dev/dsp using ffmpeg use the
+command:
+
ffmpeg -f oss -i /dev/dsp /tmp/oss.wav +
For more information about OSS see: +http://manuals.opensound.com/usersguide/dsp.html +
+ +Set the sample rate in Hz. Default is 48000. +
+Set the number of channels. Default is 2. +
+PulseAudio input device. +
+To enable this output device you need to configure FFmpeg with --enable-libpulse.
+
The filename to provide to the input device is a source device or the +string "default" +
+To list the PulseAudio source devices and their properties you can invoke
+the command pactl list sources.
+
More information about PulseAudio can be found on http://www.pulseaudio.org. +
+ +Connect to a specific PulseAudio server, specified by an IP address. +Default server is used when not provided. +
+Specify the application name PulseAudio will use when showing active clients,
+by default it is the LIBAVFORMAT_IDENT string.
+
Specify the stream name PulseAudio will use when showing active streams, +by default it is "record". +
+Specify the samplerate in Hz, by default 48kHz is used. +
+Specify the channels in use, by default 2 (stereo) is set. +
+This option does nothing and is deprecated. +
+Specify the size in bytes of the minimal buffering fragment in PulseAudio, it +will affect the audio latency. By default it is set to 50 ms amount of data. +
+Set the initial PTS using the current time. Default is 1. +
+Record a stream from default device: +
ffmpeg -f pulse -i default /tmp/pulse.wav +
sndio input device. +
+To enable this input device during configuration you need libsndio +installed on your system. +
+The filename to provide to the input device is the device node +representing the sndio input device, and is usually set to +/dev/audio0. +
+For example to grab from /dev/audio0 using ffmpeg use the
+command:
+
ffmpeg -f sndio -i /dev/audio0 /tmp/oss.wav +
Set the sample rate in Hz. Default is 48000. +
+Set the number of channels. Default is 2. +
+Video4Linux2 input video device. +
+"v4l2" can be used as alias for "video4linux2". +
+If FFmpeg is built with v4l-utils support (by using the
+--enable-libv4l2 configure option), it is possible to use it with the
+-use_libv4l2 input device option.
+
The name of the device to grab is a file device node, usually Linux +systems tend to automatically create such nodes when the device +(e.g. an USB webcam) is plugged into the system, and has a name of the +kind /dev/videoN, where N is a number associated to +the device. +
+Video4Linux2 devices usually support a limited set of
+widthxheight sizes and frame rates. You can check which are
+supported using -list_formats all for Video4Linux2 devices.
+Some devices, like TV cards, support one or more standards. It is possible
+to list all the supported standards using -list_standards all.
+
The time base for the timestamps is 1 microsecond. Depending on the kernel +version and configuration, the timestamps may be derived from the real time +clock (origin at the Unix Epoch) or the monotonic clock (origin usually at +boot time, unaffected by NTP or manual changes to the clock). The +-timestamps abs or -ts abs option can be used to force +conversion into the real time clock. +
+Some usage examples of the video4linux2 device with ffmpeg
+and ffplay:
+
ffplay -f video4linux2 -list_formats all /dev/video0 +
ffplay -f video4linux2 -framerate 30 -video_size hd720 /dev/video0 +
ffmpeg -f video4linux2 -input_format mjpeg -i /dev/video0 out.mpeg +
For more information about Video4Linux, check http://linuxtv.org/. +
+ +Set the standard. Must be the name of a supported standard. To get a +list of the supported standards, use the list_standards +option. +
+Set the input channel number. Default to -1, which means using the +previously selected channel. +
+Set the video frame size. The argument must be a string in the form +WIDTHxHEIGHT or a valid size abbreviation. +
+Select the pixel format (only valid for raw video input). +
+Set the preferred pixel format (for raw video) or a codec name. +This option allows one to select the input format, when several are +available. +
+Set the preferred video frame rate. +
+List available formats (supported pixel formats, codecs, and frame +sizes) and exit. +
+Available values are: +
Show all available (compressed and non-compressed) formats. +
+Show only raw video (non-compressed) formats. +
+Show only compressed formats. +
List supported standards and exit. +
+Available values are: +
Show all supported standards. +
Set type of timestamps for grabbed frames. +
+Available values are: +
Use timestamps from the kernel. +
+Use absolute timestamps (wall clock). +
+Force conversion from monotonic to absolute timestamps. +
Default value is default.
+
Use libv4l2 (v4l-utils) conversion functions. Default is 0. +
+VfW (Video for Windows) capture input device. +
+The filename passed as input is the capture driver number, ranging from +0 to 9. You may use "list" as filename to print a list of drivers. Any +other filename will be interpreted as device number 0. +
+ +Set the video frame size. +
+Set the grabbing frame rate. Default value is ntsc,
+corresponding to a frame rate of 30000/1001.
+
X11 video input device. +
+To enable this input device during configuration you need libxcb +installed on your system. It will be automatically detected during +configuration. +
+This device allows one to capture a region of an X11 display. +
+The filename passed as input has the syntax: +
[hostname]:display_number.screen_number[+x_offset,y_offset] +
hostname:display_number.screen_number specifies the
+X11 display name of the screen to grab from. hostname can be
+omitted, and defaults to "localhost". The environment variable
+DISPLAY contains the default display name.
+
x_offset and y_offset specify the offsets of the grabbed +area with respect to the top-left border of the X11 screen. They +default to 0. +
+Check the X11 documentation (e.g. man X) for more detailed
+information.
+
Use the xdpyinfo program for getting basic information about
+the properties of your X11 display (e.g. grep for "name" or
+"dimensions").
+
For example to grab from :0.0 using ffmpeg:
+
ffmpeg -f x11grab -framerate 25 -video_size cif -i :0.0 out.mpg +
Grab at position 10,20:
+
ffmpeg -f x11grab -framerate 25 -video_size cif -i :0.0+10,20 out.mpg +
Specify whether to select the grabbing area graphically using the pointer.
+A value of 1 prompts the user to select the grabbing area graphically
+by clicking and dragging. A single click with no dragging will select the
+whole screen. A region with zero width or height will also select the whole
+screen. This option overwrites the video_size, grab_x, and
+grab_y options. Default value is 0.
+
Specify whether to draw the mouse pointer. A value of 0 specifies
+not to draw the pointer. Default value is 1.
+
Make the grabbed area follow the mouse. The argument can be
+centered or a number of pixels PIXELS.
+
When it is specified with "centered", the grabbing region follows the mouse +pointer and keeps the pointer at the center of region; otherwise, the region +follows only when the mouse pointer reaches within PIXELS (greater than +zero) to the edge of region. +
+For example: +
ffmpeg -f x11grab -follow_mouse centered -framerate 25 -video_size cif -i :0.0 out.mpg +
To follow only when the mouse pointer reaches within 100 pixels to edge: +
ffmpeg -f x11grab -follow_mouse 100 -framerate 25 -video_size cif -i :0.0 out.mpg +
Set the grabbing frame rate. Default value is ntsc,
+corresponding to a frame rate of 30000/1001.
+
Show grabbed region on screen. +
+If show_region is specified with 1, then the grabbing
+region will be indicated on screen. With this option, it is easy to
+know what is being grabbed if only a portion of the screen is grabbed.
+
Set the region border thickness if -show_region 1 is used. +Range is 1 to 128 and default is 3 (XCB-based x11grab only). +
+For example: +
ffmpeg -f x11grab -show_region 1 -framerate 25 -video_size cif -i :0.0+10,20 out.mpg +
With follow_mouse: +
ffmpeg -f x11grab -follow_mouse centered -show_region 1 -framerate 25 -video_size cif -i :0.0 out.mpg +
Grab this window, instead of the whole screen. Default value is 0, which maps to +the whole screen (root window). +
+The id of a window can be found using the xwininfo program, possibly with options -tree and
+-root.
+
If the window is later enlarged, the new area is not recorded. Video ends when +the window is closed, unmapped (i.e., iconified) or shrunk beyond the video +size (which defaults to the initial window size). +
+This option disables options follow_mouse and select_region. +
+Set the video frame size. Default is the full desktop or window. +
+Set the grabbing region coordinates. They are expressed as offset from +the top left corner of the X11 window and correspond to the +x_offset and y_offset parameters in the device name. The +default value for both options is 0. +
Output devices are configured elements in FFmpeg that can write +multimedia data to an output device attached to your system. +
+When you configure your FFmpeg build, all the supported output devices +are enabled by default. You can list all available ones using the +configure option "–list-outdevs". +
+You can disable all the output devices using the configure option +"–disable-outdevs", and selectively enable an output device using the +option "–enable-outdev=OUTDEV", or you can disable a particular +input device using the option "–disable-outdev=OUTDEV". +
+The option "-devices" of the ff* tools will display the list of +enabled output devices. +
+A description of the currently available output devices follows. +
+ +ALSA (Advanced Linux Sound Architecture) output device. +
+ +ffmpeg -i INPUT -f alsa default +
ffmpeg -i INPUT -f alsa hw:1,7 +
AudioToolbox output device. +
+Allows native output to CoreAudio devices on OSX. +
+The output filename can be empty (or -) to refer to the default system output device or a number that refers to the device index as shown using: -list_devices true.
+
Alternatively, the audio input device can be chosen by index using the + + -audio_device_index <INDEX> + +, overriding any device name or index given in the input filename. +
+All available devices can be enumerated by using -list_devices true, listing +all device names, UIDs and corresponding indices. +
+ +AudioToolbox supports the following options: +
+Specify the audio device by its index. Overrides anything given in the output filename. +
+$ ffmpeg -f lavfi -i sine=r=44100 -f audiotoolbox -list_devices true - +
$ ffmpeg -f lavfi -i sine=r=44100 -f audiotoolbox -audio_device_index 2 - +
CACA output device. +
+This output device allows one to show a video stream in CACA window. +Only one CACA window is allowed per application, so you can +have only one instance of this output device in an application. +
+To enable this output device you need to configure FFmpeg with
+--enable-libcaca.
+libcaca is a graphics library that outputs text instead of pixels.
+
For more information about libcaca, check: +http://caca.zoy.org/wiki/libcaca +
+ +Set the CACA window title, if not specified default to the filename +specified for the output device. +
+Set the CACA window size, can be a string of the form +widthxheight or a video size abbreviation. +If not specified it defaults to the size of the input video. +
+Set display driver. +
+Set dithering algorithm. Dithering is necessary
+because the picture being rendered has usually far more colours than
+the available palette.
+The accepted values are listed with -list_dither algorithms.
+
Set antialias method. Antialiasing smoothens the rendered
+image and avoids the commonly seen staircase effect.
+The accepted values are listed with -list_dither antialiases.
+
Set which characters are going to be used when rendering text.
+The accepted values are listed with -list_dither charsets.
+
Set color to be used when rendering text.
+The accepted values are listed with -list_dither colors.
+
If set to true, print a list of available drivers and exit. +
+List available dither options related to the argument.
+The argument must be one of algorithms, antialiases,
+charsets, colors.
+
ffmpeg output is an
+CACA window, forcing its size to 80x25:
+ffmpeg -i INPUT -c:v rawvideo -pix_fmt rgb24 -window_size 80x25 -f caca - +
ffmpeg -i INPUT -pix_fmt rgb24 -f caca -list_drivers true - +
ffmpeg -i INPUT -pix_fmt rgb24 -f caca -list_dither colors - +
The decklink output device provides playback capabilities for Blackmagic +DeckLink devices. +
+To enable this output device, you need the Blackmagic DeckLink SDK and you
+need to configure with the appropriate --extra-cflags
+and --extra-ldflags.
+On Windows, you need to run the IDL files through widl.
+
DeckLink is very picky about the formats it supports. Pixel format is always
+uyvy422, framerate, field order and video size must be determined for your
+device with -list_formats 1. Audio sample rate is always 48 kHz.
+
If set to true, print a list of devices and exit.
+Defaults to false. This option is deprecated, please use the
+-sinks option of ffmpeg to list the available output devices.
+
If set to true, print a list of supported formats and exit. +Defaults to false. +
+Amount of time to preroll video in seconds. +Defaults to 0.5. +
+Sets the decklink device duplex/profile mode. Must be ‘unset’, ‘half’, ‘full’, +‘one_sub_device_full’, ‘one_sub_device_half’, ‘two_sub_device_full’, +‘four_sub_device_half’ +Defaults to ‘unset’. +
+Note: DeckLink SDK 11.0 have replaced the duplex property by a profile property. +For the DeckLink Duo 2 and DeckLink Quad 2, a profile is shared between any 2 +sub-devices that utilize the same connectors. For the DeckLink 8K Pro, a profile +is shared between all 4 sub-devices. So DeckLink 8K Pro support four profiles. +
+Valid profile modes for DeckLink 8K Pro(with DeckLink SDK >= 11.0): +‘one_sub_device_full’, ‘one_sub_device_half’, ‘two_sub_device_full’, +‘four_sub_device_half’ +
+Valid profile modes for DeckLink Quad 2 and DeckLink Duo 2: +‘half’, ‘full’ +
+Sets the genlock timing pixel offset on the used output. +Defaults to ‘unset’. +
+Sets the SDI video link configuration on the used output. Must be +‘unset’, ‘single’ link SDI, ‘dual’ link SDI or ‘quad’ link +SDI. +Defaults to ‘unset’. +
+Enable Square Division Quad Split mode for Quad-link SDI output. +Must be ‘unset’, ‘true’ or ‘false’. +Defaults to unset. +
+Enable SMPTE Level A mode on the used output. +Must be ‘unset’, ‘true’ or ‘false’. +Defaults to unset. +
+ffmpeg -sinks decklink +
ffmpeg -i test.avi -f decklink -list_formats 1 'DeckLink Mini Monitor' +
ffmpeg -i test.avi -f decklink -pix_fmt uyvy422 'DeckLink Mini Monitor' +
ffmpeg -i test.avi -f decklink -pix_fmt uyvy422 -s 720x486 -r 24000/1001 'DeckLink Mini Monitor' +
Linux framebuffer output device. +
+The Linux framebuffer is a graphic hardware-independent abstraction +layer to show graphics on a computer monitor, typically on the +console. It is accessed through a file device node, usually +/dev/fb0. +
+For more detailed information read the file +Documentation/fb/framebuffer.txt included in the Linux source tree. +
+ +Set x/y coordinate of top left corner. Default is 0. +
Play a file on framebuffer device /dev/fb0. +Required pixel format depends on current framebuffer settings. +
ffmpeg -re -i INPUT -c:v rawvideo -pix_fmt bgra -f fbdev /dev/fb0 +
See also http://linux-fbdev.sourceforge.net/, and fbset(1). +
+ +OpenGL output device. +
+To enable this output device you need to configure FFmpeg with --enable-opengl.
+
This output device allows one to render to OpenGL context. +Context may be provided by application or default SDL window is created. +
+When device renders to external context, application must implement handlers for following messages:
+AV_DEV_TO_APP_CREATE_WINDOW_BUFFER - create OpenGL context on current thread.
+AV_DEV_TO_APP_PREPARE_WINDOW_BUFFER - make OpenGL context current.
+AV_DEV_TO_APP_DISPLAY_WINDOW_BUFFER - swap buffers.
+AV_DEV_TO_APP_DESTROY_WINDOW_BUFFER - destroy OpenGL context.
+Application is also required to inform a device about current resolution by sending AV_APP_TO_DEV_WINDOW_SIZE message.
+
Set background color. Black is a default. +
Disables default SDL window when set to non-zero value.
+Application must provide OpenGL context and both window_size_cb and window_swap_buffers_cb callbacks when set.
+
Set the SDL window title, if not specified default to the filename specified for the output device. +Ignored when no_window is set. +
Set preferred window size, can be a string of the form widthxheight or a video size abbreviation. +If not specified it defaults to the size of the input video, downscaled according to the aspect ratio. +Mostly usable when no_window is not set. +
+Play a file on SDL window using OpenGL rendering: +
ffmpeg -i INPUT -f opengl "window title" +
OSS (Open Sound System) output device. +
+ +PulseAudio output device. +
+To enable this output device you need to configure FFmpeg with --enable-libpulse.
+
More information about PulseAudio can be found on http://www.pulseaudio.org +
+ +Connect to a specific PulseAudio server, specified by an IP address. +Default server is used when not provided. +
+Specify the application name PulseAudio will use when showing active clients,
+by default it is the LIBAVFORMAT_IDENT string.
+
Specify the stream name PulseAudio will use when showing active streams, +by default it is set to the specified output name. +
+Specify the device to use. Default device is used when not provided.
+List of output devices can be obtained with command pactl list sinks.
+
Control the size and duration of the PulseAudio buffer. A small buffer +gives more control, but requires more frequent updates. +
+buffer_size specifies size in bytes while +buffer_duration specifies duration in milliseconds. +
+When both options are provided then the highest value is used +(duration is recalculated to bytes using stream parameters). If they +are set to 0 (which is default), the device will use the default +PulseAudio duration value. By default PulseAudio set buffer duration +to around 2 seconds. +
+Specify pre-buffering size in bytes. The server does not start with +playback before at least prebuf bytes are available in the +buffer. By default this option is initialized to the same value as +buffer_size or buffer_duration (whichever is bigger). +
+Specify minimum request size in bytes. The server does not request less +than minreq bytes from the client, instead waits until the buffer +is free enough to request more bytes at once. It is recommended to not set +this option, which will initialize this to a value that is deemed sensible +by the server. +
+Play a file on default device on default server: +
ffmpeg -i INPUT -f pulse "stream name" +
SDL (Simple DirectMedia Layer) output device. +
+"sdl2" can be used as alias for "sdl". +
+This output device allows one to show a video stream in an SDL +window. Only one SDL window is allowed per application, so you can +have only one instance of this output device in an application. +
+To enable this output device you need libsdl installed on your system +when configuring your build. +
+For more information about SDL, check: +http://www.libsdl.org/ +
+ +Set the SDL window title, if not specified default to the filename +specified for the output device. +
+Set the name of the iconified SDL window, if not specified it is set +to the same value of window_title. +
+Set the SDL window size, can be a string of the form +widthxheight or a video size abbreviation. +If not specified it defaults to the size of the input video, +downscaled according to the aspect ratio. +
+Set the position of the window on the screen. +
+Set fullscreen mode when non-zero value is provided. +Default value is zero. +
+Enable quit action (using window button or keyboard key) +when non-zero value is provided. +Default value is 1 (enable quit action) +
The window created by the device can be controlled through the +following interactive commands. +
+Quit the device immediately. +
The following command shows the ffmpeg output is an
+SDL window, forcing its size to the qcif format:
+
ffmpeg -i INPUT -c:v rawvideo -pix_fmt yuv420p -window_size qcif -f sdl "SDL output" +
sndio audio output device. +
+ +Video4Linux2 output device. +
+ +XV (XVideo) output device. +
+This output device allows one to show a video stream in a X Window System +window. +
+ +Specify the hardware display name, which determines the display and +communications domain to be used. +
+The display name or DISPLAY environment variable can be a string in +the format hostname[:number[.screen_number]]. +
+hostname specifies the name of the host machine on which the +display is physically attached. number specifies the number of +the display server on that host machine. screen_number specifies +the screen to be used on that server. +
+If unspecified, it defaults to the value of the DISPLAY environment +variable. +
+For example, dual-headed:0.1 would specify screen 1 of display
+0 on the machine named “dual-headed”.
+
Check the X11 specification for more detailed information about the +display name format. +
+When set to non-zero value then device doesn’t create new window, +but uses existing one with provided window_id. By default +this options is set to zero and device creates its own window. +
+Set the created window size, can be a string of the form +widthxheight or a video size abbreviation. If not +specified it defaults to the size of the input video. +Ignored when window_id is set. +
+Set the X and Y window offsets for the created window. They are both +set to 0 by default. The values may be ignored by the window manager. +Ignored when window_id is set. +
+Set the window title, if not specified default to the filename +specified for the output device. Ignored when window_id is set. +
For more information about XVideo see http://www.x.org/. +
+ +ffmpeg at the
+same time:
+ffmpeg -i INPUT OUTPUT -f xv display +
ffmpeg -i INPUT -f xv normal -vf negate -f xv negated +
The audio resampler supports the following named options. +
+Options may be set by specifying -option value in the
+FFmpeg tools, option=value for the aresample filter,
+by setting the value explicitly in the
+SwrContext options or using the libavutil/opt.h API for
+programmatic use.
+
Set the number of input channels. Default value is 0. Setting this +value is not mandatory if the corresponding channel layout +in_channel_layout is set. +
+Set the number of output channels. Default value is 0. Setting this +value is not mandatory if the corresponding channel layout +out_channel_layout is set. +
+Set the number of used input channels. Default value is 0. This option is +only used for special remapping. +
+Set the input sample rate. Default value is 0. +
+Set the output sample rate. Default value is 0. +
+Specify the input sample format. It is set by default to none.
+
Specify the output sample format. It is set by default to none.
+
Set the internal sample format. Default value is none.
+This will automatically be chosen when it is not explicitly set.
+
Set the input/output channel layout. +
+See (ffmpeg-utils)the Channel Layout section in the ffmpeg-utils(1) manual +for the required syntax. +
+Set the center mix level. It is a value expressed in deciBel, and must be +in the interval [-32,32]. +
+Set the surround mix level. It is a value expressed in deciBel, and must +be in the interval [-32,32]. +
+Set LFE mix into non LFE level. It is used when there is a LFE input but no +LFE output. It is a value expressed in deciBel, and must +be in the interval [-32,32]. +
+Set rematrix volume. Default value is 1.0. +
+Set maximum output value for rematrixing. +This can be used to prevent clipping vs. preventing volume reduction. +A value of 1.0 prevents clipping. +
+Set flags used by the converter. Default value is 0. +
+It supports the following individual flags: +
force resampling, this flag forces resampling to be used even when the +input and output sample rates match. +
Set the dither scale. Default value is 1. +
+Set dither method. Default value is 0. +
+Supported values: +
select rectangular dither +
select triangular dither +
select triangular dither with high pass +
select Lipshitz noise shaping dither. +
select Shibata noise shaping dither. +
select low Shibata noise shaping dither. +
select high Shibata noise shaping dither. +
select f-weighted noise shaping dither +
select modified-e-weighted noise shaping dither +
select improved-e-weighted noise shaping dither +
+Set resampling engine. Default value is swr. +
+Supported values: +
select the native SW Resampler; filter options precision and cheby are not +applicable in this case. +
select the SoX Resampler (where available); compensation, and filter options +filter_size, phase_shift, exact_rational, filter_type & kaiser_beta, are not +applicable in this case. +
For swr only, set resampling filter size, default value is 32. +
+For swr only, set resampling phase shift, default value is 10, and must be in +the interval [0,30]. +
+Use linear interpolation when enabled (the default). Disable it if you want +to preserve speed instead of quality when exact_rational fails. +
+For swr only, when enabled, try to use exact phase_count based on input and
+output sample rate. However, if it is larger than 1 << phase_shift,
+the phase_count will be 1 << phase_shift as fallback. Default is enabled.
+
Set cutoff frequency (swr: 6dB point; soxr: 0dB point) ratio; must be a float +value between 0 and 1. Default value is 0.97 with swr, and 0.91 with soxr +(which, with a sample-rate of 44100, preserves the entire audio band to 20kHz). +
+For soxr only, the precision in bits to which the resampled signal will be +calculated. The default value of 20 (which, with suitable dithering, is +appropriate for a destination bit-depth of 16) gives SoX’s ’High Quality’; a +value of 28 gives SoX’s ’Very High Quality’. +
+For soxr only, selects passband rolloff none (Chebyshev) & higher-precision +approximation for ’irrational’ ratios. Default value is 0. +
+For swr only, simple 1 parameter audio sync to timestamps using stretching, +squeezing, filling and trimming. Setting this to 1 will enable filling and +trimming, larger values represent the maximum amount in samples that the data +may be stretched or squeezed for each second. +Default value is 0, thus no compensation is applied to make the samples match +the audio timestamps. +
+For swr only, assume the first pts should be this value. The time unit is 1 / sample rate. +This allows for padding/trimming at the start of stream. By default, no +assumption is made about the first frame’s expected pts, so no padding or +trimming is done. For example, this could be set to 0 to pad the beginning with +silence if an audio stream starts after the video stream or to trim any samples +with a negative pts due to encoder delay. +
+For swr only, set the minimum difference between timestamps and audio data (in
+seconds) to trigger stretching/squeezing/filling or trimming of the
+data to make it match the timestamps. The default is that
+stretching/squeezing/filling and trimming is disabled
+(min_comp = FLT_MAX).
+
For swr only, set the minimum difference between timestamps and audio data (in +seconds) to trigger adding/dropping samples to make it match the +timestamps. This option effectively is a threshold to select between +hard (trim/fill) and soft (squeeze/stretch) compensation. Note that +all compensation is by default disabled through min_comp. +The default is 0.1. +
+For swr only, set duration (in seconds) over which data is stretched/squeezed +to make it match the timestamps. Must be a non-negative double float value, +default value is 1.0. +
+For swr only, set maximum factor by which data is stretched/squeezed to make it +match the timestamps. Must be a non-negative double float value, default value +is 0. +
+Select matrixed stereo encoding. +
+It accepts the following values: +
select none +
select Dolby +
select Dolby Pro Logic II +
Default value is none.
+
For swr only, select resampling filter type. This only affects resampling +operations. +
+It accepts the following values: +
select cubic +
select Blackman Nuttall windowed sinc +
select Kaiser windowed sinc +
For swr only, set Kaiser window beta value. Must be a double float value in the +interval [2,16], default value is 9. +
+For swr only, set number of used output sample bits for dithering. Must be an integer in the +interval [0,64], default value is 0, which means it’s not used. +
+The video scaler supports the following named options. +
+Options may be set by specifying -option value in the
+FFmpeg tools, with a few API-only exceptions noted below.
+For programmatic use, they can be set explicitly in the
+SwsContext options or through the libavutil/opt.h API.
+
Set the scaler flags. This is also used to set the scaling +algorithm. Only a single algorithm should be selected. Default +value is ‘bicubic’. +
+It accepts the following values: +
Select fast bilinear scaling algorithm. +
+Select bilinear scaling algorithm. +
+Select bicubic scaling algorithm. +
+Select experimental scaling algorithm. +
+Select nearest neighbor rescaling algorithm. +
+Select averaging area rescaling algorithm. +
+Select bicubic scaling algorithm for the luma component, bilinear for +chroma components. +
+Select Gaussian rescaling algorithm. +
+Select sinc rescaling algorithm. +
+Select Lanczos rescaling algorithm. The default width (alpha) is 3 and can be
+changed by setting param0.
+
Select natural bicubic spline rescaling algorithm. +
+Enable printing/debug logging. +
+Enable accurate rounding. +
+Enable full chroma interpolation. +
+Select full chroma input. +
+Enable bitexact output. +
Set source width. +
+Set source height. +
+Set destination width. +
+Set destination height. +
+Set source pixel format (must be expressed as an integer). +
+Set destination pixel format (must be expressed as an integer). +
+If value is set to 1, indicates source is full range. Default value is
+0, which indicates source is limited range.
+
If value is set to 1, enable full range for destination. Default value
+is 0, which enables limited range.
+
Set scaling algorithm parameters. The specified values are specific of +some scaling algorithms and ignored by others. The specified values +are floating point number values. +
+Set the dithering algorithm. Accepts one of the following +values. Default value is ‘auto’. +
+automatic choice +
+no dithering +
+bayer dither +
+error diffusion dither +
+arithmetic dither, based using addition +
+arithmetic dither, based using xor (more random/less apparent patterning that +a_dither). +
+Set the alpha blending to use when the input has alpha but the output does not. +Default value is ‘none’. +
+Blend onto a uniform background color +
+Blend onto a checkerboard +
+No blending +
+Filtering in FFmpeg is enabled through the libavfilter library. +
+In libavfilter, a filter can have multiple inputs and multiple +outputs. +To illustrate the sorts of things that are possible, we consider the +following filtergraph. +
+[main] +input --> split ---------------------> overlay --> output + | ^ + |[tmp] [flip]| + +-----> crop --> vflip -------+ ++
This filtergraph splits the input stream in two streams, then sends one +stream through the crop filter and the vflip filter, before merging it +back with the other stream by overlaying it on top. You can use the +following command to achieve this: +
+ffmpeg -i INPUT -vf "split [main][tmp]; [tmp] crop=iw:ih/2:0:0, vflip [flip]; [main][flip] overlay=0:H/2" OUTPUT +
The result will be that the top half of the video is mirrored +onto the bottom half of the output video. +
+Filters in the same linear chain are separated by commas, and distinct +linear chains of filters are separated by semicolons. In our example, +crop,vflip are in one linear chain, split and +overlay are separately in another. The points where the linear +chains join are labelled by names enclosed in square brackets. In the +example, the split filter generates two outputs that are associated to +the labels [main] and [tmp]. +
+The stream sent to the second output of split, labelled as +[tmp], is processed through the crop filter, which crops +away the lower half part of the video, and then vertically flipped. The +overlay filter takes in input the first unchanged output of the +split filter (which was labelled as [main]), and overlay on its +lower half the output generated by the crop,vflip filterchain. +
+Some filters take in input a list of parameters: they are specified +after the filter name and an equal sign, and are separated from each other +by a colon. +
+There exist so-called source filters that do not have an +audio/video input, and sink filters that will not have audio/video +output. +
+ + +The graph2dot program included in the FFmpeg tools +directory can be used to parse a filtergraph description and issue a +corresponding textual representation in the dot language. +
+Invoke the command: +
graph2dot -h +
to see how to use graph2dot. +
+You can then pass the dot description to the dot program (from +the graphviz suite of programs) and obtain a graphical representation +of the filtergraph. +
+For example the sequence of commands: +
echo GRAPH_DESCRIPTION | \ +tools/graph2dot -o graph.tmp && \ +dot -Tpng graph.tmp -o graph.png && \ +display graph.png +
can be used to create and display an image representing the graph +described by the GRAPH_DESCRIPTION string. Note that this string must be +a complete self-contained graph, with its inputs and outputs explicitly defined. +For example if your command line is of the form: +
ffmpeg -i infile -vf scale=640:360 outfile +
your GRAPH_DESCRIPTION string will need to be of the form: +
nullsrc,scale=640:360,nullsink +
you may also need to set the nullsrc parameters and add a format +filter in order to simulate a specific input file. +
+ + +A filtergraph is a directed graph of connected filters. It can contain +cycles, and there can be multiple links between a pair of +filters. Each link has one input pad on one side connecting it to one +filter from which it takes its input, and one output pad on the other +side connecting it to one filter accepting its output. +
+Each filter in a filtergraph is an instance of a filter class +registered in the application, which defines the features and the +number of input and output pads of the filter. +
+A filter with no input pads is called a "source", and a filter with no +output pads is called a "sink". +
+ +A filtergraph has a textual representation, which is recognized by the
+-filter/-vf/-af and
+-filter_complex options in ffmpeg and
+-vf/-af in ffplay, and by the
+avfilter_graph_parse_ptr() function defined in
+libavfilter/avfilter.h.
+
A filterchain consists of a sequence of connected filters, each one +connected to the previous one in the sequence. A filterchain is +represented by a list of ","-separated filter descriptions. +
+A filtergraph consists of a sequence of filterchains. A sequence of +filterchains is represented by a list of ";"-separated filterchain +descriptions. +
+A filter is represented by a string of the form: +[in_link_1]...[in_link_N]filter_name@id=arguments[out_link_1]...[out_link_M] +
+filter_name is the name of the filter class of which the +described filter is an instance of, and has to be the name of one of +the filter classes registered in the program optionally followed by "@id". +The name of the filter class is optionally followed by a string +"=arguments". +
+arguments is a string which contains the parameters used to +initialize the filter instance. It may have one of two forms: +
fade filter
+declares three options in this order – type, start_frame and
+nb_frames. Then the parameter list in:0:30 means that the value
+in is assigned to the option type, 0 to
+start_frame and 30 to nb_frames.
+
+If the option value itself is a list of items (e.g. the format filter
+takes a list of pixel formats), the items in the list are usually separated by
+‘|’.
+
The list of arguments can be quoted using the character ‘'’ as initial +and ending mark, and the character ‘\’ for escaping the characters +within the quoted text; otherwise the argument string is considered +terminated when the next special character (belonging to the set +‘[]=;,’) is encountered. +
+The name and arguments of the filter are optionally preceded and +followed by a list of link labels. +A link label allows one to name a link and associate it to a filter output +or input pad. The preceding labels in_link_1 +... in_link_N, are associated to the filter input pads, +the following labels out_link_1 ... out_link_M, are +associated to the output pads. +
+When two link labels with the same name are found in the +filtergraph, a link between the corresponding input and output pad is +created. +
+If an output pad is not labelled, it is linked by default to the first +unlabelled input pad of the next filter in the filterchain. +For example in the filterchain +
nullsrc, split[L1], [L2]overlay, nullsink +
the split filter instance has two output pads, and the overlay filter +instance two input pads. The first output pad of split is labelled +"L1", the first input pad of overlay is labelled "L2", and the second +output pad of split is linked to the second input pad of overlay, +which are both unlabelled. +
+In a filter description, if the input label of the first filter is not +specified, "in" is assumed; if the output label of the last filter is not +specified, "out" is assumed. +
+In a complete filterchain all the unlabelled filter input and output +pads must be connected. A filtergraph is considered valid if all the +filter input and output pads of all the filterchains are connected. +
+Libavfilter will automatically insert scale filters where format
+conversion is required. It is possible to specify swscale flags
+for those automatically inserted scalers by prepending
+sws_flags=flags;
+to the filtergraph description.
+
Here is a BNF description of the filtergraph syntax: +
NAME ::= sequence of alphanumeric characters and '_' +FILTER_NAME ::= NAME["@"NAME] +LINKLABEL ::= "[" NAME "]" +LINKLABELS ::= LINKLABEL [LINKLABELS] +FILTER_ARGUMENTS ::= sequence of chars (possibly quoted) +FILTER ::= [LINKLABELS] FILTER_NAME ["=" FILTER_ARGUMENTS] [LINKLABELS] +FILTERCHAIN ::= FILTER [,FILTERCHAIN] +FILTERGRAPH ::= [sws_flags=flags;] FILTERCHAIN [;FILTERGRAPH] +
Filtergraph description composition entails several levels of +escaping. See (ffmpeg-utils)the "Quoting and escaping" +section in the ffmpeg-utils(1) manual for more +information about the employed escaping procedure. +
+A first level escaping affects the content of each filter option
+value, which may contain the special character : used to
+separate values, or one of the escaping characters \'.
+
A second level escaping affects the whole filter description, which
+may contain the escaping characters \' or the special
+characters [],; used by the filtergraph description.
+
Finally, when you specify a filtergraph on a shell commandline, you +need to perform a third level escaping for the shell special +characters contained within it. +
+For example, consider the following string to be embedded in +the drawtext filter description text value: +
this is a 'string': may contain one, or more, special characters +
This string contains the ' special escaping character, and the
+: special character, so it needs to be escaped in this way:
+
text=this is a \'string\'\: may contain one, or more, special characters +
A second level of escaping is required when embedding the filter +description in a filtergraph description, in order to escape all the +filtergraph special characters. Thus the example above becomes: +
drawtext=text=this is a \\\'string\\\'\\: may contain one\, or more\, special characters +
(note that in addition to the \' escaping special characters,
+also , needs to be escaped).
+
Finally an additional level of escaping is needed when writing the
+filtergraph description in a shell command, which depends on the
+escaping rules of the adopted shell. For example, assuming that
+\ is special and needs to be escaped with another \, the
+previous string will finally result in:
+
-vf "drawtext=text=this is a \\\\\\'string\\\\\\'\\\\: may contain one\\, or more\\, special characters" +
Some filters support a generic enable option. For the filters +supporting timeline editing, this option can be set to an expression which is +evaluated before sending a frame to the filter. If the evaluation is non-zero, +the filter will be enabled, otherwise the frame will be sent unchanged to the +next filter in the filtergraph. +
+The expression accepts the following values: +
timestamp expressed in seconds, NAN if the input timestamp is unknown +
+sequential number of the input frame, starting from 0 +
+the position in the file of the input frame, NAN if unknown +
+width and height of the input frame if video +
Additionally, these filters support an enable command that can be used +to re-define the expression. +
+Like any other filtering option, the enable option follows the same +rules. +
+For example, to enable a blur filter (smartblur) from 10 seconds to 3 +minutes, and a curves filter starting at 3 seconds: +
smartblur = enable='between(t,10,3*60)', +curves = enable='gte(t,3)' : preset=cross_process +
See ffmpeg -filters to view which filters have timeline support.
+
Some options can be changed during the operation of the filter using
+a command. These options are marked ’T’ on the output of
+ffmpeg -h filter=<name of filter>.
+The name of the command is the name of the option and the argument is
+the new value.
+
Some filters with several inputs support a common set of options. +These options can only be set by name, not with the short notation. +
+The action to take when EOF is encountered on the secondary input; it accepts +one of the following values: +
+Repeat the last frame (the default). +
End both streams. +
Pass the main input through. +
If set to 1, force the output to terminate when the shortest input +terminates. Default value is 0. +
+If set to 1, force the filter to extend the last frame of secondary streams +until the end of the primary stream. A value of 0 disables this behavior. +Default value is 1. +
When you configure your FFmpeg build, you can disable any of the
+existing filters using --disable-filters.
+The configure output will show the audio filters included in your
+build.
+
Below is a description of the currently available audio filters. +
+ +A compressor is mainly used to reduce the dynamic range of a signal. +Especially modern music is mostly compressed at a high ratio to +improve the overall loudness. It’s done to get the highest attention +of a listener, "fatten" the sound and bring more "power" to the track. +If a signal is compressed too much it may sound dull or "dead" +afterwards or it may start to "pump" (which could be a powerful effect +but can also destroy a track completely). +The right compression is the key to reach a professional sound and is +the high art of mixing and mastering. Because of its complex settings +it may take a long time to get the right feeling for this kind of effect. +
+Compression is done by detecting the volume above a chosen level
+threshold and dividing it by the factor set with ratio.
+So if you set the threshold to -12dB and your signal reaches -6dB a ratio
+of 2:1 will result in a signal at -9dB. Because an exact manipulation of
+the signal would cause distortion of the waveform the reduction can be
+levelled over the time. This is done by setting "Attack" and "Release".
+attack determines how long the signal has to rise above the threshold
+before any reduction will occur and release sets the time the signal
+has to fall below the threshold to reduce the reduction again. Shorter signals
+than the chosen attack time will be left untouched.
+The overall reduction of the signal can be made up afterwards with the
+makeup setting. So compressing the peaks of a signal about 6dB and
+raising the makeup to this level results in a signal twice as loud than the
+source. To gain a softer entry in the compression the knee flattens the
+hard edge at the threshold in the range of the chosen decibels.
+
The filter accepts the following options: +
+Set input gain. Default is 1. Range is between 0.015625 and 64. +
+Set mode of compressor operation. Can be upward or downward.
+Default is downward.
+
If a signal of stream rises above this level it will affect the gain +reduction. +By default it is 0.125. Range is between 0.00097563 and 1. +
+Set a ratio by which the signal is reduced. 1:2 means that if the level +rose 4dB above the threshold, it will be only 2dB above after the reduction. +Default is 2. Range is between 1 and 20. +
+Amount of milliseconds the signal has to rise above the threshold before gain +reduction starts. Default is 20. Range is between 0.01 and 2000. +
+Amount of milliseconds the signal has to fall below the threshold before +reduction is decreased again. Default is 250. Range is between 0.01 and 9000. +
+Set the amount by how much signal will be amplified after processing. +Default is 1. Range is from 1 to 64. +
+Curve the sharp knee around the threshold to enter gain reduction more softly. +Default is 2.82843. Range is between 1 and 8. +
+Choose if the average level between all channels of input stream
+or the louder(maximum) channel of input stream affects the
+reduction. Default is average.
+
Should the exact signal be taken in case of peak or an RMS one in case
+of rms. Default is rms which is mostly smoother.
+
How much to use compressed signal in output. Default is 1. +Range is between 0 and 1. +
This filter supports the all above options as commands. +
+ +Simple audio dynamic range compression/expansion filter. +
+The filter accepts the following options: +
+Set contrast. Default is 33. Allowed range is between 0 and 100. +
Copy the input audio source unchanged to the output. This is mainly useful for +testing purposes. +
+ +Apply cross fade from one input audio stream to another input audio stream. +The cross fade is applied for specified duration near the end of first stream. +
+The filter accepts the following options: +
+Specify the number of samples for which the cross fade effect has to last. +At the end of the cross fade effect the first input audio will be completely +silent. Default is 44100. +
+Specify the duration of the cross fade effect. See +(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual +for the accepted syntax. +By default the duration is determined by nb_samples. +If set this option is used instead of nb_samples. +
+Should first stream end overlap with second stream start. Default is enabled. +
+Set curve for cross fade transition for first stream. +
+Set curve for cross fade transition for second stream. +
+For description of available curve types see afade filter description. +
ffmpeg -i first.flac -i second.flac -filter_complex acrossfade=d=10:c1=exp:c2=exp output.flac +
ffmpeg -i first.flac -i second.flac -filter_complex acrossfade=d=10:o=0:c1=exp:c2=exp output.flac +
Split audio stream into several bands. +
+This filter splits audio stream into two or more frequency ranges. +Summing all streams back will give flat output. +
+The filter accepts the following options: +
+Set split frequencies. Those must be positive and increasing. +
+Set filter order for each band split. This controls filter roll-off or steepness +of filter transfer function. +Available values are: +
+12 dB per octave. +
24 dB per octave. +
36 dB per octave. +
48 dB per octave. +
60 dB per octave. +
72 dB per octave. +
84 dB per octave. +
96 dB per octave. +
108 dB per octave. +
120 dB per octave. +
Default is 4th. +
+Set input gain level. Allowed range is from 0 to 1. Default value is 1. +
+Set output gain for each band. Default value is 1 for all bands. +
+Set which precision to use when processing samples. +
+Auto pick internal sample format depending on other filters. +
+Always use single-floating point precision sample format. +
+Always use double-floating point precision sample format. +
Default value is auto.
+
ffmpeg -i in.flac -filter_complex 'acrossover=split=1500[LOW][HIGH]' -map '[LOW]' low.wav -map '[HIGH]' high.wav +
ffmpeg -i in.flac -filter_complex 'acrossover=split=1500:order=8th[LOW][HIGH]' -map '[LOW]' low.wav -map '[HIGH]' high.wav +
ffmpeg -i in.flac -filter_complex 'acrossover=split=1500 8000:order=8th[LOW][MID][HIGH]' -map '[LOW]' low.wav -map '[MID]' mid.wav -map '[HIGH]' high.wav +
Reduce audio bit resolution. +
+This filter is bit crusher with enhanced functionality. A bit crusher +is used to audibly reduce number of bits an audio signal is sampled +with. This doesn’t change the bit depth at all, it just produces the +effect. Material reduced in bit depth sounds more harsh and "digital". +This filter is able to even round to continuous values instead of discrete +bit depths. +Additionally it has a D/C offset which results in different crushing of +the lower and the upper half of the signal. +An Anti-Aliasing setting is able to produce "softer" crushing sounds. +
+Another feature of this filter is the logarithmic mode. +This setting switches from linear distances between bits to logarithmic ones. +The result is a much more "natural" sounding crusher which doesn’t gate low +signals for example. The human ear has a logarithmic perception, +so this kind of crushing is much more pleasant. +Logarithmic crushing is also able to get anti-aliased. +
+The filter accepts the following options: +
+Set level in. +
+Set level out. +
+Set bit reduction. +
+Set mixing amount. +
+Can be linear: lin or logarithmic: log.
+
Set DC. +
+Set anti-aliasing. +
+Set sample reduction. +
+Enable LFO. By default disabled. +
+Set LFO range. +
+Set LFO rate. +
This filter supports the all above options as commands. +
+ +Delay audio filtering until a given wallclock timestamp. See the cue +filter. +
+ +Remove impulsive noise from input audio. +
+Samples detected as impulsive noise are replaced by interpolated samples using +autoregressive modelling. +
+Set window size, in milliseconds. Allowed range is from 10 to
+100. Default value is 55 milliseconds.
+This sets size of window which will be processed at once.
+
Set window overlap, in percentage of window size. Allowed range is from
+50 to 95. Default value is 75 percent.
+Setting this to a very high value increases impulsive noise removal but makes
+whole process much slower.
+
Set autoregression order, in percentage of window size. Allowed range is from
+0 to 25. Default value is 2 percent. This option also
+controls quality of interpolated samples using neighbour good samples.
+
Set threshold value. Allowed range is from 1 to 100.
+Default value is 2.
+This controls the strength of impulsive noise which is going to be removed.
+The lower value, the more samples will be detected as impulsive noise.
+
Set burst fusion, in percentage of window size. Allowed range is 0 to
+10. Default value is 2.
+If any two samples detected as noise are spaced less than this value then any
+sample between those two samples will be also detected as noise.
+
Set overlap method. +
+It accepts the following values: +
Select overlap-add method. Even not interpolated samples are slightly +changed with this method. +
+Select overlap-save method. Not interpolated samples remain unchanged. +
Default value is a.
+
Remove clipped samples from input audio. +
+Samples detected as clipped are replaced by interpolated samples using +autoregressive modelling. +
+Set window size, in milliseconds. Allowed range is from 10 to 100.
+Default value is 55 milliseconds.
+This sets size of window which will be processed at once.
+
Set window overlap, in percentage of window size. Allowed range is from 50
+to 95. Default value is 75 percent.
+
Set autoregression order, in percentage of window size. Allowed range is from
+0 to 25. Default value is 8 percent. This option also controls
+quality of interpolated samples using neighbour good samples.
+
Set threshold value. Allowed range is from 1 to 100.
+Default value is 10. Higher values make clip detection less aggressive.
+
Set size of histogram used to detect clips. Allowed range is from 100 to 9999.
+Default value is 1000. Higher values make clip detection less aggressive.
+
Set overlap method. +
+It accepts the following values: +
Select overlap-add method. Even not interpolated samples are slightly changed +with this method. +
+Select overlap-save method. Not interpolated samples remain unchanged. +
Default value is a.
+
Apply decorrelation to input audio stream. +
+The filter accepts the following options: +
+Set decorrelation stages of filtering. Allowed +range is from 1 to 16. Default value is 6. +
+Set random seed used for setting delay in samples across channels. +
Delay one or more audio channels. +
+Samples in delayed channel are filled with silence. +
+The filter accepts the following option: +
+Set list of delays in milliseconds for each channel separated by ’|’. +Unused delays will be silently ignored. If number of given delays is +smaller than number of channels all remaining channels will not be delayed. +If you want to delay exact number of samples, append ’S’ to number. +If you want instead to delay in seconds, append ’s’ to number. +
+Use last set delay for all remaining channels. By default is disabled.
+This option if enabled changes how option delays is interpreted.
+
adelay=1500|0|500 +
adelay=0|500S|700S +
adelay=delays=64S:all=1 +
Remedy denormals in audio by adding extremely low-level noise. +
+This filter shall be placed before any filter that can produce denormals. +
+A description of the accepted parameters follows. +
+Set level of added noise in dB. Default is -351.
+Allowed range is from -451 to -90.
+
Set type of added noise. +
+Add DC signal. +
Add AC signal. +
Add square signal. +
Add pulse signal. +
Default is dc.
+
This filter supports the all above options as commands. +
+ +Compute derivative/integral of audio stream. +
+Applying both filters one after another produces original audio. +
+ +Apply dynamic equalization to input audio stream. +
+A description of the accepted options follows. +
+Set the detection threshold used to trigger equalization. +Threshold detection is using bandpass filter. +Default value is 0. Allowed range is from 0 to 100. +
+Set the detection frequency in Hz used for bandpass filter used to trigger equalization. +Default value is 1000 Hz. Allowed range is between 2 and 1000000 Hz. +
+Set the detection resonance factor for bandpass filter used to trigger equalization. +Default value is 1. Allowed range is from 0.001 to 1000. +
+Set the target frequency of equalization filter. +Default value is 1000 Hz. Allowed range is between 2 and 1000000 Hz. +
+Set the target resonance factor for target equalization filter. +Default value is 1. Allowed range is from 0.001 to 1000. +
+Set the amount of milliseconds the signal from detection has to rise above +the detection threshold before equalization starts. +Default is 20. Allowed range is between 1 and 2000. +
+Set the amount of milliseconds the signal from detection has to fall below the +detection threshold before equalization ends. +Default is 200. Allowed range is between 1 and 2000. +
+Set the ratio by which the equalization gain is raised. +Default is 1. Allowed range is between 0 and 30. +
+Set the makeup offset by which the equalization gain is raised. +Default is 0. Allowed range is between 0 and 100. +
+Set the max allowed cut/boost amount. Default is 50. +Allowed range is from 1 to 200. +
+Set the mode of filter operation, can be one of the following: +
+Output only isolated bandpass signal. +
Cut frequencies above detection threshold. +
Boost frequencies bellow detection threshold. +
Default mode is ‘cut’. +
+Set the type of target filter, can be one of the following: +
+Default type is ‘bell’. +
+Set processing direction relative to threshold. +
Boost or cut if threshhold is higher than detected volume. +
Boost or cut if threshhold is lower than detected volume. +
Default direction is ‘downward’. +
This filter supports the all above options as commands. +
+ +Apply dynamic smoothing to input audio stream. +
+A description of the accepted options follows. +
+Set an amount of sensitivity to frequency fluctations. Default is 2. +Allowed range is from 0 to 1e+06. +
+Set a base frequency for smoothing. Default value is 22050. +Allowed range is from 2 to 1e+06. +
This filter supports the all above options as commands. +
+ +Apply echoing to the input audio. +
+Echoes are reflected sound and can occur naturally amongst mountains
+(and sometimes large buildings) when talking or shouting; digital echo
+effects emulate this behaviour and are often used to help fill out the
+sound of a single instrument or vocal. The time difference between the
+original signal and the reflection is the delay, and the
+loudness of the reflected signal is the decay.
+Multiple echoes can have different delays and decays.
+
A description of the accepted parameters follows. +
+Set input gain of reflected signal. Default is 0.6.
+
Set output gain of reflected signal. Default is 0.3.
+
Set list of time intervals in milliseconds between original signal and reflections
+separated by ’|’. Allowed range for each delay is (0 - 90000.0].
+Default is 1000.
+
Set list of loudness of reflected signals separated by ’|’.
+Allowed range for each decay is (0 - 1.0].
+Default is 0.5.
+
aecho=0.8:0.88:60:0.4 +
aecho=0.8:0.88:6:0.4 +
aecho=0.8:0.9:1000:0.3 +
aecho=0.8:0.9:1000|1800:0.3|0.25 +
Audio emphasis filter creates or restores material directly taken from LPs or +emphased CDs with different filter curves. E.g. to store music on vinyl the +signal has to be altered by a filter first to even out the disadvantages of +this recording medium. +Once the material is played back the inverse filter has to be applied to +restore the distortion of the frequency response. +
+The filter accepts the following options: +
+Set input gain. +
+Set output gain. +
+Set filter mode. For restoring material use reproduction mode, otherwise
+use production mode. Default is reproduction mode.
+
Set filter type. Selects medium. Can be one of the following: +
+select Columbia. +
select EMI. +
select BSI (78RPM). +
select RIAA. +
select Compact Disc (CD). +
select 50µs (FM). +
select 75µs (FM). +
select 50µs (FM-KF). +
select 75µs (FM-KF). +
This filter supports the all above options as commands. +
+ +Modify an audio signal according to the specified expressions. +
+This filter accepts one or more expressions (one for each channel), +which are evaluated and used to modify a corresponding audio signal. +
+It accepts the following parameters: +
+Set the ’|’-separated expressions list for each separate channel. If +the number of input channels is greater than the number of +expressions, the last specified expression is used for the remaining +output channels. +
+Set output channel layout. If not specified, the channel layout is +specified by the number of expressions. If set to ‘same’, it will +use by default the same input channel layout. +
Each expression in exprs can contain the following constants and functions: +
+channel number of the current expression +
+number of the evaluated sample, starting from 0 +
+sample rate +
+time of the evaluated sample expressed in seconds +
+input and output number of channels +
+the value of input channel with number CH +
Note: this filter is slow. For faster processing you should use a +dedicated filter. +
+ +aeval=val(ch)/2:c=same +
aeval=val(0)|-val(1) +
An exciter is used to produce high sound that is not present in the +original signal. This is done by creating harmonic distortions of the +signal which are restricted in range and added to the original signal. +An Exciter raises the upper end of an audio signal without simply raising +the higher frequencies like an equalizer would do to create a more +"crisp" or "brilliant" sound. +
+The filter accepts the following options: +
+Set input level prior processing of signal. +Allowed range is from 0 to 64. +Default value is 1. +
+Set output level after processing of signal. +Allowed range is from 0 to 64. +Default value is 1. +
+Set the amount of harmonics added to original signal. +Allowed range is from 0 to 64. +Default value is 1. +
+Set the amount of newly created harmonics. +Allowed range is from 0.1 to 10. +Default value is 8.5. +
+Set the octave of newly created harmonics. +Allowed range is from -10 to 10. +Default value is 0. +
+Set the lower frequency limit of producing harmonics in Hz. +Allowed range is from 2000 to 12000 Hz. +Default is 7500 Hz. +
+Set the upper frequency limit of producing harmonics. +Allowed range is from 9999 to 20000 Hz. +If value is lower than 10000 Hz no limit is applied. +
+Mute the original signal and output only added harmonics. +By default is disabled. +
This filter supports the all above options as commands. +
+ +Apply fade-in/out effect to input audio. +
+A description of the accepted parameters follows. +
+Specify the effect type, can be either in for fade-in, or
+out for a fade-out effect. Default is in.
+
Specify the number of the start sample for starting to apply the fade +effect. Default is 0. +
+Specify the number of samples for which the fade effect has to last. At +the end of the fade-in effect the output audio will have the same +volume as the input audio, at the end of the fade-out transition +the output audio will be silence. Default is 44100. +
+Specify the start time of the fade effect. Default is 0. +The value must be specified as a time duration; see +(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual +for the accepted syntax. +If set this option is used instead of start_sample. +
+Specify the duration of the fade effect. See +(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual +for the accepted syntax. +At the end of the fade-in effect the output audio will have the same +volume as the input audio, at the end of the fade-out transition +the output audio will be silence. +By default the duration is determined by nb_samples. +If set this option is used instead of nb_samples. +
+Set curve for fade transition. +
+It accepts the following values: +
select triangular, linear slope (default) +
select quarter of sine wave +
select half of sine wave +
select exponential sine wave +
select logarithmic +
select inverted parabola +
select quadratic +
select cubic +
select square root +
select cubic root +
select parabola +
select exponential +
select inverted quarter of sine wave +
select inverted half of sine wave +
select double-exponential seat +
select double-exponential sigmoid +
select logistic sigmoid +
select sine cardinal function +
select inverted sine cardinal function +
no fade applied +
This filter supports the all above options as commands. +
+ +afade=t=in:ss=0:d=15 +
afade=t=out:st=875:d=25 +
Denoise audio samples with FFT. +
+A description of the accepted parameters follows. +
+Set the noise reduction in dB, allowed range is 0.01 to 97. +Default value is 12 dB. +
+Set the noise floor in dB, allowed range is -80 to -20. +Default value is -50 dB. +
+Set the noise type. +
+It accepts the following values: +
Select white noise. +
+Select vinyl noise. +
+Select shellac noise. +
+Select custom noise, defined in bn option.
+
Default value is white noise. +
Set custom band noise profile for every one of 15 bands. +Bands are separated by ’ ’ or ’|’. +
+Set the residual floor in dB, allowed range is -80 to -20. +Default value is -38 dB. +
+Enable noise floor tracking. By default is disabled. +With this enabled, noise floor is automatically adjusted. +
+Enable residual tracking. By default is disabled. +
+Set the output mode. +
+It accepts the following values: +
Pass input unchanged. +
+Pass noise filtered out. +
+Pass only noise. +
+Default value is output. +
Set the adaptivity factor, used how fast to adapt gains adjustments per +each frequency bin. Value 0 enables instant adaptation, while higher values +react much slower. +Allowed range is from 0 to 1. Default value is 0.5. +
+Set the noise floor offset factor. This option is used to adjust offset applied to measured +noise floor. It is only effective when noise floor tracking is enabled. +Allowed range is from -2.0 to 2.0. Default value is 1.0. +
+Set the noise link used for multichannel audio. +
+It accepts the following values: +
Use unchanged channel’s noise floor. +
+Use measured min noise floor of all channels. +
+Use measured max noise floor of all channels. +
+Use measured average noise floor of all channels. +
+Default value is min. +
Set the band multiplier factor, used how much to spread bands across frequency bins. +Allowed range is from 0.2 to 5. Default value is 1.25. +
+Toggle capturing and measurement of noise profile from input audio. +
+It accepts the following values: +
Start sample noise capture. +
+Stop sample noise capture and measure new noise band profile. +
+Default value is none.
+
Set gain smooth spatial radius, used to smooth gains applied to each frequency bin.
+Useful to reduce random music noise artefacts.
+Higher values increases smoothing of gains.
+Allowed range is from 0 to 50.
+Default value is 0.
+
This filter supports the some above mentioned options as commands. +
+ +afftdn=nr=10:nf=-40 +
afftdn=nr=10:nf=-80:tn=1 +
asendcmd=0.0 afftdn sn start,asendcmd=0.4 afftdn sn stop,afftdn=nr=20:nf=-40 +
Apply arbitrary expressions to samples in frequency domain. +
+Set frequency domain real expression for each separate channel separated +by ’|’. Default is "re". +If the number of input channels is greater than the number of +expressions, the last specified expression is used for the remaining +output channels. +
+Set frequency domain imaginary expression for each separate channel +separated by ’|’. Default is "im". +
+Each expression in real and imag can contain the following +constants and functions: +
+sample rate +
+current frequency bin number +
+number of available bins +
+channel number of the current expression +
+number of channels +
+current frame pts +
+current real part of frequency bin of current channel +
+current imaginary part of frequency bin of current channel +
+Return the value of real part of frequency bin at location (bin,channel) +
+Return the value of imaginary part of frequency bin at location (bin,channel) +
Set window size. Allowed range is from 16 to 131072.
+Default is 4096
+
Set window function. +
+It accepts the following values: +
Default is hann.
+
Set window overlap. If set to 1, the recommended overlap for selected
+window function will be picked. Default is 0.75.
+
afftfilt="'real=re * (1-clip((b/nb)*b,0,1))':imag='im * (1-clip((b/nb)*b,0,1))'" +
afftfilt="real='hypot(re,im)*sin(0)':imag='hypot(re,im)*cos(0)':win_size=512:overlap=0.75" +
afftfilt="real='hypot(re,im)*cos((random(0)*2-1)*2*3.14)':imag='hypot(re,im)*sin((random(1)*2-1)*2*3.14)':win_size=128:overlap=0.8" +
afftfilt="real=re*cos(1)-im*sin(1):imag=re*sin(1)+im*cos(1)" +
Apply an arbitrary Finite Impulse Response filter. +
+This filter is designed for applying long FIR filters, +up to 60 seconds long. +
+It can be used as component for digital crossover filters, +room equalization, cross talk cancellation, wavefield synthesis, +auralization, ambiophonics, ambisonics and spatialization. +
+This filter uses the streams higher than first one as FIR coefficients. +If the non-first stream holds a single channel, it will be used +for all input channels in the first stream, otherwise +the number of channels in the non-first stream must be same as +the number of channels in the first stream. +
+It accepts the following parameters: +
+Set dry gain. This sets input gain. +
+Set wet gain. This sets final output gain. +
+Set Impulse Response filter length. Default is 1, which means whole IR is processed. +
+Enable applying gain measured from power of IR. +
+Set which approach to use for auto gain measurement. +
+Do not apply any gain. +
+select peak gain, very conservative approach. This is default value. +
+select DC gain, limited application. +
+select gain to noise approach, this is most popular one. +
Set gain to be applied to IR coefficients before filtering. +Allowed range is 0 to 1. This gain is applied after any gain applied with gtype option. +
+Set format of IR stream. Can be mono or input.
+Default is input.
+
Set max allowed Impulse Response filter duration in seconds. Default is 30 seconds. +Allowed range is 0.1 to 60 seconds. +
+Show IR frequency response, magnitude(magenta), phase(green) and group delay(yellow) in additional video stream. +By default it is disabled. +
+Set for which IR channel to display frequency response. By default is first channel +displayed. This option is used only when response is enabled. +
+Set video stream size. This option is used only when response is enabled. +
+Set video stream frame rate. This option is used only when response is enabled. +
+Set minimal partition size used for convolution. Default is 8192. +Allowed range is from 1 to 32768. +Lower values decreases latency at cost of higher CPU usage. +
+Set maximal partition size used for convolution. Default is 8192. +Allowed range is from 8 to 32768. +Lower values may increase CPU usage. +
+Set number of input impulse responses streams which will be switchable at runtime. +Allowed range is from 1 to 32. Default is 1. +
+Set IR stream which will be used for convolution, starting from 0, should always be
+lower than supplied value by nbirs option. Default is 0.
+This option can be changed at runtime via commands.
+
Set which precision to use when processing samples. +
+Auto pick internal sample format depending on other filters. +
+Always use single-floating point precision sample format. +
+Always use double-floating point precision sample format. +
Default value is auto. +
ffmpeg -i input.wav -i middle_tunnel_1way_mono.wav -lavfi afir output.wav +
Set output format constraints for the input audio. The framework will +negotiate the most appropriate format to minimize conversions. +
+It accepts the following parameters: +
A ’|’-separated list of requested sample formats. +
+A ’|’-separated list of requested sample rates. +
+A ’|’-separated list of requested channel layouts. +
+See (ffmpeg-utils)the Channel Layout section in the ffmpeg-utils(1) manual +for the required syntax. +
If a parameter is omitted, all values are allowed. +
+Force the output to either unsigned 8-bit or signed 16-bit stereo +
aformat=sample_fmts=u8|s16:channel_layouts=stereo +
Apply frequency shift to input audio samples. +
+The filter accepts the following options: +
+Specify frequency shift. Allowed range is -INT_MAX to INT_MAX. +Default value is 0.0. +
+Set output gain applied to final output. Allowed range is from 0.0 to 1.0. +Default value is 1.0. +
+Set filter order used for filtering. Allowed range is from 1 to 16. +Default value is 8. +
This filter supports the all above options as commands. +
+ +Reduce broadband noise from input samples using Wavelets. +
+A description of the accepted options follows. +
+Set the noise sigma, allowed range is from 0 to 1. +Default value is 0. +This option controls strength of denoising applied to input samples. +Most useful way to set this option is via decibels, eg. -45dB. +
+Set the number of wavelet levels of decomposition. +Allowed range is from 1 to 12. +Default value is 10. +Setting this too low make denoising performance very poor. +
+Set wavelet type for decomposition of input frame. +They are sorted by number of coefficients, from lowest to highest. +More coefficients means worse filtering speed, but overall better quality. +Available wavelets are: +
+Set percent of full denoising. Allowed range is from 0 to 100 percent. +Default value is 85 percent or partial denoising. +
+If enabled, first input frame will be used as noise profile. +If first frame samples contain non-noise performance will be very poor. +
+If enabled, input frames are analyzed for presence of noise. +If noise is detected with high possibility then input frame profile will be +used for processing following frames, until new noise frame is detected. +
+Set size of single frame in number of samples. Allowed range is from 512 to +65536. Default frame size is 8192 samples. +
+Set softness applied inside thresholding function. Allowed range is from 0 to +10. Default softness is 1. +
This filter supports the all above options as commands. +
+ +A gate is mainly used to reduce lower parts of a signal. This kind of signal +processing reduces disturbing noise between useful signals. +
+Gating is done by detecting the volume below a chosen level threshold +and dividing it by the factor set with ratio. The bottom of the noise +floor is set via range. Because an exact manipulation of the signal +would cause distortion of the waveform the reduction can be levelled over +time. This is done by setting attack and release. +
+attack determines how long the signal has to fall below the threshold +before any reduction will occur and release sets the time the signal +has to rise above the threshold to reduce the reduction again. +Shorter signals than the chosen attack time will be left untouched. +
+Set input level before filtering. +Default is 1. Allowed range is from 0.015625 to 64. +
+Set the mode of operation. Can be upward or downward.
+Default is downward. If set to upward mode, higher parts of signal
+will be amplified, expanding dynamic range in upward direction.
+Otherwise, in case of downward lower parts of signal will be reduced.
+
Set the level of gain reduction when the signal is below the threshold. +Default is 0.06125. Allowed range is from 0 to 1. +Setting this to 0 disables reduction and then filter behaves like expander. +
+If a signal rises above this level the gain reduction is released. +Default is 0.125. Allowed range is from 0 to 1. +
+Set a ratio by which the signal is reduced. +Default is 2. Allowed range is from 1 to 9000. +
+Amount of milliseconds the signal has to rise above the threshold before gain +reduction stops. +Default is 20 milliseconds. Allowed range is from 0.01 to 9000. +
+Amount of milliseconds the signal has to fall below the threshold before the +reduction is increased again. Default is 250 milliseconds. +Allowed range is from 0.01 to 9000. +
+Set amount of amplification of signal after processing. +Default is 1. Allowed range is from 1 to 64. +
+Curve the sharp knee around the threshold to enter gain reduction more softly. +Default is 2.828427125. Allowed range is from 1 to 8. +
+Choose if exact signal should be taken for detection or an RMS like one.
+Default is rms. Can be peak or rms.
+
Choose if the average level between all channels or the louder channel affects
+the reduction.
+Default is average. Can be average or maximum.
+
This filter supports the all above options as commands. +
+ +Apply an arbitrary Infinite Impulse Response filter. +
+It accepts the following parameters: +
+Set B/numerator/zeros/reflection coefficients. +
+Set A/denominator/poles/ladder coefficients. +
+Set channels gains. +
+Set input gain. +
+Set output gain. +
+Set coefficients format. +
+lattice-ladder function +
analog transfer function +
digital transfer function +
Z-plane zeros/poles, cartesian (default) +
Z-plane zeros/poles, polar radians +
Z-plane zeros/poles, polar degrees +
S-plane zeros/poles +
Set type of processing. +
+direct processing +
serial processing +
parallel processing +
Set filtering precision. +
+double-precision floating-point (default) +
single-precision floating-point +
32-bit integers +
16-bit integers +
Normalize filter coefficients, by default is enabled. +Enabling it will normalize magnitude response at DC to 0dB. +
+How much to use filtered signal in output. Default is 1. +Range is between 0 and 1. +
+Show IR frequency response, magnitude(magenta), phase(green) and group delay(yellow) in additional video stream. +By default it is disabled. +
+Set for which IR channel to display frequency response. By default is first channel +displayed. This option is used only when response is enabled. +
+Set video stream size. This option is used only when response is enabled. +
Coefficients in tf and sf format are separated by spaces and are in ascending
+order.
+
Coefficients in zp format are separated by spaces and order of coefficients
+doesn’t matter. Coefficients in zp format are complex numbers with i
+imaginary unit.
+
Different coefficients and gains can be provided for every channel, in such case +use ’|’ to separate coefficients or gains. Last provided coefficients will be +used for all remaining channels. +
+ +aiir=k=1:z=7.957584807809675810E-1 -2.575128568908332300 3.674839853930788710 -2.57512875289799137 7.957586296317130880E-1:p=1 -2.86950072432325953 3.63022088054647218 -2.28075678147272232 6.361362326477423500E-1:f=tf:r=d +
zp format:
+aiir=k=0.79575848078096756:z=0.80918701+0.58773007i 0.80918701-0.58773007i 0.80884700+0.58784055i 0.80884700-0.58784055i:p=0.63892345+0.59951235i 0.63892345-0.59951235i 0.79582691+0.44198673i 0.79582691-0.44198673i:f=zp:r=s +
aiir=z=1.3057 0 0 0:p=1.3057 2.3892 2.1860 1:f=sf:r=d +
The limiter prevents an input signal from rising over a desired threshold. +This limiter uses lookahead technology to prevent your signal from distorting. +It means that there is a small delay after the signal is processed. Keep in mind +that the delay it produces is the attack time you set. +
+The filter accepts the following options: +
+Set input gain. Default is 1. +
+Set output gain. Default is 1. +
+Don’t let signals above this level pass the limiter. Default is 1. +
+The limiter will reach its attenuation level in this amount of time in +milliseconds. Default is 5 milliseconds. +
+Come back from limiting to attenuation 1.0 in this amount of milliseconds. +Default is 50 milliseconds. +
+When gain reduction is always needed ASC takes care of releasing to an +average reduction level rather than reaching a reduction of 0 in the release +time. +
+Select how much the release time is affected by ASC, 0 means nearly no changes +in release time while 1 produces higher release times. +
+Auto level output signal. Default is enabled. +This normalizes audio back to 0dB if enabled. +
+Compensate the delay introduced by using the lookahead buffer set with attack +parameter. Also flush the valid audio data in the lookahead buffer when the +stream hits EOF. +
Depending on picked setting it is recommended to upsample input 2x or 4x times +with aresample before applying this filter. +
+ +Apply a two-pole all-pass filter with central frequency (in Hz) +frequency, and filter-width width. +An all-pass filter changes the audio’s frequency to phase relationship +without changing its frequency to amplitude relationship. +
+The filter accepts the following options: +
+Set frequency in Hz. +
+Set method to specify band-width of filter. +
Hz +
Q-Factor +
octave +
slope +
kHz +
Specify the band-width of a filter in width_type units. +
+How much to use filtered signal in output. Default is 1. +Range is between 0 and 1. +
+Specify which channels to filter, by default all available are filtered. +
+Normalize biquad coefficients, by default is disabled. +Enabling it will normalize magnitude response at DC to 0dB. +
+Set the filter order, can be 1 or 2. Default is 2. +
+Set transform type of IIR filter. +
Set precison of filtering. +
Pick automatic sample format depending on surround filters. +
Always use signed 16-bit. +
Always use signed 32-bit. +
Always use float 32-bit. +
Always use float 64-bit. +
This filter supports the following commands: +
Change allpass frequency. +Syntax for the command is : "frequency" +
+Change allpass width_type. +Syntax for the command is : "width_type" +
+Change allpass width. +Syntax for the command is : "width" +
+Change allpass mix. +Syntax for the command is : "mix" +
Loop audio samples. +
+The filter accepts the following options: +
+Set the number of loops. Setting this value to -1 will result in infinite loops. +Default is 0. +
+Set maximal number of samples. Default is 0. +
+Set first sample of loop. Default is 0. +
Merge two or more audio streams into a single multi-channel stream. +
+The filter accepts the following options: +
+Set the number of inputs. Default is 2. +
+If the channel layouts of the inputs are disjoint, and therefore compatible, +the channel layout of the output will be set accordingly and the channels +will be reordered as necessary. If the channel layouts of the inputs are not +disjoint, the output will have all the channels of the first input then all +the channels of the second input, in that order, and the channel layout of +the output will be the default value corresponding to the total number of +channels. +
+For example, if the first input is in 2.1 (FL+FR+LF) and the second input +is FC+BL+BR, then the output will be in 5.1, with the channels in the +following order: a1, a2, b1, a3, b2, b3 (a1 is the first channel of the +first input, b1 is the first channel of the second input). +
+On the other hand, if both input are in stereo, the output channels will be +in the default order: a1, a2, b1, b2, and the channel layout will be +arbitrarily set to 4.0, which may or may not be the expected value. +
+All inputs must have the same sample rate, and format. +
+If inputs do not have the same duration, the output will stop with the +shortest. +
+ +amovie=left.wav [l] ; amovie=right.mp3 [r] ; [l] [r] amerge +
ffmpeg -i input.mkv -filter_complex "[0:1][0:2][0:3][0:4][0:5][0:6] amerge=inputs=6" -c:a pcm_s16le output.mkv +
Mixes multiple audio inputs into a single output. +
+Note that this filter only supports float samples (the amerge +and pan audio filters support many formats). If the amix +input has integer samples then aresample will be automatically +inserted to perform the conversion to float samples. +
+It accepts the following parameters: +
The number of inputs. If unspecified, it defaults to 2. +
+How to determine the end-of-stream. +
The duration of the longest input. (default) +
+The duration of the shortest input. +
+The duration of the first input. +
+The transition time, in seconds, for volume renormalization when an input +stream ends. The default value is 2 seconds. +
+Specify weight of each input audio stream as a sequence of numbers separated +by a space. If fewer weights are specified compared to number of inputs, the +last weight is assigned to the remaining inputs. +Default weight for each input is 1. +
+Always scale inputs instead of only doing summation of samples. +Beware of heavy clipping if inputs are not normalized prior or after filtering +by this filter if this option is disabled. By default is enabled. +
ffmpeg -i INPUT1 -i INPUT2 -i INPUT3 -filter_complex amix=inputs=3:duration=first:dropout_transition=3 OUTPUT +
ffmpeg -i VOCALS -i MUSIC -filter_complex amix=inputs=2:duration=longest:dropout_transition=0:weights="1 0.25":normalize=0 OUTPUT +
This filter supports the following commands: +
Syntax is same as option with same name. +
Multiply first audio stream with second audio stream and store result +in output audio stream. Multiplication is done by multiplying each +sample from first stream with sample at same position from second stream. +
+With this element-wise multiplication one can create amplitude fades and +amplitude modulations. +
+ +High-order parametric multiband equalizer for each channel. +
+It accepts the following parameters: +
This option string is in format: +"cchn f=cf w=w g=g t=f | ..." +Each equalizer band is separated by ’|’. +
+Set channel number to which equalization will be applied. +If input doesn’t have that channel the entry is ignored. +
+Set central frequency for band. +If input doesn’t have that frequency the entry is ignored. +
+Set band width in Hertz. +
+Set band gain in dB. +
+Set filter type for band, optional, can be: +
+Butterworth, this is default. +
+Chebyshev type 1. +
+Chebyshev type 2. +
With this option activated frequency response of anequalizer is displayed +in video stream. +
+Set video stream size. Only useful if curves option is activated. +
+Set max gain that will be displayed. Only useful if curves option is activated. +Setting this to a reasonable value makes it possible to display gain which is derived from +neighbour bands which are too close to each other and thus produce higher gain +when both are activated. +
+Set frequency scale used to draw frequency response in video output. +Can be linear or logarithmic. Default is logarithmic. +
+Set color for each channel curve which is going to be displayed in video stream. +This is list of color names separated by space or by ’|’. +Unrecognised or missing colors will be replaced by white color. +
anequalizer=c0 f=200 w=100 g=-10 t=1|c1 f=200 w=100 g=-10 t=1 +
This filter supports the following commands: +
Alter existing filter parameters. +Syntax for the commands is : "fN|f=freq|w=width|g=gain" +
+fN is existing filter number, starting from 0, if no such filter is available +error is returned. +freq set new frequency parameter. +width set new width parameter in Hertz. +gain set new gain parameter in dB. +
+Full filter invocation with asendcmd may look like this: +asendcmd=c=’4.0 anequalizer change 0|f=200|w=50|g=1’,anequalizer=... +
Reduce broadband noise in audio samples using Non-Local Means algorithm. +
+Each sample is adjusted by looking for other samples with similar contexts. This +context similarity is defined by comparing their surrounding patches of size +p. Patches are searched in an area of r around the sample. +
+The filter accepts the following options: +
+Set denoising strength. Allowed range is from 0.00001 to 10000. Default value is 0.00001. +
+Set patch radius duration. Allowed range is from 1 to 100 milliseconds. +Default value is 2 milliseconds. +
+Set research radius duration. Allowed range is from 2 to 300 milliseconds. +Default value is 6 milliseconds. +
+Set the output mode. +
+It accepts the following values: +
Pass input unchanged. +
+Pass noise filtered out. +
+Pass only noise. +
+Default value is o. +
Set smooth factor. Default value is 11. Allowed range is from 1 to 1000. +
This filter supports the all above options as commands. +
+ +Apply Normalized Least-Mean-(Squares|Fourth) algorithm to the first audio stream using the second audio stream. +
+This adaptive filter is used to mimic a desired filter by finding the filter coefficients that +relate to producing the least mean square of the error signal (difference between the desired, +2nd input audio stream and the actual signal, the 1st input audio stream). +
+A description of the accepted options follows. +
+Set filter order. +
+Set filter mu. +
+Set the filter eps. +
+Set the filter leakage. +
+It accepts the following values: +
Pass the 1st input. +
+Pass the 2nd input. +
+Pass filtered samples. +
+Pass difference between desired and filtered samples. +
+Default value is o. +
asplit[a][b],[a]adelay=32S|32S[a],[b][a]anlms=order=128:leakage=0.0005:mu=.5:out_mode=o +
This filter supports the same commands as options, excluding option order.
+
Pass the audio source unchanged to the output. +
+ +Pad the end of an audio stream with silence. +
+This can be used together with ffmpeg -shortest to
+extend audio streams to the same length as the video stream.
+
A description of the accepted options follows. +
+Set silence packet size. Default value is 4096. +
+Set the number of samples of silence to add to the end. After the +value is reached, the stream is terminated. This option is mutually +exclusive with whole_len. +
+Set the minimum total number of samples in the output audio stream. If +the value is longer than the input audio length, silence is added to +the end, until the value is reached. This option is mutually exclusive +with pad_len. +
+Specify the duration of samples of silence to add. See +(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual +for the accepted syntax. Used only if set to non-negative value. +
+Specify the minimum total duration in the output audio stream. See +(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual +for the accepted syntax. Used only if set to non-negative value. If the value is longer than +the input audio length, silence is added to the end, until the value is reached. +This option is mutually exclusive with pad_dur +
If neither the pad_len nor the whole_len nor pad_dur +nor whole_dur option is set, the filter will add silence to the end of +the input stream indefinitely. +
+Note that for ffmpeg 4.4 and earlier a zero pad_dur or +whole_dur also caused the filter to add silence indefinitely. +
+ +apad=pad_len=1024 +
apad=whole_len=10000 +
ffmpeg to pad the audio input with silence, so that the
+video stream will always result the shortest and will be converted
+until the end in the output file when using the shortest
+option:
+ffmpeg -i VIDEO -i AUDIO -filter_complex "[1:0]apad" -shortest OUTPUT +
Add a phasing effect to the input audio. +
+A phaser filter creates series of peaks and troughs in the frequency spectrum. +The position of the peaks and troughs are modulated so that they vary over time, creating a sweeping effect. +
+A description of the accepted parameters follows. +
+Set input gain. Default is 0.4. +
+Set output gain. Default is 0.74 +
+Set delay in milliseconds. Default is 3.0. +
+Set decay. Default is 0.4. +
+Set modulation speed in Hz. Default is 0.5. +
+Set modulation type. Default is triangular. +
+It accepts the following values: +
Apply phase shift to input audio samples. +
+The filter accepts the following options: +
+Specify phase shift. Allowed range is from -1.0 to 1.0. +Default value is 0.0. +
+Set output gain applied to final output. Allowed range is from 0.0 to 1.0. +Default value is 1.0. +
+Set filter order used for filtering. Allowed range is from 1 to 16. +Default value is 8. +
This filter supports the all above options as commands. +
+ +Apply Psychoacoustic clipper to input audio stream. +
+The filter accepts the following options: +
+Set input gain. By default it is 1. Range is [0.015625 - 64]. +
+Set output gain. By default it is 1. Range is [0.015625 - 64]. +
+Set the clipping start value. Default value is 0dBFS or 1. +
+Output only difference samples, useful to hear introduced distortions. +By default is disabled. +
+Set strength of adaptive distortion applied. Default value is 0.5. +Allowed range is from 0 to 1. +
+Set number of iterations of psychoacoustic clipper. +Allowed range is from 1 to 20. Default value is 10. +
+Auto level output signal. Default is disabled. +This normalizes audio back to 0dBFS if enabled. +
This filter supports the all above options as commands. +
+ +Audio pulsator is something between an autopanner and a tremolo. +But it can produce funny stereo effects as well. Pulsator changes the volume +of the left and right channel based on a LFO (low frequency oscillator) with +different waveforms and shifted phases. +This filter have the ability to define an offset between left and right +channel. An offset of 0 means that both LFO shapes match each other. +The left and right channel are altered equally - a conventional tremolo. +An offset of 50% means that the shape of the right channel is exactly shifted +in phase (or moved backwards about half of the frequency) - pulsator acts as +an autopanner. At 1 both curves match again. Every setting in between moves the +phase shift gapless between all stages and produces some "bypassing" sounds with +sine and triangle waveforms. The more you set the offset near 1 (starting from +the 0.5) the faster the signal passes from the left to the right speaker. +
+The filter accepts the following options: +
+Set input gain. By default it is 1. Range is [0.015625 - 64]. +
+Set output gain. By default it is 1. Range is [0.015625 - 64]. +
+Set waveform shape the LFO will use. Can be one of: sine, triangle, square, +sawup or sawdown. Default is sine. +
+Set modulation. Define how much of original signal is affected by the LFO. +
+Set left channel offset. Default is 0. Allowed range is [0 - 1]. +
+Set right channel offset. Default is 0.5. Allowed range is [0 - 1]. +
+Set pulse width. Default is 1. Allowed range is [0 - 2]. +
+Set possible timing mode. Can be one of: bpm, ms or hz. Default is hz. +
+Set bpm. Default is 120. Allowed range is [30 - 300]. Only used if timing +is set to bpm. +
+Set ms. Default is 500. Allowed range is [10 - 2000]. Only used if timing +is set to ms. +
+Set frequency in Hz. Default is 2. Allowed range is [0.01 - 100]. Only used +if timing is set to hz. +
Resample the input audio to the specified parameters, using the +libswresample library. If none are specified then the filter will +automatically convert between its input and output. +
+This filter is also able to stretch/squeeze the audio data to make it match +the timestamps or to inject silence / cut out audio to make it match the +timestamps, do a combination of both or do neither. +
+The filter accepts the syntax +[sample_rate:]resampler_options, where sample_rate +expresses a sample rate and resampler_options is a list of +key=value pairs, separated by ":". See the +(ffmpeg-resampler)"Resampler Options" section in the +ffmpeg-resampler(1) manual +for the complete list of supported options. +
+ +aresample=44100 +
aresample=async=1000 +
Reverse an audio clip. +
+Warning: This filter requires memory to buffer the entire clip, so trimming +is suggested. +
+ +atrim=end=5,areverse +
Reduce noise from speech using Recurrent Neural Networks. +
+This filter accepts the following options: +
+Set train model file to load. This option is always required. +
+Set how much to mix filtered samples into final output. +Allowed range is from -1 to 1. Default value is 1. +Negative values are special, they set how much to keep filtered noise +in the final filter output. Set this option to -1 to hear actual +noise removed from input signal. +
This filter supports the all above options as commands. +
+ +Measure Audio Signal-to-Distortion Ratio. +
+This filter takes two audio streams for input, and outputs first +audio stream. +Results are in dB per channel at end of either input. +
+ +Set the number of samples per each output audio frame. +
+The last output packet may contain a different number of samples, as +the filter will flush all the remaining samples when the input audio +signals its end. +
+The filter accepts the following options: +
+Set the number of frames per each output audio frame. The number is +intended as the number of samples per each channel. +Default value is 1024. +
+If set to 1, the filter will pad the last audio frame with zeroes, so +that the last frame will contain the same number of samples as the +previous ones. Default value is 1. +
For example, to set the number of per-frame samples to 1234 and +disable padding for the last frame, use: +
asetnsamples=n=1234:p=0 +
Set the sample rate without altering the PCM data. +This will result in a change of speed and pitch. +
+The filter accepts the following options: +
+Set the output sample rate. Default is 44100 Hz. +
Show a line containing various information for each input audio frame. +The input audio is not modified. +
+The shown line contains a sequence of key/value pairs of the form +key:value. +
+The following values are shown in the output: +
+The (sequential) number of the input frame, starting from 0. +
+The presentation timestamp of the input frame, in time base units; the time base +depends on the filter input pad, and is usually 1/sample_rate. +
+The presentation timestamp of the input frame in seconds. +
+position of the frame in the input stream, -1 if this information in +unavailable and/or meaningless (for example in case of synthetic audio) +
+The sample format. +
+The channel layout. +
+The sample rate for the audio frame. +
+The number of samples (per channel) in the frame. +
+The Adler-32 checksum (printed in hexadecimal) of the audio data. For planar +audio, the data is treated as if all the planes were concatenated. +
+A list of Adler-32 checksums for each data plane. +
Apply audio soft clipping. +
+Soft clipping is a type of distortion effect where the amplitude of a signal is saturated +along a smooth curve, rather than the abrupt shape of hard-clipping. +
+This filter accepts the following options: +
+Set type of soft-clipping. +
+It accepts the following values: +
Set threshold from where to start clipping. Default value is 0dB or 1. +
+Set gain applied to output. Default value is 0dB or 1. +
+Set additional parameter which controls sigmoid function. +
+Set oversampling factor. +
This filter supports the all above options as commands. +
+ +Display frequency domain statistical information about the audio channels. +Statistics are calculated and stored as metadata for each audio channel and for each audio frame. +
+It accepts the following option: +
Set the window length in samples. Default value is 2048. +Allowed range is from 32 to 65536. +
+Set window function. +
+It accepts the following values: +
Default is hann.
+
Set window overlap. Allowed range is from 0
+to 1. Default value is 0.5.
+
Select the parameters which are measured. The metadata keys can +be used as flags, default is all which measures everything. +none disables all measurement. +
A list of each metadata key follows: +
+Automatic Speech Recognition +
+This filter uses PocketSphinx for speech recognition. To enable
+compilation of this filter, you need to configure FFmpeg with
+--enable-pocketsphinx.
+
It accepts the following options: +
+Set sampling rate of input audio. Defaults is 16000.
+This need to match speech models, otherwise one will get poor results.
+
Set dictionary containing acoustic model files. +
+Set pronunciation dictionary. +
+Set language model file. +
+Set language model set. +
+Set which language model to use. +
+Set output for log messages. +
The filter exports recognized speech as the frame metadata lavfi.asr.text.
+
Display time domain statistical information about the audio channels. +Statistics are calculated and displayed for each audio channel and, +where applicable, an overall figure is also given. +
+It accepts the following option: +
Short window length in seconds, used for peak and trough RMS measurement.
+Default is 0.05 (50 milliseconds). Allowed range is [0 - 10].
+
Set metadata injection. All the metadata keys are prefixed with lavfi.astats.X,
+where X is channel number starting from 1 or string Overall. Default is
+disabled.
+
Available keys for each channel are: +DC_offset +Min_level +Max_level +Min_difference +Max_difference +Mean_difference +RMS_difference +Peak_level +RMS_peak +RMS_trough +Crest_factor +Flat_factor +Peak_count +Noise_floor +Noise_floor_count +Entropy +Bit_depth +Dynamic_range +Zero_crossings +Zero_crossings_rate +Number_of_NaNs +Number_of_Infs +Number_of_denormals +
+and for Overall: +DC_offset +Min_level +Max_level +Min_difference +Max_difference +Mean_difference +RMS_difference +Peak_level +RMS_level +RMS_peak +RMS_trough +Flat_factor +Peak_count +Noise_floor +Noise_floor_count +Entropy +Bit_depth +Number_of_samples +Number_of_NaNs +Number_of_Infs +Number_of_denormals +
+For example full key look like this lavfi.astats.1.DC_offset or
+this lavfi.astats.Overall.Peak_count.
+
For description what each key means read below. +
+Set the number of frames over which cumulative stats are calculated before +being reset +Default is disabled. +
+Select the parameters which are measured per channel. The metadata keys can +be used as flags, default is all which measures everything. +none disables all per channel measurement. +
+Select the parameters which are measured overall. The metadata keys can +be used as flags, default is all which measures everything. +none disables all overall measurement. +
+A description of each shown parameter follows: +
+Mean amplitude displacement from zero. +
+Minimal sample level. +
+Maximal sample level. +
+Minimal difference between two consecutive samples. +
+Maximal difference between two consecutive samples. +
+Mean difference between two consecutive samples. +The average of each difference between two consecutive samples. +
+Root Mean Square difference between two consecutive samples. +
+Standard peak and RMS level measured in dBFS. +
+Peak and trough values for RMS level measured over a short window. +
+Standard ratio of peak to RMS level (note: not in dB). +
+Flatness (i.e. consecutive samples with the same value) of the signal at its peak levels +(i.e. either Min level or Max level). +
+Number of occasions (not the number of samples) that the signal attained either +Min level or Max level. +
+Minimum local peak measured in dBFS over a short window. +
+Number of occasions (not the number of samples) that the signal attained +Noise floor. +
+Entropy measured across whole audio. Entropy of value near 1.0 is typically measured for white noise. +
+Overall bit depth of audio. Number of bits used for each sample. +
+Measured dynamic range of audio in dB. +
+Number of points where the waveform crosses the zero level axis. +
+Rate of Zero crossings and number of audio samples. +
Boost subwoofer frequencies. +
+The filter accepts the following options: +
+Set dry gain, how much of original signal is kept. Allowed range is from 0 to 1. +Default value is 1.0. +
+Set wet gain, how much of filtered signal is kept. Allowed range is from 0 to 1. +Default value is 1.0. +
+Set max boost factor. Allowed range is from 1 to 12. Default value is 2. +
+Set delay line decay gain value. Allowed range is from 0 to 1. +Default value is 0.0. +
+Set delay line feedback gain value. Allowed range is from 0 to 1. +Default value is 0.9. +
+Set cutoff frequency in Hertz. Allowed range is 50 to 900. +Default value is 100. +
+Set slope amount for cutoff frequency. Allowed range is 0.0001 to 1. +Default value is 0.5. +
+Set delay. Allowed range is from 1 to 100. +Default value is 20. +
+Set the channels to process. Default value is all available. +
This filter supports the all above options as commands. +
+ +Cut subwoofer frequencies. +
+This filter allows to set custom, steeper +roll off than highpass filter, and thus is able to more attenuate +frequency content in stop-band. +
+The filter accepts the following options: +
+Set cutoff frequency in Hertz. Allowed range is 2 to 200. +Default value is 20. +
+Set filter order. Available values are from 3 to 20. +Default value is 10. +
+Set input gain level. Allowed range is from 0 to 1. Default value is 1. +
This filter supports the all above options as commands. +
+ +Cut super frequencies. +
+The filter accepts the following options: +
+Set cutoff frequency in Hertz. Allowed range is 20000 to 192000. +Default value is 20000. +
+Set filter order. Available values are from 3 to 20. +Default value is 10. +
+Set input gain level. Allowed range is from 0 to 1. Default value is 1. +
This filter supports the all above options as commands. +
+ +Apply high order Butterworth band-pass filter. +
+The filter accepts the following options: +
+Set center frequency in Hertz. Allowed range is 2 to 999999. +Default value is 1000. +
+Set filter order. Available values are from 4 to 20. +Default value is 4. +
+Set Q-factor. Allowed range is from 0.01 to 100. Default value is 1. +
+Set input gain level. Allowed range is from 0 to 2. Default value is 1. +
This filter supports the all above options as commands. +
+ +Apply high order Butterworth band-stop filter. +
+The filter accepts the following options: +
+Set center frequency in Hertz. Allowed range is 2 to 999999. +Default value is 1000. +
+Set filter order. Available values are from 4 to 20. +Default value is 4. +
+Set Q-factor. Allowed range is from 0.01 to 100. Default value is 1. +
+Set input gain level. Allowed range is from 0 to 2. Default value is 1. +
This filter supports the all above options as commands. +
+ +Adjust audio tempo. +
+The filter accepts exactly one parameter, the audio tempo. If not +specified then the filter will assume nominal 1.0 tempo. Tempo must +be in the [0.5, 100.0] range. +
+Note that tempo greater than 2 will skip some samples rather than +blend them in. If for any reason this is a concern it is always +possible to daisy-chain several instances of atempo to achieve the +desired product tempo. +
+ +atempo=0.8 +
atempo=3 +
atempo=sqrt(3),atempo=sqrt(3) +
This filter supports the following commands: +
Change filter tempo scale factor. +Syntax for the command is : "tempo" +
Apply spectral tilt filter to audio stream. +
+This filter apply any spectral roll-off slope over any specified frequency band. +
+The filter accepts the following options: +
+Set central frequency of tilt in Hz. Default is 10000 Hz. +
+Set slope direction of tilt. Default is 0. Allowed range is from -1 to 1. +
+Set width of tilt. Default is 1000. Allowed range is from 100 to 10000. +
+Set order of tilt filter. +
+Set input volume level. Allowed range is from 0 to 4. +Defalt is 1. +
This filter supports the all above options as commands. +
+ +Trim the input so that the output contains one continuous subpart of the input. +
+It accepts the following parameters: +
Timestamp (in seconds) of the start of the section to keep. I.e. the audio +sample with the timestamp start will be the first sample in the output. +
+Specify time of the first audio sample that will be dropped, i.e. the +audio sample immediately preceding the one with the timestamp end will be +the last sample in the output. +
+Same as start, except this option sets the start timestamp in samples +instead of seconds. +
+Same as end, except this option sets the end timestamp in samples instead +of seconds. +
+The maximum duration of the output in seconds. +
+The number of the first sample that should be output. +
+The number of the first sample that should be dropped. +
start, end, and duration are expressed as time +duration specifications; see +(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual. +
+Note that the first two sets of the start/end options and the duration +option look at the frame timestamp, while the _sample options simply count the +samples that pass through the filter. So start/end_pts and start/end_sample will +give different results when the timestamps are wrong, inexact or do not start at +zero. Also note that this filter does not modify the timestamps. If you wish +to have the output timestamps start at zero, insert the asetpts filter after the +atrim filter. +
+If multiple start or end options are set, this filter tries to be greedy and +keep all samples that match at least one of the specified constraints. To keep +only the part that matches all the constraints at once, chain multiple atrim +filters. +
+The defaults are such that all the input is kept. So it is possible to set e.g. +just the end values to keep everything before the specified time. +
+Examples: +
ffmpeg -i INPUT -af atrim=60:120 +
ffmpeg -i INPUT -af atrim=end_sample=1000 +
Calculate normalized windowed cross-correlation between two input audio streams. +
+Resulted samples are always between -1 and 1 inclusive. +If result is 1 it means two input samples are highly correlated in that selected segment. +Result 0 means they are not correlated at all. +If result is -1 it means two input samples are out of phase, which means they cancel each +other. +
+The filter accepts the following options: +
+Set size of segment over which cross-correlation is calculated. +Default is 256. Allowed range is from 2 to 131072. +
+Set algorithm for cross-correlation. Can be slow or fast.
+Default is slow. Fast algorithm assumes mean values over any given segment
+are always zero and thus need much less calculations to make.
+This is generally not true, but is valid for typical audio streams.
+
ffmpeg -i stereo.wav -af channelsplit,axcorrelate=size=1024:algo=fast correlation.wav +
Apply a two-pole Butterworth band-pass filter with central +frequency frequency, and (3dB-point) band-width width. +The csg option selects a constant skirt gain (peak gain = Q) +instead of the default: constant 0dB peak gain. +The filter roll off at 6dB per octave (20dB per decade). +
+The filter accepts the following options: +
+Set the filter’s central frequency. Default is 3000.
+
Constant skirt gain if set to 1. Defaults to 0. +
+Set method to specify band-width of filter. +
Hz +
Q-Factor +
octave +
slope +
kHz +
Specify the band-width of a filter in width_type units. +
+How much to use filtered signal in output. Default is 1. +Range is between 0 and 1. +
+Specify which channels to filter, by default all available are filtered. +
+Normalize biquad coefficients, by default is disabled. +Enabling it will normalize magnitude response at DC to 0dB. +
+Set transform type of IIR filter. +
Set precison of filtering. +
Pick automatic sample format depending on surround filters. +
Always use signed 16-bit. +
Always use signed 32-bit. +
Always use float 32-bit. +
Always use float 64-bit. +
Set block size used for reverse IIR processing. If this value is set to high enough +value (higher than impulse response length truncated when reaches near zero values) filtering +will become linear phase otherwise if not big enough it will just produce nasty artifacts. +
+Note that filter delay will be exactly this many samples when set to non-zero value. +
This filter supports the following commands: +
Change bandpass frequency. +Syntax for the command is : "frequency" +
+Change bandpass width_type. +Syntax for the command is : "width_type" +
+Change bandpass width. +Syntax for the command is : "width" +
+Change bandpass mix. +Syntax for the command is : "mix" +
Apply a two-pole Butterworth band-reject filter with central +frequency frequency, and (3dB-point) band-width width. +The filter roll off at 6dB per octave (20dB per decade). +
+The filter accepts the following options: +
+Set the filter’s central frequency. Default is 3000.
+
Set method to specify band-width of filter. +
Hz +
Q-Factor +
octave +
slope +
kHz +
Specify the band-width of a filter in width_type units. +
+How much to use filtered signal in output. Default is 1. +Range is between 0 and 1. +
+Specify which channels to filter, by default all available are filtered. +
+Normalize biquad coefficients, by default is disabled. +Enabling it will normalize magnitude response at DC to 0dB. +
+Set transform type of IIR filter. +
Set precison of filtering. +
Pick automatic sample format depending on surround filters. +
Always use signed 16-bit. +
Always use signed 32-bit. +
Always use float 32-bit. +
Always use float 64-bit. +
Set block size used for reverse IIR processing. If this value is set to high enough +value (higher than impulse response length truncated when reaches near zero values) filtering +will become linear phase otherwise if not big enough it will just produce nasty artifacts. +
+Note that filter delay will be exactly this many samples when set to non-zero value. +
This filter supports the following commands: +
Change bandreject frequency. +Syntax for the command is : "frequency" +
+Change bandreject width_type. +Syntax for the command is : "width_type" +
+Change bandreject width. +Syntax for the command is : "width" +
+Change bandreject mix. +Syntax for the command is : "mix" +
Boost or cut the bass (lower) frequencies of the audio using a two-pole +shelving filter with a response similar to that of a standard +hi-fi’s tone-controls. This is also known as shelving equalisation (EQ). +
+The filter accepts the following options: +
+Give the gain at 0 Hz. Its useful range is about -20 +(for a large cut) to +20 (for a large boost). +Beware of clipping when using a positive gain. +
+Set the filter’s central frequency and so can be used
+to extend or reduce the frequency range to be boosted or cut.
+The default value is 100 Hz.
+
Set method to specify band-width of filter. +
Hz +
Q-Factor +
octave +
slope +
kHz +
Determine how steep is the filter’s shelf transition. +
+Set number of poles. Default is 2. +
+How much to use filtered signal in output. Default is 1. +Range is between 0 and 1. +
+Specify which channels to filter, by default all available are filtered. +
+Normalize biquad coefficients, by default is disabled. +Enabling it will normalize magnitude response at DC to 0dB. +
+Set transform type of IIR filter. +
Set precison of filtering. +
Pick automatic sample format depending on surround filters. +
Always use signed 16-bit. +
Always use signed 32-bit. +
Always use float 32-bit. +
Always use float 64-bit. +
Set block size used for reverse IIR processing. If this value is set to high enough +value (higher than impulse response length truncated when reaches near zero values) filtering +will become linear phase otherwise if not big enough it will just produce nasty artifacts. +
+Note that filter delay will be exactly this many samples when set to non-zero value. +
This filter supports the following commands: +
Change bass frequency. +Syntax for the command is : "frequency" +
+Change bass width_type. +Syntax for the command is : "width_type" +
+Change bass width. +Syntax for the command is : "width" +
+Change bass gain. +Syntax for the command is : "gain" +
+Change bass mix. +Syntax for the command is : "mix" +
Apply a biquad IIR filter with the given coefficients. +Where b0, b1, b2 and a0, a1, a2 +are the numerator and denominator coefficients respectively. +and channels, c specify which channels to filter, by default all +available are filtered. +
+ +This filter supports the following commands: +
Change biquad parameter. +Syntax for the command is : "value" +
+How much to use filtered signal in output. Default is 1. +Range is between 0 and 1. +
+Specify which channels to filter, by default all available are filtered. +
+Normalize biquad coefficients, by default is disabled. +Enabling it will normalize magnitude response at DC to 0dB. +
+Set transform type of IIR filter. +
Set precison of filtering. +
Pick automatic sample format depending on surround filters. +
Always use signed 16-bit. +
Always use signed 32-bit. +
Always use float 32-bit. +
Always use float 64-bit. +
Set block size used for reverse IIR processing. If this value is set to high enough +value (higher than impulse response length truncated when reaches near zero values) filtering +will become linear phase otherwise if not big enough it will just produce nasty artifacts. +
+Note that filter delay will be exactly this many samples when set to non-zero value. +
Bauer stereo to binaural transformation, which improves headphone listening of +stereo audio records. +
+To enable compilation of this filter you need to configure FFmpeg with
+--enable-libbs2b.
+
It accepts the following parameters: +
Pre-defined crossfeed level. +
Default level (fcut=700, feed=50). +
+Chu Moy circuit (fcut=700, feed=60). +
+Jan Meier circuit (fcut=650, feed=95). +
+Cut frequency (in Hz). +
+Feed level (in Hz). +
+Remap input channels to new locations. +
+It accepts the following parameters: +
Map channels from input to output. The argument is a ’|’-separated list of
+mappings, each in the in_channel-out_channel or
+in_channel form. in_channel can be either the name of the input
+channel (e.g. FL for front left) or its index in the input channel layout.
+out_channel is the name of the output channel or its index in the output
+channel layout. If out_channel is not given then it is implicitly an
+index, starting with zero and increasing by one for each mapping.
+
The channel layout of the output stream. +
If no mapping is present, the filter will implicitly map input channels to +output channels, preserving indices. +
+ +ffmpeg -i in.mov -filter 'channelmap=map=DL-FL|DR-FR' out.wav +
will create an output WAV file tagged as stereo from the downmix channels of +the input. +
+ffmpeg -i in.wav -filter 'channelmap=1|2|0|5|3|4:5.1' out.wav +
Split each channel from an input audio stream into a separate output stream. +
+It accepts the following parameters: +
The channel layout of the input stream. The default is "stereo". +
A channel layout describing the channels to be extracted as separate output streams +or "all" to extract each input channel as a separate stream. The default is "all". +
+Choosing channels not present in channel layout in the input will result in an error. +
ffmpeg -i in.mp3 -filter_complex channelsplit out.mkv +
will create an output Matroska file with two audio streams, one containing only +the left channel and the other the right channel. +
+ffmpeg -i in.wav -filter_complex +'channelsplit=channel_layout=5.1[FL][FR][FC][LFE][SL][SR]' +-map '[FL]' front_left.wav -map '[FR]' front_right.wav -map '[FC]' +front_center.wav -map '[LFE]' lfe.wav -map '[SL]' side_left.wav -map '[SR]' +side_right.wav +
ffmpeg -i in.wav -filter_complex 'channelsplit=channel_layout=5.1:channels=LFE[LFE]' +-map '[LFE]' lfe.wav +
Add a chorus effect to the audio. +
+Can make a single vocal sound like a chorus, but can also be applied to instrumentation. +
+Chorus resembles an echo effect with a short delay, but whereas with echo the delay is +constant, with chorus, it is varied using using sinusoidal or triangular modulation. +The modulation depth defines the range the modulated delay is played before or after +the delay. Hence the delayed sound will sound slower or faster, that is the delayed +sound tuned around the original one, like in a chorus where some vocals are slightly +off key. +
+It accepts the following parameters: +
Set input gain. Default is 0.4. +
+Set output gain. Default is 0.4. +
+Set delays. A typical delay is around 40ms to 60ms. +
+Set decays. +
+Set speeds. +
+Set depths. +
chorus=0.7:0.9:55:0.4:0.25:2 +
chorus=0.6:0.9:50|60:0.4|0.32:0.25|0.4:2|1.3 +
chorus=0.5:0.9:50|60|40:0.4|0.32|0.3:0.25|0.4|0.3:2|2.3|1.3 +
Compress or expand the audio’s dynamic range. +
+It accepts the following parameters: +
+A list of times in seconds for each channel over which the instantaneous level +of the input signal is averaged to determine its volume. attacks refers to +increase of volume and decays refers to decrease of volume. For most +situations, the attack time (response to the audio getting louder) should be +shorter than the decay time, because the human ear is more sensitive to sudden +loud audio than sudden soft audio. A typical value for attack is 0.3 seconds and +a typical value for decay is 0.8 seconds. +If specified number of attacks & decays is lower than number of channels, the last +set attack/decay will be used for all remaining channels. +
+A list of points for the transfer function, specified in dB relative to the
+maximum possible signal amplitude. Each key points list must be defined using
+the following syntax: x0/y0|x1/y1|x2/y2|.... or
+x0/y0 x1/y1 x2/y2 ....
+
The input values must be in strictly increasing order but the transfer function
+does not have to be monotonically rising. The point 0/0 is assumed but
+may be overridden (by 0/out-dBn). Typical values for the transfer
+function are -70/-70|-60/-20|1/0.
+
Set the curve radius in dB for all joints. It defaults to 0.01. +
+Set the additional gain in dB to be applied at all points on the transfer +function. This allows for easy adjustment of the overall gain. +It defaults to 0. +
+Set an initial volume, in dB, to be assumed for each channel when filtering +starts. This permits the user to supply a nominal level initially, so that, for +example, a very large gain is not applied to initial signal levels before the +companding has begun to operate. A typical value for audio which is initially +quiet is -90 dB. It defaults to 0. +
+Set a delay, in seconds. The input audio is analyzed immediately, but audio is +delayed before being fed to the volume adjuster. Specifying a delay +approximately equal to the attack/decay times allows the filter to effectively +operate in predictive rather than reactive mode. It defaults to 0. +
+compand=.3|.3:1|1:-90/-60|-60/-40|-40/-30|-20/-20:6:0:-90:0.2 +
Another example for audio with whisper and explosion parts: +
compand=0|0:1|1:-90/-900|-70/-70|-30/-9|0/-3:6:0:0:0 +
compand=.1|.1:.2|.2:-900/-900|-50.1/-900|-50/-50:.01:0:-90:.1 +
compand=.1|.1:.1|.1:-45.1/-45.1|-45/-900|0/-900:.01:45:-90:.1 +
compand=points=-80/-80|-6/-6|0/-3.8|20/3.5 +
compand=points=-80/-80|-9/-9|0/-5.3|20/2.9 +
compand=points=-80/-80|-12/-12|0/-6.8|20/1.9 +
compand=points=-80/-80|-18/-18|0/-9.8|20/0.7 +
compand=points=-80/-80|-15/-15|0/-10.8|20/-5.2 +
compand=points=-80/-105|-62/-80|-15.4/-15.4|0/-12|20/-7.6 +
compand=attacks=0:points=-80/-169|-54/-80|-49.5/-64.6|-41.1/-41.1|-25.8/-15|-10.8/-4.5|0/0|20/8.3 +
compand=attacks=0:points=-80/-80|-6/-6|20/-6 +
compand=attacks=0:points=-80/-80|-12/-12|20/-12 +
compand=attacks=0:points=-80/-115|-35.1/-80|-35/-35|20/20 +
compand=attacks=0:points=-80/-80|-12.4/-12.4|-6/-8|0/-6.8|20/-2.8 +
Compensation Delay Line is a metric based delay to compensate differing +positions of microphones or speakers. +
+For example, you have recorded guitar with two microphones placed in +different locations. Because the front of sound wave has fixed speed in +normal conditions, the phasing of microphones can vary and depends on +their location and interposition. The best sound mix can be achieved when +these microphones are in phase (synchronized). Note that a distance of +~30 cm between microphones makes one microphone capture the signal in +antiphase to the other microphone. That makes the final mix sound moody. +This filter helps to solve phasing problems by adding different delays +to each microphone track and make them synchronized. +
+The best result can be reached when you take one track as base and +synchronize other tracks one by one with it. +Remember that synchronization/delay tolerance depends on sample rate, too. +Higher sample rates will give more tolerance. +
+The filter accepts the following parameters: +
+Set millimeters distance. This is compensation distance for fine tuning. +Default is 0. +
+Set cm distance. This is compensation distance for tightening distance setup. +Default is 0. +
+Set meters distance. This is compensation distance for hard distance setup. +Default is 0. +
+Set dry amount. Amount of unprocessed (dry) signal. +Default is 0. +
+Set wet amount. Amount of processed (wet) signal. +Default is 1. +
+Set temperature in degrees Celsius. This is the temperature of the environment. +Default is 20. +
This filter supports the all above options as commands. +
+ +Apply headphone crossfeed filter. +
+Crossfeed is the process of blending the left and right channels of stereo +audio recording. +It is mainly used to reduce extreme stereo separation of low frequencies. +
+The intent is to produce more speaker like sound to the listener. +
+The filter accepts the following options: +
+Set strength of crossfeed. Default is 0.2. Allowed range is from 0 to 1. +This sets gain of low shelf filter for side part of stereo image. +Default is -6dB. Max allowed is -30db when strength is set to 1. +
+Set soundstage wideness. Default is 0.5. Allowed range is from 0 to 1. +This sets cut off frequency of low shelf filter. Default is cut off near +1550 Hz. With range set to 1 cut off frequency is set to 2100 Hz. +
+Set curve slope of low shelf filter. Default is 0.5. +Allowed range is from 0.01 to 1. +
+Set input gain. Default is 0.9. +
+Set output gain. Default is 1. +
+Set block size used for reverse IIR processing. If this value is set to high enough +value (higher than impulse response length truncated when reaches near zero values) filtering +will become linear phase otherwise if not big enough it will just produce nasty artifacts. +
+Note that filter delay will be exactly this many samples when set to non-zero value. +
This filter supports the all above options as commands. +
+ +Simple algorithm for audio noise sharpening. +
+This filter linearly increases differences betweeen each audio sample. +
+The filter accepts the following options: +
+Sets the intensity of effect (default: 2.0). Must be in range between -10.0 to 0 +(unchanged sound) to 10.0 (maximum effect). +To inverse filtering use negative value. +
+Enable clipping. By default is enabled. +
This filter supports the all above options as commands. +
+ +Apply a DC shift to the audio. +
+This can be useful to remove a DC offset (caused perhaps by a hardware problem +in the recording chain) from the audio. The effect of a DC offset is reduced +headroom and hence volume. The astats filter can be used to determine if +a signal has a DC offset. +
+Set the DC shift, allowed range is [-1, 1]. It indicates the amount to shift +the audio. +
+Optional. It should have a value much less than 1 (e.g. 0.05 or 0.02) and is +used to prevent clipping. +
Apply de-essing to the audio samples. +
+Set intensity for triggering de-essing. Allowed range is from 0 to 1. +Default is 0. +
+Set amount of ducking on treble part of sound. Allowed range is from 0 to 1. +Default is 0.5. +
+How much of original frequency content to keep when de-essing. Allowed range is from 0 to 1. +Default is 0.5. +
+Set the output mode. +
+It accepts the following values: +
Pass input unchanged. +
+Pass ess filtered out. +
+Pass only ess. +
+Default value is o. +
Enhance dialogue in stereo audio. +
+This filter accepts stereo input and produce surround (3.0) channels output. +The newly produced front center channel have enhanced speech dialogue originally +available in both stereo channels. +This filter outputs front left and front right channels same as available in stereo input. +
+The filter accepts the following options: +
+Set the original center factor to keep in front center channel output. +Allowed range is from 0 to 1. Default value is 1. +
+Set the dialogue enhance factor to put in front center channel output. +Allowed range is from 0 to 3. Default value is 1. +
+Set the voice detection factor. +Allowed range is from 2 to 32. Default value is 2. +
This filter supports the all above options as commands. +
+ +Measure audio dynamic range. +
+DR values of 14 and higher is found in very dynamic material. DR of 8 to 13 +is found in transition material. And anything less that 8 have very poor dynamics +and is very compressed. +
+The filter accepts the following options: +
+Set window length in seconds used to split audio into segments of equal length. +Default is 3 seconds. +
Dynamic Audio Normalizer. +
+This filter applies a certain amount of gain to the input audio in order +to bring its peak magnitude to a target level (e.g. 0 dBFS). However, in +contrast to more "simple" normalization algorithms, the Dynamic Audio +Normalizer *dynamically* re-adjusts the gain factor to the input audio. +This allows for applying extra gain to the "quiet" sections of the audio +while avoiding distortions or clipping the "loud" sections. In other words: +The Dynamic Audio Normalizer will "even out" the volume of quiet and loud +sections, in the sense that the volume of each section is brought to the +same target level. Note, however, that the Dynamic Audio Normalizer achieves +this goal *without* applying "dynamic range compressing". It will retain 100% +of the dynamic range *within* each section of the audio file. +
+Set the frame length in milliseconds. In range from 10 to 8000 milliseconds. +Default is 500 milliseconds. +The Dynamic Audio Normalizer processes the input audio in small chunks, +referred to as frames. This is required, because a peak magnitude has no +meaning for just a single sample value. Instead, we need to determine the +peak magnitude for a contiguous sequence of sample values. While a "standard" +normalizer would simply use the peak magnitude of the complete file, the +Dynamic Audio Normalizer determines the peak magnitude individually for each +frame. The length of a frame is specified in milliseconds. By default, the +Dynamic Audio Normalizer uses a frame length of 500 milliseconds, which has +been found to give good results with most files. +Note that the exact frame length, in number of samples, will be determined +automatically, based on the sampling rate of the individual input audio file. +
+Set the Gaussian filter window size. In range from 3 to 301, must be odd
+number. Default is 31.
+Probably the most important parameter of the Dynamic Audio Normalizer is the
+window size of the Gaussian smoothing filter. The filter’s window size
+is specified in frames, centered around the current frame. For the sake of
+simplicity, this must be an odd number. Consequently, the default value of 31
+takes into account the current frame, as well as the 15 preceding frames and
+the 15 subsequent frames. Using a larger window results in a stronger
+smoothing effect and thus in less gain variation, i.e. slower gain
+adaptation. Conversely, using a smaller window results in a weaker smoothing
+effect and thus in more gain variation, i.e. faster gain adaptation.
+In other words, the more you increase this value, the more the Dynamic Audio
+Normalizer will behave like a "traditional" normalization filter. On the
+contrary, the more you decrease this value, the more the Dynamic Audio
+Normalizer will behave like a dynamic range compressor.
+
Set the target peak value. This specifies the highest permissible magnitude +level for the normalized audio input. This filter will try to approach the +target peak magnitude as closely as possible, but at the same time it also +makes sure that the normalized signal will never exceed the peak magnitude. +A frame’s maximum local gain factor is imposed directly by the target peak +magnitude. The default value is 0.95 and thus leaves a headroom of 5%*. +It is not recommended to go above this value. +
+Set the maximum gain factor. In range from 1.0 to 100.0. Default is 10.0. +The Dynamic Audio Normalizer determines the maximum possible (local) gain +factor for each input frame, i.e. the maximum gain factor that does not +result in clipping or distortion. The maximum gain factor is determined by +the frame’s highest magnitude sample. However, the Dynamic Audio Normalizer +additionally bounds the frame’s maximum gain factor by a predetermined +(global) maximum gain factor. This is done in order to avoid excessive gain +factors in "silent" or almost silent frames. By default, the maximum gain +factor is 10.0, For most inputs the default value should be sufficient and +it usually is not recommended to increase this value. Though, for input +with an extremely low overall volume level, it may be necessary to allow even +higher gain factors. Note, however, that the Dynamic Audio Normalizer does +not simply apply a "hard" threshold (i.e. cut off values above the threshold). +Instead, a "sigmoid" threshold function will be applied. This way, the +gain factors will smoothly approach the threshold value, but never exceed that +value. +
+Set the target RMS. In range from 0.0 to 1.0. Default is 0.0 - disabled. +By default, the Dynamic Audio Normalizer performs "peak" normalization. +This means that the maximum local gain factor for each frame is defined +(only) by the frame’s highest magnitude sample. This way, the samples can +be amplified as much as possible without exceeding the maximum signal +level, i.e. without clipping. Optionally, however, the Dynamic Audio +Normalizer can also take into account the frame’s root mean square, +abbreviated RMS. In electrical engineering, the RMS is commonly used to +determine the power of a time-varying signal. It is therefore considered +that the RMS is a better approximation of the "perceived loudness" than +just looking at the signal’s peak magnitude. Consequently, by adjusting all +frames to a constant RMS value, a uniform "perceived loudness" can be +established. If a target RMS value has been specified, a frame’s local gain +factor is defined as the factor that would result in exactly that RMS value. +Note, however, that the maximum local gain factor is still restricted by the +frame’s highest magnitude sample, in order to prevent clipping. +
+Enable channels coupling. By default is enabled. +By default, the Dynamic Audio Normalizer will amplify all channels by the same +amount. This means the same gain factor will be applied to all channels, i.e. +the maximum possible gain factor is determined by the "loudest" channel. +However, in some recordings, it may happen that the volume of the different +channels is uneven, e.g. one channel may be "quieter" than the other one(s). +In this case, this option can be used to disable the channel coupling. This way, +the gain factor will be determined independently for each channel, depending +only on the individual channel’s highest magnitude sample. This allows for +harmonizing the volume of the different channels. +
+Enable DC bias correction. By default is disabled. +An audio signal (in the time domain) is a sequence of sample values. +In the Dynamic Audio Normalizer these sample values are represented in the +-1.0 to 1.0 range, regardless of the original input format. Normally, the +audio signal, or "waveform", should be centered around the zero point. +That means if we calculate the mean value of all samples in a file, or in a +single frame, then the result should be 0.0 or at least very close to that +value. If, however, there is a significant deviation of the mean value from +0.0, in either positive or negative direction, this is referred to as a +DC bias or DC offset. Since a DC bias is clearly undesirable, the Dynamic +Audio Normalizer provides optional DC bias correction. +With DC bias correction enabled, the Dynamic Audio Normalizer will determine +the mean value, or "DC correction" offset, of each input frame and subtract +that value from all of the frame’s sample values which ensures those samples +are centered around 0.0 again. Also, in order to avoid "gaps" at the frame +boundaries, the DC correction offset values will be interpolated smoothly +between neighbouring frames. +
+Enable alternative boundary mode. By default is disabled. +The Dynamic Audio Normalizer takes into account a certain neighbourhood +around each frame. This includes the preceding frames as well as the +subsequent frames. However, for the "boundary" frames, located at the very +beginning and at the very end of the audio file, not all neighbouring +frames are available. In particular, for the first few frames in the audio +file, the preceding frames are not known. And, similarly, for the last few +frames in the audio file, the subsequent frames are not known. Thus, the +question arises which gain factors should be assumed for the missing frames +in the "boundary" region. The Dynamic Audio Normalizer implements two modes +to deal with this situation. The default boundary mode assumes a gain factor +of exactly 1.0 for the missing frames, resulting in a smooth "fade in" and +"fade out" at the beginning and at the end of the input, respectively. +
+Set the compress factor. In range from 0.0 to 30.0. Default is 0.0. +By default, the Dynamic Audio Normalizer does not apply "traditional" +compression. This means that signal peaks will not be pruned and thus the +full dynamic range will be retained within each local neighbourhood. However, +in some cases it may be desirable to combine the Dynamic Audio Normalizer’s +normalization algorithm with a more "traditional" compression. +For this purpose, the Dynamic Audio Normalizer provides an optional compression +(thresholding) function. If (and only if) the compression feature is enabled, +all input frames will be processed by a soft knee thresholding function prior +to the actual normalization process. Put simply, the thresholding function is +going to prune all samples whose magnitude exceeds a certain threshold value. +However, the Dynamic Audio Normalizer does not simply apply a fixed threshold +value. Instead, the threshold value will be adjusted for each individual +frame. +In general, smaller parameters result in stronger compression, and vice versa. +Values below 3.0 are not recommended, because audible distortion may appear. +
+Set the target threshold value. This specifies the lowest permissible +magnitude level for the audio input which will be normalized. +If input frame volume is above this value frame will be normalized. +Otherwise frame may not be normalized at all. The default value is set +to 0, which means all input frames will be normalized. +This option is mostly useful if digital noise is not wanted to be amplified. +
+Specify which channels to filter, by default all available channels are filtered. +
+Specify overlap for frames. If set to 0 (default) no frame overlapping is done. +Using >0 and <1 values will make less conservative gain adjustments, like +when framelen option is set to smaller value, if framelen option value is +compensated for non-zero overlap then gain adjustments will be smoother across time +compared to zero overlap case. +
+Specify the peak mapping curve expression which is going to be used when calculating +gain applied to frames. The max output frame gain will still be limited by other +options mentioned previously for this filter. +
+The expression can contain the following constants: +
+current channel number +
+current sample number +
+number of channels +
+timestamp expressed in seconds +
+sample rate +
+current frame peak value +
This filter supports the all above options as commands. +
+ +Make audio easier to listen to on headphones. +
+This filter adds ‘cues’ to 44.1kHz stereo (i.e. audio CD format) audio +so that when listened to on headphones the stereo image is moved from +inside your head (standard for headphones) to outside and in front of +the listener (standard for speakers). +
+Ported from SoX. +
+ +Apply a two-pole peaking equalisation (EQ) filter. With this +filter, the signal-level at and around a selected frequency can +be increased or decreased, whilst (unlike bandpass and bandreject +filters) that at all other frequencies is unchanged. +
+In order to produce complex equalisation curves, this filter can +be given several times, each with a different central frequency. +
+The filter accepts the following options: +
+Set the filter’s central frequency in Hz. +
+Set method to specify band-width of filter. +
Hz +
Q-Factor +
octave +
slope +
kHz +
Specify the band-width of a filter in width_type units. +
+Set the required gain or attenuation in dB. +Beware of clipping when using a positive gain. +
+How much to use filtered signal in output. Default is 1. +Range is between 0 and 1. +
+Specify which channels to filter, by default all available are filtered. +
+Normalize biquad coefficients, by default is disabled. +Enabling it will normalize magnitude response at DC to 0dB. +
+Set transform type of IIR filter. +
Set precison of filtering. +
Pick automatic sample format depending on surround filters. +
Always use signed 16-bit. +
Always use signed 32-bit. +
Always use float 32-bit. +
Always use float 64-bit. +
Set block size used for reverse IIR processing. If this value is set to high enough +value (higher than impulse response length truncated when reaches near zero values) filtering +will become linear phase otherwise if not big enough it will just produce nasty artifacts. +
+Note that filter delay will be exactly this many samples when set to non-zero value. +
equalizer=f=1000:t=h:width=200:g=-10 +
equalizer=f=1000:t=q:w=1:g=2,equalizer=f=100:t=q:w=2:g=-5 +
This filter supports the following commands: +
Change equalizer frequency. +Syntax for the command is : "frequency" +
+Change equalizer width_type. +Syntax for the command is : "width_type" +
+Change equalizer width. +Syntax for the command is : "width" +
+Change equalizer gain. +Syntax for the command is : "gain" +
+Change equalizer mix. +Syntax for the command is : "mix" +
Linearly increases the difference between left and right channels which +adds some sort of "live" effect to playback. +
+The filter accepts the following options: +
+Sets the difference coefficient (default: 2.5). 0.0 means mono sound +(average of both channels), with 1.0 sound will be unchanged, with +-1.0 left and right channels will be swapped. +
+Enable clipping. By default is enabled. +
This filter supports the all above options as commands. +
+ +Apply FIR Equalization using arbitrary frequency response. +
+The filter accepts the following option: +
+Set gain curve equation (in dB). The expression can contain variables: +
the evaluated frequency +
sample rate +
channel number, set to 0 when multichannels evaluation is disabled +
channel id, see libavutil/channel_layout.h, set to the first channel id when +multichannels evaluation is disabled +
number of channels +
channel_layout, see libavutil/channel_layout.h +
+and functions: +
interpolate gain on frequency f based on gain_entry +
same as gain_interpolate, but smoother +
This option is also available as command. Default is gain_interpolate(f).
+
Set gain entry for gain_interpolate function. The expression can +contain functions: +
store gain entry at frequency f with value g +
This option is also available as command. +
+Set filter delay in seconds. Higher value means more accurate.
+Default is 0.01.
+
Set filter accuracy in Hz. Lower value means more accurate.
+Default is 5.
+
Set window function. Acceptable values are: +
rectangular window, useful when gain curve is already smooth +
hann window (default) +
hamming window +
blackman window +
3-terms continuous 1st derivative nuttall window +
minimum 3-terms discontinuous nuttall window +
4-terms continuous 1st derivative nuttall window +
minimum 4-terms discontinuous nuttall (blackman-nuttall) window +
blackman-harris window +
tukey window +
If enabled, use fixed number of audio samples. This improves speed when +filtering with large delay. Default is disabled. +
+Enable multichannels evaluation on gain. Default is disabled. +
+Enable zero phase mode by subtracting timestamp to compensate delay. +Default is disabled. +
+Set scale used by gain. Acceptable values are: +
linear frequency, linear gain +
linear frequency, logarithmic (in dB) gain (default) +
logarithmic (in octave scale where 20 Hz is 0) frequency, linear gain +
logarithmic frequency, logarithmic gain +
Set file for dumping, suitable for gnuplot. +
+Set scale for dumpfile. Acceptable values are same with scale option. +Default is linlog. +
+Enable 2-channel convolution using complex FFT. This improves speed significantly. +Default is disabled. +
+Enable minimum phase impulse response. Default is disabled. +
firequalizer=gain='if(lt(f,1000), 0, -INF)' +
firequalizer=gain_entry='entry(1000,0); entry(1001, -INF)' +
firequalizer=gain_entry='entry(100,0); entry(400, -4); entry(1000, -6); entry(2000, 0)' +
firequalizer=delay=0.1:fixed=on:zero_phase=on +
firequalizer=gain='if(eq(chid,1), gain_interpolate(f), if(eq(chid,2), gain_interpolate(1e6+f), 0))' +:gain_entry='entry(1000, 0); entry(1001,-INF); entry(1e6+1000,0)':multi=on +
Apply a flanging effect to the audio. +
+The filter accepts the following options: +
+Set base delay in milliseconds. Range from 0 to 30. Default value is 0. +
+Set added sweep delay in milliseconds. Range from 0 to 10. Default value is 2. +
+Set percentage regeneration (delayed signal feedback). Range from -95 to 95. +Default value is 0. +
+Set percentage of delayed signal mixed with original. Range from 0 to 100. +Default value is 71. +
+Set sweeps per second (Hz). Range from 0.1 to 10. Default value is 0.5. +
+Set swept wave shape, can be triangular or sinusoidal. +Default value is sinusoidal. +
+Set swept wave percentage-shift for multi channel. Range from 0 to 100. +Default value is 25. +
+Set delay-line interpolation, linear or quadratic. +Default is linear. +
Apply Haas effect to audio. +
+Note that this makes most sense to apply on mono signals. +With this filter applied to mono signals it give some directionality and +stretches its stereo image. +
+The filter accepts the following options: +
+Set input level. By default is 1, or 0dB +
+Set output level. By default is 1, or 0dB. +
+Set gain applied to side part of signal. By default is 1. +
+Set kind of middle source. Can be one of the following: +
+Pick left channel. +
+Pick right channel. +
+Pick middle part signal of stereo image. +
+Pick side part signal of stereo image. +
Change middle phase. By default is disabled. +
+Set left channel delay. By default is 2.05 milliseconds. +
+Set left channel balance. By default is -1. +
+Set left channel gain. By default is 1. +
+Change left phase. By default is disabled. +
+Set right channel delay. By defaults is 2.12 milliseconds. +
+Set right channel balance. By default is 1. +
+Set right channel gain. By default is 1. +
+Change right phase. By default is enabled. +
Decodes High Definition Compatible Digital (HDCD) data. A 16-bit PCM stream with +embedded HDCD codes is expanded into a 20-bit PCM stream. +
+The filter supports the Peak Extend and Low-level Gain Adjustment features +of HDCD, and detects the Transient Filter flag. +
+ffmpeg -i HDCD16.flac -af hdcd OUT24.flac +
When using the filter with wav, note the default encoding for wav is 16-bit,
+so the resulting 20-bit stream will be truncated back to 16-bit. Use something
+like -acodec pcm_s24le after the filter to get 24-bit PCM output.
+
ffmpeg -i HDCD16.wav -af hdcd OUT16.wav +ffmpeg -i HDCD16.wav -af hdcd -c:a pcm_s24le OUT24.wav +
The filter accepts the following options: +
+Disable any automatic format conversion or resampling in the filter graph. +
+Process the stereo channels together. If target_gain does not match between +channels, consider it invalid and use the last valid target_gain. +
+Set the code detect timer period in ms. +
+Always extend peaks above -3dBFS even if PE isn’t signaled. +
+Replace audio with a solid tone and adjust the amplitude to signal some +specific aspect of the decoding process. The output file can be loaded in +an audio editor alongside the original to aid analysis. +
+analyze_mode=pe:force_pe=true can be used to see all samples above the PE level.
+
Modes are: +
Disabled +
Gain adjustment level at each sample +
Samples where peak extend occurs +
Samples where the code detect timer is active +
Samples where the target gain does not match between channels +
Apply head-related transfer functions (HRTFs) to create virtual +loudspeakers around the user for binaural listening via headphones. +The HRIRs are provided via additional streams, for each channel +one stereo input stream is needed. +
+The filter accepts the following options: +
+Set mapping of input streams for convolution. +The argument is a ’|’-separated list of channel names in order as they +are given as additional stream inputs for filter. +This also specify number of input streams. Number of input streams +must be not less than number of channels in first stream plus one. +
+Set gain applied to audio. Value is in dB. Default is 0. +
+Set processing type. Can be time or freq. time is +processing audio in time domain which is slow. +freq is processing audio in frequency domain which is fast. +Default is freq. +
+Set custom gain for LFE channels. Value is in dB. Default is 0. +
+Set size of frame in number of samples which will be processed at once. +Default value is 1024. Allowed range is from 1024 to 96000. +
+Set format of hrir stream. +Default value is stereo. Alternative value is multich. +If value is set to stereo, number of additional streams should +be greater or equal to number of input channels in first input stream. +Also each additional stream should have stereo number of channels. +If value is set to multich, number of additional streams should +be exactly one. Also number of input channels of additional stream +should be equal or greater than twice number of channels of first input +stream. +
ffmpeg -i input.wav +-filter_complex "amovie=azi_270_ele_0_DFC.wav[sr];amovie=azi_90_ele_0_DFC.wav[sl];amovie=azi_225_ele_0_DFC.wav[br];amovie=azi_135_ele_0_DFC.wav[bl];amovie=azi_0_ele_0_DFC.wav,asplit[fc][lfe];amovie=azi_35_ele_0_DFC.wav[fl];amovie=azi_325_ele_0_DFC.wav[fr];[0:a][fl][fr][fc][lfe][bl][br][sl][sr]headphone=FL|FR|FC|LFE|BL|BR|SL|SR" +output.wav +
ffmpeg -i input.wav -filter_complex "amovie=minp.wav[hrirs];[0:a][hrirs]headphone=map=FL|FR|FC|LFE|BL|BR|SL|SR:hrir=multich" +output.wav +
Apply a high-pass filter with 3dB point frequency. +The filter can be either single-pole, or double-pole (the default). +The filter roll off at 6dB per pole per octave (20dB per pole per decade). +
+The filter accepts the following options: +
+Set frequency in Hz. Default is 3000. +
+Set number of poles. Default is 2. +
+Set method to specify band-width of filter. +
Hz +
Q-Factor +
octave +
slope +
kHz +
Specify the band-width of a filter in width_type units. +Applies only to double-pole filter. +The default is 0.707q and gives a Butterworth response. +
+How much to use filtered signal in output. Default is 1. +Range is between 0 and 1. +
+Specify which channels to filter, by default all available are filtered. +
+Normalize biquad coefficients, by default is disabled. +Enabling it will normalize magnitude response at DC to 0dB. +
+Set transform type of IIR filter. +
Set precison of filtering. +
Pick automatic sample format depending on surround filters. +
Always use signed 16-bit. +
Always use signed 32-bit. +
Always use float 32-bit. +
Always use float 64-bit. +
Set block size used for reverse IIR processing. If this value is set to high enough +value (higher than impulse response length truncated when reaches near zero values) filtering +will become linear phase otherwise if not big enough it will just produce nasty artifacts. +
+Note that filter delay will be exactly this many samples when set to non-zero value. +
This filter supports the following commands: +
Change highpass frequency. +Syntax for the command is : "frequency" +
+Change highpass width_type. +Syntax for the command is : "width_type" +
+Change highpass width. +Syntax for the command is : "width" +
+Change highpass mix. +Syntax for the command is : "mix" +
Join multiple input streams into one multi-channel stream. +
+It accepts the following parameters: +
The number of input streams. It defaults to 2. +
+The desired output channel layout. It defaults to stereo. +
+Map channels from inputs to output. The argument is a ’|’-separated list of
+mappings, each in the input_idx.in_channel-out_channel
+form. input_idx is the 0-based index of the input stream. in_channel
+can be either the name of the input channel (e.g. FL for front left) or its
+index in the specified input stream. out_channel is the name of the output
+channel.
+
The filter will attempt to guess the mappings when they are not specified +explicitly. It does so by first trying to find an unused matching input channel +and if that fails it picks the first unused input channel. +
+Join 3 inputs (with properly set channel layouts): +
ffmpeg -i INPUT1 -i INPUT2 -i INPUT3 -filter_complex join=inputs=3 OUTPUT +
Build a 5.1 output from 6 single-channel streams: +
ffmpeg -i fl -i fr -i fc -i sl -i sr -i lfe -filter_complex +'join=inputs=6:channel_layout=5.1:map=0.0-FL|1.0-FR|2.0-FC|3.0-SL|4.0-SR|5.0-LFE' +out +
Load a LADSPA (Linux Audio Developer’s Simple Plugin API) plugin. +
+To enable compilation of this filter you need to configure FFmpeg with
+--enable-ladspa.
+
Specifies the name of LADSPA plugin library to load. If the environment
+variable LADSPA_PATH is defined, the LADSPA plugin is searched in
+each one of the directories specified by the colon separated list in
+LADSPA_PATH, otherwise in the standard LADSPA paths, which are in
+this order: HOME/.ladspa/lib/, /usr/local/lib/ladspa/,
+/usr/lib/ladspa/.
+
Specifies the plugin within the library. Some libraries contain only +one plugin, but others contain many of them. If this is not set filter +will list all available plugins within the specified library. +
+Set the ’|’ separated list of controls which are zero or more floating point
+values that determine the behavior of the loaded plugin (for example delay,
+threshold or gain).
+Controls need to be defined using the following syntax:
+c0=value0|c1=value1|c2=value2|..., where
+valuei is the value set on the i-th control.
+Alternatively they can be also defined using the following syntax:
+value0|value1|value2|..., where
+valuei is the value set on the i-th control.
+If controls is set to help, all available controls and
+their valid ranges are printed.
+
Specify the sample rate, default to 44100. Only used if plugin have +zero inputs. +
+Set the number of samples per channel per each output frame, default +is 1024. Only used if plugin have zero inputs. +
+Set the minimum duration of the sourced audio. See +(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual +for the accepted syntax. +Note that the resulting duration may be greater than the specified duration, +as the generated audio is always cut at the end of a complete frame. +If not specified, or the expressed duration is negative, the audio is +supposed to be generated forever. +Only used if plugin have zero inputs. +
+Enable latency compensation, by default is disabled. +Only used if plugin have inputs. +
ladspa=file=amp +
vcf_notch
+plugin from VCF library:
+ladspa=f=vcf:p=vcf_notch:c=help +
Computer Music Toolkit (CMT)
+plugin library:
+ladspa=file=cmt:plugin=lofi:controls=c0=22|c1=12|c2=12 +
ladspa=file=tap_reverb:tap_reverb +
ladspa=file=cmt:noise_source_white:c=c0=.2 +
C* Click - Metronome from the
+C* Audio Plugin Suite (CAPS) library:
+ladspa=file=caps:Click:c=c1=20' +
C* Eq10X2 - Stereo 10-band equaliser effect:
+ladspa=caps:Eq10X2:c=c0=-48|c9=-24|c3=12|c4=2 +
SWH Plugins collection:
+ladspa=fast_lookahead_limiter_1913:fastLookaheadLimiter:20|0|2 +
SWH Plugins collection:
+ladspa=mbeq_1197:mbeq:-24|-24|-24|0|0|0|0|0|0|0|0|0|0|0|0 +
Narrower from the C* Audio Plugin Suite
+(CAPS) library:
+ladspa=caps:Narrower +
C* Audio Plugin Suite (CAPS) library:
+ladspa=caps:White:.2 +
C* Audio Plugin Suite (CAPS) library:
+ladspa=caps:Fractal:c=c1=1 +
VLevel plugin:
+ladspa=vlevel-ladspa:vlevel_mono +
This filter supports the following commands: +
Modify the N-th control value. +
+If the specified value is not valid, it is ignored and prior one is kept. +
EBU R128 loudness normalization. Includes both dynamic and linear normalization modes.
+Support for both single pass (livestreams, files) and double pass (files) modes.
+This algorithm can target IL, LRA, and maximum true peak. In dynamic mode, to accurately
+detect true peaks, the audio stream will be upsampled to 192 kHz.
+Use the -ar option or aresample filter to explicitly set an output sample rate.
+
The filter accepts the following options: +
+Set integrated loudness target. +Range is -70.0 - -5.0. Default value is -24.0. +
+Set loudness range target. +Range is 1.0 - 50.0. Default value is 7.0. +
+Set maximum true peak. +Range is -9.0 - +0.0. Default value is -2.0. +
+Measured IL of input file. +Range is -99.0 - +0.0. +
+Measured LRA of input file. +Range is 0.0 - 99.0. +
+Measured true peak of input file. +Range is -99.0 - +99.0. +
+Measured threshold of input file. +Range is -99.0 - +0.0. +
+Set offset gain. Gain is applied before the true-peak limiter. +Range is -99.0 - +99.0. Default is +0.0. +
+Normalize by linearly scaling the source audio.
+measured_I, measured_LRA, measured_TP,
+and measured_thresh must all be specified. Target LRA shouldn’t
+be lower than source LRA and the change in integrated loudness shouldn’t
+result in a true peak which exceeds the target TP. If any of these
+conditions aren’t met, normalization mode will revert to dynamic.
+Options are true or false. Default is true.
+
Treat mono input files as "dual-mono". If a mono file is intended for playback
+on a stereo system, its EBU R128 measurement will be perceptually incorrect.
+If set to true, this option will compensate for this effect.
+Multi-channel input files are not affected by this option.
+Options are true or false. Default is false.
+
Set print format for stats. Options are summary, json, or none. +Default value is none. +
Apply a low-pass filter with 3dB point frequency. +The filter can be either single-pole or double-pole (the default). +The filter roll off at 6dB per pole per octave (20dB per pole per decade). +
+The filter accepts the following options: +
+Set frequency in Hz. Default is 500. +
+Set number of poles. Default is 2. +
+Set method to specify band-width of filter. +
Hz +
Q-Factor +
octave +
slope +
kHz +
Specify the band-width of a filter in width_type units. +Applies only to double-pole filter. +The default is 0.707q and gives a Butterworth response. +
+How much to use filtered signal in output. Default is 1. +Range is between 0 and 1. +
+Specify which channels to filter, by default all available are filtered. +
+Normalize biquad coefficients, by default is disabled. +Enabling it will normalize magnitude response at DC to 0dB. +
+Set transform type of IIR filter. +
Set precison of filtering. +
Pick automatic sample format depending on surround filters. +
Always use signed 16-bit. +
Always use signed 32-bit. +
Always use float 32-bit. +
Always use float 64-bit. +
Set block size used for reverse IIR processing. If this value is set to high enough +value (higher than impulse response length truncated when reaches near zero values) filtering +will become linear phase otherwise if not big enough it will just produce nasty artifacts. +
+Note that filter delay will be exactly this many samples when set to non-zero value. +
lowpass=c=LFE +
This filter supports the following commands: +
Change lowpass frequency. +Syntax for the command is : "frequency" +
+Change lowpass width_type. +Syntax for the command is : "width_type" +
+Change lowpass width. +Syntax for the command is : "width" +
+Change lowpass mix. +Syntax for the command is : "mix" +
Load a LV2 (LADSPA Version 2) plugin. +
+To enable compilation of this filter you need to configure FFmpeg with
+--enable-lv2.
+
Specifies the plugin URI. You may need to escape ’:’. +
+Set the ’|’ separated list of controls which are zero or more floating point
+values that determine the behavior of the loaded plugin (for example delay,
+threshold or gain).
+If controls is set to help, all available controls and
+their valid ranges are printed.
+
Specify the sample rate, default to 44100. Only used if plugin have +zero inputs. +
+Set the number of samples per channel per each output frame, default +is 1024. Only used if plugin have zero inputs. +
+Set the minimum duration of the sourced audio. See +(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual +for the accepted syntax. +Note that the resulting duration may be greater than the specified duration, +as the generated audio is always cut at the end of a complete frame. +If not specified, or the expressed duration is negative, the audio is +supposed to be generated forever. +Only used if plugin have zero inputs. +
lv2=p=http\\\\://calf.sourceforge.net/plugins/BassEnhancer:c=amount=2 +
lv2=p=http\\\\://calf.sourceforge.net/plugins/Vinyl:c=drone=0.2|aging=0.5 +
lv2=p=http\\\\://www.openavproductions.com/artyfx#bitta:c=crush=0.3 +
This filter supports all options that are exported by plugin as commands. +
+ +Multiband Compress or expand the audio’s dynamic range. +
+The input audio is divided into bands using 4th order Linkwitz-Riley IIRs. +This is akin to the crossover of a loudspeaker, and results in flat frequency +response when absent compander action. +
+It accepts the following parameters: +
+This option syntax is: +attack,decay,[attack,decay..] soft-knee points crossover_frequency [delay [initial_volume [gain]]] | attack,decay ... +For explanation of each item refer to compand filter documentation. +
Mix channels with specific gain levels. The filter accepts the output +channel layout followed by a set of channels definitions. +
+This filter is also designed to efficiently remap the channels of an audio +stream. +
+The filter accepts parameters of the form: +"l|outdef|outdef|..." +
+output channel layout or number of channels +
+output channel specification, of the form: +"out_name=[gain*]in_name[(+-)[gain*]in_name...]" +
+output channel to define, either a channel name (FL, FR, etc.) or a channel +number (c0, c1, etc.) +
+multiplicative coefficient for the channel, 1 leaving the volume unchanged +
+input channel to use, see out_name for details; it is not possible to mix +named and numbered input channels +
If the ‘=’ in a channel specification is replaced by ‘<’, then the gains for +that specification will be renormalized so that the total is 1, thus +avoiding clipping noise. +
+ +For example, if you want to down-mix from stereo to mono, but with a bigger +factor for the left channel: +
pan=1c|c0=0.9*c0+0.1*c1 +
A customized down-mix to stereo that works automatically for 3-, 4-, 5- and +7-channels surround: +
pan=stereo| FL < FL + 0.5*FC + 0.6*BL + 0.6*SL | FR < FR + 0.5*FC + 0.6*BR + 0.6*SR +
Note that ffmpeg integrates a default down-mix (and up-mix) system
+that should be preferred (see "-ac" option) unless you have very specific
+needs.
+
The channel remapping will be effective if, and only if: +
+If all these conditions are satisfied, the filter will notify the user ("Pure +channel mapping detected"), and use an optimized and lossless method to do the +remapping. +
+For example, if you have a 5.1 source and want a stereo audio stream by +dropping the extra channels: +
pan="stereo| c0=FL | c1=FR" +
Given the same source, you can also switch front left and front right channels +and keep the input channel layout: +
pan="5.1| c0=c1 | c1=c0 | c2=c2 | c3=c3 | c4=c4 | c5=c5" +
If the input is a stereo audio stream, you can mute the front left channel (and +still keep the stereo channel layout) with: +
pan="stereo|c1=c1" +
Still with a stereo audio stream input, you can copy the right channel in both +front left and right: +
pan="stereo| c0=FR | c1=FR" +
ReplayGain scanner filter. This filter takes an audio stream as an input and
+outputs it unchanged.
+At end of filtering it displays track_gain and track_peak.
+
Convert the audio sample format, sample rate and channel layout. It is +not meant to be used directly. +
+ +Apply time-stretching and pitch-shifting with librubberband. +
+To enable compilation of this filter, you need to configure FFmpeg with
+--enable-librubberband.
+
The filter accepts the following options: +
+Set tempo scale factor. +
+Set pitch scale factor. +
+Set transients detector. +Possible values are: +
Set detector. +Possible values are: +
Set phase. +Possible values are: +
Set processing window size. +Possible values are: +
Set smoothing. +Possible values are: +
Enable formant preservation when shift pitching. +Possible values are: +
Set pitch quality. +Possible values are: +
Set channels. +Possible values are: +
This filter supports the following commands: +
Change filter tempo scale factor. +Syntax for the command is : "tempo" +
+Change filter pitch scale factor. +Syntax for the command is : "pitch" +
This filter acts like normal compressor but has the ability to compress +detected signal using second input signal. +It needs two input streams and returns one output stream. +First input stream will be processed depending on second stream signal. +The filtered signal then can be filtered with other filters in later stages of +processing. See pan and amerge filter. +
+The filter accepts the following options: +
+Set input gain. Default is 1. Range is between 0.015625 and 64. +
+Set mode of compressor operation. Can be upward or downward.
+Default is downward.
+
If a signal of second stream raises above this level it will affect the gain +reduction of first stream. +By default is 0.125. Range is between 0.00097563 and 1. +
+Set a ratio about which the signal is reduced. 1:2 means that if the level +raised 4dB above the threshold, it will be only 2dB above after the reduction. +Default is 2. Range is between 1 and 20. +
+Amount of milliseconds the signal has to rise above the threshold before gain +reduction starts. Default is 20. Range is between 0.01 and 2000. +
+Amount of milliseconds the signal has to fall below the threshold before +reduction is decreased again. Default is 250. Range is between 0.01 and 9000. +
+Set the amount by how much signal will be amplified after processing. +Default is 1. Range is from 1 to 64. +
+Curve the sharp knee around the threshold to enter gain reduction more softly. +Default is 2.82843. Range is between 1 and 8. +
+Choose if the average level between all channels of side-chain stream
+or the louder(maximum) channel of side-chain stream affects the
+reduction. Default is average.
+
Should the exact signal be taken in case of peak or an RMS one in case
+of rms. Default is rms which is mainly smoother.
+
Set sidechain gain. Default is 1. Range is between 0.015625 and 64. +
+How much to use compressed signal in output. Default is 1. +Range is between 0 and 1. +
This filter supports the all above options as commands. +
+ +ffmpeg -i main.flac -i sidechain.flac -filter_complex "[1:a]asplit=2[sc][mix];[0:a][sc]sidechaincompress[compr];[compr][mix]amerge" +
A sidechain gate acts like a normal (wideband) gate but has the ability to +filter the detected signal before sending it to the gain reduction stage. +Normally a gate uses the full range signal to detect a level above the +threshold. +For example: If you cut all lower frequencies from your sidechain signal +the gate will decrease the volume of your track only if not enough highs +appear. With this technique you are able to reduce the resonation of a +natural drum or remove "rumbling" of muted strokes from a heavily distorted +guitar. +It needs two input streams and returns one output stream. +First input stream will be processed depending on second stream signal. +
+The filter accepts the following options: +
+Set input level before filtering. +Default is 1. Allowed range is from 0.015625 to 64. +
+Set the mode of operation. Can be upward or downward.
+Default is downward. If set to upward mode, higher parts of signal
+will be amplified, expanding dynamic range in upward direction.
+Otherwise, in case of downward lower parts of signal will be reduced.
+
Set the level of gain reduction when the signal is below the threshold. +Default is 0.06125. Allowed range is from 0 to 1. +Setting this to 0 disables reduction and then filter behaves like expander. +
+If a signal rises above this level the gain reduction is released. +Default is 0.125. Allowed range is from 0 to 1. +
+Set a ratio about which the signal is reduced. +Default is 2. Allowed range is from 1 to 9000. +
+Amount of milliseconds the signal has to rise above the threshold before gain +reduction stops. +Default is 20 milliseconds. Allowed range is from 0.01 to 9000. +
+Amount of milliseconds the signal has to fall below the threshold before the +reduction is increased again. Default is 250 milliseconds. +Allowed range is from 0.01 to 9000. +
+Set amount of amplification of signal after processing. +Default is 1. Allowed range is from 1 to 64. +
+Curve the sharp knee around the threshold to enter gain reduction more softly. +Default is 2.828427125. Allowed range is from 1 to 8. +
+Choose if exact signal should be taken for detection or an RMS like one. +Default is rms. Can be peak or rms. +
+Choose if the average level between all channels or the louder channel affects +the reduction. +Default is average. Can be average or maximum. +
+Set sidechain gain. Default is 1. Range is from 0.015625 to 64. +
This filter supports the all above options as commands. +
+ +Detect silence in an audio stream. +
+This filter logs a message when it detects that the input audio volume is less +or equal to a noise tolerance value for a duration greater or equal to the +minimum detected noise duration. +
+The printed times and duration are expressed in seconds. The
+lavfi.silence_start or lavfi.silence_start.X metadata key
+is set on the first frame whose timestamp equals or exceeds the detection
+duration and it contains the timestamp of the first frame of the silence.
+
The lavfi.silence_duration or lavfi.silence_duration.X
+and lavfi.silence_end or lavfi.silence_end.X metadata
+keys are set on the first frame after the silence. If mono is
+enabled, and each channel is evaluated separately, the .X
+suffixed keys are used, and X corresponds to the channel number.
+
The filter accepts the following options: +
+Set noise tolerance. Can be specified in dB (in case "dB" is appended to the +specified value) or amplitude ratio. Default is -60dB, or 0.001. +
+Set silence duration until notification (default is 2 seconds). See +(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual +for the accepted syntax. +
+Process each channel separately, instead of combined. By default is disabled. +
silencedetect=n=-50dB:d=5 +
ffmpeg to detect silence with 0.0001 noise
+tolerance in silence.mp3:
+ffmpeg -i silence.mp3 -af silencedetect=noise=0.0001 -f null - +
Remove silence from the beginning, middle or end of the audio. +
+The filter accepts the following options: +
+This value is used to indicate if audio should be trimmed at beginning of
+the audio. A value of zero indicates no silence should be trimmed from the
+beginning. When specifying a non-zero value, it trims audio up until it
+finds non-silence. Normally, when trimming silence from beginning of audio
+the start_periods will be 1 but it can be increased to higher
+values to trim all audio up to specific count of non-silence periods.
+Default value is 0.
+
Specify the amount of time that non-silence must be detected before it stops
+trimming audio. By increasing the duration, bursts of noises can be treated
+as silence and trimmed off. Default value is 0.
+
This indicates what sample value should be treated as silence. For digital
+audio, a value of 0 may be fine but for audio recorded from analog,
+you may wish to increase the value to account for background noise.
+Can be specified in dB (in case "dB" is appended to the specified value)
+or amplitude ratio. Default value is 0.
+
Specify max duration of silence at beginning that will be kept after +trimming. Default is 0, which is equal to trimming all samples detected +as silence. +
+Specify mode of detection of silence end in start of multi-channel audio. +Can be any or all. Default is any. +With any, any sample that is detected as non-silence will cause +stopped trimming of silence. +With all, only if all channels are detected as non-silence will cause +stopped trimming of silence. +
+Set the count for trimming silence from the end of audio.
+To remove silence from the middle of a file, specify a stop_periods
+that is negative. This value is then treated as a positive value and is
+used to indicate the effect should restart processing as specified by
+start_periods, making it suitable for removing periods of silence
+in the middle of the audio.
+Default value is 0.
+
Specify a duration of silence that must exist before audio is not copied any
+more. By specifying a higher duration, silence that is wanted can be left in
+the audio.
+Default value is 0.
+
This is the same as start_threshold but for trimming silence from
+the end of audio.
+Can be specified in dB (in case "dB" is appended to the specified value)
+or amplitude ratio. Default value is 0.
+
Specify max duration of silence at end that will be kept after +trimming. Default is 0, which is equal to trimming all samples detected +as silence. +
+Specify mode of detection of silence start in end of multi-channel audio. +Can be any or all. Default is any. +With any, any sample that is detected as non-silence will cause +stopped trimming of silence. +With all, only if all channels are detected as non-silence will cause +stopped trimming of silence. +
+Set how is silence detected. Can be rms or peak. Second is faster
+and works better with digital silence which is exactly 0.
+Default value is rms.
+
Set duration in number of seconds used to calculate size of window in number
+of samples for detecting silence.
+Default value is 0.02. Allowed range is from 0 to 10.
+
silenceremove=start_periods=1:start_duration=5:start_threshold=0.02 +
silenceremove=stop_periods=-1:stop_duration=1:stop_threshold=-90dB +
silenceremove=window=0:detection=peak:stop_mode=all:start_mode=all:stop_periods=-1:stop_threshold=0 +
SOFAlizer uses head-related transfer functions (HRTFs) to create virtual +loudspeakers around the user for binaural listening via headphones (audio +formats up to 9 channels supported). +The HRTFs are stored in SOFA files (see http://www.sofacoustics.org/ for a database). +SOFAlizer is developed at the Acoustics Research Institute (ARI) of the +Austrian Academy of Sciences. +
+To enable compilation of this filter you need to configure FFmpeg with
+--enable-libmysofa.
+
The filter accepts the following options: +
+Set the SOFA file used for rendering. +
+Set gain applied to audio. Value is in dB. Default is 0. +
+Set rotation of virtual loudspeakers in deg. Default is 0. +
+Set elevation of virtual speakers in deg. Default is 0. +
+Set distance in meters between loudspeakers and the listener with near-field +HRTFs. Default is 1. +
+Set processing type. Can be time or freq. time is +processing audio in time domain which is slow. +freq is processing audio in frequency domain which is fast. +Default is freq. +
+Set custom positions of virtual loudspeakers. Syntax for this option is: +<CH> <AZIM> <ELEV>[|<CH> <AZIM> <ELEV>|...]. +Each virtual loudspeaker is described with short channel name following with +azimuth and elevation in degrees. +Each virtual loudspeaker description is separated by ’|’. +For example to override front left and front right channel positions use: +’speakers=FL 45 15|FR 345 15’. +Descriptions with unrecognised channel names are ignored. +
+Set custom gain for LFE channels. Value is in dB. Default is 0. +
+Set custom frame size in number of samples. Default is 1024. +Allowed range is from 1024 to 96000. Only used if option ‘type’ +is set to freq. +
+Should all IRs be normalized upon importing SOFA file. +By default is enabled. +
+Should nearest IRs be interpolated with neighbor IRs if exact position +does not match. By default is disabled. +
+Minphase all IRs upon loading of SOFA file. By default is disabled. +
+Set neighbor search angle step. Only used if option interpolate is enabled. +
+Set neighbor search radius step. Only used if option interpolate is enabled. +
sofalizer=sofa=/path/to/ClubFritz6.sofa:type=freq:radius=1 +
sofalizer=sofa=/path/to/ClubFritz12.sofa:type=freq:radius=2:rotation=5 +
"sofalizer=sofa=/path/to/ClubFritz6.sofa:type=freq:radius=2:speakers=FL 45|FR 315|BL 135|BR 225:gain=28" +
Speech Normalizer. +
+This filter expands or compresses each half-cycle of audio samples +(local set of samples all above or all below zero and between two nearest zero crossings) depending +on threshold value, so audio reaches target peak value under conditions controlled by below options. +
+The filter accepts the following options: +
+Set the expansion target peak value. This specifies the highest allowed absolute amplitude +level for the normalized audio input. Default value is 0.95. Allowed range is from 0.0 to 1.0. +
+Set the maximum expansion factor. Allowed range is from 1.0 to 50.0. Default value is 2.0. +This option controls maximum local half-cycle of samples expansion. The maximum expansion +would be such that local peak value reaches target peak value but never to surpass it and that +ratio between new and previous peak value does not surpass this option value. +
+Set the maximum compression factor. Allowed range is from 1.0 to 50.0. Default value is 2.0. +This option controls maximum local half-cycle of samples compression. This option is used +only if threshold option is set to value greater than 0.0, then in such cases +when local peak is lower or same as value set by threshold all samples belonging to +that peak’s half-cycle will be compressed by current compression factor. +
+Set the threshold value. Default value is 0.0. Allowed range is from 0.0 to 1.0. +This option specifies which half-cycles of samples will be compressed and which will be expanded. +Any half-cycle samples with their local peak value below or same as this option value will be +compressed by current compression factor, otherwise, if greater than threshold value they will be +expanded with expansion factor so that it could reach peak target value but never surpass it. +
+Set the expansion raising amount per each half-cycle of samples. Default value is 0.001. +Allowed range is from 0.0 to 1.0. This controls how fast expansion factor is raised per +each new half-cycle until it reaches expansion value. +Setting this options too high may lead to distortions. +
+Set the compression raising amount per each half-cycle of samples. Default value is 0.001. +Allowed range is from 0.0 to 1.0. This controls how fast compression factor is raised per +each new half-cycle until it reaches compression value. +
+Specify which channels to filter, by default all available channels are filtered. +
+Enable inverted filtering, by default is disabled. This inverts interpretation of threshold +option. When enabled any half-cycle of samples with their local peak value below or same as +threshold option will be expanded otherwise it will be compressed. +
+Link channels when calculating gain applied to each filtered channel sample, by default is disabled. +When disabled each filtered channel gain calculation is independent, otherwise when this option +is enabled the minimum of all possible gains for each filtered channel is used. +
+Set the expansion target RMS value. This specifies the highest allowed RMS level for the normalized +audio input. Default value is 0.0, thus disabled. Allowed range is from 0.0 to 1.0. +
This filter supports the all above options as commands. +
+ +speechnorm=e=3:r=0.00001:l=1 +
speechnorm=e=6.25:r=0.00001:l=1 +
speechnorm=e=12.5:r=0.0001:l=1 +
speechnorm=e=25:r=0.0001:l=1 +
speechnorm=e=50:r=0.0001:l=1 +
This filter has some handy utilities to manage stereo signals, for converting +M/S stereo recordings to L/R signal while having control over the parameters +or spreading the stereo image of master track. +
+The filter accepts the following options: +
+Set input level before filtering for both channels. Defaults is 1. +Allowed range is from 0.015625 to 64. +
+Set output level after filtering for both channels. Defaults is 1. +Allowed range is from 0.015625 to 64. +
+Set input balance between both channels. Default is 0. +Allowed range is from -1 to 1. +
+Set output balance between both channels. Default is 0. +Allowed range is from -1 to 1. +
+Enable softclipping. Results in analog distortion instead of harsh digital 0dB +clipping. Disabled by default. +
+Mute the left channel. Disabled by default. +
+Mute the right channel. Disabled by default. +
+Change the phase of the left channel. Disabled by default. +
+Change the phase of the right channel. Disabled by default. +
+Set stereo mode. Available values are: +
+Left/Right to Left/Right, this is default. +
+Left/Right to Mid/Side. +
+Mid/Side to Left/Right. +
+Left/Right to Left/Left. +
+Left/Right to Right/Right. +
+Left/Right to Left + Right. +
+Left/Right to Right/Left. +
+Mid/Side to Left/Left. +
+Mid/Side to Right/Right. +
+Mid/Side to Right/Left. +
+Left/Right to Left - Right. +
Set level of side signal. Default is 1. +Allowed range is from 0.015625 to 64. +
+Set balance of side signal. Default is 0. +Allowed range is from -1 to 1. +
+Set level of the middle signal. Default is 1. +Allowed range is from 0.015625 to 64. +
+Set middle signal pan. Default is 0. Allowed range is from -1 to 1. +
+Set stereo base between mono and inversed channels. Default is 0. +Allowed range is from -1 to 1. +
+Set delay in milliseconds how much to delay left from right channel and +vice versa. Default is 0. Allowed range is from -20 to 20. +
+Set S/C level. Default is 1. Allowed range is from 1 to 100. +
+Set the stereo phase in degrees. Default is 0. Allowed range is from 0 to 360. +
+Set balance mode for balance_in/balance_out option. +
+Can be one of the following: +
+Classic balance mode. Attenuate one channel at time. +Gain is raised up to 1. +
+Similar as classic mode above but gain is raised up to 2. +
+Equal power distribution, from -6dB to +6dB range. +
This filter supports the all above options as commands. +
+ +stereotools=mlev=0.015625 +
"stereotools=mode=ms>lr" +
This filter enhance the stereo effect by suppressing signal common to both +channels and by delaying the signal of left into right and vice versa, +thereby widening the stereo effect. +
+The filter accepts the following options: +
+Time in milliseconds of the delay of left signal into right and vice versa. +Default is 20 milliseconds. +
+Amount of gain in delayed signal into right and vice versa. Gives a delay +effect of left signal in right output and vice versa which gives widening +effect. Default is 0.3. +
+Cross feed of left into right with inverted phase. This helps in suppressing +the mono. If the value is 1 it will cancel all the signal common to both +channels. Default is 0.3. +
+Set level of input signal of original channel. Default is 0.8. +
This filter supports the all above options except delay as commands.
+
Apply 18 band equalizer. +
+The filter accepts the following options: +
Set 65Hz band gain. +
Set 92Hz band gain. +
Set 131Hz band gain. +
Set 185Hz band gain. +
Set 262Hz band gain. +
Set 370Hz band gain. +
Set 523Hz band gain. +
Set 740Hz band gain. +
Set 1047Hz band gain. +
Set 1480Hz band gain. +
Set 2093Hz band gain. +
Set 2960Hz band gain. +
Set 4186Hz band gain. +
Set 5920Hz band gain. +
Set 8372Hz band gain. +
Set 11840Hz band gain. +
Set 16744Hz band gain. +
Set 20000Hz band gain. +
Apply audio surround upmix filter. +
+This filter allows to produce multichannel output from audio stream. +
+The filter accepts the following options: +
+Set output channel layout. By default, this is 5.1. +
+See (ffmpeg-utils)the Channel Layout section in the ffmpeg-utils(1) manual +for the required syntax. +
+Set input channel layout. By default, this is stereo. +
+See (ffmpeg-utils)the Channel Layout section in the ffmpeg-utils(1) manual +for the required syntax. +
+Set input volume level. By default, this is 1. +
+Set output volume level. By default, this is 1. +
+Enable LFE channel output if output channel layout has it. By default, this is enabled. +
+Set LFE low cut off frequency. By default, this is 128 Hz. +
+Set LFE high cut off frequency. By default, this is 256 Hz. +
+Set LFE mode, can be add or sub. Default is add. +In add mode, LFE channel is created from input audio and added to output. +In sub mode, LFE channel is created from input audio and added to output but +also all non-LFE output channels are subtracted with output LFE channel. +
+Set temporal smoothness strength, used to gradually change factors when transforming +stereo sound in time. Allowed range is from 0.0 to 1.0. +Useful to improve output quality with focus option values greater than 0.0. +Default is 0.0. Only values inside this range and without edges are effective. +
+Set angle of stereo surround transform, Allowed range is from 0 to 360. +Default is 90. +
+Set focus of stereo surround transform, Allowed range is from -1 to 1. +Default is 0. +
+Set front center input volume. By default, this is 1. +
+Set front center output volume. By default, this is 1. +
+Set front left input volume. By default, this is 1. +
+Set front left output volume. By default, this is 1. +
+Set front right input volume. By default, this is 1. +
+Set front right output volume. By default, this is 1. +
+Set side left input volume. By default, this is 1. +
+Set side left output volume. By default, this is 1. +
+Set side right input volume. By default, this is 1. +
+Set side right output volume. By default, this is 1. +
+Set back left input volume. By default, this is 1. +
+Set back left output volume. By default, this is 1. +
+Set back right input volume. By default, this is 1. +
+Set back right output volume. By default, this is 1. +
+Set back center input volume. By default, this is 1. +
+Set back center output volume. By default, this is 1. +
+Set LFE input volume. By default, this is 1. +
+Set LFE output volume. By default, this is 1. +
+Set spread usage of stereo image across X axis for all channels. +Allowed range is from -1 to 15. +By default this value is negative -1, and thus unused. +
+Set spread usage of stereo image across Y axis for all channels. +Allowed range is from -1 to 15. +By default this value is negative -1, and thus unused. +
+Set spread usage of stereo image across X axis for each channel. +Allowed range is from 0.06 to 15. +By default this value is 0.5. +
+Set spread usage of stereo image across Y axis for each channel. +Allowed range is from 0.06 to 15. +By default this value is 0.5. +
+Set window size. Allowed range is from 1024 to 65536. Default size is 4096. +
+Set window function. +
+It accepts the following values: +
Default is hann.
+
Set window overlap. If set to 1, the recommended overlap for selected
+window function will be picked. Default is 0.5.
+
Boost or cut the lower frequencies and cut or boost higher frequencies +of the audio using a two-pole shelving filter with a response similar to +that of a standard hi-fi’s tone-controls. +This is also known as shelving equalisation (EQ). +
+The filter accepts the following options: +
+Give the gain at 0 Hz. Its useful range is about -20 +(for a large cut) to +20 (for a large boost). +Beware of clipping when using a positive gain. +
+Set the filter’s central frequency and so can be used
+to extend or reduce the frequency range to be boosted or cut.
+The default value is 3000 Hz.
+
Set method to specify band-width of filter. +
Hz +
Q-Factor +
octave +
slope +
kHz +
Determine how steep is the filter’s shelf transition. +
+Set number of poles. Default is 2. +
+How much to use filtered signal in output. Default is 1. +Range is between 0 and 1. +
+Specify which channels to filter, by default all available are filtered. +
+Normalize biquad coefficients, by default is disabled. +Enabling it will normalize magnitude response at DC to 0dB. +
+Set transform type of IIR filter. +
Set precison of filtering. +
Pick automatic sample format depending on surround filters. +
Always use signed 16-bit. +
Always use signed 32-bit. +
Always use float 32-bit. +
Always use float 64-bit. +
Set block size used for reverse IIR processing. If this value is set to high enough +value (higher than impulse response length truncated when reaches near zero values) filtering +will become linear phase otherwise if not big enough it will just produce nasty artifacts. +
+Note that filter delay will be exactly this many samples when set to non-zero value. +
This filter supports some options as commands. +
+ +Boost or cut treble (upper) frequencies of the audio using a two-pole +shelving filter with a response similar to that of a standard +hi-fi’s tone-controls. This is also known as shelving equalisation (EQ). +
+The filter accepts the following options: +
+Give the gain at whichever is the lower of ~22 kHz and the +Nyquist frequency. Its useful range is about -20 (for a large cut) +to +20 (for a large boost). Beware of clipping when using a positive gain. +
+Set the filter’s central frequency and so can be used
+to extend or reduce the frequency range to be boosted or cut.
+The default value is 3000 Hz.
+
Set method to specify band-width of filter. +
Hz +
Q-Factor +
octave +
slope +
kHz +
Determine how steep is the filter’s shelf transition. +
+Set number of poles. Default is 2. +
+How much to use filtered signal in output. Default is 1. +Range is between 0 and 1. +
+Specify which channels to filter, by default all available are filtered. +
+Normalize biquad coefficients, by default is disabled. +Enabling it will normalize magnitude response at DC to 0dB. +
+Set transform type of IIR filter. +
Set precison of filtering. +
Pick automatic sample format depending on surround filters. +
Always use signed 16-bit. +
Always use signed 32-bit. +
Always use float 32-bit. +
Always use float 64-bit. +
Set block size used for reverse IIR processing. If this value is set to high enough +value (higher than impulse response length truncated when reaches near zero values) filtering +will become linear phase otherwise if not big enough it will just produce nasty artifacts. +
+Note that filter delay will be exactly this many samples when set to non-zero value. +
This filter supports the following commands: +
Change treble frequency. +Syntax for the command is : "frequency" +
+Change treble width_type. +Syntax for the command is : "width_type" +
+Change treble width. +Syntax for the command is : "width" +
+Change treble gain. +Syntax for the command is : "gain" +
+Change treble mix. +Syntax for the command is : "mix" +
Sinusoidal amplitude modulation. +
+The filter accepts the following options: +
+Modulation frequency in Hertz. Modulation frequencies in the subharmonic range +(20 Hz or lower) will result in a tremolo effect. +This filter may also be used as a ring modulator by specifying +a modulation frequency higher than 20 Hz. +Range is 0.1 - 20000.0. Default value is 5.0 Hz. +
+Depth of modulation as a percentage. Range is 0.0 - 1.0. +Default value is 0.5. +
Sinusoidal phase modulation. +
+The filter accepts the following options: +
+Modulation frequency in Hertz. +Range is 0.1 - 20000.0. Default value is 5.0 Hz. +
+Depth of modulation as a percentage. Range is 0.0 - 1.0. +Default value is 0.5. +
Apply audio Virtual Bass filter. +
+This filter accepts stereo input and produce stereo with LFE (2.1) channels output. +The newly produced LFE channel have enhanced virtual bass originally obtained from both stereo channels. +This filter outputs front left and front right channels unchanged as available in stereo input. +
+The filter accepts the following options: +
+Set the virtual bass cutoff frequency. Default value is 250 Hz. +Allowed range is from 100 to 500 Hz. +
+Set the virtual bass strength. Allowed range is from 0.5 to 3. +Default value is 3. +
Adjust the input audio volume. +
+It accepts the following parameters: +
Set audio volume expression. +
+Output values are clipped to the maximum value. +
+The output audio volume is given by the relation: +
output_volume = volume * input_volume +
The default value for volume is "1.0". +
+This parameter represents the mathematical precision. +
+It determines which input sample formats will be allowed, which affects the +precision of the volume scaling. +
+8-bit fixed-point; this limits input sample format to U8, S16, and S32. +
32-bit floating-point; this limits input sample format to FLT. (default) +
64-bit floating-point; this limits input sample format to DBL. +
Choose the behaviour on encountering ReplayGain side data in input frames. +
+Remove ReplayGain side data, ignoring its contents (the default). +
+Ignore ReplayGain side data, but leave it in the frame. +
+Prefer the track gain, if present. +
+Prefer the album gain, if present. +
Pre-amplification gain in dB to apply to the selected replaygain gain. +
+Default value for replaygain_preamp is 0.0. +
+Prevent clipping by limiting the gain applied. +
+Default value for replaygain_noclip is 1. +
+Set when the volume expression is evaluated. +
+It accepts the following values: +
only evaluate expression once during the filter initialization, or +when the ‘volume’ command is sent +
+evaluate expression for each incoming frame +
Default value is ‘once’. +
The volume expression can contain the following parameters. +
+frame number (starting at zero) +
number of channels +
number of samples consumed by the filter +
number of samples in the current frame +
original frame position in the file +
frame PTS +
sample rate +
PTS at start of stream +
time at start of stream +
frame time +
timestamp timebase +
last set volume value +
Note that when eval is set to ‘once’ only the +sample_rate and tb variables are available, all other +variables will evaluate to NAN. +
+ +This filter supports the following commands: +
Modify the volume expression. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
volume=volume=0.5 +volume=volume=1/2 +volume=volume=-6.0206dB +
In all the above example the named key for volume can be +omitted, for example like in: +
volume=0.5 +
volume=volume=6dB:precision=fixed +
volume='if(lt(t,10),1,max(1-(t-10)/5,0))':eval=frame +
Detect the volume of the input video. +
+The filter has no parameters. It supports only 16-bit signed integer samples, +so the input will be converted when needed. Statistics about the volume will +be printed in the log when the input stream end is reached. +
+In particular it will show the mean volume (root mean square), maximum +volume (on a per-sample basis), and the beginning of a histogram of the +registered volume values (from the maximum value to a cumulated 1/1000 of +the samples). +
+All volumes are in decibels relative to the maximum PCM value. +
+ +Here is an excerpt of the output: +
[Parsed_volumedetect_0 0xa23120] mean_volume: -27 dB +[Parsed_volumedetect_0 0xa23120] max_volume: -4 dB +[Parsed_volumedetect_0 0xa23120] histogram_4db: 6 +[Parsed_volumedetect_0 0xa23120] histogram_5db: 62 +[Parsed_volumedetect_0 0xa23120] histogram_6db: 286 +[Parsed_volumedetect_0 0xa23120] histogram_7db: 1042 +[Parsed_volumedetect_0 0xa23120] histogram_8db: 2551 +[Parsed_volumedetect_0 0xa23120] histogram_9db: 4609 +[Parsed_volumedetect_0 0xa23120] histogram_10db: 8409 +
It means that: +
In other words, raising the volume by +4 dB does not cause any clipping, +raising it by +5 dB causes clipping for 6 samples, etc. +
+ + +Below is a description of the currently available audio sources. +
+ +Buffer audio frames, and make them available to the filter chain. +
+This source is mainly intended for a programmatic use, in particular +through the interface defined in libavfilter/buffersrc.h. +
+It accepts the following parameters: +
The timebase which will be used for timestamps of submitted frames. It must be +either a floating-point number or in numerator/denominator form. +
+The sample rate of the incoming audio buffers. +
+The sample format of the incoming audio buffers. +Either a sample format name or its corresponding integer representation from +the enum AVSampleFormat in libavutil/samplefmt.h +
+The channel layout of the incoming audio buffers. +Either a channel layout name from channel_layout_map in +libavutil/channel_layout.c or its corresponding integer representation +from the AV_CH_LAYOUT_* macros in libavutil/channel_layout.h +
+The number of channels of the incoming audio buffers. +If both channels and channel_layout are specified, then they +must be consistent. +
+abuffer=sample_rate=44100:sample_fmt=s16p:channel_layout=stereo +
will instruct the source to accept planar 16bit signed stereo at 44100Hz. +Since the sample format with name "s16p" corresponds to the number +6 and the "stereo" channel layout corresponds to the value 0x3, this is +equivalent to: +
abuffer=sample_rate=44100:sample_fmt=6:channel_layout=0x3 +
Generate an audio signal specified by an expression. +
+This source accepts in input one or more expressions (one for each +channel), which are evaluated and used to generate a corresponding +audio signal. +
+This source accepts the following options: +
+Set the ’|’-separated expressions list for each separate channel. In case the +channel_layout option is not specified, the selected channel layout +depends on the number of provided expressions. Otherwise the last +specified expression is applied to the remaining output channels. +
+Set the channel layout. The number of channels in the specified layout +must be equal to the number of specified expressions. +
+Set the minimum duration of the sourced audio. See +(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual +for the accepted syntax. +Note that the resulting duration may be greater than the specified +duration, as the generated audio is always cut at the end of a +complete frame. +
+If not specified, or the expressed duration is negative, the audio is +supposed to be generated forever. +
+Set the number of samples per channel per each output frame, +default to 1024. +
+Specify the sample rate, default to 44100. +
Each expression in exprs can contain the following constants: +
+number of the evaluated sample, starting from 0 +
+time of the evaluated sample expressed in seconds, starting from 0 +
+sample rate +
+aevalsrc=0 +
aevalsrc="sin(440*2*PI*t):s=8000" +
aevalsrc="sin(420*2*PI*t)|cos(430*2*PI*t):c=FC|BC" +
aevalsrc="-2+random(0)" +
aevalsrc="sin(10*2*PI*t)*sin(880*2*PI*t)" +
aevalsrc="0.1*sin(2*PI*(360-2.5/2)*t) | 0.1*sin(2*PI*(360+2.5/2)*t)" +
Generate a FIR coefficients using frequency sampling method. +
+The resulting stream can be used with afir filter for filtering the audio signal. +
+The filter accepts the following options: +
+Set number of filter coefficents in output audio stream. +Default value is 1025. +
+Set frequency points from where magnitude and phase are set. +This must be in non decreasing order, and first element must be 0, while last element +must be 1. Elements are separated by white spaces. +
+Set magnitude value for every frequency point set by frequency. +Number of values must be same as number of frequency points. +Values are separated by white spaces. +
+Set phase value for every frequency point set by frequency. +Number of values must be same as number of frequency points. +Values are separated by white spaces. +
+Set sample rate, default is 44100. +
+Set number of samples per each frame. Default is 1024. +
+Set window function. Default is blackman. +
The null audio source, return unprocessed audio frames. It is mainly useful +as a template and to be employed in analysis / debugging tools, or as +the source for filters which ignore the input data (for example the sox +synth filter). +
+This source accepts the following options: +
+Specifies the channel layout, and can be either an integer or a string +representing a channel layout. The default value of channel_layout +is "stereo". +
+Check the channel_layout_map definition in +libavutil/channel_layout.c for the mapping between strings and +channel layout values. +
+Specifies the sample rate, and defaults to 44100. +
+Set the number of samples per requested frames. +
+Set the duration of the sourced audio. See +(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual +for the accepted syntax. +
+If not specified, or the expressed duration is negative, the audio is +supposed to be generated forever. +
anullsrc=r=48000:cl=4 +
anullsrc=r=48000:cl=mono +
All the parameters need to be explicitly defined. +
+ +Synthesize a voice utterance using the libflite library. +
+To enable compilation of this filter you need to configure FFmpeg with
+--enable-libflite.
+
Note that versions of the flite library prior to 2.0 are not thread-safe. +
+The filter accepts the following options: +
+If set to 1, list the names of the available voices and exit +immediately. Default value is 0. +
+Set the maximum number of samples per frame. Default value is 512. +
+Set the filename containing the text to speak. +
+Set the text to speak. +
+Set the voice to use for the speech synthesis. Default value is
+kal. See also the list_voices option.
+
flite=textfile=speech.txt +
slt voice:
+flite=text='So fare thee well, poor devil of a Sub-Sub, whose commentator I am':voice=slt +
ffmpeg -f lavfi -i flite=text='So fare thee well, poor devil of a Sub-Sub, whose commentator I am':voice=slt +
flite and
+the lavfi device:
+ffplay -f lavfi flite=text='No more be grieved for which that thou hast done.' +
For more information about libflite, check: +http://www.festvox.org/flite/ +
+ +Generate a noise audio signal. +
+The filter accepts the following options: +
+Specify the sample rate. Default value is 48000 Hz. +
+Specify the amplitude (0.0 - 1.0) of the generated audio stream. Default value +is 1.0. +
+Specify the duration of the generated audio stream. Not specifying this option +results in noise with an infinite length. +
+Specify the color of noise. Available noise colors are white, pink, brown, +blue, violet and velvet. Default color is white. +
+Specify a value used to seed the PRNG. +
+Set the number of samples per each output frame, default is 1024. +
anoisesrc=d=60:c=pink:r=44100:a=0.5 +
Generate odd-tap Hilbert transform FIR coefficients. +
+The resulting stream can be used with afir filter for phase-shifting +the signal by 90 degrees. +
+This is used in many matrix coding schemes and for analytic signal generation. +The process is often written as a multiplication by i (or j), the imaginary unit. +
+The filter accepts the following options: +
+Set sample rate, default is 44100. +
+Set length of FIR filter, default is 22051. +
+Set number of samples per each frame. +
+Set window function to be used when generating FIR coefficients. +
Generate a sinc kaiser-windowed low-pass, high-pass, band-pass, or band-reject FIR coefficients. +
+The resulting stream can be used with afir filter for filtering the audio signal. +
+The filter accepts the following options: +
+Set sample rate, default is 44100. +
+Set number of samples per each frame. Default is 1024. +
+Set high-pass frequency. Default is 0. +
+Set low-pass frequency. Default is 0. +If high-pass frequency is lower than low-pass frequency and low-pass frequency +is higher than 0 then filter will create band-pass filter coefficients, +otherwise band-reject filter coefficients. +
+Set filter phase response. Default is 50. Allowed range is from 0 to 100. +
+Set Kaiser window beta. +
+Set stop-band attenuation. Default is 120dB, allowed range is from 40 to 180 dB. +
+Enable rounding, by default is disabled. +
+Set number of taps for high-pass filter. +
+Set number of taps for low-pass filter. +
Generate an audio signal made of a sine wave with amplitude 1/8. +
+The audio signal is bit-exact. +
+The filter accepts the following options: +
+Set the carrier frequency. Default is 440 Hz. +
+Enable a periodic beep every second with frequency beep_factor times +the carrier frequency. Default is 0, meaning the beep is disabled. +
+Specify the sample rate, default is 44100. +
+Specify the duration of the generated audio stream. +
+Set the number of samples per output frame. +
+The expression can contain the following constants: +
+The (sequential) number of the output audio frame, starting from 0. +
+The PTS (Presentation TimeStamp) of the output audio frame, +expressed in TB units. +
+The PTS of the output audio frame, expressed in seconds. +
+The timebase of the output audio frames. +
Default is 1024.
+
sine +
sine=220:4:d=5 +sine=f=220:b=4:d=5 +sine=frequency=220:beep_factor=4:duration=5 +
1602,1601,1602,1601,1602 NTSC
+pattern:
+sine=1000:samples_per_frame='st(0,mod(n,5)); 1602-not(not(eq(ld(0),1)+eq(ld(0),3)))' +
Below is a description of the currently available audio sinks. +
+ +Buffer audio frames, and make them available to the end of filter chain. +
+This sink is mainly intended for programmatic use, in particular +through the interface defined in libavfilter/buffersink.h +or the options system. +
+It accepts a pointer to an AVABufferSinkContext structure, which
+defines the incoming buffers’ formats, to be passed as the opaque
+parameter to avfilter_init_filter for initialization.
+
Null audio sink; do absolutely nothing with the input audio. It is +mainly useful as a template and for use in analysis / debugging +tools. +
+ + +When you configure your FFmpeg build, you can disable any of the
+existing filters using --disable-filters.
+The configure output will show the video filters included in your
+build.
+
Below is a description of the currently available video filters. +
+ +Mark a region of interest in a video frame. +
+The frame data is passed through unchanged, but metadata is attached +to the frame indicating regions of interest which can affect the +behaviour of later encoding. Multiple regions can be marked by +applying the filter multiple times. +
+Region distance in pixels from the left edge of the frame. +
Region distance in pixels from the top edge of the frame. +
Region width in pixels. +
Region height in pixels. +
+The parameters x, y, w and h are expressions, +and may contain the following variables: +
Width of the input frame. +
Height of the input frame. +
Quantisation offset to apply within the region. +
+This must be a real value in the range -1 to +1. A value of zero +indicates no quality change. A negative value asks for better quality +(less quantisation), while a positive value asks for worse quality +(greater quantisation). +
+The range is calibrated so that the extreme values indicate the +largest possible offset - if the rest of the frame is encoded with the +worst possible quality, an offset of -1 indicates that this region +should be encoded with the best possible quality anyway. Intermediate +values are then interpolated in some codec-dependent way. +
+For example, in 10-bit H.264 the quantisation parameter varies between +-12 and 51. A typical qoffset value of -1/10 therefore indicates that +this region should be encoded with a QP around one-tenth of the full +range better than the rest of the frame. So, if most of the frame +were to be encoded with a QP of around 30, this region would get a QP +of around 24 (an offset of approximately -1/10 * (51 - -12) = -6.3). +An extreme value of -1 would indicate that this region should be +encoded with the best possible quality regardless of the treatment of +the rest of the frame - that is, should be encoded at a QP of -12. +
If set to true, remove any existing regions of interest marked on the +frame before adding the new one. +
addroi=iw/4:ih/4:iw/2:ih/2:-1/10 +
addroi=0:0:100:ih:+1/5 +
Extract the alpha component from the input as a grayscale video. This +is especially useful with the alphamerge filter. +
+ +Add or replace the alpha component of the primary input with the +grayscale value of a second input. This is intended for use with +alphaextract to allow the transmission or storage of frame +sequences that have alpha in a format that doesn’t support an alpha +channel. +
+For example, to reconstruct full frames from a normal YUV-encoded video +and a separate video created with alphaextract, you might use: +
movie=in_alpha.mkv [alpha]; [in][alpha] alphamerge [out] +
Amplify differences between current pixel and pixels of adjacent frames in +same pixel location. +
+This filter accepts the following options: +
+Set frame radius. Default is 2. Allowed range is from 1 to 63. +For example radius of 3 will instruct filter to calculate average of 7 frames. +
+Set factor to amplify difference. Default is 2. Allowed range is from 0 to 65535. +
+Set threshold for difference amplification. Any difference greater or equal to +this value will not alter source pixel. Default is 10. +Allowed range is from 0 to 65535. +
+Set tolerance for difference amplification. Any difference lower to +this value will not alter source pixel. Default is 0. +Allowed range is from 0 to 65535. +
+Set lower limit for changing source pixel. Default is 65535. Allowed range is from 0 to 65535. +This option controls maximum possible value that will decrease source pixel value. +
+Set high limit for changing source pixel. Default is 65535. Allowed range is from 0 to 65535. +This option controls maximum possible value that will increase source pixel value. +
+Set which planes to filter. Default is all. Allowed range is from 0 to 15. +
This filter supports the following commands that corresponds to option of same name: +
Same as the subtitles filter, except that it doesn’t require libavcodec +and libavformat to work. On the other hand, it is limited to ASS (Advanced +Substation Alpha) subtitles files. +
+This filter accepts the following option in addition to the common options from +the subtitles filter: +
+Set the shaping engine +
+Available values are: +
The default libass shaping engine, which is the best available. +
Fast, font-agnostic shaper that can do only substitutions +
Slower shaper using OpenType for substitutions and positioning +
The default is auto.
+
Apply an Adaptive Temporal Averaging Denoiser to the video input. +
+The filter accepts the following options: +
+Set threshold A for 1st plane. Default is 0.02. +Valid range is 0 to 0.3. +
+Set threshold B for 1st plane. Default is 0.04. +Valid range is 0 to 5. +
+Set threshold A for 2nd plane. Default is 0.02. +Valid range is 0 to 0.3. +
+Set threshold B for 2nd plane. Default is 0.04. +Valid range is 0 to 5. +
+Set threshold A for 3rd plane. Default is 0.02. +Valid range is 0 to 0.3. +
+Set threshold B for 3rd plane. Default is 0.04. +Valid range is 0 to 5. +
+Threshold A is designed to react on abrupt changes in the input signal and +threshold B is designed to react on continuous changes in the input signal. +
+Set number of frames filter will use for averaging. Default is 9. Must be odd +number in range [5, 129]. +
+Set what planes of frame filter will use for averaging. Default is all. +
+Set what variant of algorithm filter will use for averaging. Default is p parallel.
+Alternatively can be set to s serial.
+
Parallel can be faster then serial, while other way around is never true. +Parallel will abort early on first change being greater then thresholds, while serial +will continue processing other side of frames if they are equal or below thresholds. +
+Set sigma for 1st plane, 2nd plane or 3rd plane. Default is 32767. +Valid range is from 0 to 32767. +This options controls weight for each pixel in radius defined by size. +Default value means every pixel have same weight. +Setting this option to 0 effectively disables filtering. +
This filter supports same commands as options except option s.
+The command accepts the same syntax of the corresponding option.
+
Apply average blur filter. +
+The filter accepts the following options: +
+Set horizontal radius size. +
+Set which planes to filter. By default all planes are filtered. +
+Set vertical radius size, if zero it will be same as sizeX.
+Default is 0.
+
This filter supports same commands as options. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
+ +Turns a static background into transparency. +
+The filter accepts the following option: +
+Threshold for scene change detection. +
Similarity percentage with the background. +
Set the blend amount for pixels that are not similar. +
This filter supports the all above options as commands. +
+ +Compute the bounding box for the non-black pixels in the input frame +luminance plane. +
+This filter computes the bounding box containing all the pixels with a +luminance value greater than the minimum allowed value. +The parameters describing the bounding box are printed on the filter +log. +
+The filter accepts the following option: +
+Set the minimal luminance value. Default is 16.
+
This filter supports the all above options as commands. +
+ +Apply bilateral filter, spatial smoothing while preserving edges. +
+The filter accepts the following options: +
Set sigma of gaussian function to calculate spatial weight. +Allowed range is 0 to 512. Default is 0.1. +
+Set sigma of gaussian function to calculate range weight. +Allowed range is 0 to 1. Default is 0.1. +
+Set planes to filter. Default is first only. +
This filter supports the all above options as commands. +
+ +CUDA accelerated bilateral filter, an edge preserving filter. +This filter is mathematically accurate thanks to the use of GPU acceleration. +For best output quality, use one to one chroma subsampling, i.e. yuv444p format. +
+The filter accepts the following options: +
Set sigma of gaussian function to calculate spatial weight, also called sigma space. +Allowed range is 0.1 to 512. Default is 0.1. +
+Set sigma of gaussian function to calculate color range weight, also called sigma color. +Allowed range is 0.1 to 512. Default is 0.1. +
+Set window size of the bilateral function to determine the number of neighbours to loop on. +If the number entered is even, one will be added automatically. +Allowed range is 1 to 255. Default is 1. +
./ffmpeg -v verbose \ +-hwaccel cuda -hwaccel_output_format cuda -i input.mp4 \ +-init_hw_device cuda \ +-filter_complex \ +" \ +[0:v]scale_cuda=format=yuv444p[scaled_video]; +[scaled_video]bilateral_cuda=window_size=9:sigmaS=3.0:sigmaR=50.0" \ +-an -sn -c:v h264_nvenc -cq 20 out.mp4 +
Show and measure bit plane noise. +
+The filter accepts the following options: +
+Set which plane to analyze. Default is 1.
+
Filter out noisy pixels from bitplane set above.
+Default is disabled.
+
Detect video intervals that are (almost) completely black. Can be +useful to detect chapter transitions, commercials, or invalid +recordings. +
+The filter outputs its detection analysis to both the log as well as
+frame metadata. If a black segment of at least the specified minimum
+duration is found, a line with the start and end timestamps as well
+as duration is printed to the log with level info. In addition,
+a log line with level debug is printed per frame showing the
+black amount detected for that frame.
+
The filter also attaches metadata to the first frame of a black
+segment with key lavfi.black_start and to the first frame
+after the black segment ends with key lavfi.black_end. The
+value is the frame’s timestamp. This metadata is added regardless
+of the minimum duration specified.
+
The filter accepts the following options: +
+Set the minimum detected black duration expressed in seconds. It must +be a non-negative floating point number. +
+Default value is 2.0. +
+Set the threshold for considering a picture "black". +Express the minimum value for the ratio: +
nb_black_pixels / nb_pixels +
for which a picture is considered black. +Default value is 0.98. +
+Set the threshold for considering a pixel "black". +
+The threshold expresses the maximum pixel luminance value for which a +pixel is considered "black". The provided value is scaled according to +the following equation: +
absolute_threshold = luminance_minimum_value + pixel_black_th * luminance_range_size +
luminance_range_size and luminance_minimum_value depend on +the input video format, the range is [0-255] for YUV full-range +formats and [16-235] for YUV non full-range formats. +
+Default value is 0.10. +
The following example sets the maximum pixel threshold to the minimum +value, and detects only black intervals of 2 or more seconds: +
blackdetect=d=2:pix_th=0.00 +
Detect frames that are (almost) completely black. Can be useful to +detect chapter transitions or commercials. Output lines consist of +the frame number of the detected frame, the percentage of blackness, +the position in the file if known or -1 and the timestamp in seconds. +
+In order to display the output lines, you need to set the loglevel at +least to the AV_LOG_INFO value. +
+This filter exports frame metadata lavfi.blackframe.pblack.
+The value represents the percentage of pixels in the picture that
+are below the threshold value.
+
It accepts the following parameters: +
+The percentage of the pixels that have to be below the threshold; it defaults to
+98.
+
The threshold below which a pixel value is considered black; it defaults to
+32.
+
Blend two video frames into each other. +
+The blend filter takes two input streams and outputs one
+stream, the first input is the "top" layer and second input is
+"bottom" layer. By default, the output terminates when the longest input terminates.
+
The tblend (time blend) filter takes two consecutive frames
+from one single stream, and outputs the result obtained by blending
+the new frame on top of the old frame.
+
A description of the accepted options follows. +
+Set blend mode for specific pixel component or all pixel components in case
+of all_mode. Default value is normal.
+
Available values for component modes are: +
Set blend opacity for specific pixel component or all pixel components in case +of all_opacity. Only used in combination with pixel component blend modes. +
+Set blend expression for specific pixel component or all pixel components in case +of all_expr. Note that related mode options will be ignored if those are set. +
+The expressions can use the following variables: +
+The sequential number of the filtered frame, starting from 0.
+
the coordinates of the current sample +
+the width and height of currently filtered plane +
+Width and height scale for the plane being filtered. It is the
+ratio between the dimensions of the current plane to the luma plane,
+e.g. for a yuv420p frame, the values are 1,1 for
+the luma plane and 0.5,0.5 for the chroma planes.
+
Time of the current frame, expressed in seconds. +
+Value of pixel component at current location for first video frame (top layer). +
+Value of pixel component at current location for second video frame (bottom layer). +
The blend filter also supports the framesync options.
+
blend=all_expr='A*(if(gte(T,10),1,T/10))+B*(1-(if(gte(T,10),1,T/10)))' +
blend=all_expr='A*(X/W)+B*(1-X/W)' +
blend=all_expr='if(eq(mod(X,2),mod(Y,2)),A,B)' +
blend=all_expr='if(gte(N*SW+X,W),A,B)' +
blend=all_expr='if(gte(Y-N*SH,0),A,B)' +
blend=all_expr='if(gte(T*SH*40+Y,H)*gte((T*40*SW+X)*W/H,W),A,B)' +
blend=all_expr='if(gt(X,Y*(W/H)),A,B)' +
tblend=all_mode=grainextract +
This filter supports same commands as options. +
+ +Determines blockiness of frames without altering the input frames. +
+Based on Remco Muijs and Ihor Kirenko: "A no-reference blocking artifact measure for adaptive video processing." 2005 13th European signal processing conference. +
+The filter accepts the following options: +
+Set minimum and maximum values for determining pixel grids (periods). +Default values are [3,24]. +
+Set planes to filter. Default is first only. +
blockdetect=period_min=8:period_max=32:planes=1 +
Determines blurriness of frames without altering the input frames. +
+Based on Marziliano, Pina, et al. "A no-reference perceptual blur metric." +Allows for a block-based abbreviation. +
+The filter accepts the following options: +
+Set low and high threshold values used by the Canny thresholding +algorithm. +
+The high threshold selects the "strong" edge pixels, which are then +connected through 8-connectivity with the "weak" edge pixels selected +by the low threshold. +
+low and high threshold values must be chosen in the range +[0,1], and low should be lesser or equal to high. +
+Default value for low is 20/255, and default value for high
+is 50/255.
+
Define the radius to search around an edge pixel for local maxima. +
+Determine blurriness only for the most significant blocks, given in percentage. +
+Determine blurriness for blocks of width block_width. If set to any value smaller 1, no blocks are used and the whole image is processed as one no matter of block_height. +
+Determine blurriness for blocks of height block_height. If set to any value smaller 1, no blocks are used and the whole image is processed as one no matter of block_width. +
+Set planes to filter. Default is first only. +
blurdetect=block_width=32:block_height=32:block_pct=80 +
Denoise frames using Block-Matching 3D algorithm. +
+The filter accepts the following options. +
+Set denoising strength. Default value is 1. +Allowed range is from 0 to 999.9. +The denoising algorithm is very sensitive to sigma, so adjust it +according to the source. +
+Set local patch size. This sets dimensions in 2D. +
+Set sliding step for processing blocks. Default value is 4. +Allowed range is from 1 to 64. +Smaller values allows processing more reference blocks and is slower. +
+Set maximal number of similar blocks for 3rd dimension. Default value is 1. +When set to 1, no block matching is done. Larger values allows more blocks +in single group. +Allowed range is from 1 to 256. +
+Set radius for search block matching. Default is 9. +Allowed range is from 1 to INT32_MAX. +
+Set step between two search locations for block matching. Default is 1. +Allowed range is from 1 to 64. Smaller is slower. +
+Set threshold of mean square error for block matching. Valid range is 0 to +INT32_MAX. +
+Set thresholding parameter for hard thresholding in 3D transformed domain. +Larger values results in stronger hard-thresholding filtering in frequency +domain. +
+Set filtering estimation mode. Can be basic or final.
+Default is basic.
+
If enabled, filter will use 2nd stream for block matching.
+Default is disabled for basic value of estim option,
+and always enabled if value of estim is final.
+
Set planes to filter. Default is all available except alpha. +
bm3d=sigma=3:block=4:bstep=2:group=1:estim=basic +
bm3d=sigma=3:block=4:bstep=2:group=1:estim=basic:planes=1 +
split[a][b],[a]bm3d=sigma=3:block=4:bstep=2:group=1:estim=basic[a],[b][a]bm3d=sigma=3:block=4:bstep=2:group=16:estim=final:ref=1 +
split[a][b],[a]nlmeans=s=3:r=7:p=3[a],[b][a]bm3d=sigma=3:block=4:bstep=2:group=16:estim=final:ref=1 +
Apply a boxblur algorithm to the input video. +
+It accepts the following parameters: +
+A description of the accepted options follows. +
+Set an expression for the box radius in pixels used for blurring the +corresponding input plane. +
+The radius value must be a non-negative number, and must not be
+greater than the value of the expression min(w,h)/2 for the
+luma and alpha planes, and of min(cw,ch)/2 for the chroma
+planes.
+
Default value for luma_radius is "2". If not specified, +chroma_radius and alpha_radius default to the +corresponding value set for luma_radius. +
+The expressions can contain the following constants: +
The input width and height in pixels. +
+The input chroma image width and height in pixels. +
+The horizontal and vertical chroma subsample values. For example, for the +pixel format "yuv422p", hsub is 2 and vsub is 1. +
Specify how many times the boxblur filter is applied to the +corresponding plane. +
+Default value for luma_power is 2. If not specified, +chroma_power and alpha_power default to the +corresponding value set for luma_power. +
+A value of 0 will disable the effect. +
boxblur=luma_radius=2:luma_power=1 +boxblur=2:1 +
boxblur=2:1:cr=0:ar=0 +
boxblur=luma_radius=min(h\,w)/10:luma_power=1:chroma_radius=min(cw\,ch)/10:chroma_power=1 +
Deinterlace the input video ("bwdif" stands for "Bob Weaver +Deinterlacing Filter"). +
+Motion adaptive deinterlacing based on yadif with the use of w3fdif and cubic +interpolation algorithms. +It accepts the following parameters: +
+The interlacing mode to adopt. It accepts one of the following values: +
+Output one frame for each frame. +
Output one frame for each field. +
The default value is send_field.
+
The picture field parity assumed for the input interlaced video. It accepts one +of the following values: +
+Assume the top field is first. +
Assume the bottom field is first. +
Enable automatic detection of field parity. +
The default value is auto.
+If the interlacing is unknown or the decoder does not export this information,
+top field first will be assumed.
+
Specify which frames to deinterlace. Accepts one of the following +values: +
+Deinterlace all frames. +
Only deinterlace frames marked as interlaced. +
The default value is all.
+
Apply Contrast Adaptive Sharpen filter to video stream. +
+The filter accepts the following options: +
+Set the sharpening strength. Default value is 0. +
+Set planes to filter. Default value is to filter all +planes except alpha plane. +
This filter supports same commands as options. +
+ +Remove all color information for all colors except for certain one. +
+The filter accepts the following options: +
+The color which will not be replaced with neutral chroma. +
+Similarity percentage with the above color. +0.01 matches only the exact key color, while 1.0 matches everything. +
+Blend percentage. +0.0 makes pixels either fully gray, or not gray at all. +Higher values result in more preserved color. +
+Signals that the color passed is already in YUV instead of RGB. +
+Literal colors like "green" or "red" don’t make sense with this enabled anymore. +This can be used to pass exact YUV values as hexadecimal numbers. +
This filter supports same commands as options. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
+ +YUV colorspace color/chroma keying. +
+The filter accepts the following options: +
+The color which will be replaced with transparency. +
+Similarity percentage with the key color. +
+0.01 matches only the exact key color, while 1.0 matches everything. +
+Blend percentage. +
+0.0 makes pixels either fully transparent, or not transparent at all. +
+Higher values result in semi-transparent pixels, with a higher transparency +the more similar the pixels color is to the key color. +
+Signals that the color passed is already in YUV instead of RGB. +
+Literal colors like "green" or "red" don’t make sense with this enabled anymore. +This can be used to pass exact YUV values as hexadecimal numbers. +
This filter supports same commands as options. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
+ +ffmpeg -i input.png -vf chromakey=green out.png +
ffmpeg -f lavfi -i color=c=black:s=1280x720 -i video.mp4 -shortest -filter_complex "[1:v]chromakey=0x70de77:0.1:0.2[ckout];[0:v][ckout]overlay[out]" -map "[out]" output.mkv +
CUDA accelerated YUV colorspace color/chroma keying. +
+This filter works like normal chromakey filter but operates on CUDA frames. +for more details and parameters see chromakey. +
+ +./ffmpeg \ + -hwaccel cuda -hwaccel_output_format cuda -i input_green.mp4 \ + -hwaccel cuda -hwaccel_output_format cuda -i base_video.mp4 \ + -init_hw_device cuda \ + -filter_complex \ + " \ + [0:v]chromakey_cuda=0x25302D:0.1:0.12:1[overlay_video]; \ + [1:v]scale_cuda=format=yuv420p[base]; \ + [base][overlay_video]overlay_cuda" \ + -an -sn -c:v h264_nvenc -cq 20 output.mp4 +
./ffmpeg -init_hw_device cuda=cuda -filter_hw_device cuda \ + -f lavfi -i color=size=800x600:color=white,format=yuv420p \ + -f lavfi -i yuvtestsrc=size=200x200,format=yuv420p \ + -filter_complex \ + " \ + [0]hwupload[under]; \ + [1]hwupload,chromakey_cuda=green:0.1:0.12[over]; \ + [under][over]overlay_cuda" \ + -c:v hevc_nvenc -cq 18 -preset slow output.mp4 +
Reduce chrominance noise. +
+The filter accepts the following options: +
+Set threshold for averaging chrominance values. +Sum of absolute difference of Y, U and V pixel components of current +pixel and neighbour pixels lower than this threshold will be used in +averaging. Luma component is left unchanged and is copied to output. +Default value is 30. Allowed range is from 1 to 200. +
+Set horizontal radius of rectangle used for averaging. +Allowed range is from 1 to 100. Default value is 5. +
+Set vertical radius of rectangle used for averaging. +Allowed range is from 1 to 100. Default value is 5. +
+Set horizontal step when averaging. Default value is 1. +Allowed range is from 1 to 50. +Mostly useful to speed-up filtering. +
+Set vertical step when averaging. Default value is 1. +Allowed range is from 1 to 50. +Mostly useful to speed-up filtering. +
+Set Y threshold for averaging chrominance values. +Set finer control for max allowed difference between Y components +of current pixel and neigbour pixels. +Default value is 200. Allowed range is from 1 to 200. +
+Set U threshold for averaging chrominance values. +Set finer control for max allowed difference between U components +of current pixel and neigbour pixels. +Default value is 200. Allowed range is from 1 to 200. +
+Set V threshold for averaging chrominance values. +Set finer control for max allowed difference between V components +of current pixel and neigbour pixels. +Default value is 200. Allowed range is from 1 to 200. +
+Set distance type used in calculations. +
+Absolute difference. +
Difference squared. +
Default distance type is manhattan. +
This filter supports same commands as options. +The command accepts the same syntax of the corresponding option. +
+ +Shift chroma pixels horizontally and/or vertically. +
+The filter accepts the following options: +
Set amount to shift chroma-blue horizontally. +
Set amount to shift chroma-blue vertically. +
Set amount to shift chroma-red horizontally. +
Set amount to shift chroma-red vertically. +
Set edge mode, can be smear, default, or warp. +
This filter supports the all above options as commands. +
+ +Display CIE color diagram with pixels overlaid onto it. +
+The filter accepts the following options: +
+Set color system. +
+Set CIE system. +
+Set what gamuts to draw. +
+See system option for available values.
+
Set ciescope size, by default set to 512. +
+Set intensity used to map input pixel values to CIE diagram. +
+Set contrast used to draw tongue colors that are out of active color system gamut. +
+Correct gamma displayed on scope, by default enabled. +
+Show white point on CIE diagram, by default disabled. +
+Set input gamma. Used only with XYZ input color space. +
+Fill with CIE colors. By default is enabled. +
Visualize information exported by some codecs. +
+Some codecs can export information through frames using side-data or other +means. For example, some MPEG based codecs export motion vectors through the +export_mvs flag in the codec flags2 option. +
+The filter accepts the following option: +
+Display block partition structure using the luma plane. +
+Set motion vectors to visualize. +
+Available flags for mv are: +
+forward predicted MVs of P-frames +
forward predicted MVs of B-frames +
backward predicted MVs of B-frames +
Display quantization parameters using the chroma planes. +
+Set motion vectors type to visualize. Includes MVs from all frames unless specified by frame_type option. +
+Available flags for mv_type are: +
+forward predicted MVs +
backward predicted MVs +
Set frame type to visualize motion vectors of. +
+Available flags for frame_type are: +
+intra-coded frames (I-frames) +
predicted frames (P-frames) +
bi-directionally predicted frames (B-frames) +
ffplay:
+ffplay -flags2 +export_mvs input.mp4 -vf codecview=mv_type=fp +
ffplay:
+ffplay -flags2 +export_mvs input.mp4 -vf codecview=mv=pf+bf+bb +
Modify intensity of primary colors (red, green and blue) of input frames. +
+The filter allows an input frame to be adjusted in the shadows, midtones or highlights +regions for the red-cyan, green-magenta or blue-yellow balance. +
+A positive adjustment value shifts the balance towards the primary color, a negative +value towards the complementary color. +
+The filter accepts the following options: +
+Adjust red, green and blue shadows (darkest pixels). +
+Adjust red, green and blue midtones (medium pixels). +
+Adjust red, green and blue highlights (brightest pixels). +
+Allowed ranges for options are [-1.0, 1.0]. Defaults are 0.
+
Preserve lightness when changing color balance. Default is disabled. +
colorbalance=rs=.3 +
This filter supports the all above options as commands. +
+ +Adjust color contrast between RGB components. +
+The filter accepts the following options: +
+Set the red-cyan contrast. Defaults is 0.0. Allowed range is from -1.0 to 1.0. +
+Set the green-magenta contrast. Defaults is 0.0. Allowed range is from -1.0 to 1.0. +
+Set the blue-yellow contrast. Defaults is 0.0. Allowed range is from -1.0 to 1.0. +
+Set the weight of each rc, gm, by option value. Default value is 0.0.
+Allowed range is from 0.0 to 1.0. If all weights are 0.0 filtering is disabled.
+
Set the amount of preserving lightness. Default value is 0.0. Allowed range is from 0.0 to 1.0. +
This filter supports the all above options as commands. +
+ +Adjust color white balance selectively for blacks and whites. +This filter operates in YUV colorspace. +
+The filter accepts the following options: +
+Set the red shadow spot. Allowed range is from -1.0 to 1.0. +Default value is 0. +
+Set the blue shadow spot. Allowed range is from -1.0 to 1.0. +Default value is 0. +
+Set the red highlight spot. Allowed range is from -1.0 to 1.0. +Default value is 0. +
+Set the red highlight spot. Allowed range is from -1.0 to 1.0. +Default value is 0. +
+Set the amount of saturation. Allowed range is from -3.0 to 3.0. +Default value is 1. +
+If set to anything other than manual it will analyze every frame and use derived
+parameters for filtering output frame.
+
Possible values are: +
Default value is manual.
+
This filter supports the all above options as commands. +
+ +Adjust video input frames by re-mixing color channels. +
+This filter modifies a color channel by adding the values associated to +the other channels of the same pixels. For example if the value to +modify is red, the output value will be: +
red=red*rr + blue*rb + green*rg + alpha*ra +
The filter accepts the following options: +
+Adjust contribution of input red, green, blue and alpha channels for output red channel.
+Default is 1 for rr, and 0 for rg, rb and ra.
+
Adjust contribution of input red, green, blue and alpha channels for output green channel.
+Default is 1 for gg, and 0 for gr, gb and ga.
+
Adjust contribution of input red, green, blue and alpha channels for output blue channel.
+Default is 1 for bb, and 0 for br, bg and ba.
+
Adjust contribution of input red, green, blue and alpha channels for output alpha channel.
+Default is 1 for aa, and 0 for ar, ag and ab.
+
Allowed ranges for options are [-2.0, 2.0].
+
Set preserve color mode. The accepted values are: +
Disable color preserving, this is default. +
Preserve luminance. +
Preserve max value of RGB triplet. +
Preserve average value of RGB triplet. +
Preserve sum value of RGB triplet. +
Preserve normalized value of RGB triplet. +
Preserve power value of RGB triplet. +
Set the preserve color amount when changing colors. Allowed range is from [0.0, 1.0].
+Default is 0.0, thus disabled.
+
colorchannelmixer=.3:.4:.3:0:.3:.4:.3:0:.3:.4:.3 +
colorchannelmixer=.393:.769:.189:0:.349:.686:.168:0:.272:.534:.131 +
This filter supports the all above options as commands. +
+ +Overlay a solid color on the video stream. +
+The filter accepts the following options: +
+Set the color hue. Allowed range is from 0 to 360. +Default value is 0. +
+Set the color saturation. Allowed range is from 0 to 1. +Default value is 0.5. +
+Set the color lightness. Allowed range is from 0 to 1. +Default value is 0.5. +
+Set the mix of source lightness. By default is set to 1.0. +Allowed range is from 0.0 to 1.0. +
This filter supports the all above options as commands. +
+ +RGB colorspace color keying. +This filter operates on 8-bit RGB format frames by setting the alpha component of each pixel +which falls within the similarity radius of the key color to 0. The alpha value for pixels outside +the similarity radius depends on the value of the blend option. +
+The filter accepts the following options: +
+Set the color for which alpha will be set to 0 (full transparency).
+See (ffmpeg-utils)"Color" section in the ffmpeg-utils manual.
+Default is black.
+
Set the radius from the key color within which other colors also have full transparency.
+The computed distance is related to the unit fractional distance in 3D space between the RGB values
+of the key color and the pixel’s color. Range is 0.01 to 1.0. 0.01 matches within a very small radius
+around the exact key color, while 1.0 matches everything.
+Default is 0.01.
+
Set how the alpha value for pixels that fall outside the similarity radius is computed.
+0.0 makes pixels either fully transparent or fully opaque.
+Higher values result in semi-transparent pixels, with greater transparency
+the more similar the pixel color is to the key color.
+Range is 0.0 to 1.0. Default is 0.0.
+
ffmpeg -i input.png -vf colorkey=green out.png +
ffmpeg -i background.png -i video.mp4 -filter_complex "[1:v]colorkey=0x3BBD1E:0.3:0.2[ckout];[0:v][ckout]overlay[out]" -map "[out]" output.flv +
This filter supports same commands as options. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
+ +Remove all color information for all RGB colors except for certain one. +
+The filter accepts the following options: +
+The color which will not be replaced with neutral gray. +
+Similarity percentage with the above color. +0.01 matches only the exact key color, while 1.0 matches everything. +
+Blend percentage. 0.0 makes pixels fully gray. +Higher values result in more preserved color. +
This filter supports same commands as options. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
+ +Adjust video input frames using levels. +
+The filter accepts the following options: +
+Adjust red, green, blue and alpha input black point.
+Allowed ranges for options are [-1.0, 1.0]. Defaults are 0.
+
Adjust red, green, blue and alpha input white point.
+Allowed ranges for options are [-1.0, 1.0]. Defaults are 1.
+
Input levels are used to lighten highlights (bright tones), darken shadows +(dark tones), change the balance of bright and dark tones. +
+Adjust red, green, blue and alpha output black point.
+Allowed ranges for options are [0, 1.0]. Defaults are 0.
+
Adjust red, green, blue and alpha output white point.
+Allowed ranges for options are [0, 1.0]. Defaults are 1.
+
Output levels allows manual selection of a constrained output level range. +
+Set preserve color mode. The accepted values are: +
Disable color preserving, this is default. +
Preserve luminance. +
Preserve max value of RGB triplet. +
Preserve average value of RGB triplet. +
Preserve sum value of RGB triplet. +
Preserve normalized value of RGB triplet. +
Preserve power value of RGB triplet. +
colorlevels=rimin=0.058:gimin=0.058:bimin=0.058 +
colorlevels=rimin=0.039:gimin=0.039:bimin=0.039:rimax=0.96:gimax=0.96:bimax=0.96 +
colorlevels=rimax=0.902:gimax=0.902:bimax=0.902 +
colorlevels=romin=0.5:gomin=0.5:bomin=0.5 +
This filter supports the all above options as commands. +
+ +Apply custom color maps to video stream. +
+This filter needs three input video streams. +First stream is video stream that is going to be filtered out. +Second and third video stream specify color patches for source +color to target color mapping. +
+The filter accepts the following options: +
+Set the source and target video stream patch size in pixels. +
+Set the max number of used patches from source and target video stream.
+Default value is number of patches available in additional video streams.
+Max allowed number of patches is 64.
+
Set the adjustments used for target colors. Can be relative or absolute.
+Defaults is absolute.
+
Set the kernel used to measure color differences between mapped colors. +
+The accepted values are: +
Default is euclidean.
+
Convert color matrix. +
+The filter accepts the following options: +
+Specify the source and destination color matrix. Both values must be +specified. +
+The accepted values are: +
BT.709 +
+FCC +
+BT.601 +
+BT.470 +
+BT.470BG +
+SMPTE-170M +
+SMPTE-240M +
+BT.2020 +
For example to convert from BT.601 to SMPTE-240M, use the command: +
colormatrix=bt601:smpte240m +
Convert colorspace, transfer characteristics or color primaries. +Input video needs to have an even size. +
+The filter accepts the following options: +
+Specify all color properties at once. +
+The accepted values are: +
BT.470M +
+BT.470BG +
+BT.601-6 525 +
+BT.601-6 625 +
+BT.709 +
+SMPTE-170M +
+SMPTE-240M +
+BT.2020 +
+Specify output colorspace. +
+The accepted values are: +
BT.709 +
+FCC +
+BT.470BG or BT.601-6 625 +
+SMPTE-170M or BT.601-6 525 +
+SMPTE-240M +
+YCgCo +
+BT.2020 with non-constant luminance +
+Specify output transfer characteristics. +
+The accepted values are: +
BT.709 +
+BT.470M +
+BT.470BG +
+Constant gamma of 2.2 +
+Constant gamma of 2.8 +
+SMPTE-170M, BT.601-6 625 or BT.601-6 525 +
+SMPTE-240M +
+SRGB +
+iec61966-2-1 +
+iec61966-2-4 +
+xvycc +
+BT.2020 for 10-bits content +
+BT.2020 for 12-bits content +
+Specify output color primaries. +
+The accepted values are: +
BT.709 +
+BT.470M +
+BT.470BG or BT.601-6 625 +
+SMPTE-170M or BT.601-6 525 +
+SMPTE-240M +
+film +
+SMPTE-431 +
+SMPTE-432 +
+BT.2020 +
+JEDEC P22 phosphors +
+Specify output color range. +
+The accepted values are: +
TV (restricted) range +
+MPEG (restricted) range +
+PC (full) range +
+JPEG (full) range +
+Specify output color format. +
+The accepted values are: +
YUV 4:2:0 planar 8-bits +
+YUV 4:2:0 planar 10-bits +
+YUV 4:2:0 planar 12-bits +
+YUV 4:2:2 planar 8-bits +
+YUV 4:2:2 planar 10-bits +
+YUV 4:2:2 planar 12-bits +
+YUV 4:4:4 planar 8-bits +
+YUV 4:4:4 planar 10-bits +
+YUV 4:4:4 planar 12-bits +
+Do a fast conversion, which skips gamma/primary correction. This will take +significantly less CPU, but will be mathematically incorrect. To get output +compatible with that produced by the colormatrix filter, use fast=1. +
+Specify dithering mode. +
+The accepted values are: +
No dithering +
+Floyd-Steinberg dithering +
Whitepoint adaptation mode. +
+The accepted values are: +
Bradford whitepoint adaptation +
+von Kries whitepoint adaptation +
+identity whitepoint adaptation (i.e. no whitepoint adaptation) +
Override all input properties at once. Same accepted values as all. +
+Override input colorspace. Same accepted values as space. +
+Override input color primaries. Same accepted values as primaries. +
+Override input transfer characteristics. Same accepted values as trc. +
+Override input color range. Same accepted values as range. +
+The filter converts the transfer characteristics, color space and color +primaries to the specified user values. The output value, if not specified, +is set to a default value based on the "all" property. If that property is +also not specified, the filter will log an error. The output color range and +format default to the same value as the input color range and format. The +input transfer characteristics, color space, color primaries and color range +should be set on the input data. If any of these are missing, the filter will +log an error and no conversion will take place. +
+For example to convert the input to SMPTE-240M, use the command: +
colorspace=smpte240m +
CUDA accelerated implementation of the colorspace filter. +
+It is by no means feature complete compared to the software colorspace filter, +and at the current time only supports color range conversion between jpeg/full +and mpeg/limited range. +
+The filter accepts the following options: +
+Specify output color range. +
+The accepted values are: +
TV (restricted) range +
+MPEG (restricted) range +
+PC (full) range +
+JPEG (full) range +
+Adjust color temperature in video to simulate variations in ambient color temperature. +
+The filter accepts the following options: +
+Set the temperature in Kelvin. Allowed range is from 1000 to 40000. +Default value is 6500 K. +
+Set mixing with filtered output. Allowed range is from 0 to 1. +Default value is 1. +
+Set the amount of preserving lightness. Allowed range is from 0 to 1. +Default value is 0. +
This filter supports same commands as options. +
+ +Apply convolution of 3x3, 5x5, 7x7 or horizontal/vertical up to 49 elements. +
+The filter accepts the following options: +
+Set matrix for each plane. +Matrix is sequence of 9, 25 or 49 signed integers in square mode, +and from 1 to 49 odd number of signed integers in row mode. +
+Set multiplier for calculated value for each plane. +If unset or 0, it will be sum of all matrix elements. +
+Set bias for each plane. This value is added to the result of the multiplication. +Useful for making the overall image brighter or darker. Default is 0.0. +
+Set matrix mode for each plane. Can be square, row or column. +Default is square. +
This filter supports the all above options as commands. +
+ +convolution="0 -1 0 -1 5 -1 0 -1 0:0 -1 0 -1 5 -1 0 -1 0:0 -1 0 -1 5 -1 0 -1 0:0 -1 0 -1 5 -1 0 -1 0" +
convolution="1 1 1 1 1 1 1 1 1:1 1 1 1 1 1 1 1 1:1 1 1 1 1 1 1 1 1:1 1 1 1 1 1 1 1 1:1/9:1/9:1/9:1/9" +
convolution="0 0 0 -1 1 0 0 0 0:0 0 0 -1 1 0 0 0 0:0 0 0 -1 1 0 0 0 0:0 0 0 -1 1 0 0 0 0:5:1:1:1:0:128:128:128" +
convolution="0 1 0 1 -4 1 0 1 0:0 1 0 1 -4 1 0 1 0:0 1 0 1 -4 1 0 1 0:0 1 0 1 -4 1 0 1 0:5:5:5:1:0:128:128:128" +
convolution="1 1 1 1 -8 1 1 1 1:1 1 1 1 -8 1 1 1 1:1 1 1 1 -8 1 1 1 1:1 1 1 1 -8 1 1 1 1:5:5:5:1:0:128:128:0" +
convolution="-2 -1 0 -1 1 1 0 1 2:-2 -1 0 -1 1 1 0 1 2:-2 -1 0 -1 1 1 0 1 2:-2 -1 0 -1 1 1 0 1 2" +
Apply 2D convolution of video stream in frequency domain using second stream +as impulse. +
+The filter accepts the following options: +
+Set which planes to process. +
+Set which impulse video frames will be processed, can be first +or all. Default is all. +
The convolve filter also supports the framesync options.
+
Copy the input video source unchanged to the output. This is mainly useful for +testing purposes. +
+ +Video filtering on GPU using Apple’s CoreImage API on OSX. +
+Hardware acceleration is based on an OpenGL context. Usually, this means it is +processed by video hardware. However, software-based OpenGL implementations +exist which means there is no guarantee for hardware processing. It depends on +the respective OSX. +
+There are many filters and image generators provided by Apple that come with a +large variety of options. The filter has to be referenced by its name along +with its options. +
+The coreimage filter accepts the following options: +
List all available filters and generators along with all their respective +options as well as possible minimum and maximum values along with the default +values. +
list_filters=true +
Specify all filters by their respective name and options.
+Use list_filters to determine all valid filter names and options.
+Numerical options are specified by a float value and are automatically clamped
+to their respective value range. Vector and color options have to be specified
+by a list of space separated float values. Character escaping has to be done.
+A special option name default is available to use default options for a
+filter.
+
It is required to specify either default or at least one of the filter options.
+All omitted options are used with their default values.
+The syntax of the filter string is as follows:
+
filter=<NAME>@<OPTION>=<VALUE>[@<OPTION>=<VALUE>][@...][#<NAME>@<OPTION>=<VALUE>[@<OPTION>=<VALUE>][@...]][#...] +
Specify a rectangle where the output of the filter chain is copied into the +input image. It is given by a list of space separated float values: +
output_rect=x\ y\ width\ height +
If not given, the output rectangle equals the dimensions of the input image. +The output rectangle is automatically cropped at the borders of the input +image. Negative values are valid for each component. +
output_rect=25\ 25\ 100\ 100 +
Several filters can be chained for successive processing without GPU-HOST +transfers allowing for fast processing of complex filter chains. +Currently, only filters with zero (generators) or exactly one (filters) input +image and one output image are supported. Also, transition filters are not yet +usable as intended. +
+Some filters generate output images with additional padding depending on the +respective filter kernel. The padding is automatically removed to ensure the +filter output has the same size as the input image. +
+For image generators, the size of the output image is determined by the +previous output image of the filter chain or the input image of the whole +filterchain, respectively. The generators do not use the pixel information of +this image to generate their output. However, the generated output is +blended onto this image, resulting in partial or complete coverage of the +output image. +
+The coreimagesrc video source can be used for generating input images +which are directly fed into the filter chain. By using it, providing input +images by another video source or an input video is not required. +
+ +coreimage=list_filters=true +
coreimage=filter=CIBoxBlur@default +
coreimage=filter=CIBoxBlur@default#CIVignetteEffect@inputCenter=100\ 100@inputRadius=50 +
ffmpeg -f lavfi -i nullsrc=s=100x100,coreimage=filter=CIQRCodeGenerator@inputMessage=https\\\\\://FFmpeg.org/@inputCorrectionLevel=H -frames:v 1 QRCode.png +
Cover a rectangular object +
+It accepts the following options: +
+Filepath of the optional cover image, needs to be in yuv420. +
+Set covering mode. +
+It accepts the following values: +
cover it by the supplied image +
cover it by interpolating the surrounding pixels +
Default value is blur. +
ffmpeg:
+ffmpeg -i file.ts -vf find_rect=newref.pgm,cover_rect=cover.jpg:mode=cover new.mkv +
Crop the input video to given dimensions. +
+It accepts the following parameters: +
+The width of the output video. It defaults to iw.
+This expression is evaluated only once during the filter
+configuration, or when the ‘w’ or ‘out_w’ command is sent.
+
The height of the output video. It defaults to ih.
+This expression is evaluated only once during the filter
+configuration, or when the ‘h’ or ‘out_h’ command is sent.
+
The horizontal position, in the input video, of the left edge of the output
+video. It defaults to (in_w-out_w)/2.
+This expression is evaluated per-frame.
+
The vertical position, in the input video, of the top edge of the output video.
+It defaults to (in_h-out_h)/2.
+This expression is evaluated per-frame.
+
If set to 1 will force the output display aspect ratio +to be the same of the input, by changing the output sample aspect +ratio. It defaults to 0. +
+Enable exact cropping. If enabled, subsampled videos will be cropped at exact +width/height/x/y as specified and will not be rounded to nearest smaller value. +It defaults to 0. +
The out_w, out_h, x, y parameters are +expressions containing the following constants: +
+The computed values for x and y. They are evaluated for +each new frame. +
+The input width and height. +
+These are the same as in_w and in_h. +
+The output (cropped) width and height. +
+These are the same as out_w and out_h. +
+same as iw / ih +
+input sample aspect ratio +
+input display aspect ratio, it is the same as (iw / ih) * sar +
+horizontal and vertical chroma subsample values. For example for the +pixel format "yuv422p" hsub is 2 and vsub is 1. +
+The number of the input frame, starting from 0. +
+the position in the file of the input frame, NAN if unknown +
+The timestamp expressed in seconds. It’s NAN if the input timestamp is unknown. +
+The expression for out_w may depend on the value of out_h, +and the expression for out_h may depend on out_w, but they +cannot depend on x and y, as x and y are +evaluated after out_w and out_h. +
+The x and y parameters specify the expressions for the +position of the top-left corner of the output (non-cropped) area. They +are evaluated for each frame. If the evaluated value is not valid, it +is approximated to the nearest valid value. +
+The expression for x may depend on y, and the expression +for y may depend on x. +
+ +crop=100:100:12:34 +
Using named options, the example above becomes: +
crop=w=100:h=100:x=12:y=34 +
crop=100:100 +
crop=2/3*in_w:2/3*in_h +
crop=out_w=in_h +crop=in_h +
crop=in_w-100:in_h-100:100:100 +
crop=in_w-2*10:in_h-2*20 +
crop=in_w/2:in_h/2:in_w/2:in_h/2 +
crop=in_w:1/PHI*in_w +
crop=in_w/2:in_h/2:(in_w-out_w)/2+((in_w-out_w)/2)*sin(n/10):(in_h-out_h)/2 +((in_h-out_h)/2)*sin(n/7) +
crop=in_w/2:in_h/2:(in_w-out_w)/2+((in_w-out_w)/2)*sin(t*10):(in_h-out_h)/2 +((in_h-out_h)/2)*sin(t*13)" +
crop=in_w/2:in_h/2:y:10+10*sin(n/10) +
This filter supports the following commands: +
Set width/height of the output video and the horizontal/vertical position +in the input video. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
Auto-detect the crop size. +
+It calculates the necessary cropping parameters and prints the +recommended parameters via the logging system. The detected dimensions +correspond to the non-black or video area of the input video according to mode. +
+It accepts the following parameters: +
+Depending on mode crop detection is based on either the mere black value of surrounding pixels or a combination of motion vectors and edge pixels. +
+Detect black pixels surrounding the playing video. For fine control use option limit. +
+Detect the playing video by the motion vectors inside the video and scanning for edge pixels typically forming the border of a playing video. +
Set higher black value threshold, which can be optionally specified +from nothing (0) to everything (255 for 8-bit based formats). An intensity +value greater to the set value is considered non-black. It defaults to 24. +You can also specify a value between 0.0 and 1.0 which will be scaled depending +on the bitdepth of the pixel format. +
+The value which the width/height should be divisible by. It defaults to +16. The offset is automatically adjusted to center the video. Use 2 to +get only even dimensions (needed for 4:2:2 video). 16 is best when +encoding to most video codecs. +
+Set the number of initial frames for which evaluation is skipped. +Default is 2. Range is 0 to INT_MAX. +
+Set the counter that determines after how many frames cropdetect will +reset the previously detected largest video area and start over to +detect the current optimal crop area. Default value is 0. +
+This can be useful when channel logos distort the video area. 0 +indicates ’never reset’, and returns the largest area encountered during +playback. +
+Set motion in pixel units as threshold for motion detection. It defaults to 8. +
+Set low and high threshold values used by the Canny thresholding +algorithm. +
+The high threshold selects the "strong" edge pixels, which are then +connected through 8-connectivity with the "weak" edge pixels selected +by the low threshold. +
+low and high threshold values must be chosen in the range +[0,1], and low should be lesser or equal to high. +
+Default value for low is 5/255, and default value for high
+is 15/255.
+
ffmpeg -i file.mp4 -vf cropdetect,metadata=mode=print -f null - +
ffmpeg -i file.mp4 -vf mestimate,cropdetect=mode=mvedges,metadata=mode=print -f null - +
ffmpeg -flags2 +export_mvs -i file.mp4 -vf cropdetect=mode=mvedges,metadata=mode=print -f null - +
Delay video filtering until a given wallclock timestamp. The filter first +passes on preroll amount of frames, then it buffers at most +buffer amount of frames and waits for the cue. After reaching the cue +it forwards the buffered frames and also any subsequent frames coming in its +input. +
+The filter can be used synchronize the output of multiple ffmpeg processes for +realtime output devices like decklink. By putting the delay in the filtering +chain and pre-buffering frames the process can pass on data to output almost +immediately after the target wallclock timestamp is reached. +
+Perfect frame accuracy cannot be guaranteed, but the result is good enough for +some use cases. +
+The cue timestamp expressed in a UNIX timestamp in microseconds. Default is 0. +
+The duration of content to pass on as preroll expressed in seconds. Default is 0. +
+The maximum duration of content to buffer before waiting for the cue expressed +in seconds. Default is 0. +
+Apply color adjustments using curves. +
+This filter is similar to the Adobe Photoshop and GIMP curves tools. Each +component (red, green and blue) has its values defined by N key points +tied from each other using a smooth curve. The x-axis represents the pixel +values from the input frame, and the y-axis the new pixel values to be set for +the output frame. +
+By default, a component curve is defined by the two points (0;0) and +(1;1). This creates a straight line where each original pixel value is +"adjusted" to its own value, which means no change to the image. +
+The filter allows you to redefine these two points and add some more. A new
+curve will be define to pass smoothly through all these new coordinates. The
+new defined points needs to be strictly increasing over the x-axis, and their
+x and y values must be in the [0;1] interval. The curve is
+formed by using a natural or monotonic cubic spline interpolation, depending
+on the interp option (default: natural). The natural
+spline produces a smoother curve in general while the monotonic (pchip)
+spline guarantees the transitions between the specified points to be
+monotonic. If the computed curves happened to go outside the vector spaces,
+the values will be clipped accordingly.
+
The filter accepts the following options: +
+Select one of the available color presets. This option can be used in addition +to the r, g, b parameters; in this case, the later +options takes priority on the preset values. +Available presets are: +
Default is none.
+
Set the master key points. These points will define a second pass mapping. It +is sometimes called a "luminance" or "value" mapping. It can be used with +r, g, b or all since it acts like a +post-processing LUT. +
Set the key points for the red component. +
Set the key points for the green component. +
Set the key points for the blue component. +
Set the key points for all components (not including master). +Can be used in addition to the other key points component +options. In this case, the unset component(s) will fallback on this +all setting. +
Specify a Photoshop curves file (.acv) to import the settings from.
+
Save Gnuplot script of the curves in specified file. +
Specify the kind of interpolation. Available algorithms are: +
Natural cubic spline using a piece-wise cubic polynomial that is twice continuously differentiable. +
Monotonic cubic spline using a piecewise cubic Hermite interpolating polynomial (PCHIP). +
To avoid some filtergraph syntax conflicts, each key points list need to be
+defined using the following syntax: x0/y0 x1/y1 x2/y2 ....
+
This filter supports same commands as options. +
+ +curves=blue='0/0 0.5/0.58 1/1' +
curves=r='0/0.11 .42/.51 1/0.95':g='0/0 0.50/0.48 1/1':b='0/0.22 .49/.44 1/0.8' +
Here we obtain the following coordinates for each components: +
(0;0.11) (0.42;0.51) (1;0.95)
+
(0;0) (0.50;0.48) (1;1)
+
(0;0.22) (0.49;0.44) (1;0.80)
+
curves=preset=vintage +
curves=vintage +
curves=psfile='MyCurvesPresets/purple.acv':green='0/0 0.45/0.53 1/1' +
cross_process profile using ffmpeg
+and gnuplot:
+ffmpeg -f lavfi -i color -vf curves=cross_process:plot=/tmp/curves.plt -frames:v 1 -f null - +gnuplot -p /tmp/curves.plt +
Video data analysis filter. +
+This filter shows hexadecimal pixel values of part of video. +
+The filter accepts the following options: +
+Set output video size. +
+Set x offset from where to pick pixels. +
+Set y offset from where to pick pixels. +
+Set scope mode, can be one of the following: +
Draw hexadecimal pixel values with white color on black background. +
+Draw hexadecimal pixel values with input video pixel color on black +background. +
+Draw hexadecimal pixel values on color background picked from input video, +the text color is picked in such way so its always visible. +
Draw rows and columns numbers on left and top of video. +
+Set background opacity. +
+Set display number format. Can be hex, or dec. Default is hex.
+
Set pixel components to display. By default all pixel components are displayed. +
This filter supports same commands as options excluding size option.
+
Apply Directional blur filter. +
+The filter accepts the following options: +
+Set angle of directional blur. Default is 45.
+
Set radius of directional blur. Default is 5.
+
Set which planes to filter. By default all planes are filtered. +
This filter supports same commands as options. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
+ +Denoise frames using 2D DCT (frequency domain filtering). +
+This filter is not designed for real time. +
+The filter accepts the following options: +
+Set the noise sigma constant. +
+This sigma defines a hard threshold of 3 * sigma; every DCT
+coefficient (absolute value) below this threshold with be dropped.
+
If you need a more advanced filtering, see expr. +
+Default is 0.
+
Set number overlapping pixels for each block. Since the filter can be slow, you +may want to reduce this value, at the cost of a less effective filter and the +risk of various artefacts. +
+If the overlapping value doesn’t permit processing the whole input width or +height, a warning will be displayed and according borders won’t be denoised. +
+Default value is blocksize-1, which is the best possible setting. +
+Set the coefficient factor expression. +
+For each coefficient of a DCT block, this expression will be evaluated as a +multiplier value for the coefficient. +
+If this is option is set, the sigma option will be ignored. +
+The absolute value of the coefficient can be accessed through the c +variable. +
+Set the blocksize using the number of bits. 1<<n defines the
+blocksize, which is the width and height of the processed blocks.
+
The default value is 3 (8x8) and can be raised to 4 for a +blocksize of 16x16. Note that changing this setting has huge consequences +on the speed processing. Also, a larger block size does not necessarily means a +better de-noising. +
Apply a denoise with a sigma of 4.5:
+
dctdnoiz=4.5 +
The same operation can be achieved using the expression system: +
dctdnoiz=e='gte(c, 4.5*3)' +
Violent denoise using a block size of 16x16:
+
dctdnoiz=15:n=4 +
Remove banding artifacts from input video. +It works by replacing banded pixels with average value of referenced pixels. +
+The filter accepts the following options: +
+Set banding detection threshold for each plane. Default is 0.02. +Valid range is 0.00003 to 0.5. +If difference between current pixel and reference pixel is less than threshold, +it will be considered as banded. +
+Banding detection range in pixels. Default is 16. If positive, random number +in range 0 to set value will be used. If negative, exact absolute value +will be used. +The range defines square of four pixels around current pixel. +
+Set direction in radians from which four pixel will be compared. If positive, +random direction from 0 to set direction will be picked. If negative, exact of +absolute value will be picked. For example direction 0, -PI or -2*PI radians +will pick only pixels on same row and -PI/2 will pick only pixels on same +column. +
+If enabled, current pixel is compared with average value of all four +surrounding pixels. The default is enabled. If disabled current pixel is +compared with all four surrounding pixels. The pixel is considered banded +if only all four differences with surrounding pixels are less than threshold. +
+If enabled, current pixel is changed if and only if all pixel components are banded, +e.g. banding detection threshold is triggered for all color components. +The default is disabled. +
This filter supports the all above options as commands. +
+ +Remove blocking artifacts from input video. +
+The filter accepts the following options: +
+Set filter type, can be weak or strong. Default is strong. +This controls what kind of deblocking is applied. +
+Set size of block, allowed range is from 4 to 512. Default is 8. +
+Set blocking detection thresholds. Allowed range is 0 to 1. +Defaults are: 0.098 for alpha and 0.05 for the rest. +Using higher threshold gives more deblocking strength. +Setting alpha controls threshold detection at exact edge of block. +Remaining options controls threshold detection near the edge. Each one for +below/above or left/right. Setting any of those to 0 disables +deblocking. +
+Set planes to filter. Default is to filter all available planes. +
deblock=filter=weak:block=4 +
deblock=filter=strong:block=4:alpha=0.12:beta=0.07:gamma=0.06:delta=0.05 +
deblock=filter=strong:block=4:alpha=0.12:beta=0.07:gamma=0.06:delta=0.05:planes=1 +
deblock=filter=strong:block=4:alpha=0.12:beta=0.07:gamma=0.06:delta=0.05:planes=6 +
This filter supports the all above options as commands. +
+ +Drop duplicated frames at regular intervals. +
+The filter accepts the following options: +
+Set the number of frames from which one will be dropped. Setting this to
+N means one frame in every batch of N frames will be dropped.
+Default is 5.
+
Set the threshold for duplicate detection. If the difference metric for a frame
+is less than or equal to this value, then it is declared as duplicate. Default
+is 1.1
+
Set scene change threshold. Default is 15.
+
Set the size of the x and y-axis blocks used during metric calculations.
+Larger blocks give better noise suppression, but also give worse detection of
+small movements. Must be a power of two. Default is 32.
+
Mark main input as a pre-processed input and activate clean source input
+stream. This allows the input to be pre-processed with various filters to help
+the metrics calculation while keeping the frame selection lossless. When set to
+1, the first stream is for the pre-processed input, and the second
+stream is the clean source from where the kept frames are chosen. Default is
+0.
+
Set whether or not chroma is considered in the metric calculations. Default is
+1.
+
Apply 2D deconvolution of video stream in frequency domain using second stream +as impulse. +
+The filter accepts the following options: +
+Set which planes to process. +
+Set which impulse video frames will be processed, can be first +or all. Default is all. +
+Set noise when doing divisions. Default is 0.0000001. Useful when width +and height are not same and not power of 2 or if stream prior to convolving +had noise. +
The deconvolve filter also supports the framesync options.
+
Reduce cross-luminance (dot-crawl) and cross-color (rainbows) from video. +
+It accepts the following options: +
+Set mode of operation. Can be combination of dotcrawl for cross-luminance reduction and/or +rainbows for cross-color reduction. +
+Set spatial luma threshold. Lower values increases reduction of cross-luminance. +
+Set tolerance for temporal luma. Higher values increases reduction of cross-luminance. +
+Set tolerance for chroma temporal variation. Higher values increases reduction of cross-color. +
+Set temporal chroma threshold. Lower values increases reduction of cross-color. +
Apply deflate effect to the video. +
+This filter replaces the pixel by the local(3x3) average by taking into account +only values lower than the pixel. +
+It accepts the following options: +
+Limit the maximum change for each plane, default is 65535. +If 0, plane will remain unchanged. +
This filter supports the all above options as commands. +
+ +Remove temporal frame luminance variations. +
+It accepts the following options: +
+Set moving-average filter size in frames. Default is 5. Allowed range is 2 - 129. +
+Set averaging mode to smooth temporal luminance variations. +
+Available values are: +
Arithmetic mean +
+Geometric mean +
+Harmonic mean +
+Quadratic mean +
+Cubic mean +
+Power mean +
+Median +
Do not actually modify frame. Useful when one only wants metadata. +
Remove judder produced by partially interlaced telecined content. +
+Judder can be introduced, for instance, by pullup filter. If the original
+source was partially telecined content then the output of pullup,dejudder
+will have a variable frame rate. May change the recorded frame rate of the
+container. Aside from that change, this filter will not affect constant frame
+rate video.
+
The option available in this filter is: +
Specify the length of the window over which the judder repeats. +
+Accepts any integer greater than 1. Useful values are: +
If the original was telecined from 24 to 30 fps (Film to NTSC). +
+If the original was telecined from 25 to 30 fps (PAL to NTSC). +
+If a mixture of the two. +
The default is ‘4’. +
Suppress a TV station logo by a simple interpolation of the surrounding +pixels. Just set a rectangle covering the logo and watch it disappear +(and sometimes something even uglier appear - your mileage may vary). +
+It accepts the following parameters: +
Specify the top left corner coordinates of the logo. They must be +specified. +
+Specify the width and height of the logo to clear. They must be +specified. +
+When set to 1, a green rectangle is drawn on the screen to simplify +finding the right x, y, w, and h parameters. +The default value is 0. +
+The rectangle is drawn on the outermost pixels which will be (partly) +replaced with interpolated values. The values of the next pixels +immediately outside this rectangle in each direction will be used to +compute the interpolated pixel values inside the rectangle. +
+delogo=x=0:y=0:w=100:h=77 +
Remove the rain in the input image/video by applying the derain methods based on +convolutional neural networks. Supported models: +
+Training as well as model generation scripts are provided in +the repository at https://github.com/XueweiMeng/derain_filter.git. +
+Native model files (.model) can be generated from TensorFlow model +files (.pb) by using tools/python/convert.py +
+The filter accepts the following options: +
+Specify which filter to use. This option accepts the following values: +
+Derain filter. To conduct derain filter, you need to use a derain model. +
+Dehaze filter. To conduct dehaze filter, you need to use a dehaze model. +
Default value is ‘derain’. +
+Specify which DNN backend to use for model loading and execution. This option accepts +the following values: +
+Native implementation of DNN loading and execution. +
+TensorFlow backend. To enable this backend you
+need to install the TensorFlow for C library (see
+https://www.tensorflow.org/install/lang_c) and configure FFmpeg with
+--enable-libtensorflow
+
Default value is ‘native’. +
+Set path to model file specifying network architecture and its parameters. +Note that different backends use different file formats. TensorFlow and native +backend can load files for only its format. +
To get full functionality (such as async execution), please use the dnn_processing filter. +
+ +Attempt to fix small changes in horizontal and/or vertical shift. This +filter helps remove camera shake from hand-holding a camera, bumping a +tripod, moving on a vehicle, etc. +
+The filter accepts the following options: +
+Specify a rectangular area where to limit the search for motion +vectors. +If desired the search for motion vectors can be limited to a +rectangular area of the frame defined by its top left corner, width +and height. These parameters have the same meaning as the drawbox +filter which can be used to visualise the position of the bounding +box. +
+This is useful when simultaneous movement of subjects within the frame +might be confused for camera motion by the motion vector search. +
+If any or all of x, y, w and h are set to -1 +then the full frame is used. This allows later options to be set +without specifying the bounding box for the motion vector search. +
+Default - search the whole frame. +
+Specify the maximum extent of movement in x and y directions in the +range 0-64 pixels. Default 16. +
+Specify how to generate pixels to fill blanks at the edge of the +frame. Available values are: +
Fill zeroes at blank locations +
Original image at blank locations +
Extruded edge value at blank locations +
Mirrored edge at blank locations +
Default value is ‘mirror’. +
+Specify the blocksize to use for motion search. Range 4-128 pixels, +default 8. +
+Specify the contrast threshold for blocks. Only blocks with more than +the specified contrast (difference between darkest and lightest +pixels) will be considered. Range 1-255, default 125. +
+Specify the search strategy. Available values are: +
Set exhaustive search +
Set less exhaustive search. +
Default value is ‘exhaustive’. +
+If set then a detailed log of the motion search is written to the +specified file. +
+Remove unwanted contamination of foreground colors, caused by reflected color of +greenscreen or bluescreen. +
+This filter accepts the following options: +
+Set what type of despill to use. +
+Set how spillmap will be generated. +
+Set how much to get rid of still remaining spill. +
+Controls amount of red in spill area. +
+Controls amount of green in spill area. +Should be -1 for greenscreen. +
+Controls amount of blue in spill area. +Should be -1 for bluescreen. +
+Controls brightness of spill area, preserving colors. +
+Modify alpha from generated spillmap. +
This filter supports the all above options as commands. +
+ +Apply an exact inverse of the telecine operation. It requires a predefined +pattern specified using the pattern option which must be the same as that passed +to the telecine filter. +
+This filter accepts the following options: +
+top field first +
bottom field first
+The default value is top.
+
A string of numbers representing the pulldown pattern you wish to apply.
+The default value is 23.
+
A number representing position of the first frame with respect to the telecine
+pattern. This is to be used if the stream is cut. The default value is 0.
+
Apply dilation effect to the video. +
+This filter replaces the pixel by the local(3x3) maximum. +
+It accepts the following options: +
+Limit the maximum change for each plane, default is 65535. +If 0, plane will remain unchanged. +
+Flag which specifies the pixel to refer to. Default is 255 i.e. all eight +pixels are used. +
+Flags to local 3x3 coordinates maps like this: +
+1 2 3 + 4 5 + 6 7 8 +
This filter supports the all above options as commands. +
+ +Displace pixels as indicated by second and third input stream. +
+It takes three input streams and outputs one stream, the first input is the +source, and second and third input are displacement maps. +
+The second input specifies how much to displace pixels along the +x-axis, while the third input specifies how much to displace pixels +along the y-axis. +If one of displacement map streams terminates, last frame from that +displacement map will be used. +
+Note that once generated, displacements maps can be reused over and over again. +
+A description of the accepted options follows. +
+Set displace behavior for pixels that are out of range. +
+Available values are: +
Missing pixels are replaced by black pixels. +
+Adjacent pixels will spread out to replace missing pixels. +
+Out of range pixels are wrapped so they point to pixels of other side. +
+Out of range pixels will be replaced with mirrored pixels. +
Default is ‘smear’. +
+ffmpeg -i INPUT -f lavfi -i nullsrc=s=hd720,lutrgb=128:128:128 -f lavfi -i nullsrc=s=hd720,geq='r=128+30*sin(2*PI*X/400+T):g=128+30*sin(2*PI*X/400+T):b=128+30*sin(2*PI*X/400+T)' -lavfi '[0][1][2]displace' OUTPUT +
ffmpeg -i INPUT -f lavfi -i nullsrc=hd720,geq='r=128+80*(sin(sqrt((X-W/2)*(X-W/2)+(Y-H/2)*(Y-H/2))/220*2*PI+T)):g=128+80*(sin(sqrt((X-W/2)*(X-W/2)+(Y-H/2)*(Y-H/2))/220*2*PI+T)):b=128+80*(sin(sqrt((X-W/2)*(X-W/2)+(Y-H/2)*(Y-H/2))/220*2*PI+T))' -lavfi '[1]split[x][y],[0][x][y]displace' OUTPUT +
Do classification with deep neural networks based on bounding boxes. +
+The filter accepts the following options: +
+Specify which DNN backend to use for model loading and execution. This option accepts +only openvino now, tensorflow backends will be added. +
+Set path to model file specifying network architecture and its parameters. +Note that different backends use different file formats. +
+Set the input name of the dnn network. +
+Set the output name of the dnn network. +
+Set the confidence threshold (default: 0.5). +
+Set path to label file specifying the mapping between label id and name. +Each label name is written in one line, tailing spaces and empty lines are skipped. +The first line is the name of label id 0, +and the second line is the name of label id 1, etc. +The label id is considered as name if the label file is not provided. +
+Set the configs to be passed into backend +
+For tensorflow backend, you can set its configs with sess_config options, +please use tools/python/tf_sess_config.py to get the configs for your system. +
+Do object detection with deep neural networks. +
+The filter accepts the following options: +
+Specify which DNN backend to use for model loading and execution. This option accepts +only openvino now, tensorflow backends will be added. +
+Set path to model file specifying network architecture and its parameters. +Note that different backends use different file formats. +
+Set the input name of the dnn network. +
+Set the output name of the dnn network. +
+Set the confidence threshold (default: 0.5). +
+Set path to label file specifying the mapping between label id and name. +Each label name is written in one line, tailing spaces and empty lines are skipped. +The first line is the name of label id 0 (usually it is ’background’), +and the second line is the name of label id 1, etc. +The label id is considered as name if the label file is not provided. +
+Set the configs to be passed into backend. To use async execution, set async (default: set). +Roll back to sync execution if the backend does not support async. +
+Do image processing with deep neural networks. It works together with another filter +which converts the pixel format of the Frame to what the dnn network requires. +
+The filter accepts the following options: +
+Specify which DNN backend to use for model loading and execution. This option accepts +the following values: +
+Native implementation of DNN loading and execution. +
+TensorFlow backend. To enable this backend you
+need to install the TensorFlow for C library (see
+https://www.tensorflow.org/install/lang_c) and configure FFmpeg with
+--enable-libtensorflow
+
OpenVINO backend. To enable this backend you
+need to build and install the OpenVINO for C library (see
+https://github.com/openvinotoolkit/openvino/blob/master/build-instruction.md) and configure FFmpeg with
+--enable-libopenvino (–extra-cflags=-I... –extra-ldflags=-L... might
+be needed if the header files and libraries are not installed into system path)
+
Default value is ‘native’. +
+Set path to model file specifying network architecture and its parameters. +Note that different backends use different file formats. TensorFlow, OpenVINO and native +backend can load files for only its format. +
+Native model file (.model) can be generated from TensorFlow model file (.pb) by using tools/python/convert.py +
+Set the input name of the dnn network. +
+Set the output name of the dnn network. +
+Set the configs to be passed into backend. To use async execution, set async (default: set). +Roll back to sync execution if the backend does not support async. +
+For tensorflow backend, you can set its configs with sess_config options, +please use tools/python/tf_sess_config.py to get the configs of TensorFlow backend for your system. +
+./ffmpeg -i rain.jpg -vf format=rgb24,dnn_processing=dnn_backend=tensorflow:model=can.pb:input=x:output=y derain.jpg +
ffmpeg -i input.jpg -vf format=grayf32,dnn_processing=model=halve_gray_float.model:input=dnn_in:output=dnn_out:dnn_backend=native -y out.native.png +
./ffmpeg -i 480p.jpg -vf format=yuv420p,scale=w=iw*2:h=ih*2,dnn_processing=dnn_backend=tensorflow:model=srcnn.pb:input=x:output=y -y srcnn.jpg +
./ffmpeg -i 480p.jpg -vf format=yuv420p,dnn_processing=dnn_backend=tensorflow:model=espcn.pb:input=x:output=y:backend_configs=sess_config=0x10022805320e09cdccccccccccec3f20012a01303801 -y tmp.espcn.jpg +
Draw a colored box on the input image. +
+It accepts the following parameters: +
+The expressions which specify the top left corner coordinates of the box. It defaults to 0. +
+The expressions which specify the width and height of the box; if 0 they are interpreted as +the input width and height. It defaults to 0. +
+Specify the color of the box to write. For the general syntax of this option,
+check the (ffmpeg-utils)"Color" section in the ffmpeg-utils manual. If the special
+value invert is used, the box edge color is the same as the
+video with inverted luma.
+
The expression which sets the thickness of the box edge.
+A value of fill will create a filled box. Default value is 3.
+
See below for the list of accepted constants. +
+Applicable if the input has alpha. With value 1, the pixels of the painted box
+will overwrite the video’s color and alpha pixels.
+Default is 0, which composites the box onto the input, leaving the video’s alpha intact.
+
The parameters for x, y, w and h and t are expressions containing the +following constants: +
+The input display aspect ratio, it is the same as (w / h) * sar. +
+horizontal and vertical chroma subsample values. For example for the +pixel format "yuv422p" hsub is 2 and vsub is 1. +
+The input width and height. +
+The input sample aspect ratio. +
+The x and y offset coordinates where the box is drawn. +
+The width and height of the drawn box. +
+Box source can be set as side_data_detection_bboxes if you want to use box data in +detection bboxes of side data. +
+If box_source is set, the x, y, width and height will be ignored and +still use box data in detection bboxes of side data. So please do not use this parameter if you were +not sure about the box source. +
+The thickness of the drawn box. +
+These constants allow the x, y, w, h and t expressions to refer to
+each other, so you may for example specify y=x/dar or h=w/dar.
+
drawbox +
drawbox=10:20:200:60:red@0.5 +
The previous example can be specified as: +
drawbox=x=10:y=20:w=200:h=60:color=red@0.5 +
drawbox=x=10:y=10:w=100:h=100:color=pink@0.5:t=fill +
drawbox=x=-t:y=0.5*(ih-iw/2.4)-t:w=iw+t*2:h=iw/2.4+t*2:t=2:c=red +
This filter supports same commands as options. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
+ +Draw a graph using input video metadata. +
+It accepts the following parameters: +
+Set 1st frame metadata key from which metadata values will be used to draw a graph. +
+Set 1st foreground color expression. +
+Set 2nd frame metadata key from which metadata values will be used to draw a graph. +
+Set 2nd foreground color expression. +
+Set 3rd frame metadata key from which metadata values will be used to draw a graph. +
+Set 3rd foreground color expression. +
+Set 4th frame metadata key from which metadata values will be used to draw a graph. +
+Set 4th foreground color expression. +
+Set minimal value of metadata value. +
+Set maximal value of metadata value. +
+Set graph background color. Default is white. +
+Set graph mode. +
+Available values for mode is: +
Default is line.
+
Set slide mode. +
+Available values for slide is: +
Draw new frame when right border is reached. +
+Replace old columns with new ones. +
+Scroll from right to left. +
+Scroll from left to right. +
+Draw single picture. +
Default is frame.
+
Set size of graph video. For the syntax of this option, check the
+(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual.
+The default value is 900x256.
+
Set the output frame rate. Default value is 25.
+
The foreground color expressions can use the following variables: +
Minimal value of metadata value. +
+Maximal value of metadata value. +
+Current metadata key value. +
The color is defined as 0xAABBGGRR. +
Example using metadata from signalstats filter: +
signalstats,drawgraph=lavfi.signalstats.YAVG:min=0:max=255 +
Example using metadata from ebur128 filter: +
ebur128=metadata=1,adrawgraph=lavfi.r128.M:min=-120:max=5 +
Draw a grid on the input image. +
+It accepts the following parameters: +
+The expressions which specify the coordinates of some point of grid intersection (meant to configure offset). Both default to 0. +
+The expressions which specify the width and height of the grid cell, if 0 they are interpreted as the
+input width and height, respectively, minus thickness, so image gets
+framed. Default to 0.
+
Specify the color of the grid. For the general syntax of this option,
+check the (ffmpeg-utils)"Color" section in the ffmpeg-utils manual. If the special
+value invert is used, the grid color is the same as the
+video with inverted luma.
+
The expression which sets the thickness of the grid line. Default value is 1.
+
See below for the list of accepted constants. +
+Applicable if the input has alpha. With 1 the pixels of the painted grid
+will overwrite the video’s color and alpha pixels.
+Default is 0, which composites the grid onto the input, leaving the video’s alpha intact.
+
The parameters for x, y, w and h and t are expressions containing the +following constants: +
+The input display aspect ratio, it is the same as (w / h) * sar. +
+horizontal and vertical chroma subsample values. For example for the +pixel format "yuv422p" hsub is 2 and vsub is 1. +
+The input grid cell width and height. +
+The input sample aspect ratio. +
+The x and y coordinates of some point of grid intersection (meant to configure offset). +
+The width and height of the drawn cell. +
+The thickness of the drawn cell. +
+These constants allow the x, y, w, h and t expressions to refer to
+each other, so you may for example specify y=x/dar or h=w/dar.
+
drawgrid=width=100:height=100:thickness=2:color=red@0.5 +
drawgrid=w=iw/3:h=ih/3:t=2:c=white@0.5 +
This filter supports same commands as options. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
+ +Draw a text string or text from a specified file on top of a video, using the +libfreetype library. +
+To enable compilation of this filter, you need to configure FFmpeg with
+--enable-libfreetype.
+To enable default font fallback and the font option you need to
+configure FFmpeg with --enable-libfontconfig.
+To enable the text_shaping option, you need to configure FFmpeg with
+--enable-libfribidi.
+
It accepts the following parameters: +
+Used to draw a box around text using the background color. +The value must be either 1 (enable) or 0 (disable). +The default value of box is 0. +
+Set the width of the border to be drawn around the box using boxcolor. +The default value of boxborderw is 0. +
+The color to be used for drawing box around text. For the syntax of this +option, check the (ffmpeg-utils)"Color" section in the ffmpeg-utils manual. +
+The default value of boxcolor is "white". +
+Set the line spacing in pixels of the border to be drawn around the box using box. +The default value of line_spacing is 0. +
+Set the width of the border to be drawn around the text using bordercolor. +The default value of borderw is 0. +
+Set the color to be used for drawing border around text. For the syntax of this +option, check the (ffmpeg-utils)"Color" section in the ffmpeg-utils manual. +
+The default value of bordercolor is "black". +
+Select how the text is expanded. Can be either none,
+strftime (deprecated) or
+normal (default). See the Text expansion section
+below for details.
+
Set a start time for the count. Value is in microseconds. Only applied
+in the deprecated strftime expansion mode. To emulate in normal expansion
+mode use the pts function, supplying the start time (in seconds)
+as the second argument.
+
If true, check and fix text coords to avoid clipping. +
+The color to be used for drawing fonts. For the syntax of this option, check +the (ffmpeg-utils)"Color" section in the ffmpeg-utils manual. +
+The default value of fontcolor is "black". +
+String which is expanded the same way as text to obtain dynamic +fontcolor value. By default this option has empty value and is not +processed. When this option is set, it overrides fontcolor option. +
+The font family to be used for drawing text. By default Sans. +
+The font file to be used for drawing text. The path must be included. +This parameter is mandatory if the fontconfig support is disabled. +
+Draw the text applying alpha blending. The value can +be a number between 0.0 and 1.0. +The expression accepts the same variables x, y as well. +The default value is 1. +Please see fontcolor_expr. +
+The font size to be used for drawing text. +The default value of fontsize is 16. +
+If set to 1, attempt to shape the text (for example, reverse the order of +right-to-left text and join Arabic characters) before drawing it. +Otherwise, just draw the text exactly as given. +By default 1 (if supported). +
+The flags to be used for loading the fonts. +
+The flags map the corresponding flags supported by libfreetype, and are +a combination of the following values: +
Default value is "default". +
+For more information consult the documentation for the FT_LOAD_* +libfreetype flags. +
+The color to be used for drawing a shadow behind the drawn text. For the +syntax of this option, check the (ffmpeg-utils)"Color" section in the +ffmpeg-utils manual. +
+The default value of shadowcolor is "black". +
+The x and y offsets for the text shadow position with respect to the +position of the text. They can be either positive or negative +values. The default value for both is "0". +
+The starting frame number for the n/frame_num variable. The default value +is "0". +
+The size in number of spaces to use for rendering the tab. +Default value is 4. +
+Set the initial timecode representation in "hh:mm:ss[:;.]ff" +format. It can be used with or without text parameter. timecode_rate +option must be specified. +
+Set the timecode frame rate (timecode only). Value will be rounded to nearest +integer. Minimum value is "1". +Drop-frame timecode is supported for frame rates 30 & 60. +
+If set to 1, the output of the timecode option will wrap around at 24 hours. +Default is 0 (disabled). +
+The text string to be drawn. The text must be a sequence of UTF-8 +encoded characters. +This parameter is mandatory if no file is specified with the parameter +textfile. +
+A text file containing text to be drawn. The text must be a sequence +of UTF-8 encoded characters. +
+This parameter is mandatory if no text string is specified with the +parameter text. +
+If both text and textfile are specified, an error is thrown. +
+Text source should be set as side_data_detection_bboxes if you want to use text data in +detection bboxes of side data. +
+If text source is set, text and textfile will be ignored and still use +text data in detection bboxes of side data. So please do not use this parameter +if you are not sure about the text source. +
+The textfile will be reloaded at specified frame interval. +Be sure to update textfile atomically, or it may be read partially, +or even fail. +Range is 0 to INT_MAX. Default is 0. +
+The expressions which specify the offsets where text will be drawn +within the video frame. They are relative to the top/left border of the +output image. +
+The default value of x and y is "0". +
+See below for the list of accepted constants and functions. +
The parameters for x and y are expressions containing the +following constants and functions: +
+input display aspect ratio, it is the same as (w / h) * sar +
+horizontal and vertical chroma subsample values. For example for the +pixel format "yuv422p" hsub is 2 and vsub is 1. +
+the height of each text line +
+the input height +
+the input width +
+the maximum distance from the baseline to the highest/upper grid +coordinate used to place a glyph outline point, for all the rendered +glyphs. +It is a positive value, due to the grid’s orientation with the Y axis +upwards. +
+the maximum distance from the baseline to the lowest grid coordinate +used to place a glyph outline point, for all the rendered glyphs. +This is a negative value, due to the grid’s orientation, with the Y axis +upwards. +
+maximum glyph height, that is the maximum height for all the glyphs +contained in the rendered text, it is equivalent to ascent - +descent. +
+maximum glyph width, that is the maximum width for all the glyphs +contained in the rendered text +
+the number of input frame, starting from 0 +
+return a random number included between min and max +
+The input sample aspect ratio. +
+timestamp expressed in seconds, NAN if the input timestamp is unknown +
+the height of the rendered text +
+the width of the rendered text +
+the x and y offset coordinates where the text is drawn. +
+These parameters allow the x and y expressions to refer
+to each other, so you can for example specify y=x/dar.
+
A one character description of the current frame’s picture type. +
+The current packet’s position in the input file or stream +(in bytes, from the start of the input). A value of -1 indicates +this info is not available. +
+The current packet’s duration, in seconds. +
+The current packet’s size (in bytes). +
If expansion is set to strftime,
+the filter recognizes strftime() sequences in the provided text and
+expands them accordingly. Check the documentation of strftime(). This
+feature is deprecated.
+
If expansion is set to none, the text is printed verbatim.
+
If expansion is set to normal (which is the default),
+the following expansion mechanism is used.
+
The backslash character ‘\’, followed by any character, always expands to +the second character. +
+Sequences of the form %{...} are expanded. The text between the
+braces is a function name, possibly followed by arguments separated by ’:’.
+If the arguments contain special characters or delimiters (’:’ or ’}’),
+they should be escaped.
+
Note that they probably must also be escaped as the value for the +text option in the filter argument string and as the filter +argument in the filtergraph description, and possibly also for the shell, +that makes up to four levels of escaping; using a text file avoids these +problems. +
+The following functions are available: +
+expr, eThe expression evaluation result. +
+It must take one argument specifying the expression to be evaluated, +which accepts the same constants and functions as the x and +y values. Note that not all constants should be used, for +example the text size is not known when evaluating the expression, so +the constants text_w and text_h will have an undefined +value. +
+expr_int_format, eifEvaluate the expression’s value and output as formatted integer. +
+The first argument is the expression to be evaluated, just as for the expr function.
+The second argument specifies the output format. Allowed values are ‘x’,
+‘X’, ‘d’ and ‘u’. They are treated exactly as in the
+printf function.
+The third parameter is optional and sets the number of positions taken by the output.
+It can be used to add padding with zeros from the left.
+
gmtimeThe time at which the filter is running, expressed in UTC. +It can accept an argument: a strftime() format string. +The format string is extended to support the variable %[1-6]N +which prints fractions of the second with optionally specified number of digits. +
+localtimeThe time at which the filter is running, expressed in the local time zone. +It can accept an argument: a strftime() format string. +The format string is extended to support the variable %[1-6]N +which prints fractions of the second with optionally specified number of digits. +
+metadataFrame metadata. Takes one or two arguments. +
+The first argument is mandatory and specifies the metadata key. +
+The second argument is optional and specifies a default value, used when the +metadata key is not found or empty. +
+Available metadata can be identified by inspecting entries
+starting with TAG included within each frame section
+printed by running ffprobe -show_frames.
+
String metadata generated in filters leading to +the drawtext filter are also available. +
+n, frame_numThe frame number, starting from 0. +
+pict_typeA one character description of the current picture type. +
+ptsThe timestamp of the current frame. +It can take up to three arguments. +
+The first argument is the format of the timestamp; it defaults to flt
+for seconds as a decimal number with microsecond accuracy; hms stands
+for a formatted [-]HH:MM:SS.mmm timestamp with millisecond accuracy.
+gmtime stands for the timestamp of the frame formatted as UTC time;
+localtime stands for the timestamp of the frame formatted as
+local time zone time.
+
The second argument is an offset added to the timestamp. +
+If the format is set to hms, a third argument 24HH may be
+supplied to present the hour part of the formatted timestamp in 24h format
+(00-23).
+
If the format is set to localtime or gmtime,
+a third argument may be supplied: a strftime() format string.
+By default, YYYY-MM-DD HH:MM:SS format will be used.
+
This filter supports altering parameters via commands: +
Alter existing filter parameters. +
+Syntax for the argument is the same as for filter invocation, e.g. +
+fontsize=56:fontcolor=green:text='Hello World' +
Full filter invocation with sendcmd would look like this: +
+sendcmd=c='56.0 drawtext reinit fontsize=56\:fontcolor=green\:text=Hello\\ World' +
If the entire argument can’t be parsed or applied as valid values then the filter will +continue with its existing parameters. +
+ +drawtext="fontfile=/usr/share/fonts/truetype/freefont/FreeSerif.ttf: text='Test Text'" +
drawtext="fontfile=/usr/share/fonts/truetype/freefont/FreeSerif.ttf: text='Test Text':\ + x=100: y=50: fontsize=24: fontcolor=yellow@0.2: box=1: boxcolor=red@0.2" +
Note that the double quotes are not necessary if spaces are not used +within the parameter list. +
+drawtext="fontsize=30:fontfile=FreeSerif.ttf:text='hello world':x=(w-text_w)/2:y=(h-text_h)/2" +
drawtext="fontsize=30:fontfile=FreeSerif.ttf:text='hello world':x=if(eq(mod(t\,30)\,0)\,rand(0\,(w-text_w))\,x):y=if(eq(mod(t\,30)\,0)\,rand(0\,(h-text_h))\,y)" +
drawtext="fontsize=15:fontfile=FreeSerif.ttf:text=LONG_LINE:y=h-line_h:x=-50*t" +
drawtext="fontsize=20:fontfile=FreeSerif.ttf:textfile=CREDITS:y=h-20*t" +
drawtext="fontsize=60:fontfile=FreeSerif.ttf:fontcolor=green:text=g:x=(w-max_glyph_w)/2:y=h/2-ascent" +
drawtext="fontfile=FreeSerif.ttf:fontcolor=white:x=100:y=x/dar:enable=lt(mod(t\,3)\,1):text='blink'" +
drawtext='fontfile=Linux Libertine O-40\:style=Semibold:text=FFmpeg' +
drawtext="text='Test Text': fontsize=h/30: x=(w-text_w)/2: y=(h-text_h*2)" +
drawtext='fontfile=FreeSans.ttf:text=%{localtime\:%a %b %d %Y}'
+#!/bin/sh
+DS=1.0 # display start
+DE=10.0 # display end
+FID=1.5 # fade in duration
+FOD=5 # fade out duration
+ffplay -f lavfi "color,drawtext=text=TEST:fontsize=50:fontfile=FreeSerif.ttf:fontcolor_expr=ff0000%{eif\\\\: clip(255*(1*between(t\\, $DS + $FID\\, $DE - $FOD) + ((t - $DS)/$FID)*between(t\\, $DS\\, $DS + $FID) + (-(t - $DE)/$FOD)*between(t\\, $DE - $FOD\\, $DE) )\\, 0\\, 255) \\\\: x\\\\: 2 }"
+drawtext=fontfile=FreeSans.ttf:text=DOG:fontsize=24:x=10:y=20+24-max_glyph_a, +drawtext=fontfile=FreeSans.ttf:text=cow:fontsize=24:x=80:y=20+24-max_glyph_a +
drawtext="fontsize=20:fontcolor=white:fontfile=FreeSans.ttf:text='%{metadata\:lavf.image2dec.source_basename\:NA}':x=10:y=10"
+For more information about libfreetype, check: +http://www.freetype.org/. +
+For more information about fontconfig, check: +http://freedesktop.org/software/fontconfig/fontconfig-user.html. +
+For more information about libfribidi, check: +http://fribidi.org/. +
+ +Detect and draw edges. The filter uses the Canny Edge Detection algorithm. +
+The filter accepts the following options: +
+Set low and high threshold values used by the Canny thresholding +algorithm. +
+The high threshold selects the "strong" edge pixels, which are then +connected through 8-connectivity with the "weak" edge pixels selected +by the low threshold. +
+low and high threshold values must be chosen in the range +[0,1], and low should be lesser or equal to high. +
+Default value for low is 20/255, and default value for high
+is 50/255.
+
Define the drawing mode. +
+Draw white/gray wires on black background. +
+Mix the colors to create a paint/cartoon effect. +
+Apply Canny edge detector on all selected planes. +
Default value is wires. +
+Select planes for filtering. By default all available planes are filtered. +
edgedetect=low=0.1:high=0.4 +
edgedetect=mode=colormix:high=0 +
Apply a posterize effect using the ELBG (Enhanced LBG) algorithm. +
+For each input image, the filter will compute the optimal mapping from +the input to the output given the codebook length, that is the number +of distinct output colors. +
+This filter accepts the following options. +
+Set codebook length. The value must be a positive integer, and +represents the number of distinct output colors. Default value is 256. +
+Set the maximum number of iterations to apply for computing the optimal +mapping. The higher the value the better the result and the higher the +computation time. Default value is 1. +
+Set a random seed, must be an integer included between 0 and +UINT32_MAX. If not specified, or if explicitly set to -1, the filter +will try to use a good random seed on a best effort basis. +
+Set pal8 output pixel format. This option does not work with codebook +length greater than 256. Default is disabled. +
+Include alpha values in the quantization calculation. Allows creating +palettized output images (e.g. PNG8) with multiple alpha smooth blending. +
Measure graylevel entropy in histogram of color channels of video frames. +
+It accepts the following parameters: +
+Can be either normal or diff. Default is normal. +
+diff mode measures entropy of histogram delta values, absolute differences +between neighbour histogram values. +
Apply the EPX magnification filter which is designed for pixel art. +
+It accepts the following option: +
+Set the scaling dimension: 2 for 2xEPX, 3 for
+3xEPX.
+Default is 3.
+
Set brightness, contrast, saturation and approximate gamma adjustment. +
+The filter accepts the following options: +
+Set the contrast expression. The value must be a float value in range
+-1000.0 to 1000.0. The default value is "1".
+
Set the brightness expression. The value must be a float value in
+range -1.0 to 1.0. The default value is "0".
+
Set the saturation expression. The value must be a float in
+range 0.0 to 3.0. The default value is "1".
+
Set the gamma expression. The value must be a float in range
+0.1 to 10.0. The default value is "1".
+
Set the gamma expression for red. The value must be a float in
+range 0.1 to 10.0. The default value is "1".
+
Set the gamma expression for green. The value must be a float in range
+0.1 to 10.0. The default value is "1".
+
Set the gamma expression for blue. The value must be a float in range
+0.1 to 10.0. The default value is "1".
+
Set the gamma weight expression. It can be used to reduce the effect
+of a high gamma value on bright image areas, e.g. keep them from
+getting overamplified and just plain white. The value must be a float
+in range 0.0 to 1.0. A value of 0.0 turns the
+gamma correction all the way down while 1.0 leaves it at its
+full strength. Default is "1".
+
Set when the expressions for brightness, contrast, saturation and +gamma expressions are evaluated. +
+It accepts the following values: +
only evaluate expressions once during the filter initialization or +when a command is processed +
+evaluate expressions for each incoming frame +
Default value is ‘init’. +
The expressions accept the following parameters: +
frame count of the input frame starting from 0 +
+byte position of the corresponding packet in the input file, NAN if +unspecified +
+frame rate of the input video, NAN if the input frame rate is unknown +
+timestamp expressed in seconds, NAN if the input timestamp is unknown +
The filter supports the following commands: +
+Set the contrast expression. +
+Set the brightness expression. +
+Set the saturation expression. +
+Set the gamma expression. +
+Set the gamma_r expression. +
+Set gamma_g expression. +
+Set gamma_b expression. +
+Set gamma_weight expression. +
+The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
+Apply erosion effect to the video. +
+This filter replaces the pixel by the local(3x3) minimum. +
+It accepts the following options: +
+Limit the maximum change for each plane, default is 65535. +If 0, plane will remain unchanged. +
+Flag which specifies the pixel to refer to. Default is 255 i.e. all eight +pixels are used. +
+Flags to local 3x3 coordinates maps like this: +
+1 2 3 + 4 5 + 6 7 8 +
This filter supports the all above options as commands. +
+ +Deinterlace the input video ("estdif" stands for "Edge Slope +Tracing Deinterlacing Filter"). +
+Spatial only filter that uses edge slope tracing algorithm +to interpolate missing lines. +It accepts the following parameters: +
+The interlacing mode to adopt. It accepts one of the following values: +
+Output one frame for each frame. +
Output one frame for each field. +
The default value is field.
+
The picture field parity assumed for the input interlaced video. It accepts one +of the following values: +
+Assume the top field is first. +
Assume the bottom field is first. +
Enable automatic detection of field parity. +
The default value is auto.
+If the interlacing is unknown or the decoder does not export this information,
+top field first will be assumed.
+
Specify which frames to deinterlace. Accepts one of the following +values: +
+Deinterlace all frames. +
Only deinterlace frames marked as interlaced. +
The default value is all.
+
Specify the search radius for edge slope tracing. Default value is 1. +Allowed range is from 1 to 15. +
+Specify the search radius for best edge matching. Default value is 2. +Allowed range is from 0 to 15. +
+Specify the edge cost for edge matching. Default value is 1.0. +Allowed range is from 0 to 9. +
+Specify the middle cost for edge matching. Default value is 0.5. +Allowed range is from 0 to 1. +
+Specify the distance cost for edge matching. Default value is 0.5. +Allowed range is from 0 to 1. +
+Specify the interpolation used. Default is 4-point interpolation. It accepts one +of the following values: +
+Two-point interpolation. +
Four-point interpolation. +
Six-point interpolation. +
This filter supports same commands as options. +
+ +Adjust exposure of the video stream. +
+The filter accepts the following options: +
+Set the exposure correction in EV. Allowed range is from -3.0 to 3.0 EV +Default value is 0 EV. +
+Set the black level correction. Allowed range is from -1.0 to 1.0. +Default value is 0. +
This filter supports same commands as options. +
+ +Extract color channel components from input video stream into +separate grayscale video streams. +
+The filter accepts the following option: +
+Set plane(s) to extract. +
+Available values for planes are: +
Choosing planes not available in the input will result in an error.
+That means you cannot select r, g, b planes
+with y, u, v planes at same time.
+
ffmpeg -i video.avi -filter_complex 'extractplanes=y+u+v[y][u][v]' -map '[y]' y.avi -map '[u]' u.avi -map '[v]' v.avi +
Apply a fade-in/out effect to the input video. +
+It accepts the following parameters: +
+The effect type can be either "in" for a fade-in, or "out" for a fade-out
+effect.
+Default is in.
+
Specify the number of the frame to start applying the fade +effect at. Default is 0. +
+The number of frames that the fade effect lasts. At the end of the +fade-in effect, the output video will have the same intensity as the input video. +At the end of the fade-out transition, the output video will be filled with the +selected color. +Default is 25. +
+If set to 1, fade only alpha channel, if one exists on the input. +Default value is 0. +
+Specify the timestamp (in seconds) of the frame to start to apply the fade +effect. If both start_frame and start_time are specified, the fade will start at +whichever comes last. Default is 0. +
+The number of seconds for which the fade effect has to last. At the end of the +fade-in effect the output video will have the same intensity as the input video, +at the end of the fade-out transition the output video will be filled with the +selected color. +If both duration and nb_frames are specified, duration is used. Default is 0 +(nb_frames is used by default). +
+Specify the color of the fade. Default is "black". +
fade=in:0:30 +
The command above is equivalent to: +
fade=t=in:s=0:n=30 +
fade=out:155:45 +fade=type=out:start_frame=155:nb_frames=45 +
fade=in:0:25, fade=out:975:25 +
fade=in:5:20:color=yellow +
fade=in:0:25:alpha=1 +
fade=t=in:st=5.5:d=0.5 +
Apply feedback video filter. +
+This filter pass cropped input frames to 2nd output. +From there it can be filtered with other video filters. +After filter receives frame from 2nd input, that frame +is combined on top of original frame from 1st input and passed +to 1st output. +
+The typical usage is filter only part of frame. +
+The filter accepts the following options: +
Set the top left crop position. +
+Set the crop size. +
[in][blurin]feedback=x=0:y=0:w=100:h=100[out][blurout];[blurout]gblur=8[blurin] +
[in][blurin]feedback=x=0:y=0:w=100:h=100[out][blurout];[blurout]drawbox=x=0:y=0:w=100:h=100:t=100[blurin] +
Denoise frames using 3D FFT (frequency domain filtering). +
+The filter accepts the following options: +
+Set the noise sigma constant. This sets denoising strength. +Default value is 1. Allowed range is from 0 to 30. +Using very high sigma with low overlap may give blocking artifacts. +
+Set amount of denoising. By default all detected noise is reduced. +Default value is 1. Allowed range is from 0 to 1. +
+Set size of block in pixels, Default is 32, can be 8 to 256. +
+Set block overlap. Default is 0.5. Allowed range is from 0.2 to 0.8. +
+Set denoising method. Default is wiener, can also be hard.
+
Set number of previous frames to use for denoising. By default is set to 0. +
+Set number of next frames to to use for denoising. By default is set to 0. +
+Set planes which will be filtered, by default are all available filtered +except alpha. +
Apply arbitrary expressions to samples in frequency domain +
+Adjust the dc value (gain) of the luma plane of the image. The filter
+accepts an integer value in range 0 to 1000. The default
+value is set to 0.
+
Adjust the dc value (gain) of the 1st chroma plane of the image. The
+filter accepts an integer value in range 0 to 1000. The
+default value is set to 0.
+
Adjust the dc value (gain) of the 2nd chroma plane of the image. The
+filter accepts an integer value in range 0 to 1000. The
+default value is set to 0.
+
Set the frequency domain weight expression for the luma plane. +
+Set the frequency domain weight expression for the 1st chroma plane. +
+Set the frequency domain weight expression for the 2nd chroma plane. +
+Set when the expressions are evaluated. +
+It accepts the following values: +
Only evaluate expressions once during the filter initialization. +
+Evaluate expressions for each incoming frame. +
Default value is ‘init’. +
+The filter accepts the following variables: +
The coordinates of the current sample. +
+The width and height of the image. +
+The number of input frame, starting from 0. +
+The size of FFT array for horizontal and vertical processing. +
fftfilt=dc_Y=128:weight_Y='squish(1-(Y+X)/100)' +
fftfilt=dc_Y=0:weight_Y='squish((Y+X)/100-1)' +
fftfilt=dc_Y=0:weight_Y='1+squish(1-(Y+X)/100)' +
fftfilt=dc_Y=0:weight_Y='exp(-4 * ((Y+X)/(W+H)))' +
Extract a single field from an interlaced image using stride +arithmetic to avoid wasting CPU time. The output frames are marked as +non-interlaced. +
+The filter accepts the following options: +
+Specify whether to extract the top (if the value is 0 or
+top) or the bottom field (if the value is 1 or
+bottom).
+
Create new frames by copying the top and bottom fields from surrounding frames +supplied as numbers by the hint file. +
+Set file containing hints: absolute/relative frame numbers. +
+There must be one line for each frame in a clip. Each line must contain two
+numbers separated by the comma, optionally followed by - or +.
+Numbers supplied on each line of file can not be out of [N-1,N+1] where N
+is current frame number for absolute mode or out of [-1, 1] range
+for relative mode. First number tells from which frame to pick up top
+field and second number tells from which frame to pick up bottom field.
+
If optionally followed by + output frame will be marked as interlaced,
+else if followed by - output frame will be marked as progressive, else
+it will be marked same as input frame.
+If optionally followed by t output frame will use only top field, or in
+case of b it will use only bottom field.
+If line starts with # or ; that line is skipped.
+
Can be item absolute or relative or pattern. Default is absolute.
+The pattern mode is same as relative mode, except at last entry of file if there
+are more frames to process than hint file is seek back to start.
+
Example of first several lines of hint file for relative mode:
+
0,0 - # first frame +1,0 - # second frame, use third's frame top field and second's frame bottom field +1,0 - # third frame, use fourth's frame top field and third's frame bottom field +1,0 - +0,0 - +0,0 - +1,0 - +1,0 - +1,0 - +0,0 - +0,0 - +1,0 - +1,0 - +1,0 - +0,0 - +
Field matching filter for inverse telecine. It is meant to reconstruct the
+progressive frames from a telecined stream. The filter does not drop duplicated
+frames, so to achieve a complete inverse telecine fieldmatch needs to be
+followed by a decimation filter such as decimate in the filtergraph.
+
The separation of the field matching and the decimation is notably motivated by
+the possibility of inserting a de-interlacing filter fallback between the two.
+If the source has mixed telecined and real interlaced content,
+fieldmatch will not be able to match fields for the interlaced parts.
+But these remaining combed frames will be marked as interlaced, and thus can be
+de-interlaced by a later filter such as yadif before decimation.
+
In addition to the various configuration options, fieldmatch can take an
+optional second stream, activated through the ppsrc option. If
+enabled, the frames reconstruction will be based on the fields and frames from
+this second stream. This allows the first input to be pre-processed in order to
+help the various algorithms of the filter, while keeping the output lossless
+(assuming the fields are matched properly). Typically, a field-aware denoiser,
+or brightness/contrast adjustments can help.
+
Note that this filter uses the same algorithms as TIVTC/TFM (AviSynth project)
+and VIVTC/VFM (VapourSynth project). The later is a light clone of TFM from
+which fieldmatch is based on. While the semantic and usage are very
+close, some behaviour and options names can differ.
+
The decimate filter currently only works for constant frame rate input.
+If your input has mixed telecined (30fps) and progressive content with a lower
+framerate like 24fps use the following filterchain to produce the necessary cfr
+stream: dejudder,fps=30000/1001,fieldmatch,decimate.
+
The filter accepts the following options: +
+Specify the assumed field order of the input stream. Available values are: +
+Auto detect parity (use FFmpeg’s internal parity value). +
Assume bottom field first. +
Assume top field first. +
Note that it is sometimes recommended not to trust the parity announced by the +stream. +
+Default value is auto. +
+Set the matching mode or strategy to use. pc mode is the safest in the +sense that it won’t risk creating jerkiness due to duplicate frames when +possible, but if there are bad edits or blended fields it will end up +outputting combed frames when a good match might actually exist. On the other +hand, pcn_ub mode is the most risky in terms of creating jerkiness, +but will almost always find a good frame if there is one. The other values are +all somewhere in between pc and pcn_ub in terms of risking +jerkiness and creating duplicate frames versus finding good matches in sections +with bad edits, orphaned fields, blended fields, etc. +
+More details about p/c/n/u/b are available in p/c/n/u/b meaning section. +
+Available values are: +
+2-way matching (p/c) +
2-way matching, and trying 3rd match if still combed (p/c + n) +
2-way matching, and trying 3rd match (same order) if still combed (p/c + u) +
2-way matching, trying 3rd match if still combed, and trying 4th/5th matches if +still combed (p/c + n + u/b) +
3-way matching (p/c/n) +
3-way matching, and trying 4th/5th matches if all 3 of the original matches are +detected as combed (p/c/n + u/b) +
The parenthesis at the end indicate the matches that would be used for that +mode assuming order=tff (and field on auto or +top). +
+In terms of speed pc mode is by far the fastest and pcn_ub is +the slowest. +
+Default value is pc_n. +
+Mark the main input stream as a pre-processed input, and enable the secondary +input stream as the clean source to pick the fields from. See the filter +introduction for more details. It is similar to the clip2 feature from +VFM/TFM. +
+Default value is 0 (disabled).
+
Set the field to match from. It is recommended to set this to the same value as +order unless you experience matching failures with that setting. In +certain circumstances changing the field that is used to match from can have a +large impact on matching performance. Available values are: +
+Automatic (same value as order). +
Match from the bottom field. +
Match from the top field. +
Default value is auto. +
+Set whether or not chroma is included during the match comparisons. In most
+cases it is recommended to leave this enabled. You should set this to 0
+only if your clip has bad chroma problems such as heavy rainbowing or other
+artifacts. Setting this to 0 could also be used to speed things up at
+the cost of some accuracy.
+
Default value is 1.
+
These define an exclusion band which excludes the lines between y0 and
+y1 from being included in the field matching decision. An exclusion
+band can be used to ignore subtitles, a logo, or other things that may
+interfere with the matching. y0 sets the starting scan line and
+y1 sets the ending line; all lines in between y0 and
+y1 (including y0 and y1) will be ignored. Setting
+y0 and y1 to the same value will disable the feature.
+y0 and y1 defaults to 0.
+
Set the scene change detection threshold as a percentage of maximum change on
+the luma plane. Good values are in the [8.0, 14.0] range. Scene change
+detection is only relevant in case combmatch=sc. The range for
+scthresh is [0.0, 100.0].
+
Default value is 12.0.
+
When combatch is not none, fieldmatch will take into
+account the combed scores of matches when deciding what match to use as the
+final match. Available values are:
+
No final matching based on combed scores. +
Combed scores are only used when a scene change is detected. +
Use combed scores all the time. +
Default is sc. +
+Force fieldmatch to calculate the combed metrics for certain matches and
+print them. This setting is known as micout in TFM/VFM vocabulary.
+Available values are:
+
No forced calculation. +
Force p/c/n calculations. +
Force p/c/n/u/b calculations. +
Default value is none. +
+This is the area combing threshold used for combed frame detection. This
+essentially controls how "strong" or "visible" combing must be to be detected.
+Larger values mean combing must be more visible and smaller values mean combing
+can be less visible or strong and still be detected. Valid settings are from
+-1 (every pixel will be detected as combed) to 255 (no pixel will
+be detected as combed). This is basically a pixel difference value. A good
+range is [8, 12].
+
Default value is 9.
+
Sets whether or not chroma is considered in the combed frame decision. Only +disable this if your source has chroma problems (rainbowing, etc.) that are +causing problems for the combed frame detection with chroma enabled. Actually, +using chroma=0 is usually more reliable, except for the case +where there is chroma only combing in the source. +
+Default value is 0.
+
Respectively set the x-axis and y-axis size of the window used during combed +frame detection. This has to do with the size of the area in which +combpel pixels are required to be detected as combed for a frame to be +declared combed. See the combpel parameter description for more info. +Possible values are any number that is a power of 2 starting at 4 and going up +to 512. +
+Default value is 16.
+
The number of combed pixels inside any of the blocky by
+blockx size blocks on the frame for the frame to be detected as
+combed. While cthresh controls how "visible" the combing must be, this
+setting controls "how much" combing there must be in any localized area (a
+window defined by the blockx and blocky settings) on the
+frame. Minimum value is 0 and maximum is blocky x blockx (at
+which point no frames will ever be detected as combed). This setting is known
+as MI in TFM/VFM vocabulary.
+
Default value is 80.
+
We assume the following telecined stream: +
+Top fields: 1 2 2 3 4 +Bottom fields: 1 2 3 4 4 +
The numbers correspond to the progressive frame the fields relate to. Here, the +first two frames are progressive, the 3rd and 4th are combed, and so on. +
+When fieldmatch is configured to run a matching from bottom
+(field=bottom) this is how this input stream get transformed:
+
Input stream: + T 1 2 2 3 4 + B 1 2 3 4 4 <-- matching reference + +Matches: c c n n c + +Output stream: + T 1 2 3 4 4 + B 1 2 3 4 4 +
As a result of the field matching, we can see that some frames get duplicated. +To perform a complete inverse telecine, you need to rely on a decimation filter +after this operation. See for instance the decimate filter. +
+The same operation now matching from top fields (field=top) +looks like this: +
+Input stream: + T 1 2 2 3 4 <-- matching reference + B 1 2 3 4 4 + +Matches: c c p p c + +Output stream: + T 1 2 2 3 4 + B 1 2 2 3 4 +
In these examples, we can see what p, c and n mean; +basically, they refer to the frame and field of the opposite parity: +
+The u and b matching are a bit special in the sense that they match +from the opposite parity flag. In the following examples, we assume that we are +currently matching the 2nd frame (Top:2, bottom:2). According to the match, a +’x’ is placed above and below each matched fields. +
+With bottom matching (field=bottom): +
Match: c p n b u + + x x x x x + Top 1 2 2 1 2 2 1 2 2 1 2 2 1 2 2 + Bottom 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 + x x x x x + +Output frames: + 2 1 2 2 2 + 2 2 2 1 3 +
With top matching (field=top): +
Match: c p n b u + + x x x x x + Top 1 2 2 1 2 2 1 2 2 1 2 2 1 2 2 + Bottom 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 + x x x x x + +Output frames: + 2 2 2 1 2 + 2 1 3 2 2 +
Simple IVTC of a top field first telecined stream: +
fieldmatch=order=tff:combmatch=none, decimate +
Advanced IVTC, with fallback on yadif for still combed frames: +
fieldmatch=order=tff:combmatch=full, yadif=deint=interlaced, decimate +
Transform the field order of the input video. +
+It accepts the following parameters: +
+The output field order. Valid values are tff for top field first or bff +for bottom field first. +
The default value is ‘tff’. +
+The transformation is done by shifting the picture content up or down +by one line, and filling the remaining line with appropriate picture content. +This method is consistent with most broadcast field order converters. +
+If the input video is not flagged as being interlaced, or it is already +flagged as being of the required output field order, then this filter does +not alter the incoming video. +
+It is very useful when converting to or from PAL DV material, +which is bottom field first. +
+For example: +
ffmpeg -i in.vob -vf "fieldorder=bff" out.dv +
Buffer input images and send them when they are requested. +
+It is mainly useful when auto-inserted by the libavfilter +framework. +
+It does not take parameters. +
+ +Fill borders of the input video, without changing video stream dimensions. +Sometimes video can have garbage at the four edges and you may not want to +crop video input to keep size multiple of some number. +
+This filter accepts the following options: +
+Number of pixels to fill from left border. +
+Number of pixels to fill from right border. +
+Number of pixels to fill from top border. +
+Number of pixels to fill from bottom border. +
+Set fill mode. +
+It accepts the following values: +
fill pixels using outermost pixels +
+fill pixels using mirroring (half sample symmetric) +
+fill pixels with constant value +
+fill pixels using reflecting (whole sample symmetric) +
+fill pixels using wrapping +
+fade pixels to constant value +
+fill pixels at top and bottom with weighted averages pixels near borders +
Default is smear. +
+Set color for pixels in fixed or fade mode. Default is black. +
This filter supports same commands as options. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
+ +Find a rectangular object +
+It accepts the following options: +
+Filepath of the object image, needs to be in gray8. +
+Detection threshold, default is 0.5. +
+Number of mipmaps, default is 3. +
+Specifies the rectangle in which to search. +
+Discard frames where object is not detected. Default is disabled. +
ffmpeg:
+ffmpeg -i file.ts -vf find_rect=newref.pgm,cover_rect=cover.jpg:mode=cover new.mkv +
Flood area with values of same pixel components with another values. +
+It accepts the following options: +
Set pixel x coordinate. +
+Set pixel y coordinate. +
+Set source #0 component value. +
+Set source #1 component value. +
+Set source #2 component value. +
+Set source #3 component value. +
+Set destination #0 component value. +
+Set destination #1 component value. +
+Set destination #2 component value. +
+Set destination #3 component value. +
Convert the input video to one of the specified pixel formats. +Libavfilter will try to pick one that is suitable as input to +the next filter. +
+It accepts the following parameters: +
A ’|’-separated list of pixel format names, such as +"pix_fmts=yuv420p|monow|rgb24". +
+format=pix_fmts=yuv420p +
Convert the input video to any of the formats in the list +
format=pix_fmts=yuv420p|yuv444p|yuv410p +
Convert the video to specified constant frame rate by duplicating or dropping +frames as necessary. +
+It accepts the following parameters: +
The desired output frame rate. It accepts expressions containing the following +constants: +
+The input’s frame rate +
+NTSC frame rate of 30000/1001
+
PAL frame rate of 25.0
+
Film frame rate of 24.0
+
NTSC-film frame rate of 24000/1001
+
The default is 25.
+
Assume the first PTS should be the given value, in seconds. This allows for +padding/trimming at the start of stream. By default, no assumption is made +about the first frame’s expected PTS, so no padding or trimming is done. +For example, this could be set to 0 to pad the beginning with duplicates of +the first frame if a video stream starts after the audio stream or to trim any +frames with a negative PTS. +
+Timestamp (PTS) rounding method. +
+Possible values are: +
round towards 0 +
round away from 0 +
round towards -infinity +
round towards +infinity +
round to nearest +
The default is near.
+
Action performed when reading the last frame. +
+Possible values are: +
Use same timestamp rounding method as used for other frames. +
Pass through last frame if input duration has not been reached yet. +
The default is round.
+
Alternatively, the options can be specified as a flat string: +fps[:start_time[:round]]. +
+See also the setpts filter. +
+ +fps=fps=25 +
fps=fps=film:round=near +
Pack two different video streams into a stereoscopic video, setting proper +metadata on supported codecs. The two views should have the same size and +framerate and processing will stop when the shorter video ends. Please note +that you may conveniently adjust view properties with the scale and +fps filters. +
+It accepts the following parameters: +
The desired packing format. Supported values are: +
+The views are next to each other (default). +
+The views are on top of each other. +
+The views are packed by line. +
+The views are packed by column. +
+The views are temporally interleaved. +
+Some examples: +
+# Convert left and right views into a frame-sequential video +ffmpeg -i LEFT -i RIGHT -filter_complex framepack=frameseq OUTPUT + +# Convert views into a side-by-side video with the same output resolution as the input +ffmpeg -i LEFT -i RIGHT -filter_complex [0:v]scale=w=iw/2[left],[1:v]scale=w=iw/2[right],[left][right]framepack=sbs OUTPUT +
Change the frame rate by interpolating new video output frames from the source +frames. +
+This filter is not designed to function correctly with interlaced media. If +you wish to change the frame rate of interlaced media then you are required +to deinterlace before this filter and re-interlace after this filter. +
+A description of the accepted options follows. +
+Specify the output frames per second. This option can also be specified
+as a value alone. The default is 50.
+
Specify the start of a range where the output frame will be created as a
+linear interpolation of two frames. The range is [0-255],
+the default is 15.
+
Specify the end of a range where the output frame will be created as a
+linear interpolation of two frames. The range is [0-255],
+the default is 240.
+
Specify the level at which a scene change is detected as a value between
+0 and 100 to indicate a new scene; a low value reflects a low
+probability for the current frame to introduce a new scene, while a higher
+value means the current frame is more likely to be one.
+The default is 8.2.
+
Specify flags influencing the filter process. +
+Available value for flags is: +
+Enable scene change detection using the value of the option scene. +This flag is enabled by default. +
Select one frame every N-th frame. +
+This filter accepts the following option: +
Select frame after every step frames.
+Allowed values are positive integers higher than 0. Default value is 1.
+
Detect frozen video. +
+This filter logs a message and sets frame metadata when it detects that the +input video has no significant change in content during a specified duration. +Video freeze detection calculates the mean average absolute difference of all +the components of video frames and compares it to a noise floor. +
+The printed times and duration are expressed in seconds. The
+lavfi.freezedetect.freeze_start metadata key is set on the first frame
+whose timestamp equals or exceeds the detection duration and it contains the
+timestamp of the first frame of the freeze. The
+lavfi.freezedetect.freeze_duration and
+lavfi.freezedetect.freeze_end metadata keys are set on the first frame
+after the freeze.
+
The filter accepts the following options: +
+Set noise tolerance. Can be specified in dB (in case "dB" is appended to the +specified value) or as a difference ratio between 0 and 1. Default is -60dB, or +0.001. +
+Set freeze duration until notification (default is 2 seconds). +
Freeze video frames. +
+This filter freezes video frames using frame from 2nd input. +
+The filter accepts the following options: +
+Set number of first frame from which to start freeze. +
+Set number of last frame from which to end freeze. +
+Set number of frame from 2nd input which will be used instead of replaced frames. +
Apply a frei0r effect to the input video. +
+To enable the compilation of this filter, you need to install the frei0r
+header and configure FFmpeg with --enable-frei0r.
+
It accepts the following parameters: +
+The name of the frei0r effect to load. If the environment variable
+FREI0R_PATH is defined, the frei0r effect is searched for in each of the
+directories specified by the colon-separated list in FREI0R_PATH.
+Otherwise, the standard frei0r paths are searched, in this order:
+HOME/.frei0r-1/lib/, /usr/local/lib/frei0r-1/,
+/usr/lib/frei0r-1/.
+
A ’|’-separated list of parameters to pass to the frei0r effect. +
+A frei0r effect parameter can be a boolean (its value is either +"y" or "n"), a double, a color (specified as +R/G/B, where R, G, and B are floating point +numbers between 0.0 and 1.0, inclusive) or a color description as specified in the +(ffmpeg-utils)"Color" section in the ffmpeg-utils manual, +a position (specified as X/Y, where +X and Y are floating point numbers) and/or a string. +
+The number and types of parameters depend on the loaded effect. If an +effect parameter is not specified, the default value is set. +
+ +frei0r=filter_name=distort0r:filter_params=0.5|0.01 +
frei0r=colordistance:0.2/0.3/0.4 +frei0r=colordistance:violet +frei0r=colordistance:0x112233 +
frei0r=perspective:0.2/0.2|0.8/0.2 +
For more information, see +http://frei0r.dyne.org +
+ +This filter supports the filter_params option as commands. +
+ +Apply fast and simple postprocessing. It is a faster version of spp. +
+It splits (I)DCT into horizontal/vertical passes. Unlike the simple post- +processing filter, one of them is performed once per block, not per pixel. +This allows for much higher speed. +
+The filter accepts the following options: +
+Set quality. This option defines the number of levels for averaging. It accepts
+an integer in the range 4-5. Default value is 4.
+
Force a constant quantization parameter. It accepts an integer in range 0-63. +If not set, the filter will use the QP from the video stream (if available). +
+Set filter strength. It accepts an integer in range -15 to 32. Lower values mean
+more details but also more artifacts, while higher values make the image smoother
+but also blurrier. Default value is 0 − PSNR optimal.
+
Enable the use of the QP from the B-Frames if set to 1. Using this
+option may cause flicker since the B-Frames have often larger QP. Default is
+0 (not enabled).
+
Apply Gaussian blur filter. +
+The filter accepts the following options: +
+Set horizontal sigma, standard deviation of Gaussian blur. Default is 0.5.
+
Set number of steps for Gaussian approximation. Default is 1.
+
Set which planes to filter. By default all planes are filtered. +
+Set vertical sigma, if negative it will be same as sigma.
+Default is -1.
+
This filter supports same commands as options. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
+ +Apply generic equation to each pixel. +
+The filter accepts the following options: +
+Set the luminance expression. +
Set the chrominance blue expression. +
Set the chrominance red expression. +
Set the alpha expression. +
Set the red expression. +
Set the green expression. +
Set the blue expression. +
The colorspace is selected according to the specified options. If one +of the lum_expr, cb_expr, or cr_expr +options is specified, the filter will automatically select a YCbCr +colorspace. If one of the red_expr, green_expr, or +blue_expr options is specified, it will select an RGB +colorspace. +
+If one of the chrominance expression is not defined, it falls back on the other +one. If no alpha expression is specified it will evaluate to opaque value. +If none of chrominance expressions are specified, they will evaluate +to the luminance expression. +
+The expressions can use the following variables and functions: +
+The sequential number of the filtered frame, starting from 0.
+
The coordinates of the current sample. +
+The width and height of the image. +
+Width and height scale depending on the currently filtered plane. It is the
+ratio between the corresponding luma plane number of pixels and the current
+plane ones. E.g. for YUV4:2:0 the values are 1,1 for the luma plane, and
+0.5,0.5 for chroma planes.
+
Time of the current frame, expressed in seconds. +
+Return the value of the pixel at location (x,y) of the current +plane. +
+Return the value of the pixel at location (x,y) of the luminance +plane. +
+Return the value of the pixel at location (x,y) of the +blue-difference chroma plane. Return 0 if there is no such plane. +
+Return the value of the pixel at location (x,y) of the +red-difference chroma plane. Return 0 if there is no such plane. +
+Return the value of the pixel at location (x,y) of the +red/green/blue component. Return 0 if there is no such component. +
+Return the value of the pixel at location (x,y) of the alpha +plane. Return 0 if there is no such plane. +
+Sum of sample values in the rectangle from (0,0) to (x,y), this allows obtaining +sums of samples within a rectangle. See the functions without the sum postfix. +
+Set one of interpolation methods: +
Default is bilinear. +
For functions, if x and y are outside the area, the value will be +automatically clipped to the closer edge. +
+Please note that this filter can use multiple threads in which case each slice +will have its own expression state. If you want to use only a single expression +state because your expressions depend on previous state then you should limit +the number of filter threads to 1. +
+ +geq=p(W-X\,Y) +
PI/3 and a
+wavelength of 100 pixels:
+geq=128 + 100*sin(2*(PI/100)*(cos(PI/3)*(X-50*T) + sin(PI/3)*Y)):128:128 +
nullsrc=s=256x256,geq=random(1)/hypot(X-cos(N*0.07)*W/2-W/2\,Y-sin(N*0.09)*H/2-H/2)^2*1000000*sin(N*0.02):128:128 +
format=gray,geq=lum_expr='(p(X,Y)+(256-p(X-4,Y-4)))/2' +
geq=r='X/W*r(X,Y)':g='(1-X/W)*g(X,Y)':b='(H-Y)/H*b(X,Y)' +
geq=lum=255*gauss((X/W-0.5)*3)*gauss((Y/H-0.5)*3)/gauss(0)/gauss(0),format=gray +
Fix the banding artifacts that are sometimes introduced into nearly flat +regions by truncation to 8-bit color depth. +Interpolate the gradients that should go where the bands are, and +dither them. +
+It is designed for playback only. Do not use it prior to +lossy compression, because compression tends to lose the dither and +bring back the bands. +
+It accepts the following parameters: +
+The maximum amount by which the filter will change any one pixel. This is also +the threshold for detecting nearly flat regions. Acceptable values range from +.51 to 64; the default value is 1.2. Out-of-range values will be clipped to the +valid range. +
+The neighborhood to fit the gradient to. A larger radius makes for smoother +gradients, but also prevents the filter from modifying the pixels near detailed +regions. Acceptable values are 8-32; the default value is 16. Out-of-range +values will be clipped to the valid range. +
+Alternatively, the options can be specified as a flat string: +strength[:radius] +
+ +3.5 strength and radius of 8:
+gradfun=3.5:8 +
gradfun=radius=8 +
Show various filtergraph stats. +
+With this filter one can debug complete filtergraph. +Especially issues with links filling with queued frames. +
+The filter accepts the following options: +
+Set video output size. Default is hd720. +
+Set video opacity. Default is 0.9. Allowed range is from 0 to 1. +
+Set output mode, can be fulll or compact. +In compact mode only filters with some queued frames have displayed stats. +
+Set flags which enable which stats are shown in video. +
+Available values for flags are: +
Display number of queued frames in each link. +
+Display number of frames taken from filter. +
+Display number of frames given out from filter. +
+Display delta number of frames between above two values. +
+Display current filtered frame pts. +
+Display pts delta between current and previous frame. +
+Display current filtered frame time. +
+Display time delta between current and previous frame. +
+Display time base for filter link. +
+Display used format for filter link. +
+Display video size or number of audio channels in case of audio used by filter link. +
+Display video frame rate or sample rate in case of audio used by filter link. +
+Display link output status. +
+Display number of samples taken from filter. +
+Display number of samples given out from filter. +
+Display delta number of samples between above two values. +
Set upper limit for video rate of output stream, Default value is 25. +This guarantee that output video frame rate will not be higher than this value. +
A color constancy filter that applies color correction based on the grayworld assumption +
+ +The algorithm uses linear light, so input +data should be linearized beforehand (and possibly correctly tagged). +
+ffmpeg -i INPUT -vf zscale=transfer=linear,grayworld,zscale=transfer=bt709,format=yuv420p OUTPUT +
A color constancy variation filter which estimates scene illumination via grey edge algorithm +and corrects the scene colors accordingly. +
+See: https://staff.science.uva.nl/th.gevers/pub/GeversTIP07.pdf +
+The filter accepts the following options: +
+The order of differentiation to be applied on the scene. Must be chosen in the range +[0,2] and default value is 1. +
+The Minkowski parameter to be used for calculating the Minkowski distance. Must +be chosen in the range [0,20] and default value is 1. Set to 0 for getting +max value instead of calculating Minkowski distance. +
+The standard deviation of Gaussian blur to be applied on the scene. Must be +chosen in the range [0,1024.0] and default value = 1. floor( sigma * break_off_sigma(3) ) +can’t be equal to 0 if difford is greater than 0. +
greyedge=difford=1:minknorm=5:sigma=2 +
greyedge=difford=1:minknorm=0:sigma=2 +
Apply guided filter for edge-preserving smoothing, dehazing and so on. +
+The filter accepts the following options: +
Set the box radius in pixels. +Allowed range is 1 to 20. Default is 3. +
+Set regularization parameter (with square). +Allowed range is 0 to 1. Default is 0.01. +
+Set filter mode. Can be basic or fast.
+Default is basic.
+
Set subsampling ratio for fast mode.
+Range is 2 to 64. Default is 4.
+No subsampling occurs in basic mode.
+
Set guidance mode. Can be off or on. Default is off.
+If off, single input is required.
+If on, two inputs of the same resolution and pixel format are required.
+The second input serves as the guidance.
+
Set planes to filter. Default is first only. +
This filter supports the all above options as commands. +
+ +ffmpeg -i in.png -vf guided out.png +
ffmpeg -i in.png -i guidance.png -filter_complex guided=guidance=on out.png +
Apply a Hald CLUT to a video stream. +
+First input is the video stream to process, and second one is the Hald CLUT. +The Hald CLUT input can be a simple picture or a complete video stream. +
+The filter accepts the following options: +
+Set which CLUT video frames will be processed from second input stream, +can be first or all. Default is all. +
+Force termination when the shortest input terminates. Default is 0.
+
Continue applying the last CLUT after the end of the stream. A value of
+0 disable the filter after the last frame of the CLUT is reached.
+Default is 1.
+
haldclut also has the same interpolation options as lut3d (both
+filters share the same internals).
+
This filter also supports the framesync options. +
+More information about the Hald CLUT can be found on Eskil Steenberg’s website +(Hald CLUT author) at http://www.quelsolaar.com/technology/clut.html. +
+ +This filter supports the interp option as commands.
+
Generate an identity Hald CLUT stream altered with various effects: +
ffmpeg -f lavfi -i haldclutsrc=8 -vf "hue=H=2*PI*t:s=sin(2*PI*t)+1, curves=cross_process" -t 10 -c:v ffv1 clut.nut +
Note: make sure you use a lossless codec. +
+Then use it with haldclut to apply it on some random stream:
+
ffmpeg -f lavfi -i mandelbrot -i clut.nut -filter_complex '[0][1] haldclut' -t 20 mandelclut.mkv +
The Hald CLUT will be applied to the 10 first seconds (duration of
+clut.nut), then the latest picture of that CLUT stream will be applied
+to the remaining frames of the mandelbrot stream.
+
A Hald CLUT is supposed to be a squared image of Level*Level*Level by
+Level*Level*Level pixels. For a given Hald CLUT, FFmpeg will select the
+biggest possible square starting at the top left of the picture. The remaining
+padding pixels (bottom or right) will be ignored. This area can be used to add
+a preview of the Hald CLUT.
+
Typically, the following generated Hald CLUT will be supported by the
+haldclut filter:
+
ffmpeg -f lavfi -i haldclutsrc=8 -vf " + pad=iw+320 [padded_clut]; + smptebars=s=320x256, split [a][b]; + [padded_clut][a] overlay=W-320:h, curves=color_negative [main]; + [main][b] overlay=W-320" -frames:v 1 clut.png +
It contains the original and a preview of the effect of the CLUT: SMPTE color +bars are displayed on the right-top, and below the same color bars processed by +the color changes. +
+Then, the effect of this Hald CLUT can be visualized with: +
ffplay input.mkv -vf "movie=clut.png, [in] haldclut" +
Flip the input video horizontally. +
+For example, to horizontally flip the input video with ffmpeg:
+
ffmpeg -i in.avi -vf "hflip" out.avi +
This filter applies a global color histogram equalization on a +per-frame basis. +
+It can be used to correct video that has a compressed range of pixel +intensities. The filter redistributes the pixel intensities to +equalize their distribution across the intensity range. It may be +viewed as an "automatically adjusting contrast filter". This filter is +useful only for correcting degraded or poorly captured source +video. +
+The filter accepts the following options: +
+Determine the amount of equalization to be applied. As the strength +is reduced, the distribution of pixel intensities more-and-more +approaches that of the input frame. The value must be a float number +in the range [0,1] and defaults to 0.200. +
+Set the maximum intensity that can generated and scale the output +values appropriately. The strength should be set as desired and then +the intensity can be limited if needed to avoid washing-out. The value +must be a float number in the range [0,1] and defaults to 0.210. +
+Set the antibanding level. If enabled the filter will randomly vary
+the luminance of output pixels by a small amount to avoid banding of
+the histogram. Possible values are none, weak or
+strong. It defaults to none.
+
Compute and draw a color distribution histogram for the input video. +
+The computed histogram is a representation of the color component +distribution in an image. +
+Standard histogram displays the color components distribution in an image. +Displays color graph for each color component. Shows distribution of +the Y, U, V, A or R, G, B components, depending on input format, in the +current frame. Below each graph a color component scale meter is shown. +
+The filter accepts the following options: +
+Set height of level. Default value is 200.
+Allowed range is [50, 2048].
+
Set height of color scale. Default value is 12.
+Allowed range is [0, 40].
+
Set display mode. +It accepts the following values: +
Per color component graphs are placed below each other. +
+Per color component graphs are placed side by side. +
+Presents information identical to that in the parade, except
+that the graphs representing color components are superimposed directly
+over one another.
+
Default is stack.
+
Set mode. Can be either linear, or logarithmic.
+Default is linear.
+
Set what color components to display.
+Default is 7.
+
Set foreground opacity. Default is 0.7.
+
Set background opacity. Default is 0.5.
+
Set colors mode. +It accepts the following values: +
Default is whiteonblack.
+
ffplay -i input -vf histogram +
This is a high precision/quality 3d denoise filter. It aims to reduce +image noise, producing smooth images and making still images really +still. It should enhance compressibility. +
+It accepts the following optional parameters: +
+A non-negative floating point number which specifies spatial luma strength. +It defaults to 4.0. +
+A non-negative floating point number which specifies spatial chroma strength. +It defaults to 3.0*luma_spatial/4.0. +
+A floating point number which specifies luma temporal strength. It defaults to +6.0*luma_spatial/4.0. +
+A floating point number which specifies chroma temporal strength. It defaults to +luma_tmp*chroma_spatial/luma_spatial. +
This filter supports same commands as options. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
+ +Download hardware frames to system memory. +
+The input must be in hardware frames, and the output a non-hardware format. +Not all formats will be supported on the output - it may be necessary to insert +an additional format filter immediately following in the graph to get +the output in a supported format. +
+ +Map hardware frames to system memory or to another device. +
+This filter has several different modes of operation; which one is used depends +on the input and output formats: +
Map the input frames to system memory and pass them to the output. If the +original hardware frame is later required (for example, after overlaying +something else on part of it), the hwmap filter can be used again +in the next mode to retrieve it. +
If the input is actually a software-mapped hardware frame, then unmap it - +that is, return the original hardware frame. +
+Otherwise, a device must be provided. Create new hardware surfaces on that +device for the output, then map them back to the software format at the input +and give those frames to the preceding filter. This will then act like the +hwupload filter, but may be able to avoid an additional copy when +the input is already in a compatible format. +
A device must be supplied for the output, either directly or with the +derive_device option. The input and output devices must be of +different types and compatible - the exact meaning of this is +system-dependent, but typically it means that they must refer to the same +underlying hardware context (for example, refer to the same graphics card). +
+If the input frames were originally created on the output device, then unmap +to retrieve the original frames. +
+Otherwise, map the frames to the output device - create new hardware frames +on the output corresponding to the frames on the input. +
The following additional parameters are accepted: +
+Set the frame mapping mode. Some combination of: +
The mapped frame should be readable. +
The mapped frame should be writeable. +
The mapping will always overwrite the entire frame. +
+This may improve performance in some cases, as the original contents of the +frame need not be loaded. +
The mapping must not involve any copying. +
+Indirect mappings to copies of frames are created in some cases where either +direct mapping is not possible or it would have unexpected properties. +Setting this flag ensures that the mapping is direct and will fail if that is +not possible. +
Defaults to read+write if not specified. +
+Rather than using the device supplied at initialisation, instead derive a new +device of type type from the device the input frames exist on. +
+In a hardware to hardware mapping, map in reverse - create frames in the sink +and map them back to the source. This may be necessary in some cases where +a mapping in one direction is required but only the opposite direction is +supported by the devices being used. +
+This option is dangerous - it may break the preceding filter in undefined +ways if there are any additional constraints on that filter’s output. +Do not use it without fully understanding the implications of its use. +
Upload system memory frames to hardware surfaces. +
+The device to upload to must be supplied when the filter is initialised. If +using ffmpeg, select the appropriate device with the -filter_hw_device +option or with the derive_device option. The input and output devices +must be of different types and compatible - the exact meaning of this is +system-dependent, but typically it means that they must refer to the same +underlying hardware context (for example, refer to the same graphics card). +
+The following additional parameters are accepted: +
+Rather than using the device supplied at initialisation, instead derive a new +device of type type from the device the input frames exist on. +
Upload system memory frames to a CUDA device. +
+It accepts the following optional parameters: +
+The number of the CUDA device to use +
Apply a high-quality magnification filter designed for pixel art. This filter +was originally created by Maxim Stepin. +
+It accepts the following option: +
+Set the scaling dimension: 2 for hq2x, 3 for
+hq3x and 4 for hq4x.
+Default is 3.
+
Stack input videos horizontally. +
+All streams must be of same pixel format and of same height. +
+Note that this filter is faster than using overlay and pad filter +to create same output. +
+The filter accepts the following option: +
+Set number of input streams. Default is 2. +
+If set to 1, force the output to terminate when the shortest input +terminates. Default value is 0. +
Turns a certain HSV range into gray values. +
+This filter measures color difference between set HSV color in options +and ones measured in video stream. Depending on options, output +colors can be changed to be gray or not. +
+The filter accepts the following options: +
+Set the hue value which will be used in color difference calculation. +Allowed range is from -360 to 360. Default value is 0. +
+Set the saturation value which will be used in color difference calculation. +Allowed range is from -1 to 1. Default value is 0. +
+Set the value which will be used in color difference calculation. +Allowed range is from -1 to 1. Default value is 0. +
+Set similarity percentage with the key color. +Allowed range is from 0 to 1. Default value is 0.01. +
+0.00001 matches only the exact key color, while 1.0 matches everything. +
+Blend percentage. +Allowed range is from 0 to 1. Default value is 0. +
+0.0 makes pixels either fully gray, or not gray at all. +
+Higher values result in more gray pixels, with a higher gray pixel +the more similar the pixels color is to the key color. +
Turns a certain HSV range into transparency. +
+This filter measures color difference between set HSV color in options +and ones measured in video stream. Depending on options, output +colors can be changed to transparent by adding alpha channel. +
+The filter accepts the following options: +
+Set the hue value which will be used in color difference calculation. +Allowed range is from -360 to 360. Default value is 0. +
+Set the saturation value which will be used in color difference calculation. +Allowed range is from -1 to 1. Default value is 0. +
+Set the value which will be used in color difference calculation. +Allowed range is from -1 to 1. Default value is 0. +
+Set similarity percentage with the key color. +Allowed range is from 0 to 1. Default value is 0.01. +
+0.00001 matches only the exact key color, while 1.0 matches everything. +
+Blend percentage. +Allowed range is from 0 to 1. Default value is 0. +
+0.0 makes pixels either fully transparent, or not transparent at all. +
+Higher values result in semi-transparent pixels, with a higher transparency +the more similar the pixels color is to the key color. +
Modify the hue and/or the saturation of the input. +
+It accepts the following parameters: +
+Specify the hue angle as a number of degrees. It accepts an expression, +and defaults to "0". +
+Specify the saturation in the [-10,10] range. It accepts an expression and +defaults to "1". +
+Specify the hue angle as a number of radians. It accepts an +expression, and defaults to "0". +
+Specify the brightness in the [-10,10] range. It accepts an expression and +defaults to "0". +
h and H are mutually exclusive, and can’t be +specified at the same time. +
+The b, h, H and s option values are +expressions containing the following constants: +
+frame count of the input frame starting from 0 +
+presentation timestamp of the input frame expressed in time base units +
+frame rate of the input video, NAN if the input frame rate is unknown +
+timestamp expressed in seconds, NAN if the input timestamp is unknown +
+time base of the input video +
hue=h=90:s=1 +
hue=H=PI/2:s=1 +
hue="H=2*PI*t: s=sin(2*PI*t)+1" +
hue="s=min(t/3\,1)" +
The general fade-in expression can be written as: +
hue="s=min(0\, max((t-START)/DURATION\, 1))" +
hue="s=max(0\, min(1\, (8-t)/3))" +
The general fade-out expression can be written as: +
hue="s=max(0\, min(1\, (START+DURATION-t)/DURATION))" +
This filter supports the following commands: +
Modify the hue and/or the saturation and/or brightness of the input video. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
Apply hue-saturation-intensity adjustments to input video stream. +
+This filter operates in RGB colorspace. +
+This filter accepts the following options: +
+Set the hue shift in degrees to apply. Default is 0. +Allowed range is from -180 to 180. +
+Set the saturation shift. Default is 0. +Allowed range is from -1 to 1. +
+Set the intensity shift. Default is 0. +Allowed range is from -1 to 1. +
+Set which primary and complementary colors are going to be adjusted. +This options is set by providing one or multiple values. +This can select multiple colors at once. By default all colors are selected. +
Adjust reds. +
Adjust yellows. +
Adjust greens. +
Adjust cyans. +
Adjust blues. +
Adjust magentas. +
Adjust all colors. +
Set strength of filtering. Allowed range is from 0 to 100. +Default value is 1. +
+Set weight for each RGB component. Allowed range is from 0 to 1. +By default is set to 0.333, 0.334, 0.333. +Those options are used in saturation and lightess processing. +
+Set preserving lightness, by default is disabled. +Adjusting hues can change lightness from original RGB triplet, +with this option enabled lightness is kept at same value. +
Grow first stream into second stream by connecting components. +This makes it possible to build more robust edge masks. +
+This filter accepts the following options: +
+Set which planes will be processed as bitmap, unprocessed planes will be +copied from first stream. +By default value 0xf, all planes will be processed. +
+Set threshold which is used in filtering. If pixel component value is higher than +this value filter algorithm for connecting components is activated. +By default value is 0. +
The hysteresis filter also supports the framesync options.
+
Detect the colorspace from an embedded ICC profile (if present), and update +the frame’s tags accordingly. +
+This filter accepts the following options: +
+If true, the frame’s existing colorspace tags will always be overridden by
+values detected from an ICC profile. Otherwise, they will only be assigned if
+they contain unknown. Enabled by default.
+
Generate ICC profiles and attach them to frames. +
+This filter accepts the following options: +
+Configure the colorspace that the ICC profile will be generated for. The
+default value of auto infers the value from the input frame’s metadata,
+defaulting to BT.709/sRGB as appropriate.
+
See the setparams filter for a list of possible values, but note that
+unknown are not valid values for this filter.
+
If true, an ICC profile will be generated even if it would overwrite an +already existing ICC profile. Disabled by default. +
Obtain the identity score between two input videos. +
+This filter takes two input videos. +
+Both input videos must have the same resolution and pixel format for +this filter to work correctly. Also it assumes that both inputs +have the same number of frames, which are compared one by one. +
+The obtained per component, average, min and max identity score is printed through +the logging system. +
+The filter stores the calculated identity scores of each frame in frame metadata. +
+In the below example the input file main.mpg being processed is compared +with the reference file ref.mpg. +
+ffmpeg -i main.mpg -i ref.mpg -lavfi identity -f null - +
Detect video interlacing type. +
+This filter tries to detect if the input frames are interlaced, progressive, +top or bottom field first. It will also try to detect fields that are +repeated between adjacent frames (a sign of telecine). +
+Single frame detection considers only immediately adjacent frames when classifying each frame. +Multiple frame detection incorporates the classification history of previous frames. +
+The filter will log these metadata values: +
+Detected type of current frame using single-frame detection. One of: +“tff” (top field first), “bff” (bottom field first), +“progressive”, or “undetermined” +
+Cumulative number of frames detected as top field first using single-frame detection. +
+Cumulative number of frames detected as top field first using multiple-frame detection. +
+Cumulative number of frames detected as bottom field first using single-frame detection. +
+Detected type of current frame using multiple-frame detection. One of: +“tff” (top field first), “bff” (bottom field first), +“progressive”, or “undetermined” +
+Cumulative number of frames detected as bottom field first using multiple-frame detection. +
+Cumulative number of frames detected as progressive using single-frame detection. +
+Cumulative number of frames detected as progressive using multiple-frame detection. +
+Cumulative number of frames that could not be classified using single-frame detection. +
+Cumulative number of frames that could not be classified using multiple-frame detection. +
+Which field in the current frame is repeated from the last. One of “neither”, “top”, or “bottom”. +
+Cumulative number of frames with no repeated field. +
+Cumulative number of frames with the top field repeated from the previous frame’s top field. +
+Cumulative number of frames with the bottom field repeated from the previous frame’s bottom field. +
The filter accepts the following options: +
+Set interlacing threshold. +
Set progressive threshold. +
Threshold for repeated field detection. +
Number of frames after which a given frame’s contribution to the +statistics is halved (i.e., it contributes only 0.5 to its +classification). The default of 0 means that all frames seen are given +full weight of 1.0 forever. +
When this is not 0 then idet will use the specified number of frames to determine +if the interlaced flag is accurate, it will not count undetermined frames. +If the flag is found to be accurate it will be used without any further +computations, if it is found to be inaccurate it will be cleared without any +further computations. This allows inserting the idet filter as a low computational +method to clean up the interlaced flag +
Deinterleave or interleave fields. +
+This filter allows one to process interlaced images fields without +deinterlacing them. Deinterleaving splits the input frame into 2 +fields (so called half pictures). Odd lines are moved to the top +half of the output image, even lines to the bottom half. +You can process (filter) them independently and then re-interleave them. +
+The filter accepts the following options: +
+Available values for luma_mode, chroma_mode and +alpha_mode are: +
+Do nothing. +
+Deinterleave fields, placing one above the other. +
+Interleave fields. Reverse the effect of deinterleaving. +
Default value is none.
+
Swap luma/chroma/alpha fields. Exchange even & odd lines. Default value is 0.
+
This filter supports the all above options as commands. +
+ +Apply inflate effect to the video. +
+This filter replaces the pixel by the local(3x3) average by taking into account +only values higher than the pixel. +
+It accepts the following options: +
+Limit the maximum change for each plane, default is 65535. +If 0, plane will remain unchanged. +
This filter supports the all above options as commands. +
+ +Simple interlacing filter from progressive contents. This interleaves upper (or +lower) lines from odd frames with lower (or upper) lines from even frames, +halving the frame rate and preserving image height. +
+Original Original New Frame + Frame 'j' Frame 'j+1' (tff) + ========== =========== ================== + Line 0 --------------------> Frame 'j' Line 0 + Line 1 Line 1 ----> Frame 'j+1' Line 1 + Line 2 ---------------------> Frame 'j' Line 2 + Line 3 Line 3 ----> Frame 'j+1' Line 3 + ... ... ... +New Frame + 1 will be generated by Frame 'j+2' and Frame 'j+3' and so on +
It accepts the following optional parameters: +
+This determines whether the interlaced frame is taken from the even +(tff - default) or odd (bff) lines of the progressive frame. +
+Vertical lowpass filter to avoid twitter interlacing and +reduce moire patterns. +
+Disable vertical lowpass filter +
+Enable linear filter (default) +
+Enable complex filter. This will slightly less reduce twitter and moire +but better retain detail and subjective sharpness impression. +
+Deinterlace input video by applying Donald Graft’s adaptive kernel +deinterling. Work on interlaced parts of a video to produce +progressive frames. +
+The description of the accepted parameters follows. +
+Set the threshold which affects the filter’s tolerance when +determining if a pixel line must be processed. It must be an integer +in the range [0,255] and defaults to 10. A value of 0 will result in +applying the process on every pixels. +
+Paint pixels exceeding the threshold value to white if set to 1. +Default is 0. +
+Set the fields order. Swap fields if set to 1, leave fields alone if +0. Default is 0. +
+Enable additional sharpening if set to 1. Default is 0. +
+Enable twoway sharpening if set to 1. Default is 0. +
kerndeint=thresh=10:map=0:order=0:sharp=0:twoway=0 +
kerndeint=sharp=1 +
kerndeint=map=1 +
Apply kirsch operator to input video stream. +
+The filter accepts the following option: +
+Set which planes will be processed, unprocessed planes will be copied. +By default value 0xf, all planes will be processed. +
+Set value which will be multiplied with filtered result. +
+Set value which will be added to filtered result. +
This filter supports the all above options as commands. +
+ +Slowly update darker pixels. +
+This filter makes short flashes of light appear longer. +This filter accepts the following options: +
+Set factor for decaying. Default is .95. Allowed range is from 0 to 1. +
+Set which planes to filter. Default is all. Allowed range is from 0 to 15. +
This filter supports the all above options as commands. +
+ +Correct radial lens distortion +
+This filter can be used to correct for radial distortion as can result from the use +of wide angle lenses, and thereby re-rectify the image. To find the right parameters +one can use tools available for example as part of opencv or simply trial-and-error. +To use opencv use the calibration sample (under samples/cpp) from the opencv sources +and extract the k1 and k2 coefficients from the resulting matrix. +
+Note that effectively the same filter is available in the open-source tools Krita and +Digikam from the KDE project. +
+In contrast to the vignette filter, which can also be used to compensate lens errors, +this filter corrects the distortion of the image, whereas vignette corrects the +brightness distribution, so you may want to use both filters together in certain +cases, though you will have to take care of ordering, i.e. whether vignetting should +be applied before or after lens correction. +
+ +The filter accepts the following options: +
+Relative x-coordinate of the focal point of the image, and thereby the center of the +distortion. This value has a range [0,1] and is expressed as fractions of the image +width. Default is 0.5. +
Relative y-coordinate of the focal point of the image, and thereby the center of the +distortion. This value has a range [0,1] and is expressed as fractions of the image +height. Default is 0.5. +
Coefficient of the quadratic correction term. This value has a range [-1,1]. 0 means +no correction. Default is 0. +
Coefficient of the double quadratic correction term. This value has a range [-1,1]. +0 means no correction. Default is 0. +
Set interpolation type. Can be nearest or bilinear.
+Default is nearest.
+
Specify the color of the unmapped pixels. For the syntax of this option,
+check the (ffmpeg-utils)"Color" section in the ffmpeg-utils
+manual. Default color is black@0.
+
The formula that generates the correction is: +
+r_src = r_tgt * (1 + k1 * (r_tgt / r_0)^2 + k2 * (r_tgt / r_0)^4) +
+where r_0 is halve of the image diagonal and r_src and r_tgt are the +distances from the focal point in the source and target images, respectively. +
+ +This filter supports the all above options as commands. +
+ +Apply lens correction via the lensfun library (http://lensfun.sourceforge.net/). +
+The lensfun filter requires the camera make, camera model, and lens model
+to apply the lens correction. The filter will load the lensfun database and
+query it to find the corresponding camera and lens entries in the database. As
+long as these entries can be found with the given options, the filter can
+perform corrections on frames. Note that incomplete strings will result in the
+filter choosing the best match with the given options, and the filter will
+output the chosen camera and lens models (logged with level "info"). You must
+provide the make, camera model, and lens model as they are required.
+
To obtain a list of available makes and models, leave out one or both of make and
+model options. The filter will send the full list to the log with level INFO.
+The first column is the make and the second column is the model.
+To obtain a list of available lenses, set any values for make and model and leave out the
+lens_model option. The filter will send the full list of lenses in the log with level
+INFO. The ffmpeg tool will exit after the list is printed.
+
The filter accepts the following options: +
+The make of the camera (for example, "Canon"). This option is required. +
+The model of the camera (for example, "Canon EOS 100D"). This option is +required. +
+The model of the lens (for example, "Canon EF-S 18-55mm f/3.5-5.6 IS STM"). This +option is required. +
+The full path to the lens database folder. If not set, the filter will attempt to +load the database from the install path when the library was built. Default is unset. +
+The type of correction to apply. The following values are valid options: +
+Enables fixing lens vignetting. +
+Enables fixing lens geometry. This is the default. +
+Enables fixing chromatic aberrations. +
+Enables fixing lens vignetting and lens geometry. +
+Enables fixing lens vignetting and chromatic aberrations. +
+Enables fixing both lens geometry and chromatic aberrations. +
+Enables all possible corrections. +
+The focal length of the image/video (zoom; expected constant for video). For +example, a 18–55mm lens has focal length range of [18–55], so a value in that +range should be chosen when using that lens. Default 18. +
+The aperture of the image/video (expected constant for video). Note that +aperture is only used for vignetting correction. Default 3.5. +
+The focus distance of the image/video (expected constant for video). Note that +focus distance is only used for vignetting and only slightly affects the +vignetting correction process. If unknown, leave it at the default value (which +is 1000). +
+The scale factor which is applied after transformation. After correction the +video is no longer necessarily rectangular. This parameter controls how much of +the resulting image is visible. The value 0 means that a value will be chosen +automatically such that there is little or no unmapped area in the output +image. 1.0 means that no additional scaling is done. Lower values may result +in more of the corrected image being visible, while higher values may avoid +unmapped areas in the output. +
+The target geometry of the output image/video. The following values are valid +options: +
+Apply the reverse of image correction (instead of correcting distortion, apply +it). +
+The type of interpolation used when correcting distortion. The following values +are valid options: +
+ffmpeg -i input.mov -vf lensfun=make=Canon:model="Canon EOS 100D":lens_model="Canon EF-S 18-55mm f/3.5-5.6 IS STM":focal_length=18:aperture=8 -c:v h264 -b:v 8000k output.mov +
ffmpeg -i input.mov -vf lensfun=make=Canon:model="Canon EOS 100D":lens_model="Canon EF-S 18-55mm f/3.5-5.6 IS STM":focal_length=18:aperture=8:enable='lte(t\,5)' -c:v h264 -b:v 8000k output.mov +
Flexible GPU-accelerated processing filter based on libplacebo +(https://code.videolan.org/videolan/libplacebo). Note that this filter +currently only accepts Vulkan input frames. +
+ +The options for this filter are divided into the following sections: +
+ +These options control the overall output mode. By default, libplacebo will try +to preserve the source colorimetry and size as best as it can, but it will +apply any embedded film grain, dolby vision metadata or anamorphic SAR present +in source frames. +
Set the output video dimension expression. Default value is the input dimension. +
+Allows for the same expressions as the scale filter. +
+Set the output format override. If unset (the default), frames will be output +in the same format as the respective input frames. Otherwise, format conversion +will be performed. +
+Work the same as the identical scale filter options. +
+If enabled, output frames will always have a pixel aspect ratio of 1:1. This +will introduce padding/cropping as necessary. If disabled (the default), any +aspect ratio mismatches, including those from e.g. anamorphic video sources, +are forwarded to the output pixel aspect ratio. +
+Specifies a ratio (between 0.0 and 1.0) between padding and
+cropping when the input aspect ratio does not match the output aspect ratio and
+normalize_sar is in effect. The default of 0.0 always pads the
+content with black borders, while a value of 1.0 always crops off parts
+of the content. Intermediate values are possible, leading to a mix of the two
+approaches.
+
Configure the colorspace that output frames will be delivered in. The default
+value of auto outputs frames in the same format as the input frames,
+leading to no change. For any other value, conversion will be performed.
+
See the setparams filter for a list of possible values. +
+Apply film grain (e.g. AV1 or H.274) if present in source frames, and strip +it from the output. Enabled by default. +
+Apply Dolby Vision RPU metadata if present in source frames, and strip it from
+the output. Enabled by default. Note that Dolby Vision will always output
+BT.2020+PQ, overriding the usual input frame metadata. These will also be
+picked as the values of auto for the respective frame output options.
+
The options in this section control how libplacebo performs upscaling and (if
+necessary) downscaling. Note that libplacebo will always internally operate on
+4:4:4 content, so any sub-sampled chroma formats such as yuv420p will
+necessarily be upsampled and downsampled as part of the rendering process. That
+means scaling might be in effect even if the source and destination resolution
+are the same.
+
Configure the filter kernel used for upscaling and downscaling. The respective
+defaults are spline36 and mitchell. For a full list of possible
+values, pass help to these options. The most important values are:
+
Forces the use of built-in GPU texture sampling (typically bilinear). Extremely +fast but poor quality, especially when downscaling. +
+Bilinear interpolation. Can generally be done for free on GPUs, except when +doing so would lead to aliasing. Fast and low quality. +
+Nearest-neighbour interpolation. Sharp but highly aliasing. +
+Algorithm that looks visually similar to nearest-neighbour interpolation but +tries to preserve pixel aspect ratio. Good for pixel art, since it results in +minimal distortion of the artistic appearance. +
+Standard sinc-sinc interpolation kernel. +
+Cubic spline approximation of lanczos. No difference in performance, but has +very slightly less ringing. +
+Elliptically weighted average version of lanczos, based on a jinc-sinc kernel. +This is also popularly referred to as just "Jinc scaling". Slow but very high +quality. +
+Gaussian kernel. Has certain ideal mathematical properties, but subjectively +very blurry. +
+Cubic BC spline with parameters recommended by Mitchell and Netravali. Very +little ringing. +
Configures the size of scaler LUTs, ranging from 1 to 256. The
+default of 0 will pick libplacebo’s internal default, typically
+64.
+
Enables anti-ringing (for non-EWA filters). The value (between 0.0 and
+1.0) configures the strength of the anti-ringing algorithm. May increase
+aliasing if set too high. Disabled by default.
+
Enable sigmoidal compression during upscaling. Reduces ringing slightly. +Enabled by default. +
Libplacebo comes with a built-in debanding filter that is good at counteracting +many common sources of banding and blocking. Turning this on is highly +recommended whenever quality is desired. +
Enable (fast) debanding algorithm. Disabled by default. +
+Number of deband iterations of the debanding algorithm. Each iteration is
+performed with progressively increased radius (and diminished threshold).
+Recommended values are in the range 1 to 4. Defaults to 1.
+
Debanding filter strength. Higher numbers lead to more aggressive debanding.
+Defaults to 4.0.
+
Debanding filter radius. A higher radius is better for slow gradients, while
+a lower radius is better for steep gradients. Defaults to 16.0.
+
Amount of extra output grain to add. Helps hide imperfections. Defaults to
+6.0.
+
A collection of subjective color controls. Not very rigorous, so the exact +effect will vary somewhat depending on the input primaries and colorspace. +
Brightness boost, between -1.0 and 1.0. Defaults to 0.0.
+
Contrast gain, between 0.0 and 16.0. Defaults to 1.0.
+
Saturation gain, between 0.0 and 16.0. Defaults to 1.0.
+
Hue shift in radians, between -3.14 and 3.14. Defaults to
+0.0. This will rotate the UV subvector, defaulting to BT.709
+coefficients for RGB inputs.
+
Gamma adjustment, between 0.0 and 16.0. Defaults to 1.0.
+
Cone model to use for color blindness simulation. Accepts any combination of
+l, m and s. Here are some examples:
+
Deuteranomaly / deuteranopia (affecting 3%-4% of the population) +
Protanomaly / protanopia (affecting 1%-2% of the population) +
Monochromacy (very rare) +
Achromatopsy (complete loss of daytime vision, extremely rare) +
Gain factor for the cones specified by cones, between 0.0 and
+10.0. A value of 1.0 results in no change to color vision. A
+value of 0.0 (the default) simulates complete loss of those cones. Values
+above 1.0 result in exaggerating the differences between cones, which
+may help compensate for reduced color vision.
+
To help deal with sources that only have static HDR10 metadata (or no tagging +whatsoever), libplacebo uses its own internal frame analysis compute shader to +analyze source frames and adapt the tone mapping function in realtime. If this +is too slow, or if exactly reproducible frame-perfect results are needed, it’s +recommended to turn this feature off. +
Enable HDR peak detection. Ignores static MaxCLL/MaxFALL values in favor of +dynamic detection from the input. Note that the detected values do not get +written back to the output frames, they merely guide the internal tone mapping +process. Enabled by default. +
+Peak detection smoothing period, between 0.0 and 1000.0. Higher
+values result in peak detection becoming less responsive to changes in the
+input. Defaults to 100.0.
+
Lower bound on the detected peak (relative to SDR white), between 0.0
+and 100.0. Defaults to 1.0.
+
Lower and upper thresholds for scene change detection. Expressed in a
+logarithmic scale between 0.0 and 100.0. Default to 5.5
+and 10.0, respectively. Setting either to a negative value disables
+this functionality.
+
Peak smoothing overshoot margin, between 0.0 and 1.0. Provides a
+safety margin to prevent clipping as a result of peak smoothing. Defaults to
+0.05, corresponding to a margin of 5%.
+
The options in this section control how libplacebo performs tone-mapping and +gamut-mapping when dealing with mismatches between wide-gamut or HDR content. +In general, libplacebo relies on accurate source tagging and mastering display +gamut information to produce the best results. +
Rendering intent to use when adapting between different primary color gamuts +(after tone-mapping). +
Perceptual gamut mapping. Currently equivalent to relative colorimetric. +
Relative colorimetric. This is the default. +
Absolute colorimetric. +
Saturation mapping. Forcibly stretches the source gamut to the target gamut. +
How to handle out-of-gamut colors that can occur as a result of colorimetric +gamut mapping. +
Do nothing, simply clip out-of-range colors to the RGB volume. This is the +default. +
Highlight out-of-gamut pixels (by coloring them pink). +
Linearly reduces content brightness to preserves saturated details, followed by +clipping the remaining out-of-gamut colors. As the name implies, this makes +everything darker, but provides a good balance between preserving details and +colors. +
Hard-desaturates out-of-gamut colors towards white, while preserving the +luminance. Has a tendency to shift colors. +
Tone-mapping algorithm to use. Available values are: +
Automatic selection based on internal heuristics. This is the default. +
Performs no tone-mapping, just clips out-of-range colors. Retains perfect color +accuracy for in-range colors but completely destroys out-of-range information. +Does not perform any black point adaptation. Not configurable. +
EETF from the ITU-R Report BT.2390, a hermite spline roll-off with linear
+segment. The knee point offset is configurable. Note that this parameter
+defaults to 1.0, rather than the value of 0.5 from the ITU-R
+spec.
+
EETF from ITU-R Report BT.2446, method A. Designed for well-mastered HDR +sources. Can be used for both forward and inverse tone mapping. Not +configurable. +
Simple spline consisting of two polynomials, joined by a single pivot point.
+The parameter gives the pivot point (in PQ space), defaulting to 0.30.
+Can be used for both forward and inverse tone mapping.
+
Simple non-linear, global tone mapping algorithm. The parameter specifies the
+local contrast coefficient at the display peak. Essentially, a parameter of
+0.5 implies that the reference white will be about half as bright as
+when clipping. Defaults to 0.5, which results in the simplest
+formulation of this function.
+
Generalization of the reinhard tone mapping algorithm to support an additional
+linear slope near black. The tone mapping parameter indicates the trade-off
+between the linear section and the non-linear section. Essentially, for a given
+parameter x, every color value below x will be mapped linearly,
+while higher values get non-linearly tone-mapped. Values near 1.0 make
+this curve behave like clip, while values near 0.0 make this
+curve behave like reinhard. The default value is 0.3, which
+provides a good balance between colorimetric accuracy and preserving
+out-of-gamut details.
+
Piece-wise, filmic tone-mapping algorithm developed by John Hable for use in
+Uncharted 2, inspired by a similar tone-mapping algorithm used by Kodak.
+Popularized by its use in video games with HDR rendering. Preserves both dark
+and bright details very well, but comes with the drawback of changing the
+average brightness quite significantly. This is sort of similar to
+reinhard with parameter 0.24.
+
Fits a gamma (power) function to transfer between the source and target color
+spaces, effectively resulting in a perceptual hard-knee joining two roughly
+linear sections. This preserves details at all scales fairly accurately, but
+can result in an image with a muted or dull appearance. The parameter is used
+as the cutoff point, defaulting to 0.5.
+
Linearly stretches the input range to the output range, in PQ space. This will
+preserve all details accurately, but results in a significantly different
+average brightness. Can be used for inverse tone-mapping in addition to regular
+tone-mapping. The parameter can be used as an additional linear gain
+coefficient (defaulting to 1.0).
+
For tunable tone mapping functions, this parameter can be used to fine-tune the
+curve behavior. Refer to the documentation of tonemapping. The default
+value of 0.0 is replaced by the curve’s preferred default setting.
+
This option determines how the tone mapping function specified by
+tonemapping is applied to the colors in a scene. Possible values are:
+
Automatic selection based on internal heuristics. This is the default. +
Apply the function per-channel in the RGB colorspace. +Per-channel tone-mapping in RGB. Guarantees no clipping and heavily desaturates +the output, but distorts the colors quite significantly. Very similar to the +"Hollywood" look and feel. +
Tone-mapping is performed on the brightest component found in the signal. Good +at preserving details in highlights, but has a tendency to crush blacks. +
Tone-map per-channel for highlights and linearly (luma-based) for
+midtones/shadows, based on a fixed gamma 2.4 coefficient curve.
+
Tone-map linearly on the luma component (CIE Y), and adjust (desaturate) the +chromaticities to compensate using a simple constant factor. This is +essentially the mode used in ITU-R BT.2446 method A. +
If enabled, this filter will also attempt stretching SDR signals to fill HDR +output color volumes. Disabled by default. +
+Extra tone-mapping crosstalk factor, between 0.0 and 0.3. This
+can help reduce issues tone-mapping certain bright spectral colors. Defaults to
+0.04.
+
Size of the tone-mapping LUT, between 2 and 1024. Defaults to
+256. Note that this figure is squared when combined with
+peak_detect.
+
By default, libplacebo will dither whenever necessary, which includes rendering
+to any integer format below 16-bit precision. It’s recommended to always leave
+this on, since not doing so may result in visible banding in the output, even
+if the debanding filter is enabled. If maximum performance is needed,
+use ordered_fixed instead of disabling dithering.
+
Dithering method to use. Accepts the following values: +
Disables dithering completely. May result in visible banding. +
Dither with pseudo-blue noise. This is the default. +
Tunable ordered dither pattern. +
Faster ordered dither with a fixed size of 6. Texture-less.
+
Dither with white noise. Texture-less. +
Dither LUT size, as log base2 between 1 and 8. Defaults to
+6, corresponding to a LUT size of 64x64.
+
Enables temporal dithering. Disabled by default. +
libplacebo supports a number of custom shaders based on the mpv .hook GLSL +syntax. A collection of such shaders can be found here: +https://github.com/mpv-player/mpv/wiki/User-Scripts#user-shaders +
+A full description of the mpv shader format is beyond the scope of this +section, but a summary can be found here: +https://mpv.io/manual/master/#options-glsl-shader +
Specifies a path to a custom shader file to load at runtime. +
+Specifies a complete custom shader as a raw string. +
All of the options in this section default off. They may be of assistance when +attempting to squeeze the maximum performance at the cost of quality. +
Disable anti-aliasing when downscaling. +
+Truncate polar (EWA) scaler kernels below this absolute magnitude, between
+0.0 and 1.0.
+
Disable linear light scaling. +
+Disable built-in GPU sampling (forces LUT). +
+Force the use of a full ICC 3DLUT for gamut mapping. +
+Forcibly disable FBOs, resulting in loss of almost all functionality, but +offering the maximum possible speed. +
This filter supports almost all of the above options as commands. +
+ +format filter option
+corresponding to the input frames.
+ffmpeg -i $INPUT -init_hw_device vulkan -vf hwupload,libplacebo=format=yuv420p,hwdownload,format=yuv420p $OUTPUT +
libplacebo=colorspace=bt709:color_primaries=bt709:color_trc=bt709:range=tv +
libplacebo=w=1920:h=1080:force_original_aspect_ratio=decrease:normalize_sar=true:upscaler=ewa_lanczos:downscaler=ewa_lanczos +
libplacebo=format=yuv420p:colorspace=bt470bg:color_primaries=bt709:color_trc=iec61966-2-1:range=pc +
libplacebo=deband=true:deband_iterations=3:deband_radius=8:deband_threshold=6 +
ffmpeg ... -init_hw_device vulkan:llvmpipe ... -vf libplacebo=upscaler=none:downscaler=none:peak_detect=false +
ffmpeg -export_side_data +film_grain ... -vf libplacebo=apply_filmgrain=true +
Calulate the VMAF (Video Multi-Method Assessment Fusion) score for a +reference/distorted pair of input videos. +
+The first input is the distorted video, and the second input is the reference video. +
+The obtained VMAF score is printed through the logging system. +
+It requires Netflix’s vmaf library (libvmaf) as a pre-requisite.
+After installing the library it can be enabled using:
+./configure --enable-libvmaf.
+
The filter has following options: +
+A ‘|‘ delimited list of vmaf models. Each model can be configured with a number of parameters.
+Default value: "version=vmaf_v0.6.1"
+
Deprecated, use model=’path=...’. +
+Deprecated, use model=’enable_transform=true’. +
+Deprecated, use model=’enable_transform=true’. +
+Deprecated, use model=’enable_conf_interval=true’. +
+A ‘|‘ delimited list of features. Each feature can be configured with a number of parameters. +
+Deprecated, use feature=’name=psnr’. +
+Deprecated, use feature=’name=ssim’. +
+Deprecated, use feature=’name=ms_ssim’. +
+Set the file path to be used to store log files. +
+Set the format of the log file (xml, json, csv, or sub). +
+Set number of threads to be used when initializing libvmaf.
+Default value: 0, no threads.
+
Set frame subsampling interval to be used. +
This filter also supports the framesync options. +
+ +ffmpeg -i distorted.mpg -i reference.mpg -lavfi libvmaf=log_path=output.xml -f null - +
ffmpeg -i distorted.mpg -i reference.mpg -lavfi libvmaf='model=version=vmaf_v0.6.1\\:name=vmaf|version=vmaf_v0.6.1neg\\:name=vmaf_neg' -f null - +
ffmpeg -i distorted.mpg -i reference.mpg -lavfi libvmaf='feature=name=psnr|name=ciede' -f null - +
ffmpeg -i distorted.mpg -i reference.mkv -lavfi "[0:v]settb=AVTB,setpts=PTS-STARTPTS[main];[1:v]settb=AVTB,setpts=PTS-STARTPTS[ref];[main][ref]libvmaf=log_fmt=json:log_path=output.json" -f null - +
Apply limited difference filter using second and optionally third video stream. +
+The filter accepts the following options: +
+Set the threshold to use when allowing certain differences between video streams. +Any absolute difference value lower or exact than this threshold will pick pixel components from +first video stream. +
+Set the elasticity of soft thresholding when processing video streams. +This value multiplied with first one sets second threshold. +Any absolute difference value greater or exact than second threshold will pick pixel components +from second video stream. For values between those two threshold +linear interpolation between first and second video stream will be used. +
+Enable the reference (third) video stream processing. By default is disabled. +If set, this video stream will be used for calculating absolute difference with first video +stream. +
+Specify which planes will be processed. Defaults to all available. +
This filter supports the all above options as commands except option ‘reference’. +
+ +Limits the pixel components values to the specified range [min, max]. +
+The filter accepts the following options: +
+Lower bound. Defaults to the lowest allowed value for the input. +
+Upper bound. Defaults to the highest allowed value for the input. +
+Specify which planes will be processed. Defaults to all available. +
This filter supports the all above options as commands. +
+ +Loop video frames. +
+The filter accepts the following options: +
+Set the number of loops. Setting this value to -1 will result in infinite loops. +Default is 0. +
+Set maximal size in number of frames. Default is 0. +
+Set first frame of loop. Default is 0. +
loop=loop=-1:size=1:start=0 +
loop=loop=10:size=1:start=0 +
loop=loop=5:size=10:start=0 +
Apply a 1D LUT to an input video. +
+The filter accepts the following options: +
+Set the 1D LUT file name. +
+Currently supported formats: +
Iridas +
cineSpace +
Select interpolation mode. +
+Available values are: +
+Use values from the nearest defined point. +
Interpolate values using the linear interpolation. +
Interpolate values using the cosine interpolation. +
Interpolate values using the cubic interpolation. +
Interpolate values using the spline interpolation. +
This filter supports the all above options as commands. +
+ +Apply a 3D LUT to an input video. +
+The filter accepts the following options: +
+Set the 3D LUT file name. +
+Currently supported formats: +
AfterEffects +
Iridas +
DaVinci +
Pandora +
cineSpace +
Select interpolation mode. +
+Available values are: +
+Use values from the nearest defined point. +
Interpolate values using the 8 points defining a cube. +
Interpolate values using a tetrahedron. +
Interpolate values using a pyramid. +
Interpolate values using a prism. +
This filter supports the interp option as commands.
+
Turn certain luma values into transparency. +
+The filter accepts the following options: +
+Set the luma which will be used as base for transparency.
+Default value is 0.
+
Set the range of luma values to be keyed out.
+Default value is 0.01.
+
Set the range of softness. Default value is 0.
+Use this to control gradual transition from zero to full transparency.
+
This filter supports same commands as options. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
+ +Compute a look-up table for binding each pixel component input value +to an output value, and apply it to the input video. +
+lutyuv applies a lookup table to a YUV input video, lutrgb +to an RGB input video. +
+These filters accept the following parameters: +
set first pixel component expression +
set second pixel component expression +
set third pixel component expression +
set fourth pixel component expression, corresponds to the alpha component +
+set red component expression +
set green component expression +
set blue component expression +
alpha component expression +
+set Y/luminance component expression +
set U/Cb component expression +
set V/Cr component expression +
Each of them specifies the expression to use for computing the lookup table for +the corresponding pixel component values. +
+The exact component associated to each of the c* options depends on the +format in input. +
+The lut filter requires either YUV or RGB pixel formats in input, +lutrgb requires RGB pixel formats in input, and lutyuv requires YUV. +
+The expressions can contain the following constants and functions: +
+The input width and height. +
+The input value for the pixel component. +
+The input value, clipped to the minval-maxval range. +
+The maximum value for the pixel component. +
+The minimum value for the pixel component. +
+The negated value for the pixel component value, clipped to the +minval-maxval range; it corresponds to the expression +"maxval-clipval+minval". +
+The computed value in val, clipped to the +minval-maxval range. +
+The computed gamma correction value of the pixel component value, +clipped to the minval-maxval range. It corresponds to the +expression +"pow((clipval-minval)/(maxval-minval)\,gamma)*(maxval-minval)+minval" +
+All expressions default to "clipval". +
+ +This filter supports same commands as options. +
+ +lutrgb="r=maxval+minval-val:g=maxval+minval-val:b=maxval+minval-val" +lutyuv="y=maxval+minval-val:u=maxval+minval-val:v=maxval+minval-val" +
The above is the same as: +
lutrgb="r=negval:g=negval:b=negval" +lutyuv="y=negval:u=negval:v=negval" +
lutyuv=y=negval +
lutyuv="u=128:v=128" +
lutyuv="y=2*val" +
lutrgb="g=0:b=0" +
format=rgba,lutrgb=a="maxval-minval/2" +
lutyuv=y=gammaval(0.5) +
lutyuv=y='bitand(val, 128+64+32)' +
lutyuv=u='(val-maxval/2)*2+maxval/2':v='(val-maxval/2)*2+maxval/2' +
The lut2 filter takes two input streams and outputs one
+stream.
+
The tlut2 (time lut2) filter takes two consecutive frames
+from one single stream.
+
This filter accepts the following parameters: +
set first pixel component expression +
set second pixel component expression +
set third pixel component expression +
set fourth pixel component expression, corresponds to the alpha component +
+set output bit depth, only available for lut2 filter. By default is 0,
+which means bit depth is automatically picked from first input format.
+
The lut2 filter also supports the framesync options.
+
Each of them specifies the expression to use for computing the lookup table for +the corresponding pixel component values. +
+The exact component associated to each of the c* options depends on the +format in inputs. +
+The expressions can contain the following constants: +
+The input width and height. +
+The first input value for the pixel component. +
+The second input value for the pixel component. +
+The first input video bit depth. +
+The second input video bit depth. +
All expressions default to "x". +
+ +This filter supports the all above options as commands except option d.
+
lut2='ifnot(x-y,0,pow(2,bdx)-1):ifnot(x-y,0,pow(2,bdx)-1):ifnot(x-y,0,pow(2,bdx)-1)' +
lut2='ifnot(x-y,0,pow(2,bdx)-1):ifnot(x-y,pow(2,bdx-1),pow(2,bdx)-1):ifnot(x-y,pow(2,bdx-1),pow(2,bdx)-1)' +
lut2='if(lt(x,y),0,if(gt(x,y),pow(2,bdx)-1,pow(2,bdx-1))):if(lt(x,y),0,if(gt(x,y),pow(2,bdx)-1,pow(2,bdx-1))):if(lt(x,y),0,if(gt(x,y),pow(2,bdx)-1,pow(2,bdx-1)))' +
Clamp the first input stream with the second input and third input stream. +
+Returns the value of first stream to be between second input
+stream - undershoot and third input stream + overshoot.
+
This filter accepts the following options: +
Default value is 0.
+
Default value is 0.
+
Set which planes will be processed as bitmap, unprocessed planes will be +copied from first stream. +By default value 0xf, all planes will be processed. +
This filter supports the all above options as commands. +
+ +Merge the second and third input stream into output stream using absolute differences +between second input stream and first input stream and absolute difference between +third input stream and first input stream. The picked value will be from second input +stream if second absolute difference is greater than first one or from third input stream +otherwise. +
+This filter accepts the following options: +
Set which planes will be processed as bitmap, unprocessed planes will be +copied from first stream. +By default value 0xf, all planes will be processed. +
This filter supports the all above options as commands. +
+ +Merge the first input stream with the second input stream using per pixel +weights in the third input stream. +
+A value of 0 in the third stream pixel component means that pixel component +from first stream is returned unchanged, while maximum value (eg. 255 for +8-bit videos) means that pixel component from second stream is returned +unchanged. Intermediate values define the amount of merging between both +input stream’s pixel components. +
+This filter accepts the following options: +
Set which planes will be processed as bitmap, unprocessed planes will be +copied from first stream. +By default value 0xf, all planes will be processed. +
This filter supports the all above options as commands. +
+ +Merge the second and third input stream into output stream using absolute differences +between second input stream and first input stream and absolute difference between +third input stream and first input stream. The picked value will be from second input +stream if second absolute difference is less than first one or from third input stream +otherwise. +
+This filter accepts the following options: +
Set which planes will be processed as bitmap, unprocessed planes will be +copied from first stream. +By default value 0xf, all planes will be processed. +
This filter supports the all above options as commands. +
+ +Pick pixels comparing absolute difference of two video streams with fixed +threshold. +
+If absolute difference between pixel component of first and second video +stream is equal or lower than user supplied threshold than pixel component +from first video stream is picked, otherwise pixel component from second +video stream is picked. +
+This filter accepts the following options: +
Set threshold used when picking pixels from absolute difference from two input +video streams. +
+Set which planes will be processed as bitmap, unprocessed planes will be +copied from second stream. +By default value 0xf, all planes will be processed. +
+Set mode of filter operation. Can be abs or diff.
+Default is abs.
+
This filter supports the all above options as commands. +
+ +Create mask from input video. +
+For example it is useful to create motion masks after tblend filter.
+
This filter accepts the following options: +
+Set low threshold. Any pixel component lower or exact than this value will be set to 0. +
+Set high threshold. Any pixel component higher than this value will be set to max value +allowed for current pixel format. +
+Set planes to filter, by default all available planes are filtered. +
+Fill all frame pixels with this value. +
+Set max average pixel value for frame. If sum of all pixel components is higher that this
+average, output frame will be completely filled with value set by fill option.
+Typically useful for scene changes when used in combination with tblend filter.
+
This filter supports the all above options as commands. +
+ +Apply motion-compensation deinterlacing. +
+It needs one field per frame as input and must thus be used together +with yadif=1/3 or equivalent. +
+This filter is only available in ffmpeg version 4.4 or earlier. +
+This filter accepts the following options: +
Set the deinterlacing mode. +
+It accepts one of the following values: +
use iterative motion estimation +
like ‘slow’, but use multiple reference frames. +
Default value is ‘fast’. +
+Set the picture field parity assumed for the input video. It must be +one of the following values: +
+assume top field first +
assume bottom field first +
Default value is ‘bff’. +
+Set per-block quantization parameter (QP) used by the internal +encoder. +
+Higher values should result in a smoother motion vector field but less +optimal individual vectors. Default value is 1. +
Pick median pixel from certain rectangle defined by radius. +
+This filter accepts the following options: +
+Set horizontal radius size. Default value is 1.
+Allowed range is integer from 1 to 127.
+
Set which planes to process. Default is 15, which is all available planes.
+
Set vertical radius size. Default value is 0.
+Allowed range is integer from 0 to 127.
+If it is 0, value will be picked from horizontal radius option.
+
Set median percentile. Default value is 0.5.
+Default value of 0.5 will pick always median values, while 0 will pick
+minimum values, and 1 maximum values.
+
This filter supports same commands as options. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
+ +Merge color channel components from several video streams. +
+The filter accepts up to 4 input streams, and merge selected input +planes to the output video. +
+This filter accepts the following options: +
Set input to output plane mapping. Default is 0.
+
The mappings is specified as a bitmap. It should be specified as a +hexadecimal number in the form 0xAa[Bb[Cc[Dd]]]. ’Aa’ describes the +mapping for the first plane of the output stream. ’A’ sets the number of +the input stream to use (from 0 to 3), and ’a’ the plane number of the +corresponding input to use (from 0 to 3). The rest of the mappings is +similar, ’Bb’ describes the mapping for the output stream second +plane, ’Cc’ describes the mapping for the output stream third plane and +’Dd’ describes the mapping for the output stream fourth plane. +
+Set output pixel format. Default is yuva444p.
+
Set input to output stream mapping for output Nth plane. Default is 0.
+
Set input to output plane mapping for output Nth plane. Default is 0.
+
[a0][a1][a2]mergeplanes=0x001020:yuv444p +
[a0][a1]mergeplanes=0x00010210:yuva444p +
format=yuva444p,mergeplanes=0x03010200:yuva444p +
format=yuv420p,mergeplanes=0x000201:yuv420p +
format=rgb24,mergeplanes=0x000102:yuv444p +
Estimate and export motion vectors using block matching algorithms. +Motion vectors are stored in frame side data to be used by other filters. +
+This filter accepts the following options: +
Specify the motion estimation method. Accepts one of the following values: +
+Exhaustive search algorithm. +
Three step search algorithm. +
Two dimensional logarithmic search algorithm. +
New three step search algorithm. +
Four step search algorithm. +
Diamond search algorithm. +
Hexagon-based search algorithm. +
Enhanced predictive zonal search algorithm. +
Uneven multi-hexagon search algorithm. +
Default value is ‘esa’. +
+Macroblock size. Default 16.
+
Search parameter. Default 7.
+
Apply Midway Image Equalization effect using two video streams. +
+Midway Image Equalization adjusts a pair of images to have the same +histogram, while maintaining their dynamics as much as possible. It’s +useful for e.g. matching exposures from a pair of stereo cameras. +
+This filter has two inputs and one output, which must be of same pixel format, but +may be of different sizes. The output of filter is first input adjusted with +midway histogram of both inputs. +
+This filter accepts the following option: +
+Set which planes to process. Default is 15, which is all available planes.
+
Convert the video to specified frame rate using motion interpolation. +
+This filter accepts the following options: +
Specify the output frame rate. This can be rational e.g. 60000/1001. Frames are dropped if fps is lower than source fps. Default 60.
+
Motion interpolation mode. Following values are accepted: +
Duplicate previous or next frame for interpolating new ones. +
Blend source frames. Interpolated frame is mean of previous and next frames. +
Motion compensated interpolation. Following options are effective when this mode is selected: +
+Motion compensation mode. Following values are accepted: +
Overlapped block motion compensation. +
Adaptive overlapped block motion compensation. Window weighting coefficients are controlled adaptively according to the reliabilities of the neighboring motion vectors to reduce oversmoothing. +
Default mode is ‘obmc’. +
+Motion estimation mode. Following values are accepted: +
Bidirectional motion estimation. Motion vectors are estimated for each source frame in both forward and backward directions. +
Bilateral motion estimation. Motion vectors are estimated directly for interpolated frame. +
Default mode is ‘bilat’. +
+The algorithm to be used for motion estimation. Following values are accepted: +
Exhaustive search algorithm. +
Three step search algorithm. +
Two dimensional logarithmic search algorithm. +
New three step search algorithm. +
Four step search algorithm. +
Diamond search algorithm. +
Hexagon-based search algorithm. +
Enhanced predictive zonal search algorithm. +
Uneven multi-hexagon search algorithm. +
Default algorithm is ‘epzs’. +
+Macroblock size. Default 16.
+
Motion estimation search parameter. Default 32.
+
Enable variable-size block motion compensation. Motion estimation is applied with smaller block sizes at object boundaries in order to make the them less blur. Default is 0 (disabled).
+
Scene change detection method. Scene change leads motion vectors to be in random direction. Scene change detection replace interpolated frames by duplicate ones. May not be needed for other modes. Following values are accepted: +
Disable scene change detection. +
Frame difference. Corresponding pixel values are compared and if it satisfies scd_threshold scene change is detected. +
Default method is ‘fdiff’. +
+Scene change detection threshold. Default is 10..
+
Mix several video input streams into one video stream. +
+A description of the accepted options follows. +
+The number of inputs. If unspecified, it defaults to 2. +
+Specify weight of each input video stream as sequence. +Each weight is separated by space. If number of weights +is smaller than number of frames last specified +weight will be used for all remaining unset weights. +
+Specify scale, if it is set it will be multiplied with sum +of each weight multiplied with pixel values to give final destination +pixel value. By default scale is auto scaled to sum of weights. +
+Set which planes to filter. Default is all. Allowed range is from 0 to 15. +
+Specify how end of stream is determined. +
The duration of the longest input. (default) +
+The duration of the shortest input. +
+The duration of the first input. +
This filter supports the following commands: +
Syntax is same as option with same name. +
Convert video to gray using custom color filter. +
+A description of the accepted options follows. +
+Set the chroma blue spot. Allowed range is from -1 to 1. +Default value is 0. +
+Set the chroma red spot. Allowed range is from -1 to 1. +Default value is 0. +
+Set the color filter size. Allowed range is from .1 to 10. +Default value is 1. +
+Set the highlights strength. Allowed range is from 0 to 1. +Default value is 0. +
This filter supports the all above options as commands. +
+ +This filter allows to apply main morphological grayscale transforms, +erode and dilate with arbitrary structures set in second input stream. +
+Unlike naive implementation and much slower performance in erosion
+and dilation filters, when speed is critical morpho filter
+should be used instead.
+
A description of accepted options follows, +
+Set morphological transform to apply, can be: +
+Default is erode.
+
Set planes to filter, by default all planes except alpha are filtered. +
+Set which structure video frames will be processed from second input stream, +can be first or all. Default is all. +
The morpho filter also supports the framesync options.
+
This filter supports same commands as options. +
+ +Drop frames that do not differ greatly from the previous frame in +order to reduce frame rate. +
+The main use of this filter is for very-low-bitrate encoding +(e.g. streaming over dialup modem), but it could in theory be used for +fixing movies that were inverse-telecined incorrectly. +
+A description of the accepted options follows. +
+Set the maximum number of consecutive frames which can be dropped (if +positive), or the minimum interval between dropped frames (if +negative). If the value is 0, the frame is dropped disregarding the +number of previous sequentially dropped frames. +
+Default value is 0. +
+Set the dropping threshold values. +
+Values for hi and lo are for 8x8 pixel blocks and +represent actual pixel value differences, so a threshold of 64 +corresponds to 1 unit of difference for each pixel, or the same spread +out differently over the block. +
+A frame is a candidate for dropping if no 8x8 blocks differ by more +than a threshold of hi, and if no more than frac blocks (1 +meaning the whole image) differ by more than a threshold of lo. +
+Default value for hi is 64*12, default value for lo is +64*5, and default value for frac is 0.33. +
Obtain the MSAD (Mean Sum of Absolute Differences) between two input videos. +
+This filter takes two input videos. +
+Both input videos must have the same resolution and pixel format for +this filter to work correctly. Also it assumes that both inputs +have the same number of frames, which are compared one by one. +
+The obtained per component, average, min and max MSAD is printed through +the logging system. +
+The filter stores the calculated MSAD of each frame in frame metadata. +
+In the below example the input file main.mpg being processed is compared +with the reference file ref.mpg. +
+ffmpeg -i main.mpg -i ref.mpg -lavfi msad -f null - +
Multiply first video stream pixels values with second video stream pixels values. +
+The filter accepts the following options: +
+Set the scale applied to second video stream. By default is 1.
+Allowed range is from 0 to 9.
+
Set the offset applied to second video stream. By default is 0.5.
+Allowed range is from -1 to 1.
+
Specify planes from input video stream that will be processed. +By default all planes are processed. +
This filter supports same commands as options. +
+ +Negate (invert) the input video. +
+It accepts the following option: +
+Set components to negate. +
+Available values for components are: +
With value 1, it negates the alpha component, if present. Default value is 0. +
This filter supports same commands as options. +
+ +Denoise frames using Non-Local Means algorithm. +
+Each pixel is adjusted by looking for other pixels with similar contexts. This +context similarity is defined by comparing their surrounding patches of size +pxp. Patches are searched in an area of rxr +around the pixel. +
+Note that the research area defines centers for patches, which means some +patches will be made of pixels outside that research area. +
+The filter accepts the following options. +
+Set denoising strength. Default is 1.0. Must be in range [1.0, 30.0]. +
+Set patch size. Default is 7. Must be odd number in range [0, 99]. +
+Same as p but for chroma planes. +
+The default value is 0 and means automatic. +
+Set research size. Default is 15. Must be odd number in range [0, 99]. +
+Same as r but for chroma planes. +
+The default value is 0 and means automatic. +
Deinterlace video using neural network edge directed interpolation. +
+This filter accepts the following options: +
+Mandatory option, without binary file filter can not work. +Currently file can be found here: +https://github.com/dubhater/vapoursynth-nnedi3/blob/master/src/nnedi3_weights.bin +
+Set which frames to deinterlace, by default it is all.
+Can be all or interlaced.
+
Set mode of operation. +
+Can be one of the following: +
+Use frame flags, both fields. +
Use frame flags, single field. +
Use top field only. +
Use bottom field only. +
Use both fields, top first. +
Use both fields, bottom first. +
Set which planes to process, by default filter process all frames. +
+Set size of local neighborhood around each pixel, used by the predictor neural +network. +
+Can be one of the following: +
+Set the number of neurons in predictor neural network. +Can be one of the following: +
+Controls the number of different neural network predictions that are blended
+together to compute the final output value. Can be fast, default or
+slow.
+
Set which set of weights to use in the predictor. +Can be one of the following: +
+weights trained to minimize absolute error +
weights trained to minimize squared error +
Controls whether or not the prescreener neural network is used to decide +which pixels should be processed by the predictor neural network and which +can be handled by simple cubic interpolation. +The prescreener is trained to know whether cubic interpolation will be +sufficient for a pixel or whether it should be predicted by the predictor nn. +The computational complexity of the prescreener nn is much less than that of +the predictor nn. Since most pixels can be handled by cubic interpolation, +using the prescreener generally results in much faster processing. +The prescreener is pretty accurate, so the difference between using it and not +using it is almost always unnoticeable. +
+Can be one of the following: +
+Default is new.
+
This filter supports same commands as options, excluding weights option. +
+ +Force libavfilter not to use any of the specified pixel formats for the +input to the next filter. +
+It accepts the following parameters: +
A ’|’-separated list of pixel format names, such as +pix_fmts=yuv420p|monow|rgb24". +
+noformat=pix_fmts=yuv420p,vflip +
noformat=yuv420p|yuv444p|yuv410p +
Add noise on video input frame. +
+The filter accepts the following options: +
+Set noise seed for specific pixel component or all pixel components in case
+of all_seed. Default value is 123457.
+
Set noise strength for specific pixel component or all pixel components in case
+all_strength. Default value is 0. Allowed range is [0, 100].
+
Set pixel component flags or set flags for all components if all_flags. +Available values for component flags are: +
averaged temporal noise (smoother) +
mix random noise with a (semi)regular pattern +
temporal noise (noise pattern changes between frames) +
uniform noise (gaussian otherwise) +
Add temporal and uniform noise to input video: +
noise=alls=20:allf=t+u +
Normalize RGB video (aka histogram stretching, contrast stretching). +See: https://en.wikipedia.org/wiki/Normalization_(image_processing) +
+For each channel of each frame, the filter computes the input range and maps +it linearly to the user-specified output range. The output range defaults +to the full dynamic range from pure black to pure white. +
+Temporal smoothing can be used on the input range to reduce flickering (rapid +changes in brightness) caused when small dark or bright objects enter or leave +the scene. This is similar to the auto-exposure (automatic gain control) on a +video camera, and, like a video camera, it may cause a period of over- or +under-exposure of the video. +
+The R,G,B channels can be normalized independently, which may cause some +color shifting, or linked together as a single channel, which prevents +color shifting. Linked normalization preserves hue. Independent normalization +does not, so it can be used to remove some color casts. Independent and linked +normalization can be combined in any ratio. +
+The normalize filter accepts the following options: +
+Colors which define the output range. The minimum input value is mapped to +the blackpt. The maximum input value is mapped to the whitept. +The defaults are black and white respectively. Specifying white for +blackpt and black for whitept will give color-inverted, +normalized video. Shades of grey can be used to reduce the dynamic range +(contrast). Specifying saturated colors here can create some interesting +effects. +
+The number of previous frames to use for temporal smoothing. The input range +of each channel is smoothed using a rolling average over the current frame +and the smoothing previous frames. The default is 0 (no temporal +smoothing). +
+Controls the ratio of independent (color shifting) channel normalization to +linked (color preserving) normalization. 0.0 is fully linked, 1.0 is fully +independent. Defaults to 1.0 (fully independent). +
+Overall strength of the filter. 1.0 is full strength. 0.0 is a rather +expensive no-op. Defaults to 1.0 (full strength). +
+This filter supports same commands as options, excluding smoothing option. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
+ +Stretch video contrast to use the full dynamic range, with no temporal +smoothing; may flicker depending on the source content: +
normalize=blackpt=black:whitept=white:smoothing=0 +
As above, but with 50 frames of temporal smoothing; flicker should be +reduced, depending on the source content: +
normalize=blackpt=black:whitept=white:smoothing=50 +
As above, but with hue-preserving linked channel normalization: +
normalize=blackpt=black:whitept=white:smoothing=50:independence=0 +
As above, but with half strength: +
normalize=blackpt=black:whitept=white:smoothing=50:independence=0:strength=0.5 +
Map the darkest input color to red, the brightest input color to cyan: +
normalize=blackpt=red:whitept=cyan +
Pass the video source unchanged to the output. +
+ +Optical Character Recognition +
+This filter uses Tesseract for optical character recognition. To enable
+compilation of this filter, you need to configure FFmpeg with
+--enable-libtesseract.
+
It accepts the following options: +
+Set datapath to tesseract data. Default is to use whatever was +set at installation. +
+Set language, default is "eng". +
+Set character whitelist. +
+Set character blacklist. +
The filter exports recognized text as the frame metadata lavfi.ocr.text.
+The filter exports confidence of recognized words as the frame metadata lavfi.ocr.confidence.
+
Apply a video transform using libopencv. +
+To enable this filter, install the libopencv library and headers and
+configure FFmpeg with --enable-libopencv.
+
It accepts the following parameters: +
+The name of the libopencv filter to apply. +
+The parameters to pass to the libopencv filter. If not specified, the default +values are assumed. +
+Refer to the official libopencv documentation for more precise +information: +http://docs.opencv.org/master/modules/imgproc/doc/filtering.html +
+Several libopencv filters are supported; see the following subsections. +
+ +Dilate an image by using a specific structuring element.
+It corresponds to the libopencv function cvDilate.
+
It accepts the parameters: struct_el|nb_iterations. +
+struct_el represents a structuring element, and has the syntax: +colsxrows+anchor_xxanchor_y/shape +
+cols and rows represent the number of columns and rows of +the structuring element, anchor_x and anchor_y the anchor +point, and shape the shape for the structuring element. shape +must be "rect", "cross", "ellipse", or "custom". +
+If the value for shape is "custom", it must be followed by a +string of the form "=filename". The file with name +filename is assumed to represent a binary image, with each +printable character corresponding to a bright pixel. When a custom +shape is used, cols and rows are ignored, the number +or columns and rows of the read file are assumed instead. +
+The default value for struct_el is "3x3+0x0/rect". +
+nb_iterations specifies the number of times the transform is +applied to the image, and defaults to 1. +
+Some examples: +
# Use the default values +ocv=dilate + +# Dilate using a structuring element with a 5x5 cross, iterating two times +ocv=filter_name=dilate:filter_params=5x5+2x2/cross|2 + +# Read the shape from the file diamond.shape, iterating two times. +# The file diamond.shape may contain a pattern of characters like this +# * +# *** +# ***** +# *** +# * +# The specified columns and rows are ignored +# but the anchor point coordinates are not +ocv=dilate:0x0+2x2/custom=diamond.shape|2 +
Erode an image by using a specific structuring element.
+It corresponds to the libopencv function cvErode.
+
It accepts the parameters: struct_el:nb_iterations, +with the same syntax and semantics as the dilate filter. +
+ +Smooth the input video. +
+The filter takes the following parameters: +type|param1|param2|param3|param4. +
+type is the type of smooth filter to apply, and must be one of +the following values: "blur", "blur_no_scale", "median", "gaussian", +or "bilateral". The default value is "gaussian". +
+The meaning of param1, param2, param3, and param4 +depends on the smooth type. param1 and +param2 accept integer positive values or 0. param3 and +param4 accept floating point values. +
+The default value for param1 is 3. The default value for the +other parameters is 0. +
+These parameters correspond to the parameters assigned to the
+libopencv function cvSmooth.
+
2D Video Oscilloscope. +
+Useful to measure spatial impulse, step responses, chroma delays, etc. +
+It accepts the following parameters: +
+Set scope center x position. +
+Set scope center y position. +
+Set scope size, relative to frame diagonal. +
+Set scope tilt/rotation. +
+Set trace opacity. +
+Set trace center x position. +
+Set trace center y position. +
+Set trace width, relative to width of frame. +
+Set trace height, relative to height of frame. +
+Set which components to trace. By default it traces first three components. +
+Draw trace grid. By default is enabled. +
+Draw some statistics. By default is enabled. +
+Draw scope. By default is enabled. +
This filter supports same commands as options. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
+ +oscilloscope=x=0.5:y=0:s=1 +
oscilloscope=x=0.5:y=1:s=1 +
oscilloscope=x=0.5:y=5/1080:s=1 +
oscilloscope=x=1:y=0.5:s=1:t=1 +
Overlay one video on top of another. +
+It takes two inputs and has one output. The first input is the "main" +video on which the second input is overlaid. +
+It accepts the following parameters: +
+A description of the accepted options follows. +
+Set the expression for the x and y coordinates of the overlaid video +on the main video. Default value is "0" for both expressions. In case +the expression is invalid, it is set to a huge value (meaning that the +overlay will not be displayed within the output visible area). +
+See framesync. +
+Set when the expressions for x, and y are evaluated. +
+It accepts the following values: +
only evaluate expressions once during the filter initialization or +when a command is processed +
+evaluate expressions for each incoming frame +
Default value is ‘frame’. +
+See framesync. +
+Set the format for the output video. +
+It accepts the following values: +
force YUV420 output +
+force YUV420p10 output +
+force YUV422 output +
+force YUV422p10 output +
+force YUV444 output +
+force packed RGB output +
+force planar RGB output +
+automatically pick format +
Default value is ‘yuv420’. +
+See framesync. +
+Set format of alpha of the overlaid video, it can be straight or +premultiplied. Default is straight. +
The x, and y expressions can contain the following +parameters. +
+The main input width and height. +
+The overlay input width and height. +
+The computed values for x and y. They are evaluated for +each new frame. +
+horizontal and vertical chroma subsample values of the output +format. For example for the pixel format "yuv422p" hsub is 2 and +vsub is 1. +
+the number of input frame, starting from 0 +
+the position in the file of the input frame, NAN if unknown +
+The timestamp, expressed in seconds. It’s NAN if the input timestamp is unknown. +
+This filter also supports the framesync options. +
+Note that the n, pos, t variables are available only +when evaluation is done per frame, and will evaluate to NAN +when eval is set to ‘init’. +
+Be aware that frames are taken from each input video in timestamp +order, hence, if their initial timestamps differ, it is a good idea +to pass the two inputs through a setpts=PTS-STARTPTS filter to +have them begin in the same zero timestamp, as the example for +the movie filter does. +
+You can chain together more overlays but you should test the +efficiency of such approach. +
+ +This filter supports the following commands: +
Modify the x and y of the overlay input. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
overlay=main_w-overlay_w-10:main_h-overlay_h-10 +
Using named options the example above becomes: +
overlay=x=main_w-overlay_w-10:y=main_h-overlay_h-10 +
ffmpeg tool with the -filter_complex option:
+ffmpeg -i input -i logo -filter_complex 'overlay=10:main_h-overlay_h-10' output +
ffmpeg tool:
+ffmpeg -i input -i logo1 -i logo2 -filter_complex 'overlay=x=10:y=H-h-10,overlay=x=W-w-10:y=H-h-10' output +
WxH
+must specify the size of the main input to the overlay filter:
+color=color=red@.3:size=WxH [over]; [in][over] overlay [out] +
ffplay tool:
+ffplay input.avi -vf 'split[a][b]; [a]pad=iw*2:ih[src]; [b]deshake[filt]; [src][filt]overlay=w' +
The above command is the same as: +
ffplay input.avi -vf 'split[b], pad=iw*2[src], [b]deshake, [src]overlay=w' +
overlay=x='if(gte(t,2), -w+(t-2)*20, NAN)':y=0 +
ffmpeg -i left.avi -i right.avi -filter_complex " +nullsrc=size=200x100 [background]; +[0:v] setpts=PTS-STARTPTS, scale=100x100 [left]; +[1:v] setpts=PTS-STARTPTS, scale=100x100 [right]; +[background][left] overlay=shortest=1 [background+left]; +[background+left][right] overlay=shortest=1:x=100 [left+right] +" +
ffmpeg -i test.avi -codec:v:0 wmv2 -ar 11025 -b:v 9000k +-vf '[in]split[split_main][split_delogo];[split_delogo]trim=start=360:end=371,delogo=0:0:640:480[delogoed];[split_main][delogoed]overlay=eof_action=pass[out]' +masked.avi +
nullsrc=s=200x200 [bg]; +testsrc=s=100x100, split=4 [in0][in1][in2][in3]; +[in0] lutrgb=r=0, [bg] overlay=0:0 [mid0]; +[in1] lutrgb=g=0, [mid0] overlay=100:0 [mid1]; +[in2] lutrgb=b=0, [mid1] overlay=0:100 [mid2]; +[in3] null, [mid2] overlay=100:100 [out0] +
Overlay one video on top of another. +
+This is the CUDA variant of the overlay filter. +It only accepts CUDA frames. The underlying input pixel formats have to match. +
+It takes two inputs and has one output. The first input is the "main" +video on which the second input is overlaid. +
+It accepts the following parameters: +
+Set expressions for the x and y coordinates of the overlaid video +on the main video. +
+They can contain the following parameters: +
+The main input width and height. +
+The overlay input width and height. +
+The computed values for x and y. They are evaluated for +each new frame. +
+The ordinal index of the main input frame, starting from 0. +
+The byte offset position in the file of the main input frame, NAN if unknown. +
+The timestamp of the main input frame, expressed in seconds, NAN if unknown. +
+Default value is "0" for both expressions. +
+Set when the expressions for x and y are evaluated. +
+It accepts the following values: +
Evaluate expressions once during filter initialization or +when a command is processed. +
+Evaluate expressions for each incoming frame +
Default value is frame. +
+See framesync. +
+See framesync. +
+See framesync. +
+This filter also supports the framesync options. +
+ +Apply Overcomplete Wavelet denoiser. +
+The filter accepts the following options: +
+Set depth. +
+Larger depth values will denoise lower frequency components more, but +slow down filtering. +
+Must be an int in the range 8-16, default is 8.
+
Set luma strength. +
+Must be a double value in the range 0-1000, default is 1.0.
+
Set chroma strength. +
+Must be a double value in the range 0-1000, default is 1.0.
+
Add paddings to the input image, and place the original input at the +provided x, y coordinates. +
+It accepts the following parameters: +
+Specify an expression for the size of the output image with the +paddings added. If the value for width or height is 0, the +corresponding input size is used for the output. +
+The width expression can reference the value set by the +height expression, and vice versa. +
+The default value of width and height is 0. +
+Specify the offsets to place the input image at within the padded area, +with respect to the top/left border of the output image. +
+The x expression can reference the value set by the y +expression, and vice versa. +
+The default value of x and y is 0. +
+If x or y evaluate to a negative number, they’ll be changed +so the input image is centered on the padded area. +
+Specify the color of the padded area. For the syntax of this option, +check the (ffmpeg-utils)"Color" section in the ffmpeg-utils +manual. +
+The default value of color is "black". +
+Specify when to evaluate width, height, x and y expression. +
+It accepts the following values: +
+Only evaluate expressions once during the filter initialization or when +a command is processed. +
+Evaluate expressions for each incoming frame. +
+Default value is ‘init’. +
+Pad to aspect instead to a resolution. +
+The value for the width, height, x, and y +options are expressions containing the following constants: +
+The input video width and height. +
+These are the same as in_w and in_h. +
+The output width and height (the size of the padded area), as +specified by the width and height expressions. +
+These are the same as out_w and out_h. +
+The x and y offsets as specified by the x and y +expressions, or NAN if not yet specified. +
+same as iw / ih +
+input sample aspect ratio +
+input display aspect ratio, it is the same as (iw / ih) * sar +
+The horizontal and vertical chroma subsample values. For example for the +pixel format "yuv422p" hsub is 2 and vsub is 1. +
pad=640:480:0:40:violet +
The example above is equivalent to the following command: +
pad=width=640:height=480:x=0:y=40:color=violet +
pad="3/2*iw:3/2*ih:(ow-iw)/2:(oh-ih)/2" +
pad="max(iw\,ih):ow:(ow-iw)/2:(oh-ih)/2" +
pad="ih*16/9:ih:(ow-iw)/2:(oh-ih)/2" +
(ih * X / ih) * sar = output_dar +X = output_dar / sar +
Thus the previous example needs to be modified to: +
pad="ih*16/9/sar:ih:(ow-iw)/2:(oh-ih)/2" +
pad="2*iw:2*ih:ow-iw:oh-ih" +
Generate one palette for a whole video stream. +
+It accepts the following options: +
+Set the maximum number of colors to quantize in the palette. +Note: the palette will still contain 256 colors; the unused palette entries +will be black. +
+Create a palette of 255 colors maximum and reserve the last one for +transparency. Reserving the transparency color is useful for GIF optimization. +If not set, the maximum of colors in the palette will be 256. You probably want +to disable this option for a standalone image. +Set by default. +
+Set the color that will be used as background for transparency. +
+Set statistics mode. +
+It accepts the following values: +
Compute full frame histograms. +
Compute histograms only for the part that differs from previous frame. This +might be relevant to give more importance to the moving part of your input if +the background is static. +
Compute new histogram for each frame. +
Default value is full. +
Create a palette of colors with alpha components. +Setting this, will automatically disable ’reserve_transparent’. +
The filter also exports the frame metadata lavfi.color_quant_ratio
+(nb_color_in / nb_color_out) which you can use to evaluate the degree of
+color quantization of the palette. This information is also visible at
+info logging level.
+
ffmpeg:
+ffmpeg -i input.mkv -vf palettegen palette.png +
Use a palette to downsample an input video stream. +
+The filter takes two inputs: one video stream and a palette. The palette must +be a 256 pixels image. +
+It accepts the following options: +
+Select dithering mode. Available algorithms are: +
Ordered 8x8 bayer dithering (deterministic) +
Dithering as defined by Paul Heckbert in 1982 (simple error diffusion). +Note: this dithering is sometimes considered "wrong" and is included as a +reference. +
Floyd and Steingberg dithering (error diffusion) +
Frankie Sierra dithering v2 (error diffusion) +
Frankie Sierra dithering v2 "Lite" (error diffusion) +
Default is sierra2_4a. +
+When bayer dithering is selected, this option defines the scale of the +pattern (how much the crosshatch pattern is visible). A low value means more +visible pattern for less banding, and higher value means less visible pattern +at the cost of more banding. +
+The option must be an integer value in the range [0,5]. Default is 2. +
+If set, define the zone to process +
+Only the changing rectangle will be reprocessed. This is similar to GIF +cropping/offsetting compression mechanism. This option can be useful for speed +if only a part of the image is changing, and has use cases such as limiting the +scope of the error diffusal dither to the rectangle that bounds the +moving scene (it leads to more deterministic output if the scene doesn’t change +much, and as a result less moving noise and better GIF compression). +
Default is none. +
+Take new palette for each output frame. +
+Sets the alpha threshold for transparency. Alpha values above this threshold +will be treated as completely opaque, and values below this threshold will be +treated as completely transparent. +
+The option must be an integer value in the range [0,255]. Default is 128. +
+Apply the palette by taking alpha values into account. Only useful with +palettes that are containing multiple colors with alpha components. +Setting this will automatically disable ’alpha_treshold’. +
ffmpeg:
+ffmpeg -i input.mkv -i palette.png -lavfi paletteuse output.gif +
Correct perspective of video not recorded perpendicular to the screen. +
+A description of the accepted parameters follows. +
+Set coordinates expression for top left, top right, bottom left and bottom right corners.
+Default values are 0:0:W:0:0:H:W:H with which perspective will remain unchanged.
+If the sense option is set to source, then the specified points will be sent
+to the corners of the destination. If the sense option is set to destination,
+then the corners of the source will be sent to the specified coordinates.
+
The expressions can use the following variables: +
+the width and height of video frame. +
Input frame count. +
Output frame count. +
Set interpolation for perspective correction. +
+It accepts the following values: +
Default value is ‘linear’. +
+Set interpretation of coordinate options. +
+It accepts the following values: +
Send point in the source specified by the given coordinates to +the corners of the destination. +
+Send the corners of the source to the point in the destination specified +by the given coordinates. +
+Default value is ‘source’. +
Set when the expressions for coordinates x0,y0,...x3,y3 are evaluated. +
+It accepts the following values: +
only evaluate expressions once during the filter initialization or +when a command is processed +
+evaluate expressions for each incoming frame +
Default value is ‘init’. +
Delay interlaced video by one field time so that the field order changes. +
+The intended use is to fix PAL movies that have been captured with the +opposite field order to the film-to-video transfer. +
+A description of the accepted parameters follows. +
+Set phase mode. +
+It accepts the following values: +
Capture field order top-first, transfer bottom-first. +Filter will delay the bottom field. +
+Capture field order bottom-first, transfer top-first. +Filter will delay the top field. +
+Capture and transfer with the same field order. This mode only exists +for the documentation of the other options to refer to, but if you +actually select it, the filter will faithfully do nothing. +
+Capture field order determined automatically by field flags, transfer +opposite. +Filter selects among ‘t’ and ‘b’ modes on a frame by frame +basis using field flags. If no field information is available, +then this works just like ‘u’. +
+Capture unknown or varying, transfer opposite. +Filter selects among ‘t’ and ‘b’ on a frame by frame basis by +analyzing the images and selecting the alternative that produces best +match between the fields. +
+Capture top-first, transfer unknown or varying. +Filter selects among ‘t’ and ‘p’ using image analysis. +
+Capture bottom-first, transfer unknown or varying. +Filter selects among ‘b’ and ‘p’ using image analysis. +
+Capture determined by field flags, transfer unknown or varying. +Filter selects among ‘t’, ‘b’ and ‘p’ using field flags and +image analysis. If no field information is available, then this works just +like ‘U’. This is the default mode. +
+Both capture and transfer unknown or varying. +Filter selects among ‘t’, ‘b’ and ‘p’ using image analysis only. +
This filter supports the all above options as commands. +
+ +Reduce various flashes in video, so to help users with epilepsy. +
+It accepts the following options: +
Set how many frames to use when filtering. Default is 30. +
+Set detection threshold factor. Default is 1. +Lower is stricter. +
+Set how many pixels to skip when sampling frames. Default is 1. +Allowed range is from 1 to 1024. +
+Leave frames unchanged. Default is disabled. +
Pixel format descriptor test filter, mainly useful for internal +testing. The output video should be equal to the input video. +
+For example: +
format=monow, pixdesctest +
can be used to test the monowhite pixel format descriptor definition. +
+ +Apply pixelization to video stream. +
+The filter accepts the following options: +
Set block dimensions that will be used for pixelization.
+Default value is 16.
+
Set the mode of pixelization used. +
+Possible values are: +
Default value is avg.
+
Set what planes to filter. Default is to filter all planes. +
This filter supports all options as commands. +
+ +Display sample values of color channels. Mainly useful for checking color +and levels. Minimum supported resolution is 640x480. +
+The filters accept the following options: +
+Set scope X position, relative offset on X axis. +
+Set scope Y position, relative offset on Y axis. +
+Set scope width. +
+Set scope height. +
+Set window opacity. This window also holds statistics about pixel area. +
+Set window X position, relative offset on X axis. +
+Set window Y position, relative offset on Y axis. +
This filter supports same commands as options. +
+ +Enable the specified chain of postprocessing subfilters using libpostproc. This
+library should be automatically selected with a GPL build (--enable-gpl).
+Subfilters must be separated by ’/’ and can be disabled by prepending a ’-’.
+Each subfilter and some options have a short and a long name that can be used
+interchangeably, i.e. dr/dering are the same.
+
The filters accept the following options: +
+Set postprocessing subfilters string. +
All subfilters share common options to determine their scope: +
+Honor the quality commands for this subfilter. +
+Do chrominance filtering, too (default). +
+Do luminance filtering only (no chrominance). +
+Do chrominance filtering only (no luminance). +
These options can be appended after the subfilter name, separated by a ’|’. +
+Available subfilters are: +
+Horizontal deblocking filter +
Difference factor where higher values mean more deblocking (default: 32).
+
Flatness threshold where lower values mean more deblocking (default: 39).
+
Vertical deblocking filter +
Difference factor where higher values mean more deblocking (default: 32).
+
Flatness threshold where lower values mean more deblocking (default: 39).
+
Accurate horizontal deblocking filter +
Difference factor where higher values mean more deblocking (default: 32).
+
Flatness threshold where lower values mean more deblocking (default: 39).
+
Accurate vertical deblocking filter +
Difference factor where higher values mean more deblocking (default: 32).
+
Flatness threshold where lower values mean more deblocking (default: 39).
+
The horizontal and vertical deblocking filters share the difference and +flatness values so you cannot set different horizontal and vertical +thresholds. +
+Experimental horizontal deblocking filter +
+Experimental vertical deblocking filter +
+Deringing filter +
+larger -> stronger filtering +
larger -> stronger filtering +
larger -> stronger filtering +
Stretch luminance to 0-255.
+
Linear blend deinterlacing filter that deinterlaces the given block by
+filtering all lines with a (1 2 1) filter.
+
Linear interpolating deinterlacing filter that deinterlaces the given block by +linearly interpolating every second line. +
+Cubic interpolating deinterlacing filter deinterlaces the given block by +cubically interpolating every second line. +
+Median deinterlacing filter that deinterlaces the given block by applying a +median filter to every second line. +
+FFmpeg deinterlacing filter that deinterlaces the given block by filtering every
+second line with a (-1 4 2 4 -1) filter.
+
Vertically applied FIR lowpass deinterlacing filter that deinterlaces the given
+block by filtering all lines with a (-1 2 6 2 -1) filter.
+
Overrides the quantizer table from the input with the constant quantizer you +specify. +
Quantizer to use +
Default pp filter combination (hb|a,vb|a,dr|a)
+
Fast pp filter combination (h1|a,v1|a,dr|a)
+
High quality pp filter combination (ha|a|128|7,va|a,dr|a)
+
pp=hb/vb/dr/al +
pp=de/-al +
pp=default/tmpnoise|1|2|3 +
pp=hb|y/vb|a +
Apply Postprocessing filter 7. It is variant of the spp filter, +similar to spp = 6 with 7 point DCT, where only the center sample is +used after IDCT. +
+The filter accepts the following options: +
+Force a constant quantization parameter. It accepts an integer in range +0 to 63. If not set, the filter will use the QP from the video stream +(if available). +
+Set thresholding mode. Available modes are: +
+Set hard thresholding. +
Set soft thresholding (better de-ringing effect, but likely blurrier). +
Set medium thresholding (good results, default). +
Apply alpha premultiply effect to input video stream using first plane +of second stream as alpha. +
+Both streams must have same dimensions and same pixel format. +
+The filter accepts the following option: +
+Set which planes will be processed, unprocessed planes will be copied. +By default value 0xf, all planes will be processed. +
+Do not require 2nd input for processing, instead use alpha plane from input stream. +
Apply prewitt operator to input video stream. +
+The filter accepts the following option: +
+Set which planes will be processed, unprocessed planes will be copied. +By default value 0xf, all planes will be processed. +
+Set value which will be multiplied with filtered result. +
+Set value which will be added to filtered result. +
This filter supports the all above options as commands. +
+ +Alter frame colors in video with pseudocolors. +
+This filter accepts the following options: +
+set pixel first component expression +
+set pixel second component expression +
+set pixel third component expression +
+set pixel fourth component expression, corresponds to the alpha component +
+set component to use as base for altering colors +
+Pick one of built-in LUTs. By default is set to none. +
+Available LUTs: +
Set opacity of output colors. Allowed range is from 0 to 1. +Default value is set to 1. +
Each of the expression options specifies the expression to use for computing +the lookup table for the corresponding pixel component values. +
+The expressions can contain the following constants and functions: +
+The input width and height. +
+The input value for the pixel component. +
+The minimum allowed component value. +
+The maximum allowed component value. +
All expressions default to "val". +
+ +This filter supports the all above options as commands. +
+ +pseudocolor="'if(between(val,ymax,amax),lerp(ymin,ymax,(val-ymax)/(amax-ymax)),-1):if(between(val,ymax,amax),lerp(umax,umin,(val-ymax)/(amax-ymax)),-1):if(between(val,ymax,amax),lerp(vmin,vmax,(val-ymax)/(amax-ymax)),-1):-1'" +
Obtain the average, maximum and minimum PSNR (Peak Signal to Noise +Ratio) between two input videos. +
+This filter takes in input two input videos, the first input is +considered the "main" source and is passed unchanged to the +output. The second input is used as a "reference" video for computing +the PSNR. +
+Both video inputs must have the same resolution and pixel format for +this filter to work correctly. Also it assumes that both inputs +have the same number of frames, which are compared one by one. +
+The obtained average PSNR is printed through the logging system. +
+The filter stores the accumulated MSE (mean squared error) of each +frame, and at the end of the processing it is averaged across all frames +equally, and the following formula is applied to obtain the PSNR: +
+PSNR = 10*log10(MAX^2/MSE) +
Where MAX is the average of the maximum values of each component of the +image. +
+The description of the accepted parameters follows. +
+If specified the filter will use the named file to save the PSNR of +each individual frame. When filename equals "-" the data is sent to +standard output. +
+Specifies which version of the stats file format to use. Details of +each format are written below. +Default value is 1. +
+Determines whether the max value is output to the stats log. +Default value is 0. +Requires stats_version >= 2. If this is set and stats_version < 2, +the filter will return an error. +
This filter also supports the framesync options. +
+The file printed if stats_file is selected, contains a sequence of +key/value pairs of the form key:value for each compared +couple of frames. +
+If a stats_version greater than 1 is specified, a header line precedes +the list of per-frame-pair stats, with key value pairs following the frame +format with the following parameters: +
+The version of the log file format. Will match stats_version. +
+A comma separated list of the per-frame-pair parameters included in +the log. +
A description of each shown per-frame-pair parameter follows: +
+sequential number of the input frame, starting from 1 +
+Mean Square Error pixel-by-pixel average difference of the compared +frames, averaged over all the image components. +
+Mean Square Error pixel-by-pixel average difference of the compared +frames for the component specified by the suffix. +
+Peak Signal to Noise ratio of the compared frames for the component +specified by the suffix. +
+Maximum allowed value for each channel, and average over all +channels. +
movie=ref_movie.mpg, setpts=PTS-STARTPTS [main]; +[main][ref] psnr="stats_file=stats.log" [out] +
On this example the input file being processed is compared with the +reference file ref_movie.mpg. The PSNR of each individual frame +is stored in stats.log. +
+ffmpeg -i main.mpg -i ref.mkv -lavfi "[0:v]settb=AVTB,setpts=PTS-STARTPTS[main];[1:v]settb=AVTB,setpts=PTS-STARTPTS[ref];[main][ref]psnr" -f null - +
Pulldown reversal (inverse telecine) filter, capable of handling mixed +hard-telecine, 24000/1001 fps progressive, and 30000/1001 fps progressive +content. +
+The pullup filter is designed to take advantage of future context in making +its decisions. This filter is stateless in the sense that it does not lock +onto a pattern to follow, but it instead looks forward to the following +fields in order to identify matches and rebuild progressive frames. +
+To produce content with an even framerate, insert the fps filter after
+pullup, use fps=24000/1001 if the input frame rate is 29.97fps,
+fps=24 for 30fps and the (rare) telecined 25fps input.
+
The filter accepts the following options: +
+These options set the amount of "junk" to ignore at the left, right, top, and +bottom of the image, respectively. Left and right are in units of 8 pixels, +while top and bottom are in units of 2 lines. +The default is 8 pixels on each side. +
+Set the strict breaks. Setting this option to 1 will reduce the chances of
+filter generating an occasional mismatched frame, but it may also cause an
+excessive number of frames to be dropped during high motion sequences.
+Conversely, setting it to -1 will make filter match fields more easily.
+This may help processing of video where there is slight blurring between
+the fields, but may also cause there to be interlaced frames in the output.
+Default value is 0.
+
Set the metric plane to use. It accepts the following values: +
Use luma plane. +
+Use chroma blue plane. +
+Use chroma red plane. +
This option may be set to use chroma plane instead of the default luma plane +for doing filter’s computations. This may improve accuracy on very clean +source material, but more likely will decrease accuracy, especially if there +is chroma noise (rainbow effect) or any grayscale video. +The main purpose of setting mp to a chroma plane is to reduce CPU +load and make pullup usable in realtime on slow machines. +
For best results (without duplicated frames in the output file) it is +necessary to change the output frame rate. For example, to inverse +telecine NTSC input: +
ffmpeg -i input -vf pullup -r 24000/1001 ... +
Change video quantization parameters (QP). +
+The filter accepts the following option: +
+Set expression for quantization parameter. +
The expression is evaluated through the eval API and can contain, among others, +the following constants: +
+1 if index is not 129, 0 otherwise. +
+Sequential index starting from -129 to 128. +
qp=2+2*sin(PI*qp) +
Flush video frames from internal cache of frames into a random order. +No frame is discarded. +Inspired by frei0r nervous filter. +
+Set size in number of frames of internal cache, in range from 2 to
+512. Default is 30.
+
Set seed for random number generator, must be an integer included between
+0 and UINT32_MAX. If not specified, or if explicitly set to
+less than 0, the filter will try to use a good random seed on a
+best effort basis.
+
Read closed captioning (EIA-608) information from the top lines of a video frame. +
+This filter adds frame metadata for lavfi.readeia608.X.cc and
+lavfi.readeia608.X.line, where X is the number of the identified line
+with EIA-608 data (starting from 0). A description of each metadata value follows:
+
The two bytes stored as EIA-608 data (printed in hexadecimal). +
+The number of the line on which the EIA-608 data was identified and read. +
This filter accepts the following options: +
+Set the line to start scanning for EIA-608 data. Default is 0.
+
Set the line to end scanning for EIA-608 data. Default is 29.
+
Set the ratio of width reserved for sync code detection.
+Default is 0.27. Allowed range is [0.1 - 0.7].
+
Enable checking the parity bit. In the event of a parity error, the filter will output
+0x00 for that character. Default is false.
+
Lowpass lines prior to further processing. Default is enabled. +
This filter supports the all above options as commands. +
+ +ffprobe -f lavfi -i movie=captioned_video.mov,readeia608 -show_entries frame=pts_time:frame_tags=lavfi.readeia608.0.cc,lavfi.readeia608.1.cc -of csv +
Read vertical interval timecode (VITC) information from the top lines of a +video frame. +
+The filter adds frame metadata key lavfi.readvitc.tc_str with the
+timecode value, if a valid timecode has been detected. Further metadata key
+lavfi.readvitc.found is set to 0/1 depending on whether
+timecode data has been found or not.
+
This filter accepts the following options: +
+Set the maximum number of lines to scan for VITC data. If the value is set to
+-1 the full video frame is scanned. Default is 45.
+
Set the luma threshold for black. Accepts float numbers in the range [0.0,1.0],
+default value is 0.2. The value must be equal or less than thr_w.
+
Set the luma threshold for white. Accepts float numbers in the range [0.0,1.0],
+default value is 0.6. The value must be equal or greater than thr_b.
+
--:--:--:-- as a placeholder:
+ffmpeg -i input.avi -filter:v 'readvitc,drawtext=fontfile=FreeMono.ttf:text=%{metadata\\:lavfi.readvitc.tc_str\\:--\\\\\\:--\\\\\\:--\\\\\\:--}:x=(w-tw)/2:y=400-ascent'
+Remap pixels using 2nd: Xmap and 3rd: Ymap input video stream. +
+Destination pixel at position (X, Y) will be picked from source (x, y) position +where x = Xmap(X, Y) and y = Ymap(X, Y). If mapping values are out of range, zero +value for pixel will be used for destination pixel. +
+Xmap and Ymap input video streams must be of same dimensions. Output video stream +will have Xmap/Ymap video stream dimensions. +Xmap and Ymap input video streams are 16bit depth, single channel. +
+Specify pixel format of output from this filter. Can be color or gray.
+Default is color.
+
Specify the color of the unmapped pixels. For the syntax of this option,
+check the (ffmpeg-utils)"Color" section in the ffmpeg-utils
+manual. Default color is black.
+
The removegrain filter is a spatial denoiser for progressive video. +
+Set mode for the first plane. +
+Set mode for the second plane. +
+Set mode for the third plane. +
+Set mode for the fourth plane. +
Range of mode is from 0 to 24. Description of each mode follows: +
+Leave input plane unchanged. Default. +
+Clips the pixel with the minimum and maximum of the 8 neighbour pixels. +
+Clips the pixel with the second minimum and maximum of the 8 neighbour pixels. +
+Clips the pixel with the third minimum and maximum of the 8 neighbour pixels. +
+Clips the pixel with the fourth minimum and maximum of the 8 neighbour pixels. +This is equivalent to a median filter. +
+Line-sensitive clipping giving the minimal change. +
+Line-sensitive clipping, intermediate. +
+Line-sensitive clipping, intermediate. +
+Line-sensitive clipping, intermediate. +
+Line-sensitive clipping on a line where the neighbours pixels are the closest. +
+Replaces the target pixel with the closest neighbour. +
+[1 2 1] horizontal and vertical kernel blur. +
+Same as mode 11. +
+Bob mode, interpolates top field from the line where the neighbours +pixels are the closest. +
+Bob mode, interpolates bottom field from the line where the neighbours +pixels are the closest. +
+Bob mode, interpolates top field. Same as 13 but with a more complicated +interpolation formula. +
+Bob mode, interpolates bottom field. Same as 14 but with a more complicated +interpolation formula. +
+Clips the pixel with the minimum and maximum of respectively the maximum and +minimum of each pair of opposite neighbour pixels. +
+Line-sensitive clipping using opposite neighbours whose greatest distance from +the current pixel is minimal. +
+Replaces the pixel with the average of its 8 neighbours. +
+Averages the 9 pixels ([1 1 1] horizontal and vertical blur). +
+Clips pixels using the averages of opposite neighbour. +
+Same as mode 21 but simpler and faster. +
+Small edge and halo removal, but reputed useless. +
+Similar as 23. +
Suppress a TV station logo, using an image file to determine which +pixels comprise the logo. It works by filling in the pixels that +comprise the logo with neighboring pixels. +
+The filter accepts the following options: +
+Set the filter bitmap file, which can be any image format supported by +libavformat. The width and height of the image file must match those of the +video stream being processed. +
Pixels in the provided bitmap image with a value of zero are not +considered part of the logo, non-zero pixels are considered part of +the logo. If you use white (255) for the logo and black (0) for the +rest, you will be safe. For making the filter bitmap, it is +recommended to take a screen capture of a black frame with the logo +visible, and then using a threshold filter followed by the erode +filter once or twice. +
+If needed, little splotches can be fixed manually. Remember that if +logo pixels are not covered, the filter quality will be much +reduced. Marking too many pixels as part of the logo does not hurt as +much, but it will increase the amount of blurring needed to cover over +the image and will destroy more information than necessary, and extra +pixels will slow things down on a large logo. +
+ +This filter uses the repeat_field flag from the Video ES headers and hard repeats +fields based on its value. +
+ +Reverse a video clip. +
+Warning: This filter requires memory to buffer the entire clip, so trimming +is suggested. +
+ +trim=end=5,reverse +
Shift R/G/B/A pixels horizontally and/or vertically. +
+The filter accepts the following options: +
Set amount to shift red horizontally. +
Set amount to shift red vertically. +
Set amount to shift green horizontally. +
Set amount to shift green vertically. +
Set amount to shift blue horizontally. +
Set amount to shift blue vertically. +
Set amount to shift alpha horizontally. +
Set amount to shift alpha vertically. +
Set edge mode, can be smear, default, or warp. +
This filter supports the all above options as commands. +
+ +Apply roberts cross operator to input video stream. +
+The filter accepts the following option: +
+Set which planes will be processed, unprocessed planes will be copied. +By default value 0xf, all planes will be processed. +
+Set value which will be multiplied with filtered result. +
+Set value which will be added to filtered result. +
This filter supports the all above options as commands. +
+ +Rotate video by an arbitrary angle expressed in radians. +
+The filter accepts the following options: +
+A description of the optional parameters follows. +
Set an expression for the angle by which to rotate the input video +clockwise, expressed as a number of radians. A negative value will +result in a counter-clockwise rotation. By default it is set to "0". +
+This expression is evaluated for each frame. +
+Set the output width expression, default value is "iw". +This expression is evaluated just once during configuration. +
+Set the output height expression, default value is "ih". +This expression is evaluated just once during configuration. +
+Enable bilinear interpolation if set to 1, a value of 0 disables +it. Default value is 1. +
+Set the color used to fill the output area not covered by the rotated +image. For the general syntax of this option, check the +(ffmpeg-utils)"Color" section in the ffmpeg-utils manual. +If the special value "none" is selected then no +background is printed (useful for example if the background is never shown). +
+Default value is "black". +
The expressions for the angle and the output size can contain the +following constants and functions: +
+sequential number of the input frame, starting from 0. It is always NAN +before the first frame is filtered. +
+time in seconds of the input frame, it is set to 0 when the filter is +configured. It is always NAN before the first frame is filtered. +
+horizontal and vertical chroma subsample values. For example for the +pixel format "yuv422p" hsub is 2 and vsub is 1. +
+the input video width and height +
+the output width and height, that is the size of the padded area as +specified by the width and height expressions +
+the minimal width/height required for completely containing the input +video rotated by a radians. +
+These are only available when computing the out_w and +out_h expressions. +
rotate=PI/6 +
rotate=-PI/6 +
rotate=45*PI/180 +
rotate=PI/3+2*PI*t/T +
rotate=A*sin(2*PI/T*t) +
rotate='2*PI*t:ow=hypot(iw,ih):oh=ow' +
rotate=2*PI*t:ow='min(iw,ih)/sqrt(2)':oh=ow:c=none +
The filter supports the following commands: +
+Set the angle expression. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
Apply Shape Adaptive Blur. +
+The filter accepts the following options: +
+Set luma blur filter strength, must be a value in range 0.1-4.0, default +value is 1.0. A greater value will result in a more blurred image, and +in slower processing. +
+Set luma pre-filter radius, must be a value in the 0.1-2.0 range, default +value is 1.0. +
+Set luma maximum difference between pixels to still be considered, must +be a value in the 0.1-100.0 range, default value is 1.0. +
+Set chroma blur filter strength, must be a value in range -0.9-4.0. A +greater value will result in a more blurred image, and in slower +processing. +
+Set chroma pre-filter radius, must be a value in the -0.9-2.0 range. +
+Set chroma maximum difference between pixels to still be considered, +must be a value in the -0.9-100.0 range. +
Each chroma option value, if not explicitly specified, is set to the +corresponding luma option value. +
+ +Scale (resize) the input video, using the libswscale library. +
+The scale filter forces the output display aspect ratio to be the same +of the input, by changing the output sample aspect ratio. +
+If the input image format is different from the format requested by +the next filter, the scale filter will convert the input to the +requested format. +
+ +The filter accepts the following options, or any of the options +supported by the libswscale scaler. +
+See (ffmpeg-scaler)the ffmpeg-scaler manual for +the complete list of scaler options. +
+Set the output video dimension expression. Default value is the input +dimension. +
+If the width or w value is 0, the input width is used for +the output. If the height or h value is 0, the input height +is used for the output. +
+If one and only one of the values is -n with n >= 1, the scale filter +will use a value that maintains the aspect ratio of the input image, +calculated from the other specified dimension. After that it will, +however, make sure that the calculated dimension is divisible by n and +adjust the value if necessary. +
+If both values are -n with n >= 1, the behavior will be identical to +both values being set to 0 as previously detailed. +
+See below for the list of accepted constants for use in the dimension +expression. +
+Specify when to evaluate width and height expression. It accepts the following values: +
+Only evaluate expressions once during the filter initialization or when a command is processed. +
+Evaluate expressions for each incoming frame. +
+Default value is ‘init’. +
+ +Set the interlacing mode. It accepts the following values: +
+Force interlaced aware scaling. +
+Do not apply interlaced scaling. +
+Select interlaced aware scaling depending on whether the source frames +are flagged as interlaced or not. +
Default value is ‘0’. +
+Set libswscale scaling flags. See +(ffmpeg-scaler)the ffmpeg-scaler manual for the +complete list of values. If not explicitly specified the filter applies +the default flags. +
+ +Set libswscale input parameters for scaling algorithms that need them. See +(ffmpeg-scaler)the ffmpeg-scaler manual for the +complete documentation. If not explicitly specified the filter applies +empty parameters. +
+ + +Set the video size. For the syntax of this option, check the +(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual. +
+Set in/output YCbCr color space type. +
+This allows the autodetected value to be overridden as well as allows forcing +a specific value used for the output and encoder. +
+If not specified, the color space type depends on the pixel format. +
+Possible values: +
+Choose automatically. +
+Format conforming to International Telecommunication Union (ITU) +Recommendation BT.709. +
+Set color space conforming to the United States Federal Communications +Commission (FCC) Code of Federal Regulations (CFR) Title 47 (2003) 73.682 (a). +
+Set color space conforming to: +
+Set color space conforming to SMPTE ST 240:1999. +
+Set color space conforming to ITU-R BT.2020 non-constant luminance system. +
Set in/output YCbCr sample range. +
+This allows the autodetected value to be overridden as well as allows forcing +a specific value used for the output and encoder. If not specified, the +range depends on the pixel format. Possible values: +
+Choose automatically. +
+Set full range (0-255 in case of 8-bit luma). +
+Set "MPEG" range (16-235 in case of 8-bit luma). +
Enable decreasing or increasing output video width or height if necessary to +keep the original aspect ratio. Possible values: +
+Scale the video as specified and disable this feature. +
+The output video dimensions will automatically be decreased if needed. +
+The output video dimensions will automatically be increased if needed. +
+One useful instance of this option is that when you know a specific device’s +maximum allowed resolution, you can use this to limit the output video to +that, while retaining the aspect ratio. For example, device A allows +1280x720 playback, and your video is 1920x800. Using this option (set it to +decrease) and specifying 1280x720 to the command line makes the output +1280x533. +
+Please note that this is a different thing than specifying -1 for w +or h, you still need to specify the output resolution for this option +to work. +
+Ensures that both the output dimensions, width and height, are divisible by the
+given integer when used together with force_original_aspect_ratio. This
+works similar to using -n in the w and h options.
+
This option respects the value set for force_original_aspect_ratio, +increasing or decreasing the resolution accordingly. The video’s aspect ratio +may be slightly modified. +
+This option can be handy if you need to have a video fit within or exceed +a defined resolution using force_original_aspect_ratio but also have +encoder restrictions on width or height divisibility. +
+The values of the w and h options are expressions +containing the following constants: +
+The input width and height +
+These are the same as in_w and in_h. +
+The output (scaled) width and height +
+These are the same as out_w and out_h +
+The same as iw / ih +
+input sample aspect ratio +
+The input display aspect ratio. Calculated from (iw / ih) * sar.
+
horizontal and vertical input chroma subsample values. For example for the +pixel format "yuv422p" hsub is 2 and vsub is 1. +
+horizontal and vertical output chroma subsample values. For example for the +pixel format "yuv422p" hsub is 2 and vsub is 1. +
+The (sequential) number of the input frame, starting from 0.
+Only available with eval=frame.
+
The presentation timestamp of the input frame, expressed as a number of
+seconds. Only available with eval=frame.
+
The position (byte offset) of the frame in the input stream, or NaN if
+this information is unavailable and/or meaningless (for example in case of synthetic video).
+Only available with eval=frame.
+
scale=w=200:h=100 +
This is equivalent to: +
scale=200:100 +
or: +
scale=200x100 +
scale=qcif +
which can also be written as: +
scale=size=qcif +
scale=w=2*iw:h=2*ih +
scale=2*in_w:2*in_h +
scale=2*iw:2*ih:interl=1 +
scale=w=iw/2:h=ih/2 +
scale=3/2*iw:ow +
scale=iw:1/PHI*iw +scale=ih*PHI:ih +
scale=w=3/2*oh:h=3/5*ih +
scale="trunc(3/2*iw/hsub)*hsub:trunc(3/2*ih/vsub)*vsub" +
scale=w='min(500\, iw*3/2):h=-1' +
scale='trunc(ih*dar):ih',setsar=1/1 +
scale='trunc(ih*dar/2)*2:trunc(ih/2)*2',setsar=1/1 +
This filter supports the following commands: +
Set the output video dimension expression. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
Scale (resize) and convert (pixel format) the input video, using accelerated CUDA kernels. +Setting the output width and height works in the same way as for the scale filter. +
+The filter accepts the following options: +
Set the output video dimension expression. Default value is the input dimension. +
+Allows for the same expressions as the scale filter. +
+Sets the algorithm used for scaling: +
+Nearest neighbour +
+Used by default if input parameters match the desired output. +
+Bilinear +
+Bicubic +
+This is the default. +
+Lanczos +
+Controls the output pixel format. By default, or if none is specified, the input +pixel format is used. +
+The filter does not support converting between YUV and RGB pixel formats. +
+If set to 0, every frame is processed, even if no conversion is neccesary. +This mode can be useful to use the filter as a buffer for a downstream +frame-consumer that exhausts the limited decoder frame pool. +
+If set to 1, frames are passed through as-is if they match the desired output +parameters. This is the default behaviour. +
+Algorithm-Specific parameter. +
+Affects the curves of the bicubic algorithm. +
+Work the same as the identical scale filter options. +
+scale_cuda=-2:720:format=yuv420p +
scale_cuda=4096:2160:interp_algo=nearest +
scale_cuda=passthrough=0 +
Use the NVIDIA Performance Primitives (libnpp) to perform scaling and/or pixel +format conversion on CUDA video frames. Setting the output width and height +works in the same way as for the scale filter. +
+The following additional options are accepted: +
The pixel format of the output CUDA frames. If set to the string "same" (the +default), the input format will be kept. Note that automatic format negotiation +and conversion is not yet supported for hardware frames +
+The interpolation algorithm used for resizing. One of the following: +
Nearest neighbour. +
+2-parameter cubic (B=1, C=0) +
+2-parameter cubic (B=0, C=1/2) +
+2-parameter cubic (B=1/2, C=3/10) +
+Supersampling +
+Enable decreasing or increasing output video width or height if necessary to +keep the original aspect ratio. Possible values: +
+Scale the video as specified and disable this feature. +
+The output video dimensions will automatically be decreased if needed. +
+The output video dimensions will automatically be increased if needed. +
+One useful instance of this option is that when you know a specific device’s +maximum allowed resolution, you can use this to limit the output video to +that, while retaining the aspect ratio. For example, device A allows +1280x720 playback, and your video is 1920x800. Using this option (set it to +decrease) and specifying 1280x720 to the command line makes the output +1280x533. +
+Please note that this is a different thing than specifying -1 for w +or h, you still need to specify the output resolution for this option +to work. +
+Ensures that both the output dimensions, width and height, are divisible by the
+given integer when used together with force_original_aspect_ratio. This
+works similar to using -n in the w and h options.
+
This option respects the value set for force_original_aspect_ratio, +increasing or decreasing the resolution accordingly. The video’s aspect ratio +may be slightly modified. +
+This option can be handy if you need to have a video fit within or exceed +a defined resolution using force_original_aspect_ratio but also have +encoder restrictions on width or height divisibility. +
+Specify when to evaluate width and height expression. It accepts the following values: +
+Only evaluate expressions once during the filter initialization or when a command is processed. +
+Evaluate expressions for each incoming frame. +
+The values of the w and h options are expressions +containing the following constants: +
+The input width and height +
+These are the same as in_w and in_h. +
+The output (scaled) width and height +
+These are the same as out_w and out_h +
+The same as iw / ih +
+input sample aspect ratio +
+The input display aspect ratio. Calculated from (iw / ih) * sar.
+
The (sequential) number of the input frame, starting from 0.
+Only available with eval=frame.
+
The presentation timestamp of the input frame, expressed as a number of
+seconds. Only available with eval=frame.
+
The position (byte offset) of the frame in the input stream, or NaN if
+this information is unavailable and/or meaningless (for example in case of synthetic video).
+Only available with eval=frame.
+
Scale (resize) the input video, based on a reference video. +
+See the scale filter for available options, scale2ref supports the same but +uses the reference video instead of the main input as basis. scale2ref also +supports the following additional constants for the w and +h options: +
+The main input video’s width and height +
+The same as main_w / main_h +
+The main input video’s sample aspect ratio +
+The main input video’s display aspect ratio. Calculated from
+(main_w / main_h) * main_sar.
+
The main input video’s horizontal and vertical chroma subsample values. +For example for the pixel format "yuv422p" hsub is 2 and vsub +is 1. +
+The (sequential) number of the main input frame, starting from 0.
+Only available with eval=frame.
+
The presentation timestamp of the main input frame, expressed as a number of
+seconds. Only available with eval=frame.
+
The position (byte offset) of the frame in the main input stream, or NaN if
+this information is unavailable and/or meaningless (for example in case of synthetic video).
+Only available with eval=frame.
+
'scale2ref[b][a];[a][b]overlay' +
[logo-in][video-in]scale2ref=w=oh*mdar:h=ih/10[logo-out][video-out] +
This filter supports the following commands: +
Set the output video dimension expression. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
Use the NVIDIA Performance Primitives (libnpp) to scale (resize) the input +video, based on a reference video. +
+See the scale_npp filter for available options, scale2ref_npp supports the same +but uses the reference video instead of the main input as basis. scale2ref_npp +also supports the following additional constants for the w and +h options: +
+The main input video’s width and height +
+The same as main_w / main_h +
+The main input video’s sample aspect ratio +
+The main input video’s display aspect ratio. Calculated from
+(main_w / main_h) * main_sar.
+
The (sequential) number of the main input frame, starting from 0.
+Only available with eval=frame.
+
The presentation timestamp of the main input frame, expressed as a number of
+seconds. Only available with eval=frame.
+
The position (byte offset) of the frame in the main input stream, or NaN if
+this information is unavailable and/or meaningless (for example in case of synthetic video).
+Only available with eval=frame.
+
'scale2ref_npp[b][a];[a][b]overlay_cuda' +
[logo-in][video-in]scale2ref_npp=w=oh*mdar:h=ih/10[logo-out][video-out] +
Apply scharr operator to input video stream. +
+The filter accepts the following option: +
+Set which planes will be processed, unprocessed planes will be copied. +By default value 0xf, all planes will be processed. +
+Set value which will be multiplied with filtered result. +
+Set value which will be added to filtered result. +
This filter supports the all above options as commands. +
+ +Scroll input video horizontally and/or vertically by constant speed. +
+The filter accepts the following options: +
Set the horizontal scrolling speed. Default is 0. Allowed range is from -1 to 1. +Negative values changes scrolling direction. +
+Set the vertical scrolling speed. Default is 0. Allowed range is from -1 to 1. +Negative values changes scrolling direction. +
+Set the initial horizontal scrolling position. Default is 0. Allowed range is from 0 to 1. +
+Set the initial vertical scrolling position. Default is 0. Allowed range is from 0 to 1. +
This filter supports the following commands: +
Set the horizontal scrolling speed. +
Set the vertical scrolling speed. +
Detect video scene change. +
+This filter sets frame metadata with mafd between frame, the scene score, and +forward the frame to the next filter, so they can use these metadata to detect +scene change or others. +
+In addition, this filter logs a message and sets frame metadata when it detects +a scene change by threshold. +
+lavfi.scd.mafd metadata keys are set with mafd for every frame.
+
lavfi.scd.score metadata keys are set with scene change score for every frame
+to detect scene change.
+
lavfi.scd.time metadata keys are set with current filtered frame time which
+detect scene change with threshold.
+
The filter accepts the following options: +
+Set the scene change detection threshold as a percentage of maximum change. Good
+values are in the [8.0, 14.0] range. The range for threshold is
+[0., 100.].
+
Default value is 10..
+
Set the flag to pass scene change frames to the next filter. Default value is 0
+You can enable it if you want to get snapshot of scene change frames only.
+
Adjust cyan, magenta, yellow and black (CMYK) to certain ranges of colors (such +as "reds", "yellows", "greens", "cyans", ...). The adjustment range is defined +by the "purity" of the color (that is, how saturated it already is). +
+This filter is similar to the Adobe Photoshop Selective Color tool. +
+The filter accepts the following options: +
+Select color correction method. +
+Available values are: +
Specified adjustments are applied "as-is" (added/subtracted to original pixel +component value). +
Specified adjustments are relative to the original component value. +
Default is absolute.
+
Adjustments for red pixels (pixels where the red component is the maximum) +
Adjustments for yellow pixels (pixels where the blue component is the minimum) +
Adjustments for green pixels (pixels where the green component is the maximum) +
Adjustments for cyan pixels (pixels where the red component is the minimum) +
Adjustments for blue pixels (pixels where the blue component is the maximum) +
Adjustments for magenta pixels (pixels where the green component is the minimum) +
Adjustments for white pixels (pixels where all components are greater than 128) +
Adjustments for all pixels except pure black and pure white +
Adjustments for black pixels (pixels where all components are lesser than 128) +
Specify a Photoshop selective color file (.asv) to import the settings from.
+
All the adjustment settings (reds, yellows, ...) accept up to +4 space separated floating point adjustment values in the [-1,1] range, +respectively to adjust the amount of cyan, magenta, yellow and black for the +pixels of its range. +
+ +selectivecolor=greens=.5 0 -.33 0:blues=0 .27 +
selectivecolor=psfile=MySelectiveColorPresets/Misty.asv +
The separatefields takes a frame-based video input and splits
+each frame into its components fields, producing a new half height clip
+with twice the frame rate and twice the frame count.
+
This filter use field-dominance information in frame to decide which
+of each pair of fields to place first in the output.
+If it gets it wrong use setfield filter before separatefields filter.
+
The setdar filter sets the Display Aspect Ratio for the filter
+output video.
+
This is done by changing the specified Sample (aka Pixel) Aspect +Ratio, according to the following equation: +
DAR = HORIZONTAL_RESOLUTION / VERTICAL_RESOLUTION * SAR +
Keep in mind that the setdar filter does not modify the pixel
+dimensions of the video frame. Also, the display aspect ratio set by
+this filter may be changed by later filters in the filterchain,
+e.g. in case of scaling or if another "setdar" or a "setsar" filter is
+applied.
+
The setsar filter sets the Sample (aka Pixel) Aspect Ratio for
+the filter output video.
+
Note that as a consequence of the application of this filter, the +output display aspect ratio will change according to the equation +above. +
+Keep in mind that the sample aspect ratio set by the setsar
+filter may be changed by later filters in the filterchain, e.g. if
+another "setsar" or a "setdar" filter is applied.
+
It accepts the following parameters: +
+setdar only), sar (setsar only)Set the aspect ratio used by the filter. +
+The parameter can be a floating point number string, an expression, or
+a string of the form num:den, where num and
+den are the numerator and denominator of the aspect ratio. If
+the parameter is not specified, it is assumed the value "0".
+In case the form "num:den" is used, the : character
+should be escaped.
+
Set the maximum integer value to use for expressing numerator and
+denominator when reducing the expressed aspect ratio to a rational.
+Default value is 100.
+
The parameter sar is an expression containing +the following constants: +
+These are approximated values for the mathematical constants e +(Euler’s number), pi (Greek pi), and phi (the golden ratio). +
+The input width and height. +
+These are the same as w / h. +
+The input sample aspect ratio. +
+The input display aspect ratio. It is the same as +(w / h) * sar. +
+Horizontal and vertical chroma subsample values. For example, for the +pixel format "yuv422p" hsub is 2 and vsub is 1. +
setdar=dar=1.77777 +setdar=dar=16/9 +
setsar=sar=10/11 +
setdar=ratio=16/9:max=1000 +
Force field for the output video frame. +
+The setfield filter marks the interlace type field for the
+output frames. It does not change the input frame, but only sets the
+corresponding property, which affects how the frame is treated by
+following filters (e.g. fieldorder or yadif).
+
The filter accepts the following options: +
+Available values are: +
+Keep the same field property. +
+Mark the frame as bottom-field-first. +
+Mark the frame as top-field-first. +
+Mark the frame as progressive. +
Force frame parameter for the output video frame. +
+The setparams filter marks interlace and color range for the
+output frames. It does not change the input frame, but only sets the
+corresponding property, which affects how the frame is treated by
+filters/encoders.
+
Available values are: +
+Keep the same field property (default). +
+Mark the frame as bottom-field-first. +
+Mark the frame as top-field-first. +
+Mark the frame as progressive. +
Available values are: +
+Keep the same color range property (default). +
+Mark the frame as unspecified color range. +
+Mark the frame as limited range. +
+Mark the frame as full range. +
Set the color primaries. +Available values are: +
+Keep the same color primaries property (default). +
+Set the color transfer. +Available values are: +
+Keep the same color trc property (default). +
+Set the colorspace. +Available values are: +
+Keep the same colorspace property (default). +
+Use the NVIDIA Performance Primitives (libnpp) to perform image sharpening with +border control. +
+The following additional options are accepted: +
Type of sampling to be used ad frame borders. One of the following: +
Replicate pixel values. +
+Apply shear transform to input video. +
+This filter supports the following options: +
+Shear factor in X-direction. Default value is 0. +Allowed range is from -2 to 2. +
+Shear factor in Y-direction. Default value is 0. +Allowed range is from -2 to 2. +
+Set the color used to fill the output area not covered by the transformed +video. For the general syntax of this option, check the +(ffmpeg-utils)"Color" section in the ffmpeg-utils manual. +If the special value "none" is selected then no +background is printed (useful for example if the background is never shown). +
+Default value is "black". +
+Set interpolation type. Can be bilinear or nearest. Default is bilinear.
+
This filter supports the all above options as commands. +
+ +Show a line containing various information for each input video frame. +The input video is not modified. +
+This filter supports the following options: +
+Calculate checksums of each plane. By default enabled. +
The shown line contains a sequence of key/value pairs of the form +key:value. +
+The following values are shown in the output: +
+The (sequential) number of the input frame, starting from 0. +
+The Presentation TimeStamp of the input frame, expressed as a number of +time base units. The time base unit depends on the filter input pad. +
+The Presentation TimeStamp of the input frame, expressed as a number of +seconds. +
+The position of the frame in the input stream, or -1 if this information is +unavailable and/or meaningless (for example in case of synthetic video). +
+The pixel format name. +
+The sample aspect ratio of the input frame, expressed in the form +num/den. +
+The size of the input frame. For the syntax of this option, check the +(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual. +
+The type of interlaced mode ("P" for "progressive", "T" for top field first, "B" +for bottom field first). +
+This is 1 if the frame is a key frame, 0 otherwise. +
+The picture type of the input frame ("I" for an I-frame, "P" for a
+P-frame, "B" for a B-frame, or "?" for an unknown type).
+Also refer to the documentation of the AVPictureType enum and of
+the av_get_picture_type_char function defined in
+libavutil/avutil.h.
+
The Adler-32 checksum (printed in hexadecimal) of all the planes of the input frame. +
+The Adler-32 checksum (printed in hexadecimal) of each plane of the input frame, +expressed in the form "[c0 c1 c2 c3]". +
+The mean value of pixels in each plane of the input frame, expressed in the form +"[mean0 mean1 mean2 mean3]". +
+The standard deviation of pixel values in each plane of the input frame, expressed +in the form "[stdev0 stdev1 stdev2 stdev3]". +
+Displays the 256 colors palette of each frame. This filter is only relevant for +pal8 pixel format frames. +
+It accepts the following option: +
+Set the size of the box used to represent one palette color entry. Default is
+30 (for a 30x30 pixel box).
+
Reorder and/or duplicate and/or drop video frames. +
+It accepts the following parameters: +
+Set the destination indexes of input frames. +This is space or ’|’ separated list of indexes that maps input frames to output +frames. Number of indexes also sets maximal value that each index may have. +’-1’ index have special meaning and that is to drop frame. +
The first frame has the index 0. The default is to keep the input unchanged. +
+ +ffmpeg -i INPUT -vf "shuffleframes=0 2 1" OUTPUT +
ffmpeg -i INPUT -vf "shuffleframes=9 1 2 3 4 5 6 7 8 0" OUTPUT +
Reorder pixels in video frames. +
+This filter accepts the following options: +
+Set shuffle direction. Can be forward or inverse direction. +Default direction is forward. +
+Set shuffle mode. Can be horizontal, vertical or block mode. +
+Set shuffle block_size. In case of horizontal shuffle mode only width +part of size is used, and in case of vertical shuffle mode only height +part of size is used. +
+Set random seed used with shuffling pixels. Mainly useful to set to be able +to reverse filtering process to get original input. +For example, to reverse forward shuffle you need to use same parameters +and exact same seed and to set direction to inverse. +
Reorder and/or duplicate video planes. +
+It accepts the following parameters: +
+The index of the input plane to be used as the first output plane. +
+The index of the input plane to be used as the second output plane. +
+The index of the input plane to be used as the third output plane. +
+The index of the input plane to be used as the fourth output plane. +
+The first plane has the index 0. The default is to keep the input unchanged. +
+ +ffmpeg -i INPUT -vf shuffleplanes=0:2:1:3 OUTPUT +
Evaluate various visual metrics that assist in determining issues associated +with the digitization of analog video media. +
+By default the filter will log these metadata values: +
+Display the minimal Y value contained within the input frame. Expressed in +range of [0-255]. +
+Display the Y value at the 10% percentile within the input frame. Expressed in +range of [0-255]. +
+Display the average Y value within the input frame. Expressed in range of +[0-255]. +
+Display the Y value at the 90% percentile within the input frame. Expressed in +range of [0-255]. +
+Display the maximum Y value contained within the input frame. Expressed in +range of [0-255]. +
+Display the minimal U value contained within the input frame. Expressed in +range of [0-255]. +
+Display the U value at the 10% percentile within the input frame. Expressed in +range of [0-255]. +
+Display the average U value within the input frame. Expressed in range of +[0-255]. +
+Display the U value at the 90% percentile within the input frame. Expressed in +range of [0-255]. +
+Display the maximum U value contained within the input frame. Expressed in +range of [0-255]. +
+Display the minimal V value contained within the input frame. Expressed in +range of [0-255]. +
+Display the V value at the 10% percentile within the input frame. Expressed in +range of [0-255]. +
+Display the average V value within the input frame. Expressed in range of +[0-255]. +
+Display the V value at the 90% percentile within the input frame. Expressed in +range of [0-255]. +
+Display the maximum V value contained within the input frame. Expressed in +range of [0-255]. +
+Display the minimal saturation value contained within the input frame. +Expressed in range of [0-~181.02]. +
+Display the saturation value at the 10% percentile within the input frame. +Expressed in range of [0-~181.02]. +
+Display the average saturation value within the input frame. Expressed in range +of [0-~181.02]. +
+Display the saturation value at the 90% percentile within the input frame. +Expressed in range of [0-~181.02]. +
+Display the maximum saturation value contained within the input frame. +Expressed in range of [0-~181.02]. +
+Display the median value for hue within the input frame. Expressed in range of +[0-360]. +
+Display the average value for hue within the input frame. Expressed in range of +[0-360]. +
+Display the average of sample value difference between all values of the Y +plane in the current frame and corresponding values of the previous input frame. +Expressed in range of [0-255]. +
+Display the average of sample value difference between all values of the U +plane in the current frame and corresponding values of the previous input frame. +Expressed in range of [0-255]. +
+Display the average of sample value difference between all values of the V +plane in the current frame and corresponding values of the previous input frame. +Expressed in range of [0-255]. +
+Display bit depth of Y plane in current frame. +Expressed in range of [0-16]. +
+Display bit depth of U plane in current frame. +Expressed in range of [0-16]. +
+Display bit depth of V plane in current frame. +Expressed in range of [0-16]. +
The filter accepts the following options: +
+stat specify an additional form of image analysis. +out output video with the specified type of pixel highlighted. +
+Both options accept the following values: +
+Identify temporal outliers pixels. A temporal outlier is a pixel +unlike the neighboring pixels of the same field. Examples of temporal outliers +include the results of video dropouts, head clogs, or tape tracking issues. +
+Identify vertical line repetition. Vertical line repetition includes +similar rows of pixels within a frame. In born-digital video vertical line +repetition is common, but this pattern is uncommon in video digitized from an +analog source. When it occurs in video that results from the digitization of an +analog source it can indicate concealment from a dropout compensator. +
+Identify pixels that fall outside of legal broadcast range. +
Set the highlight color for the out option. The default color is +yellow. +
ffprobe -f lavfi movie=example.mov,signalstats="stat=tout+vrep+brng" -show_frames +
ffprobe -f lavfi movie=example.mov,signalstats -show_entries frame_tags=lavfi.signalstats.YMAX,lavfi.signalstats.YMIN +
ffplay example.mov -vf signalstats="out=brng:color=red" +
ffplay example.mov -vf signalstats=stat=brng+vrep+tout,drawtext=fontfile=FreeSerif.ttf:textfile=signalstat_drawtext.txt +
The contents of signalstat_drawtext.txt used in the command are: +
time %{pts:hms}
+Y (%{metadata:lavfi.signalstats.YMIN}-%{metadata:lavfi.signalstats.YMAX})
+U (%{metadata:lavfi.signalstats.UMIN}-%{metadata:lavfi.signalstats.UMAX})
+V (%{metadata:lavfi.signalstats.VMIN}-%{metadata:lavfi.signalstats.VMAX})
+saturation maximum: %{metadata:lavfi.signalstats.SATMAX}
+
+Calculates the MPEG-7 Video Signature. The filter can handle more than one +input. In this case the matching between the inputs can be calculated additionally. +The filter always passes through the first input. The signature of each stream can +be written into a file. +
+It accepts the following options: +
+Enable or disable the matching process. +
+Available values are: +
+Disable the calculation of a matching (default). +
Calculate the matching for the whole video and output whether the whole video +matches or only parts. +
Calculate only until a matching is found or the video ends. Should be faster in +some cases. +
Set the number of inputs. The option value must be a non negative integer. +Default value is 1. +
+Set the path to which the output is written. If there is more than one input, +the path must be a prototype, i.e. must contain %d or %0nd (where n is a positive +integer), that will be replaced with the input number. If no filename is +specified, no output will be written. This is the default. +
+Choose the output format. +
+Available values are: +
+Use the specified binary representation (default). +
Use the specified xml representation. +
Set threshold to detect one word as similar. The option value must be an integer +greater than zero. The default value is 9000. +
+Set threshold to detect all words as similar. The option value must be an integer +greater than zero. The default value is 60000. +
+Set threshold to detect frames as similar. The option value must be an integer +greater than zero. The default value is 116. +
+Set the minimum length of a sequence in frames to recognize it as matching +sequence. The option value must be a non negative integer value. +The default value is 0. +
+Set the minimum relation, that matching frames to all frames must have. +The option value must be a double value between 0 and 1. The default value is 0.5. +
ffmpeg -i input.mkv -vf signature=filename=signature.bin -map 0:v -f null - +
ffmpeg -i input1.mkv -i input2.mkv -filter_complex "[0:v][1:v] signature=nb_inputs=2:detectmode=full:format=xml:filename=signature%d.xml" -map :v -f null - +
Calculate Spatial Info (SI) and Temporal Info (TI) scores for a video, as defined +in ITU-T P.910: Subjective video quality assessment methods for multimedia +applications. Available PDF at https://www.itu.int/rec/T-REC-P.910-199909-S/en. +
+It accepts the following option: +
+If set to 1, Summary statistics will be printed to the console. Default 0. +
ffmpeg -i input.mp4 -vf siti=print_summary=1 -f null - +
Blur the input video without impacting the outlines. +
+It accepts the following options: +
+Set the luma radius. The option value must be a float number in +the range [0.1,5.0] that specifies the variance of the gaussian filter +used to blur the image (slower if larger). Default value is 1.0. +
+Set the luma strength. The option value must be a float number +in the range [-1.0,1.0] that configures the blurring. A value included +in [0.0,1.0] will blur the image whereas a value included in +[-1.0,0.0] will sharpen the image. Default value is 1.0. +
+Set the luma threshold used as a coefficient to determine +whether a pixel should be blurred or not. The option value must be an +integer in the range [-30,30]. A value of 0 will filter all the image, +a value included in [0,30] will filter flat areas and a value included +in [-30,0] will filter edges. Default value is 0. +
+Set the chroma radius. The option value must be a float number in +the range [0.1,5.0] that specifies the variance of the gaussian filter +used to blur the image (slower if larger). Default value is luma_radius. +
+Set the chroma strength. The option value must be a float number +in the range [-1.0,1.0] that configures the blurring. A value included +in [0.0,1.0] will blur the image whereas a value included in +[-1.0,0.0] will sharpen the image. Default value is luma_strength. +
+Set the chroma threshold used as a coefficient to determine +whether a pixel should be blurred or not. The option value must be an +integer in the range [-30,30]. A value of 0 will filter all the image, +a value included in [0,30] will filter flat areas and a value included +in [-30,0] will filter edges. Default value is luma_threshold. +
If a chroma option is not explicitly set, the corresponding luma value +is set. +
+ +Apply sobel operator to input video stream. +
+The filter accepts the following option: +
+Set which planes will be processed, unprocessed planes will be copied. +By default value 0xf, all planes will be processed. +
+Set value which will be multiplied with filtered result. +
+Set value which will be added to filtered result. +
This filter supports the all above options as commands. +
+ +Apply a simple postprocessing filter that compresses and decompresses the image
+at several (or - in the case of quality level 6 - all) shifts
+and average the results.
+
The filter accepts the following options: +
+Set quality. This option defines the number of levels for averaging. It accepts
+an integer in the range 0-6. If set to 0, the filter will have no
+effect. A value of 6 means the higher quality. For each increment of
+that value the speed drops by a factor of approximately 2. Default value is
+3.
+
Force a constant quantization parameter. If not set, the filter will use the QP +from the video stream (if available). +
+Set thresholding mode. Available modes are: +
+Set hard thresholding (default). +
Set soft thresholding (better de-ringing effect, but likely blurrier). +
Enable the use of the QP from the B-Frames if set to 1. Using this
+option may cause flicker since the B-Frames have often larger QP. Default is
+0 (not enabled).
+
This filter supports the following commands: +
Set quality level. The value max can be used to set the maximum level,
+currently 6.
+
Scale the input by applying one of the super-resolution methods based on +convolutional neural networks. Supported models: +
+Training scripts as well as scripts for model file (.pb) saving can be found at +https://github.com/XueweiMeng/sr/tree/sr_dnn_native. Original repository +is at https://github.com/HighVoltageRocknRoll/sr.git. +
+Native model files (.model) can be generated from TensorFlow model +files (.pb) by using tools/python/convert.py +
+The filter accepts the following options: +
+Specify which DNN backend to use for model loading and execution. This option accepts +the following values: +
+Native implementation of DNN loading and execution. +
+TensorFlow backend. To enable this backend you
+need to install the TensorFlow for C library (see
+https://www.tensorflow.org/install/lang_c) and configure FFmpeg with
+--enable-libtensorflow
+
Default value is ‘native’. +
+Set path to model file specifying network architecture and its parameters. +Note that different backends use different file formats. TensorFlow backend +can load files for both formats, while native backend can load files for only +its format. +
+Set scale factor for SRCNN model. Allowed values are 2, 3 and 4.
+Default value is 2. Scale factor is necessary for SRCNN model, because it accepts
+input upscaled using bicubic upscaling with proper scale factor.
+
To get full functionality (such as async execution), please use the dnn_processing filter. +
+ +Obtain the SSIM (Structural SImilarity Metric) between two input videos. +
+This filter takes in input two input videos, the first input is +considered the "main" source and is passed unchanged to the +output. The second input is used as a "reference" video for computing +the SSIM. +
+Both video inputs must have the same resolution and pixel format for +this filter to work correctly. Also it assumes that both inputs +have the same number of frames, which are compared one by one. +
+The filter stores the calculated SSIM of each frame. +
+The description of the accepted parameters follows. +
+If specified the filter will use the named file to save the SSIM of +each individual frame. When filename equals "-" the data is sent to +standard output. +
The file printed if stats_file is selected, contains a sequence of +key/value pairs of the form key:value for each compared +couple of frames. +
+A description of each shown parameter follows: +
+sequential number of the input frame, starting from 1 +
+SSIM of the compared frames for the component specified by the suffix. +
+SSIM of the compared frames for the whole frame. +
+Same as above but in dB representation. +
This filter also supports the framesync options. +
+ +movie=ref_movie.mpg, setpts=PTS-STARTPTS [main]; +[main][ref] ssim="stats_file=stats.log" [out] +
On this example the input file being processed is compared with the +reference file ref_movie.mpg. The SSIM of each individual frame +is stored in stats.log. +
+ffmpeg -i main.mpg -i ref.mpg -lavfi "ssim;[0:v][1:v]psnr" -f null - +
ffmpeg -i main.mpg -i ref.mkv -lavfi "[0:v]settb=AVTB,setpts=PTS-STARTPTS[main];[1:v]settb=AVTB,setpts=PTS-STARTPTS[ref];[main][ref]ssim" -f null - +
Convert between different stereoscopic image formats. +
+The filters accept the following options: +
+Set stereoscopic image format of input. +
+Available values for input image formats are: +
side by side parallel (left eye left, right eye right) +
+side by side crosseye (right eye left, left eye right) +
+side by side parallel with half width resolution +(left eye left, right eye right) +
+side by side crosseye with half width resolution +(right eye left, left eye right) +
+above-below (left eye above, right eye below) +
+above-below (right eye above, left eye below) +
+above-below with half height resolution +(left eye above, right eye below) +
+above-below with half height resolution +(right eye above, left eye below) +
+alternating frames (left eye first, right eye second) +
+alternating frames (right eye first, left eye second) +
+interleaved rows (left eye has top row, right eye starts on next row) +
+interleaved rows (right eye has top row, left eye starts on next row) +
+interleaved columns, left eye first +
+interleaved columns, right eye first +
+Default value is ‘sbsl’. +
Set stereoscopic image format of output. +
+side by side parallel (left eye left, right eye right) +
+side by side crosseye (right eye left, left eye right) +
+side by side parallel with half width resolution +(left eye left, right eye right) +
+side by side crosseye with half width resolution +(right eye left, left eye right) +
+above-below (left eye above, right eye below) +
+above-below (right eye above, left eye below) +
+above-below with half height resolution +(left eye above, right eye below) +
+above-below with half height resolution +(right eye above, left eye below) +
+alternating frames (left eye first, right eye second) +
+alternating frames (right eye first, left eye second) +
+interleaved rows (left eye has top row, right eye starts on next row) +
+interleaved rows (right eye has top row, left eye starts on next row) +
+anaglyph red/blue gray +(red filter on left eye, blue filter on right eye) +
+anaglyph red/green gray +(red filter on left eye, green filter on right eye) +
+anaglyph red/cyan gray +(red filter on left eye, cyan filter on right eye) +
+anaglyph red/cyan half colored +(red filter on left eye, cyan filter on right eye) +
+anaglyph red/cyan color +(red filter on left eye, cyan filter on right eye) +
+anaglyph red/cyan color optimized with the least squares projection of dubois +(red filter on left eye, cyan filter on right eye) +
+anaglyph green/magenta gray +(green filter on left eye, magenta filter on right eye) +
+anaglyph green/magenta half colored +(green filter on left eye, magenta filter on right eye) +
+anaglyph green/magenta colored +(green filter on left eye, magenta filter on right eye) +
+anaglyph green/magenta color optimized with the least squares projection of dubois +(green filter on left eye, magenta filter on right eye) +
+anaglyph yellow/blue gray +(yellow filter on left eye, blue filter on right eye) +
+anaglyph yellow/blue half colored +(yellow filter on left eye, blue filter on right eye) +
+anaglyph yellow/blue colored +(yellow filter on left eye, blue filter on right eye) +
+anaglyph yellow/blue color optimized with the least squares projection of dubois +(yellow filter on left eye, blue filter on right eye) +
+mono output (left eye only) +
+mono output (right eye only) +
+checkerboard, left eye first +
+checkerboard, right eye first +
+interleaved columns, left eye first +
+interleaved columns, right eye first +
+HDMI frame pack +
Default value is ‘arcd’. +
stereo3d=sbsl:aybd +
stereo3d=abl:sbsr +
Select video or audio streams. +
+The filter accepts the following options: +
+Set number of inputs. Default is 2. +
+Set input indexes to remap to outputs. +
The streamselect and astreamselect filter supports the following
+commands:
+
Set input indexes to remap to outputs. +
sendcmd='5.0 streamselect map 1',streamselect=inputs=2:map=0 +
asendcmd='5.0 astreamselect map 1',astreamselect=inputs=2:map=0 +
Draw subtitles on top of input video using the libass library. +
+To enable compilation of this filter you need to configure FFmpeg with
+--enable-libass. This filter also requires a build with libavcodec and
+libavformat to convert the passed subtitles file to ASS (Advanced Substation
+Alpha) subtitles format.
+
The filter accepts the following options: +
+Set the filename of the subtitle file to read. It must be specified. +
+Specify the size of the original video, the video for which the ASS file +was composed. For the syntax of this option, check the +(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual. +Due to a misdesign in ASS aspect ratio arithmetic, this is necessary to +correctly scale the fonts if the aspect ratio has been changed. +
+Set a directory path containing fonts that can be used by the filter. +These fonts will be used in addition to whatever the font provider uses. +
+Process alpha channel, by default alpha channel is untouched. +
+Set subtitles input character encoding. subtitles filter only. Only
+useful if not UTF-8.
+
Set subtitles stream index. subtitles filter only.
+
Override default style or script info parameters of the subtitles. It accepts a
+string containing ASS style format KEY=VALUE couples separated by ",".
+
If the first key is not specified, it is assumed that the first value +specifies the filename. +
+For example, to render the file sub.srt on top of the input +video, use the command: +
subtitles=sub.srt +
which is equivalent to: +
subtitles=filename=sub.srt +
To render the default subtitles stream from file video.mkv, use: +
subtitles=video.mkv +
To render the second subtitles stream from that file, use: +
subtitles=video.mkv:si=1 +
To make the subtitles stream from sub.srt appear in 80% transparent blue
+DejaVu Serif, use:
+
subtitles=sub.srt:force_style='Fontname=DejaVu Serif,PrimaryColour=&HCCFF0000' +
Scale the input by 2x and smooth using the Super2xSaI (Scale and +Interpolate) pixel art scaling algorithm. +
+Useful for enlarging pixel art images without reducing sharpness. +
+ +Swap two rectangular objects in video. +
+This filter accepts the following options: +
+Set object width. +
+Set object height. +
+Set 1st rect x coordinate. +
+Set 1st rect y coordinate. +
+Set 2nd rect x coordinate. +
+Set 2nd rect y coordinate. +
+All expressions are evaluated once for each frame. +
The all options are expressions containing the following constants: +
+The input width and height. +
+same as w / h +
+input sample aspect ratio +
+input display aspect ratio, it is the same as (w / h) * sar +
+The number of the input frame, starting from 0. +
+The timestamp expressed in seconds. It’s NAN if the input timestamp is unknown. +
+the position in the file of the input frame, NAN if unknown +
This filter supports the all above options as commands. +
+ +Swap U & V plane. +
+ +Blend successive video frames. +
+See blend +
+ +Apply telecine process to the video. +
+This filter accepts the following options: +
+top field first +
bottom field first
+The default value is top.
+
A string of numbers representing the pulldown pattern you wish to apply.
+The default value is 23.
+
Some typical patterns:
+
+NTSC output (30i):
+27.5p: 32222
+24p: 23 (classic)
+24p: 2332 (preferred)
+20p: 33
+18p: 334
+16p: 3444
+
+PAL output (25i):
+27.5p: 12222
+24p: 222222222223 ("Euro pulldown")
+16.67p: 33
+16p: 33333334
+Compute and draw a color distribution histogram for the input video across time. +
+Unlike histogram video filter which only shows histogram of single input frame
+at certain time, this filter shows also past histograms of number of frames defined
+by width option.
+
The computed histogram is a representation of the color component +distribution in an image. +
+The filter accepts the following options: +
+Set width of single color component output. Default value is 0.
+Value of 0 means width will be picked from input video.
+This also set number of passed histograms to keep.
+Allowed range is [0, 8192].
+
Set display mode. +It accepts the following values: +
Per color component graphs are placed below each other. +
+Per color component graphs are placed side by side. +
+Presents information identical to that in the parade, except
+that the graphs representing color components are superimposed directly
+over one another.
+
Default is stack.
+
Set mode. Can be either linear, or logarithmic.
+Default is linear.
+
Set what color components to display.
+Default is 7.
+
Set background opacity. Default is 0.9.
+
Show envelope. Default is disabled. +
+Set envelope color. Default is gold.
+
Set slide mode. +
+Available values for slide is: +
Draw new frame when right border is reached. +
+Replace old columns with new ones. +
+Scroll from right to left. +
+Scroll from left to right. +
+Draw single picture. +
Default is replace.
+
Apply threshold effect to video stream. +
+This filter needs four video streams to perform thresholding. +First stream is stream we are filtering. +Second stream is holding threshold values, third stream is holding min values, +and last, fourth stream is holding max values. +
+The filter accepts the following option: +
+Set which planes will be processed, unprocessed planes will be copied. +By default value 0xf, all planes will be processed. +
For example if first stream pixel’s component value is less then threshold value +of pixel component from 2nd threshold stream, third stream value will picked, +otherwise fourth stream pixel component value will be picked. +
+Using color source filter one can perform various types of thresholding: +
+ +This filter supports the all options as commands. +
+ +ffmpeg -i 320x240.avi -f lavfi -i color=gray -f lavfi -i color=black -f lavfi -i color=white -lavfi threshold output.avi +
ffmpeg -i 320x240.avi -f lavfi -i color=gray -f lavfi -i color=white -f lavfi -i color=black -lavfi threshold output.avi +
ffmpeg -i 320x240.avi -f lavfi -i color=gray -i 320x240.avi -f lavfi -i color=gray -lavfi threshold output.avi +
ffmpeg -i 320x240.avi -f lavfi -i color=gray -f lavfi -i color=white -i 320x240.avi -lavfi threshold output.avi +
ffmpeg -i 320x240.avi -f lavfi -i color=gray -i 320x240.avi -f lavfi -i color=white -lavfi threshold output.avi +
Select the most representative frame in a given sequence of consecutive frames. +
+The filter accepts the following options: +
+Set the frames batch size to analyze; in a set of n frames, the filter
+will pick one of them, and then handle the next batch of n frames until
+the end. Default is 100.
+
Since the filter keeps track of the whole frames sequence, a bigger n +value will result in a higher memory usage, so a high value is not recommended. +
+ +thumbnail=50 +
ffmpeg:
+ffmpeg -i in.avi -vf thumbnail,scale=300:200 -frames:v 1 out.png +
Tile several successive frames together. +
+The untile filter can do the reverse. +
+The filter accepts the following options: +
+Set the grid size in the form COLUMNSxROWS. Range is upto UINT_MAX cells.
+Default is 6x5.
+
Set the maximum number of frames to render in the given area. It must be less
+than or equal to wxh. The default value is 0, meaning all
+the area will be used.
+
Set the outer border margin in pixels. Range is 0 to 1024. Default is 0.
+
Set the inner border thickness (i.e. the number of pixels between frames). For
+more advanced padding options (such as having different values for the edges),
+refer to the pad video filter. Range is 0 to 1024. Default is 0.
+
Specify the color of the unused area. For the syntax of this option, check the +(ffmpeg-utils)"Color" section in the ffmpeg-utils manual. +The default value of color is "black". +
+Set the number of frames to overlap when tiling several successive frames together.
+The value must be between 0 and nb_frames - 1. Default is 0.
+
Set the number of frames to initially be empty before displaying first output frame.
+This controls how soon will one get first output frame.
+The value must be between 0 and nb_frames - 1. Default is 0.
+
ffmpeg -skip_frame nokey -i file.avi -vf 'scale=128:72,tile=8x8' -an -vsync 0 keyframes%03d.png +
The -vsync 0 is necessary to prevent ffmpeg from
+duplicating each output frame to accommodate the originally detected frame
+rate.
+
5 pictures in an area of 3x2 frames,
+with 7 pixels between them, and 2 pixels of initial margin, using
+mixed flat and named options:
+tile=3x2:nb_frames=5:padding=7:margin=2 +
Perform various types of temporal field interlacing. +
+Frames are counted starting from 1, so the first input frame is +considered odd. +
+The filter accepts the following options: +
+Specify the mode of the interlacing. This option can also be specified +as a value alone. See below for a list of values for this option. +
+Available values are: +
+Move odd frames into the upper field, even into the lower field, +generating a double height frame at half frame rate. +
------> time +Input: +Frame 1 Frame 2 Frame 3 Frame 4 + +11111 22222 33333 44444 +11111 22222 33333 44444 +11111 22222 33333 44444 +11111 22222 33333 44444 + +Output: +11111 33333 +22222 44444 +11111 33333 +22222 44444 +11111 33333 +22222 44444 +11111 33333 +22222 44444 +
Only output odd frames, even frames are dropped, generating a frame with +unchanged height at half frame rate. +
+------> time +Input: +Frame 1 Frame 2 Frame 3 Frame 4 + +11111 22222 33333 44444 +11111 22222 33333 44444 +11111 22222 33333 44444 +11111 22222 33333 44444 + +Output: +11111 33333 +11111 33333 +11111 33333 +11111 33333 +
Only output even frames, odd frames are dropped, generating a frame with +unchanged height at half frame rate. +
+------> time +Input: +Frame 1 Frame 2 Frame 3 Frame 4 + +11111 22222 33333 44444 +11111 22222 33333 44444 +11111 22222 33333 44444 +11111 22222 33333 44444 + +Output: + 22222 44444 + 22222 44444 + 22222 44444 + 22222 44444 +
Expand each frame to full height, but pad alternate lines with black, +generating a frame with double height at the same input frame rate. +
+------> time +Input: +Frame 1 Frame 2 Frame 3 Frame 4 + +11111 22222 33333 44444 +11111 22222 33333 44444 +11111 22222 33333 44444 +11111 22222 33333 44444 + +Output: +11111 ..... 33333 ..... +..... 22222 ..... 44444 +11111 ..... 33333 ..... +..... 22222 ..... 44444 +11111 ..... 33333 ..... +..... 22222 ..... 44444 +11111 ..... 33333 ..... +..... 22222 ..... 44444 +
Interleave the upper field from odd frames with the lower field from +even frames, generating a frame with unchanged height at half frame rate. +
+------> time +Input: +Frame 1 Frame 2 Frame 3 Frame 4 + +11111<- 22222 33333<- 44444 +11111 22222<- 33333 44444<- +11111<- 22222 33333<- 44444 +11111 22222<- 33333 44444<- + +Output: +11111 33333 +22222 44444 +11111 33333 +22222 44444 +
Interleave the lower field from odd frames with the upper field from +even frames, generating a frame with unchanged height at half frame rate. +
+------> time +Input: +Frame 1 Frame 2 Frame 3 Frame 4 + +11111 22222<- 33333 44444<- +11111<- 22222 33333<- 44444 +11111 22222<- 33333 44444<- +11111<- 22222 33333<- 44444 + +Output: +22222 44444 +11111 33333 +22222 44444 +11111 33333 +
Double frame rate with unchanged height. Frames are inserted each +containing the second temporal field from the previous input frame and +the first temporal field from the next input frame. This mode relies on +the top_field_first flag. Useful for interlaced video displays with no +field synchronisation. +
+------> time +Input: +Frame 1 Frame 2 Frame 3 Frame 4 + +11111 22222 33333 44444 + 11111 22222 33333 44444 +11111 22222 33333 44444 + 11111 22222 33333 44444 + +Output: +11111 22222 22222 33333 33333 44444 44444 + 11111 11111 22222 22222 33333 33333 44444 +11111 22222 22222 33333 33333 44444 44444 + 11111 11111 22222 22222 33333 33333 44444 +
Move odd frames into the upper field, even into the lower field, +generating a double height frame at same frame rate. +
+------> time +Input: +Frame 1 Frame 2 Frame 3 Frame 4 + +11111 22222 33333 44444 +11111 22222 33333 44444 +11111 22222 33333 44444 +11111 22222 33333 44444 + +Output: +11111 33333 33333 55555 +22222 22222 44444 44444 +11111 33333 33333 55555 +22222 22222 44444 44444 +11111 33333 33333 55555 +22222 22222 44444 44444 +11111 33333 33333 55555 +22222 22222 44444 44444 +
Numeric values are deprecated but are accepted for backward +compatibility reasons. +
+Default mode is merge.
+
Specify flags influencing the filter process. +
+Available value for flags is: +
+Enable linear vertical low-pass filtering in the filter. +Vertical low-pass filtering is required when creating an interlaced +destination from a progressive source which contains high-frequency +vertical detail. Filtering will reduce interlace ’twitter’ and Moire +patterning. +
+Enable complex vertical low-pass filtering. +This will slightly less reduce interlace ’twitter’ and Moire +patterning but better retain detail and subjective sharpness impression. +
+Bypass already interlaced frames, only adjust the frame rate. +
Vertical low-pass filtering and bypassing already interlaced frames can only be +enabled for mode interleave_top and interleave_bottom. +
+Pick median pixels from several successive input video frames. +
+The filter accepts the following options: +
+Set radius of median filter. +Default is 1. Allowed range is from 1 to 127. +
+Set which planes to filter. Default value is 15, by which all planes are processed.
+
Set median percentile. Default value is 0.5.
+Default value of 0.5 will pick always median values, while 0 will pick
+minimum values, and 1 maximum values.
+
This filter supports all above options as commands, excluding option radius.
+
Apply Temporal Midway Video Equalization effect. +
+Midway Video Equalization adjusts a sequence of video frames to have the same +histograms, while maintaining their dynamics as much as possible. It’s +useful for e.g. matching exposures from a video frames sequence. +
+This filter accepts the following option: +
+Set filtering radius. Default is 5. Allowed range is from 1 to 127.
+
Set filtering sigma. Default is 0.5. This controls strength of filtering.
+Setting this option to 0 effectively does nothing.
+
Set which planes to process. Default is 15, which is all available planes.
+
Mix successive video frames. +
+A description of the accepted options follows. +
+The number of successive frames to mix. If unspecified, it defaults to 3. +
+Specify weight of each input video frame. +Each weight is separated by space. If number of weights is smaller than +number of frames last specified weight will be used for all remaining +unset weights. +
+Specify scale, if it is set it will be multiplied with sum +of each weight multiplied with pixel values to give final destination +pixel value. By default scale is auto scaled to sum of weights. +
+Set which planes to filter. Default is all. Allowed range is from 0 to 15. +
tmix=frames=7:weights="1 1 1 1 1 1 1" +
tmix=frames=3:weights="-1 3 -1" +
tmix=frames=3:weights="-1 2 -1":scale=1 +
This filter supports the following commands: +
Syntax is same as option with same name. +
Tone map colors from different dynamic ranges. +
+This filter expects data in single precision floating point, as it needs to +operate on (and can output) out-of-range values. Another filter, such as +zscale, is needed to convert the resulting frame to a usable format. +
+The tonemapping algorithms implemented only work on linear light, so input +data should be linearized beforehand (and possibly correctly tagged). +
+ffmpeg -i INPUT -vf zscale=transfer=linear,tonemap=clip,zscale=transfer=bt709,format=yuv420p OUTPUT +
The filter accepts the following options. +
+Set the tone map algorithm to use. +
+Possible values are: +
Do not apply any tone map, only desaturate overbright pixels. +
+Hard-clip any out-of-range values. Use it for perfect color accuracy for +in-range values, while distorting out-of-range values. +
+Stretch the entire reference gamut to a linear multiple of the display. +
+Fit a logarithmic transfer between the tone curves. +
+Preserve overall image brightness with a simple curve, using nonlinear +contrast, which results in flattening details and degrading color accuracy. +
+Preserve both dark and bright details better than reinhard, at the cost +of slightly darkening everything. Use it when detail preservation is more +important than color and brightness accuracy. +
+Smoothly map out-of-range values, while retaining contrast and colors for +in-range material as much as possible. Use it when color accuracy is more +important than detail preservation. +
Default is none. +
+Tune the tone mapping algorithm. +
+This affects the following algorithms: +
Ignored. +
+Specifies the scale factor to use while stretching. +Default to 1.0. +
+Specifies the exponent of the function. +Default to 1.8. +
+Specify an extra linear coefficient to multiply into the signal before clipping. +Default to 1.0. +
+Specify the local contrast coefficient at the display peak. +Default to 0.5, which means that in-gamut values will be about half as bright +as when clipping. +
+Ignored. +
+Specify the transition point from linear to mobius transform. Every value +below this point is guaranteed to be mapped 1:1. The higher the value, the +more accurate the result will be, at the cost of losing bright details. +Default to 0.3, which due to the steep initial slope still preserves in-range +colors fairly accurately. +
Apply desaturation for highlights that exceed this level of brightness. The +higher the parameter, the more color information will be preserved. This +setting helps prevent unnaturally blown-out colors for super-highlights, by +(smoothly) turning into white instead. This makes images feel more natural, +at the cost of reducing information about out-of-range colors. +
+The default of 2.0 is somewhat conservative and will mostly just apply to +skies or directly sunlit surfaces. A setting of 0.0 disables this option. +
+This option works only if the input frame has a supported color tag. +
+Override signal/nominal/reference peak with this value. Useful when the +embedded peak information in display metadata is not reliable or when tone +mapping from a lower range to a higher range. +
Temporarily pad video frames. +
+The filter accepts the following options: +
+Specify number of delay frames before input video stream. Default is 0. +
+Specify number of padding frames after input video stream. +Set to -1 to pad indefinitely. Default is 0. +
+Set kind of frames added to beginning of stream. +Can be either add or clone. +With add frames of solid-color are added. +With clone frames are clones of first frame. +Default is add. +
+Set kind of frames added to end of stream. +Can be either add or clone. +With add frames of solid-color are added. +With clone frames are clones of last frame. +Default is add. +
+Specify the duration of the start/stop delay. See +(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual +for the accepted syntax. +These options override start and stop. Default is 0. +
+Specify the color of the padded area. For the syntax of this option, +check the (ffmpeg-utils)"Color" section in the ffmpeg-utils +manual. +
+The default value of color is "black". +
Transpose rows with columns in the input video and optionally flip it. +
+It accepts the following parameters: +
+Specify the transposition direction. +
+Can assume the following values: +
Rotate by 90 degrees counterclockwise and vertically flip (default), that is: +
L.R L.l +. . -> . . +l.r R.r +
Rotate by 90 degrees clockwise, that is: +
L.R l.L +. . -> . . +l.r r.R +
Rotate by 90 degrees counterclockwise, that is: +
L.R R.r +. . -> . . +l.r L.l +
Rotate by 90 degrees clockwise and vertically flip, that is: +
L.R r.R +. . -> . . +l.r l.L +
For values between 4-7, the transposition is only done if the input
+video geometry is portrait and not landscape. These values are
+deprecated, the passthrough option should be used instead.
+
Numerical values are deprecated, and should be dropped in favor of +symbolic constants. +
+Do not apply the transposition if the input geometry matches the one +specified by the specified value. It accepts the following values: +
Always apply transposition. +
Preserve portrait geometry (when height >= width). +
Preserve landscape geometry (when width >= height). +
Default value is none.
+
For example to rotate by 90 degrees clockwise and preserve portrait +layout: +
transpose=dir=1:passthrough=portrait +
The command above can also be specified as: +
transpose=1:portrait +
Transpose rows with columns in the input video and optionally flip it. +For more in depth examples see the transpose video filter, which shares mostly the same options. +
+It accepts the following parameters: +
+Specify the transposition direction. +
+Can assume the following values: +
Rotate by 90 degrees counterclockwise and vertically flip. (default) +
+Rotate by 90 degrees clockwise. +
+Rotate by 90 degrees counterclockwise. +
+Rotate by 90 degrees clockwise and vertically flip. +
Do not apply the transposition if the input geometry matches the one +specified by the specified value. It accepts the following values: +
Always apply transposition. (default) +
Preserve portrait geometry (when height >= width). +
Preserve landscape geometry (when width >= height). +
Trim the input so that the output contains one continuous subpart of the input. +
+It accepts the following parameters: +
Specify the time of the start of the kept section, i.e. the frame with the +timestamp start will be the first frame in the output. +
+Specify the time of the first frame that will be dropped, i.e. the frame +immediately preceding the one with the timestamp end will be the last +frame in the output. +
+This is the same as start, except this option sets the start timestamp +in timebase units instead of seconds. +
+This is the same as end, except this option sets the end timestamp +in timebase units instead of seconds. +
+The maximum duration of the output in seconds. +
+The number of the first frame that should be passed to the output. +
+The number of the first frame that should be dropped. +
start, end, and duration are expressed as time +duration specifications; see +(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual +for the accepted syntax. +
+Note that the first two sets of the start/end options and the duration +option look at the frame timestamp, while the _frame variants simply count the +frames that pass through the filter. Also note that this filter does not modify +the timestamps. If you wish for the output timestamps to start at zero, insert a +setpts filter after the trim filter. +
+If multiple start or end options are set, this filter tries to be greedy and +keep all the frames that match at least one of the specified constraints. To keep +only the part that matches all the constraints at once, chain multiple trim +filters. +
+The defaults are such that all the input is kept. So it is possible to set e.g. +just the end values to keep everything before the specified time. +
+Examples: +
ffmpeg -i INPUT -vf trim=60:120 +
ffmpeg -i INPUT -vf trim=duration=1 +
Apply alpha unpremultiply effect to input video stream using first plane +of second stream as alpha. +
+Both streams must have same dimensions and same pixel format. +
+The filter accepts the following option: +
+Set which planes will be processed, unprocessed planes will be copied. +By default value 0xf, all planes will be processed. +
+If the format has 1 or 2 components, then luma is bit 0. +If the format has 3 or 4 components: +for RGB formats bit 0 is green, bit 1 is blue and bit 2 is red; +for YUV formats bit 0 is luma, bit 1 is chroma-U and bit 2 is chroma-V. +If present, the alpha channel is always the last bit. +
+Do not require 2nd input for processing, instead use alpha plane from input stream. +
Sharpen or blur the input video. +
+It accepts the following parameters: +
+Set the luma matrix horizontal size. It must be an odd integer between +3 and 23. The default value is 5. +
+Set the luma matrix vertical size. It must be an odd integer between 3 +and 23. The default value is 5. +
+Set the luma effect strength. It must be a floating point number, reasonable +values lay between -1.5 and 1.5. +
+Negative values will blur the input video, while positive values will +sharpen it, a value of zero will disable the effect. +
+Default value is 1.0. +
+Set the chroma matrix horizontal size. It must be an odd integer +between 3 and 23. The default value is 5. +
+Set the chroma matrix vertical size. It must be an odd integer +between 3 and 23. The default value is 5. +
+Set the chroma effect strength. It must be a floating point number, reasonable +values lay between -1.5 and 1.5. +
+Negative values will blur the input video, while positive values will +sharpen it, a value of zero will disable the effect. +
+Default value is 0.0. +
+Set the alpha matrix horizontal size. It must be an odd integer +between 3 and 23. The default value is 5. +
+Set the alpha matrix vertical size. It must be an odd integer +between 3 and 23. The default value is 5. +
+Set the alpha effect strength. It must be a floating point number, reasonable +values lay between -1.5 and 1.5. +
+Negative values will blur the input video, while positive values will +sharpen it, a value of zero will disable the effect. +
+Default value is 0.0. +
+All parameters are optional and default to the equivalent of the +string ’5:5:1.0:5:5:0.0’. +
+ +unsharp=luma_msize_x=7:luma_msize_y=7:luma_amount=2.5 +
unsharp=7:7:-2:7:7:-2 +
Decompose a video made of tiled images into the individual images. +
+The frame rate of the output video is the frame rate of the input video +multiplied by the number of tiles. +
+This filter does the reverse of tile. +
+The filter accepts the following options: +
+Set the grid size (i.e. the number of lines and columns). For the syntax of +this option, check the +(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual. +
ffmpeg -r 1 -i image.jpg -vf untile=1x25 movie.mkv +
Apply ultra slow/simple postprocessing filter that compresses and decompresses
+the image at several (or - in the case of quality level 8 - all)
+shifts and average the results.
+
The way this differs from the behavior of spp is that uspp actually encodes & +decodes each case with libavcodec Snow, whereas spp uses a simplified intra only 8x8 +DCT similar to MJPEG. +
+This filter is only available in ffmpeg version 4.4 or earlier. +
+The filter accepts the following options: +
+Set quality. This option defines the number of levels for averaging. It accepts
+an integer in the range 0-8. If set to 0, the filter will have no
+effect. A value of 8 means the higher quality. For each increment of
+that value the speed drops by a factor of approximately 2. Default value is
+3.
+
Force a constant quantization parameter. If not set, the filter will use the QP +from the video stream (if available). +
Convert 360 videos between various formats. +
+The filter accepts the following options: +
+Set format of the input/output video. +
+Available formats: +
+Equirectangular projection. +
+Cubemap with 3x2/6x1/1x6 layout. +
+Format specific options: +
+Set padding proportion for the input/output cubemap. Values in decimals. +
+Example values: +
No padding. +
1% of face is padding. For example, with 1920x1280 resolution face size would be 640x640 and padding would be 3 pixels from each side. (640 * 0.01 = 6 pixels) +
Default value is ‘0’. +Maximum value is ‘0.1’. +
+Set fixed padding for the input/output cubemap. Values in pixels. +
+Default value is ‘0’. If greater than zero it overrides other padding options. +
+Set order of faces for the input/output cubemap. Choose one direction for each position. +
+Designation of directions: +
right +
left +
up +
down +
forward +
back +
Default value is ‘rludfb’. +
+Set rotation of faces for the input/output cubemap. Choose one angle for each position. +
+Designation of angles: +
0 degrees clockwise +
90 degrees clockwise +
180 degrees clockwise +
270 degrees clockwise +
Default value is ‘000000’. +
Equi-Angular Cubemap. +
+Regular video. +
+Format specific options: +
Set output horizontal/vertical/diagonal field of view. Values in degrees. +
+If diagonal field of view is set it overrides horizontal and vertical field of view. +
+Set input horizontal/vertical/diagonal field of view. Values in degrees. +
+If diagonal field of view is set it overrides horizontal and vertical field of view. +
Dual fisheye. +
+Format specific options: +
Set output horizontal/vertical/diagonal field of view. Values in degrees. +
+If diagonal field of view is set it overrides horizontal and vertical field of view. +
+Set input horizontal/vertical/diagonal field of view. Values in degrees. +
+If diagonal field of view is set it overrides horizontal and vertical field of view. +
Facebook’s 360 formats. +
+Stereographic format. +
+Format specific options: +
Set output horizontal/vertical/diagonal field of view. Values in degrees. +
+If diagonal field of view is set it overrides horizontal and vertical field of view. +
+Set input horizontal/vertical/diagonal field of view. Values in degrees. +
+If diagonal field of view is set it overrides horizontal and vertical field of view. +
Mercator format. +
+Ball format, gives significant distortion toward the back. +
+Hammer-Aitoff map projection format. +
+Sinusoidal map projection format. +
+Fisheye projection. +
+Format specific options: +
Set output horizontal/vertical/diagonal field of view. Values in degrees. +
+If diagonal field of view is set it overrides horizontal and vertical field of view. +
+Set input horizontal/vertical/diagonal field of view. Values in degrees. +
+If diagonal field of view is set it overrides horizontal and vertical field of view. +
Pannini projection. +
+Format specific options: +
Set output pannini parameter. +
+Set input pannini parameter. +
Cylindrical projection. +
+Format specific options: +
Set output horizontal/vertical/diagonal field of view. Values in degrees. +
+If diagonal field of view is set it overrides horizontal and vertical field of view. +
+Set input horizontal/vertical/diagonal field of view. Values in degrees. +
+If diagonal field of view is set it overrides horizontal and vertical field of view. +
Perspective projection. (output only) +
+Format specific options: +
Set perspective parameter. +
Tetrahedron projection. +
+Truncated square pyramid projection. +
+Half equirectangular projection. +
+Equisolid format. +
+Format specific options: +
Set output horizontal/vertical/diagonal field of view. Values in degrees. +
+If diagonal field of view is set it overrides horizontal and vertical field of view. +
+Set input horizontal/vertical/diagonal field of view. Values in degrees. +
+If diagonal field of view is set it overrides horizontal and vertical field of view. +
Orthographic format. +
+Format specific options: +
Set output horizontal/vertical/diagonal field of view. Values in degrees. +
+If diagonal field of view is set it overrides horizontal and vertical field of view. +
+Set input horizontal/vertical/diagonal field of view. Values in degrees. +
+If diagonal field of view is set it overrides horizontal and vertical field of view. +
Octahedron projection. +
+Cylindrical Equal Area projection. +
Set interpolation method.
+Note: more complex interpolation methods require much more memory to run.
+
Available methods: +
+Nearest neighbour. +
Bilinear interpolation. +
Lagrange9 interpolation. +
Bicubic interpolation. +
Lanczos interpolation. +
Spline16 interpolation. +
Gaussian interpolation. +
Mitchell interpolation. +
Default value is ‘line’. +
+Set the output video resolution. +
+Default resolution depends on formats. +
+Set the input/output stereo format. +
+2D mono +
Side by side +
Top bottom +
Default value is ‘2d’ for input and output format. +
+Set rotation for the output video. Values in degrees. +
+Set rotation order for the output video. Choose one item for each position. +
+yaw +
pitch +
roll +
Default value is ‘ypr’. +
+Flip the output video horizontally(swaps left-right)/vertically(swaps up-down)/in-depth(swaps back-forward). Boolean values. +
+Set if input video is flipped horizontally/vertically. Boolean values. +
+Set if input video is transposed. Boolean value, by default disabled. +
+Set if output video needs to be transposed. Boolean value, by default disabled. +
+Set output horizontal/vertical off-axis offset. Default is set to 0. +Allowed range is from -1 to 1. +
+Build mask in alpha plane for all unmapped pixels by marking them fully transparent. Boolean value, by default disabled. +
+Reset rotation of output video. Boolean value, by default disabled. +
ffmpeg -i input.mkv -vf v360=e:c3x2:cubic:out_pad=0.01 output.mkv +
ffmpeg -i input.mkv -vf v360=eac:flat:yaw=180 output.mkv +
v360=eac:equirect:in_stereo=sbs:in_trans=1:ih_flip=1:out_stereo=tb +
This filter supports subset of above options as commands. +
+ +Apply a wavelet based denoiser. +
+It transforms each frame from the video input into the wavelet domain, +using Cohen-Daubechies-Feauveau 9/7. Then it applies some filtering to +the obtained coefficients. It does an inverse wavelet transform after. +Due to wavelet properties, it should give a nice smoothed result, and +reduced noise, without blurring picture features. +
+This filter accepts the following options: +
+The filtering strength. The higher, the more filtered the video will be. +Hard thresholding can use a higher threshold than soft thresholding +before the video looks overfiltered. Default value is 2. +
+The filtering method the filter will use. +
+It accepts the following values: +
All values under the threshold will be zeroed. +
+All values under the threshold will be zeroed. All values above will be +reduced by the threshold. +
+Scales or nullifies coefficients - intermediary between (more) soft and +(less) hard thresholding. +
Default is garrote. +
+Number of times, the wavelet will decompose the picture. Picture can’t +be decomposed beyond a particular point (typically, 8 for a 640x480 +frame - as 2^9 = 512 > 480). Valid values are integers between 1 and 32. Default value is 6. +
+Partial of full denoising (limited coefficients shrinking), from 0 to 100. Default value is 85. +
+A list of the planes to process. By default all planes are processed. +
+The threshold type the filter will use. +
+It accepts the following values: +
Threshold used is same for all decompositions. +
+Threshold used depends also on each decomposition coefficients. +
Default is universal. +
Apply variable blur filter by using 2nd video stream to set blur radius. +The 2nd stream must have the same dimensions. +
+This filter accepts the following options: +
+Set min allowed radius. Allowed range is from 0 to 254. Default is 0. +
Set max allowed radius. Allowed range is from 1 to 255. Default is 8. +
Set which planes to process. By default, all are used. +
The varblur filter also supports the framesync options.
+
This filter supports all the above options as commands. +
+ +Display 2 color component values in the two dimensional graph (which is called +a vectorscope). +
+This filter accepts the following options: +
+Set vectorscope mode. +
+It accepts the following values: +
Gray values are displayed on graph, higher brightness means more pixels have +same component color value on location in graph. This is the default mode. +
+Gray values are displayed on graph. Surrounding pixels values which are not
+present in video frame are drawn in gradient of 2 color components which are
+set by option x and y. The 3rd color component is static.
+
Actual color components values present in video frame are displayed on graph. +
+Similar as color2 but higher frequency of same values x and y
+on graph increases value of another color component, which is luminance by
+default values of x and y.
+
Actual colors present in video frame are displayed on graph. If two different +colors map to same position on graph then color with higher value of component +not present in graph is picked. +
+Gray values are displayed on graph. Similar to color but with 3rd color
+component picked from radial gradient.
+
Set which color component will be represented on X-axis. Default is 1.
+
Set which color component will be represented on Y-axis. Default is 2.
+
Set intensity, used by modes: gray, color, color3 and color5 for increasing brightness +of color component which represents frequency of (X, Y) location in graph. +
+No envelope, this is default. +
+Instant envelope, even darkest single pixel will be clearly highlighted. +
+Hold maximum and minimum values presented in graph over time. This way you +can still spot out of range values without constantly looking at vectorscope. +
+Peak and instant envelope combined together. +
Set what kind of graticule to draw. +
Set graticule opacity. +
+Set graticule flags. +
+Draw graticule for white point. +
+Draw graticule for black point. +
+Draw color points short names. +
Set background opacity. +
+Set low threshold for color component not represented on X or Y axis. +Values lower than this value will be ignored. Default is 0. +Note this value is multiplied with actual max possible value one pixel component +can have. So for 8-bit input and low threshold value of 0.1 actual threshold +is 0.1 * 255 = 25. +
+Set high threshold for color component not represented on X or Y axis. +Values higher than this value will be ignored. Default is 1. +Note this value is multiplied with actual max possible value one pixel component +can have. So for 8-bit input and high threshold value of 0.9 actual threshold +is 0.9 * 255 = 230. +
+Set what kind of colorspace to use when drawing graticule. +
Default is auto. +
+Set color tint for gray/tint vectorscope mode. By default both options are zero. +This means no tint, and output will remain gray. +
Analyze video stabilization/deshaking. Perform pass 1 of 2, see +vidstabtransform for pass 2. +
+This filter generates a file with relative translation and rotation +transform information about subsequent frames, which is then used by +the vidstabtransform filter. +
+To enable compilation of this filter you need to configure FFmpeg with
+--enable-libvidstab.
+
This filter accepts the following options: +
+Set the path to the file used to write the transforms information. +Default value is transforms.trf. +
+Set how shaky the video is and how quick the camera is. It accepts an +integer in the range 1-10, a value of 1 means little shakiness, a +value of 10 means strong shakiness. Default value is 5. +
+Set the accuracy of the detection process. It must be a value in the +range 1-15. A value of 1 means low accuracy, a value of 15 means high +accuracy. Default value is 15. +
+Set stepsize of the search process. The region around minimum is +scanned with 1 pixel resolution. Default value is 6. +
+Set minimum contrast. Below this value a local measurement field is +discarded. Must be a floating point value in the range 0-1. Default +value is 0.3. +
+Set reference frame number for tripod mode. +
+If enabled, the motion of the frames is compared to a reference frame +in the filtered stream, identified by the specified number. The idea +is to compensate all movements in a more-or-less static scene and keep +the camera view absolutely still. +
+If set to 0, it is disabled. The frames are counted starting from 1. +
+Show fields and transforms in the resulting frames. It accepts an +integer in the range 0-2. Default value is 0, which disables any +visualization. +
vidstabdetect +
vidstabdetect=shakiness=10:accuracy=15:result="mytransforms.trf" +
vidstabdetect=show=1 +
ffmpeg:
+ffmpeg -i input -vf vidstabdetect=shakiness=5:show=1 dummy.avi +
Video stabilization/deshaking: pass 2 of 2, +see vidstabdetect for pass 1. +
+Read a file with transform information for each frame and +apply/compensate them. Together with the vidstabdetect +filter this can be used to deshake videos. See also +http://public.hronopik.de/vid.stab. It is important to also use +the unsharp filter, see below. +
+To enable compilation of this filter you need to configure FFmpeg with
+--enable-libvidstab.
+
Set path to the file used to read the transforms. Default value is +transforms.trf. +
+Set the number of frames (value*2 + 1) used for lowpass filtering the +camera movements. Default value is 10. +
+For example a number of 10 means that 21 frames are used (10 in the +past and 10 in the future) to smoothen the motion in the video. A +larger value leads to a smoother video, but limits the acceleration of +the camera (pan/tilt movements). 0 is a special case where a static +camera is simulated. +
+Set the camera path optimization algorithm. +
+Accepted values are: +
gaussian kernel low-pass filter on camera motion (default) +
averaging on transformations +
Set maximal number of pixels to translate frames. Default value is -1, +meaning no limit. +
+Set maximal angle in radians (degree*PI/180) to rotate frames. Default +value is -1, meaning no limit. +
+Specify how to deal with borders that may be visible due to movement +compensation. +
+Available values are: +
keep image information from previous frame (default) +
fill the border black +
Invert transforms if set to 1. Default value is 0. +
+Consider transforms as relative to previous frame if set to 1, +absolute if set to 0. Default value is 0. +
+Set percentage to zoom. A positive value will result in a zoom-in +effect, a negative value in a zoom-out effect. Default value is 0 (no +zoom). +
+Set optimal zooming to avoid borders. +
+Accepted values are: +
disabled +
optimal static zoom value is determined (only very strong movements +will lead to visible borders) (default) +
optimal adaptive zoom value is determined (no borders will be +visible), see zoomspeed +
Note that the value given at zoom is added to the one calculated here. +
+Set percent to zoom maximally each frame (enabled when +optzoom is set to 2). Range is from 0 to 5, default value is +0.25. +
+Specify type of interpolation. +
+Available values are: +
no interpolation +
linear only horizontal +
linear in both directions (default) +
cubic in both directions (slow) +
Enable virtual tripod mode if set to 1, which is equivalent to
+relative=0:smoothing=0. Default value is 0.
+
Use also tripod option of vidstabdetect.
+
Increase log verbosity if set to 1. Also the detected global motions +are written to the temporary file global_motions.trf. Default +value is 0. +
ffmpeg for a typical stabilization with default values:
+ffmpeg -i inp.mpeg -vf vidstabtransform,unsharp=5:5:0.8:3:3:0.4 inp_stabilized.mpeg +
Note the use of the unsharp filter which is always recommended. +
+vidstabtransform=zoom=5:input="mytransforms.trf" +
vidstabtransform=smoothing=30 +
Flip the input video vertically. +
+For example, to vertically flip a video with ffmpeg:
+
ffmpeg -i in.avi -vf "vflip" out.avi +
Detect variable frame rate video. +
+This filter tries to detect if the input is variable or constant frame rate. +
+At end it will output number of frames detected as having variable delta pts, +and ones with constant delta pts. +If there was frames with variable delta, than it will also show min, max and +average delta encountered. +
+ +Boost or alter saturation. +
+The filter accepts the following options: +
Set strength of boost if positive value or strength of alter if negative value. +Default is 0. Allowed range is from -2 to 2. +
+Set the red balance. Default is 1. Allowed range is from -10 to 10. +
+Set the green balance. Default is 1. Allowed range is from -10 to 10. +
+Set the blue balance. Default is 1. Allowed range is from -10 to 10. +
+Set the red luma coefficient. +
+Set the green luma coefficient. +
+Set the blue luma coefficient. +
+If intensity is negative and this is set to 1, colors will change,
+otherwise colors will be less saturated, more towards gray.
+
This filter supports the all above options as commands. +
+ +Obtain the average VIF (Visual Information Fidelity) between two input videos. +
+This filter takes two input videos. +
+Both input videos must have the same resolution and pixel format for +this filter to work correctly. Also it assumes that both inputs +have the same number of frames, which are compared one by one. +
+The obtained average VIF score is printed through the logging system. +
+The filter stores the calculated VIF score of each frame. +
+In the below example the input file main.mpg being processed is compared +with the reference file ref.mpg. +
+ffmpeg -i main.mpg -i ref.mpg -lavfi vif -f null - +
Make or reverse a natural vignetting effect. +
+The filter accepts the following options: +
+Set lens angle expression as a number of radians. +
+The value is clipped in the [0,PI/2] range.
+
Default value: "PI/5"
+
Set center coordinates expressions. Respectively "w/2" and "h/2"
+by default.
+
Set forward/backward mode. +
+Available modes are: +
The larger the distance from the central point, the darker the image becomes. +
+The larger the distance from the central point, the brighter the image becomes. +This can be used to reverse a vignette effect, though there is no automatic +detection to extract the lens angle and other settings (yet). It can +also be used to create a burning effect. +
Default value is ‘forward’. +
+Set evaluation mode for the expressions (angle, x0, y0). +
+It accepts the following values: +
Evaluate expressions only once during the filter initialization. +
+Evaluate expressions for each incoming frame. This is way slower than the +‘init’ mode since it requires all the scalers to be re-computed, but it +allows advanced dynamic expressions. +
Default value is ‘init’. +
+Set dithering to reduce the circular banding effects. Default is 1
+(enabled).
+
Set vignette aspect. This setting allows one to adjust the shape of the vignette. +Setting this value to the SAR of the input will make a rectangular vignetting +following the dimensions of the video. +
+Default is 1/1.
+
The alpha, x0 and y0 expressions can contain the +following parameters. +
+input width and height +
+the number of input frame, starting from 0 +
+the PTS (Presentation TimeStamp) time of the filtered video frame, expressed in +TB units, NAN if undefined +
+frame rate of the input video, NAN if the input frame rate is unknown +
+the PTS (Presentation TimeStamp) of the filtered video frame, +expressed in seconds, NAN if undefined +
+time base of the input video +
vignette=PI/4 +
vignette='PI/4+random(1)*PI/50':eval=frame +
Obtain the average VMAF motion score of a video. +It is one of the component metrics of VMAF. +
+The obtained average motion score is printed through the logging system. +
+The filter accepts the following options: +
+If specified, the filter will use the named file to save the motion score of +each frame with respect to the previous frame. +When filename equals "-" the data is sent to standard output. +
Example: +
ffmpeg -i ref.mpg -vf vmafmotion -f null - +
Stack input videos vertically. +
+All streams must be of same pixel format and of same width. +
+Note that this filter is faster than using overlay and pad filter +to create same output. +
+The filter accepts the following options: +
+Set number of input streams. Default is 2. +
+If set to 1, force the output to terminate when the shortest input +terminates. Default value is 0. +
Deinterlace the input video ("w3fdif" stands for "Weston 3 Field +Deinterlacing Filter"). +
+Based on the process described by Martin Weston for BBC R&D, and +implemented based on the de-interlace algorithm written by Jim +Easterbrook for BBC R&D, the Weston 3 field deinterlacing filter +uses filter coefficients calculated by BBC R&D. +
+This filter uses field-dominance information in frame to decide which
+of each pair of fields to place first in the output.
+If it gets it wrong use setfield filter before w3fdif filter.
+
There are two sets of filter coefficients, so called "simple" +and "complex". Which set of filter coefficients is used can +be set by passing an optional parameter: +
+Set the interlacing filter coefficients. Accepts one of the following values: +
+Simple filter coefficient set. +
More-complex filter coefficient set. +
Default value is ‘complex’. +
+The interlacing mode to adopt. It accepts one of the following values: +
+Output one frame for each frame. +
Output one frame for each field. +
The default value is field.
+
The picture field parity assumed for the input interlaced video. It accepts one +of the following values: +
+Assume the top field is first. +
Assume the bottom field is first. +
Enable automatic detection of field parity. +
The default value is auto.
+If the interlacing is unknown or the decoder does not export this information,
+top field first will be assumed.
+
Specify which frames to deinterlace. Accepts one of the following values: +
+Deinterlace all frames, +
Only deinterlace frames marked as interlaced. +
Default value is ‘all’. +
This filter supports same commands as options. +
+ +Video waveform monitor. +
+The waveform monitor plots color component intensity. By default luminance +only. Each column of the waveform corresponds to a column of pixels in the +source video. +
+It accepts the following options: +
+Can be either row, or column. Default is column.
+In row mode, the graph on the left side represents color component value 0 and
+the right side represents value = 255. In column mode, the top side represents
+color component value = 0 and bottom side represents value = 255.
+
Set intensity. Smaller values are useful to find out how many values of the same
+luminance are distributed across input rows/columns.
+Default value is 0.04. Allowed range is [0, 1].
+
Set mirroring mode. 0 means unmirrored, 1 means mirrored.
+In mirrored mode, higher values will be represented on the left
+side for row mode and at the top for column mode. Default is
+1 (mirrored).
+
Set display mode. +It accepts the following values: +
Presents information identical to that in the parade, except
+that the graphs representing color components are superimposed directly
+over one another.
+
This display mode makes it easier to spot relative differences or similarities +in overlapping areas of the color components that are supposed to be identical, +such as neutral whites, grays, or blacks. +
+Display separate graph for the color components side by side in
+row mode or one below the other in column mode.
+
Display separate graph for the color components side by side in
+column mode or one below the other in row mode.
+
Using this display mode makes it easy to spot color casts in the highlights +and shadows of an image, by comparing the contours of the top and the bottom +graphs of each waveform. Since whites, grays, and blacks are characterized +by exactly equal amounts of red, green, and blue, neutral areas of the picture +should display three waveforms of roughly equal width/height. If not, the +correction is easy to perform by making level adjustments the three waveforms. +
Default is stack.
+
Set which color components to display. Default is 1, which means only luminance +or red color component if input is in RGB colorspace. If is set for example to +7 it will display all 3 (if) available color components. +
+No envelope, this is default. +
+Instant envelope, minimum and maximum values presented in graph will be easily
+visible even with small step value.
+
Hold minimum and maximum values presented in graph across time. This way you +can still spot out of range values without constantly looking at waveforms. +
+Peak and instant envelope combined together. +
No filtering, this is default. +
+Luma and chroma combined together. +
+Similar as above, but shows difference between blue and red chroma. +
+Similar as above, but use different colors. +
+Similar as above, but again with different colors. +
+Displays only chroma. +
+Displays actual color value on waveform. +
+Similar as above, but with luma showing frequency of chroma values. +
Set which graticule to display. +
+Do not display graticule. +
+Display green graticule showing legal broadcast ranges. +
+Display orange graticule showing legal broadcast ranges. +
+Display invert graticule showing legal broadcast ranges. +
Set graticule opacity. +
+Set graticule flags. +
+Draw numbers above lines. By default enabled. +
+Draw dots instead of lines. +
Set scale used for displaying graticule. +
+Default is digital. +
+Set background opacity. +
+Set tint for output. +Only used with lowpass filter and when display is not overlay and input +pixel formats are not RGB. +
+Set sample aspect ratio of video output frames. +Can be used to configure waveform so it is not +streched too much in one of directions. +
+Set sample aspect ration to 1/1. +
Set sample aspect ratio to match input size of video +
Default is ‘none’. +
The weave takes a field-based video input and join
+each two sequential fields into single frame, producing a new double
+height clip with half the frame rate and half the frame count.
+
The doubleweave works same as weave but without
+halving frame rate and frame count.
+
It accepts the following option: +
+Set first field. Available values are: +
+Set the frame as top-field-first. +
+Set the frame as bottom-field-first. +
separatefields,select=eq(mod(n,4),0)+eq(mod(n,4),3),weave +
Apply the xBR high-quality magnification filter which is designed for pixel +art. It follows a set of edge-detection rules, see +https://forums.libretro.com/t/xbr-algorithm-tutorial/123. +
+It accepts the following option: +
+Set the scaling dimension: 2 for 2xBR, 3 for
+3xBR and 4 for 4xBR.
+Default is 3.
+
Apply normalized cross-correlation between first and second input video stream. +
+Second input video stream dimensions must be lower than first input video stream. +
+The filter accepts the following options: +
+Set which planes to process. +
+Set which secondary video frames will be processed from second input video stream, +can be first or all. Default is all. +
The xcorrelate filter also supports the framesync options.
+
Apply cross fade from one input video stream to another input video stream. +The cross fade is applied for specified duration. +
+Both inputs must be constant frame-rate and have the same resolution, pixel format, +frame rate and timebase. +
+The filter accepts the following options: +
+Set one of available transition effects: +
+Default transition effect is fade. +
+Set cross fade duration in seconds. +Range is 0 to 60 seconds. +Default duration is 1 second. +
+Set cross fade start relative to first input stream in seconds. +Default offset is 0. +
+Set expression for custom transition effect. +
+The expressions can use the following variables and functions: +
+The coordinates of the current sample. +
+The width and height of the image. +
+Progress of transition effect. +
+Currently processed plane. +
+Return value of first input at current location and plane. +
+Return value of second input at current location and plane. +
+Return the value of the pixel at location (x,y) of the +first/second/third/fourth component of first input. +
+Return the value of the pixel at location (x,y) of the +first/second/third/fourth component of second input. +
ffmpeg -i first.mp4 -i second.mp4 -filter_complex xfade=transition=fade:duration=2:offset=5 output.mp4 +
Pick median pixels from several input videos. +
+The filter accepts the following options: +
+Set number of inputs. +Default is 3. Allowed range is from 3 to 255. +If number of inputs is even number, than result will be mean value between two median values. +
+Set which planes to filter. Default value is 15, by which all planes are processed.
+
Set median percentile. Default value is 0.5.
+Default value of 0.5 will pick always median values, while 0 will pick
+minimum values, and 1 maximum values.
+
This filter supports all above options as commands, excluding option inputs.
+
Stack video inputs into custom layout. +
+All streams must be of same pixel format. +
+The filter accepts the following options: +
+Set number of input streams. Default is 2. +
+Specify layout of inputs. +This option requires the desired layout configuration to be explicitly set by the user. +This sets position of each video input in output. Each input +is separated by ’|’. +The first number represents the column, and the second number represents the row. +Numbers start at 0 and are separated by ’_’. Optionally one can use wX and hX, +where X is video input from which to take width or height. +Multiple values can be used when separated by ’+’. In such +case values are summed together. +
+Note that if inputs are of different sizes gaps may appear, as not all of +the output video frame will be filled. Similarly, videos can overlap each +other if their position doesn’t leave enough space for the full frame of +adjoining videos. +
+For 2 inputs, a default layout of 0_0|w0_0 (equivalent to
+grid=2x1) is set. In all other cases, a layout or a grid must be set by
+the user. Either grid or layout can be specified at a time.
+Specifying both will result in an error.
+
Specify a fixed size grid of inputs.
+This option is used to create a fixed size grid of the input streams. Set the
+grid size in the form COLUMNSxROWS. There must be ROWS * COLUMNS
+input streams and they will be arranged as a grid with ROWS rows and
+COLUMNS columns. When using this option, each input stream within a row
+must have the same height and all the rows must have the same width.
+
If grid is set, then inputs option is ignored and is implicitly
+set to ROWS * COLUMNS.
+
For 2 inputs, a default grid of 2x1 (equivalent to
+layout=0_0|w0_0) is set. In all other cases, a layout or a grid must be
+set by the user. Either grid or layout can be specified at a time.
+Specifying both will result in an error.
+
If set to 1, force the output to terminate when the shortest input +terminates. Default value is 0. +
+If set to valid color, all unused pixels will be filled with that color. +By default fill is set to none, so it is disabled. +
Layout: +
input1(0, 0) | input3(w0, 0) +input2(0, h0) | input4(w0, h0) +
xstack=inputs=4:layout=0_0|0_h0|w0_0|w0_h0 +
Note that if inputs are of different sizes, gaps or overlaps may occur. +
+Layout: +
input1(0, 0) +input2(0, h0) +input3(0, h0+h1) +input4(0, h0+h1+h2) +
xstack=inputs=4:layout=0_0|0_h0|0_h0+h1|0_h0+h1+h2 +
Note that if inputs are of different widths, unused space will appear. +
+Layout: +
input1(0, 0) | input4(w0, 0) | input7(w0+w3, 0) +input2(0, h0) | input5(w0, h0) | input8(w0+w3, h0) +input3(0, h0+h1) | input6(w0, h0+h1) | input9(w0+w3, h0+h1) +
xstack=inputs=9:layout=0_0|0_h0|0_h0+h1|w0_0|w0_h0|w0_h0+h1|w0+w3_0|w0+w3_h0|w0+w3_h0+h1 +
Note that if inputs are of different sizes, gaps or overlaps may occur. +
+Layout: +
input1(0, 0) | input5(w0, 0) | input9 (w0+w4, 0) | input13(w0+w4+w8, 0) +input2(0, h0) | input6(w0, h0) | input10(w0+w4, h0) | input14(w0+w4+w8, h0) +input3(0, h0+h1) | input7(w0, h0+h1) | input11(w0+w4, h0+h1) | input15(w0+w4+w8, h0+h1) +input4(0, h0+h1+h2)| input8(w0, h0+h1+h2)| input12(w0+w4, h0+h1+h2)| input16(w0+w4+w8, h0+h1+h2) +
xstack=inputs=16:layout=0_0|0_h0|0_h0+h1|0_h0+h1+h2|w0_0|w0_h0|w0_h0+h1|w0_h0+h1+h2|w0+w4_0| +w0+w4_h0|w0+w4_h0+h1|w0+w4_h0+h1+h2|w0+w4+w8_0|w0+w4+w8_h0|w0+w4+w8_h0+h1|w0+w4+w8_h0+h1+h2 +
Note that if inputs are of different sizes, gaps or overlaps may occur. +
+Deinterlace the input video ("yadif" means "yet another deinterlacing +filter"). +
+It accepts the following parameters: +
+ +The interlacing mode to adopt. It accepts one of the following values: +
+Output one frame for each frame. +
Output one frame for each field. +
Like send_frame, but it skips the spatial interlacing check.
+
Like send_field, but it skips the spatial interlacing check.
+
The default value is send_frame.
+
The picture field parity assumed for the input interlaced video. It accepts one +of the following values: +
+Assume the top field is first. +
Assume the bottom field is first. +
Enable automatic detection of field parity. +
The default value is auto.
+If the interlacing is unknown or the decoder does not export this information,
+top field first will be assumed.
+
Specify which frames to deinterlace. Accepts one of the following +values: +
+Deinterlace all frames. +
Only deinterlace frames marked as interlaced. +
The default value is all.
+
Deinterlace the input video using the yadif algorithm, but implemented +in CUDA so that it can work as part of a GPU accelerated pipeline with nvdec +and/or nvenc. +
+It accepts the following parameters: +
+ +The interlacing mode to adopt. It accepts one of the following values: +
+Output one frame for each frame. +
Output one frame for each field. +
Like send_frame, but it skips the spatial interlacing check.
+
Like send_field, but it skips the spatial interlacing check.
+
The default value is send_frame.
+
The picture field parity assumed for the input interlaced video. It accepts one +of the following values: +
+Assume the top field is first. +
Assume the bottom field is first. +
Enable automatic detection of field parity. +
The default value is auto.
+If the interlacing is unknown or the decoder does not export this information,
+top field first will be assumed.
+
Specify which frames to deinterlace. Accepts one of the following +values: +
+Deinterlace all frames. +
Only deinterlace frames marked as interlaced. +
The default value is all.
+
Apply blur filter while preserving edges ("yaepblur" means "yet another edge preserving blur filter"). +The algorithm is described in +"J. S. Lee, Digital image enhancement and noise filtering by use of local statistics, IEEE Trans. Pattern Anal. Mach. Intell. PAMI-2, 1980." +
+It accepts the following parameters: +
+Set the window radius. Default value is 3. +
+Set which planes to filter. Default is only the first plane. +
+Set blur strength. Default value is 128. +
This filter supports same commands as options. +
+ +Apply Zoom & Pan effect. +
+This filter accepts the following options: +
+Set the zoom expression. Range is 1-10. Default is 1. +
+Set the x and y expression. Default is 0. +
+Set the duration expression in number of frames. +This sets for how many number of frames effect will last for +single input image. Default is 90. +
+Set the output image size, default is ’hd720’. +
+Set the output frame rate, default is ’25’. +
Each expression can contain the following constants: +
+Input width. +
+Input height. +
+Output width. +
+Output height. +
+Input frame count. +
+Output frame count. +
+The input timestamp expressed in seconds. It’s NAN if the input timestamp is unknown. +
+The output timestamp expressed in seconds. +
+Last calculated ’x’ and ’y’ position from ’x’ and ’y’ expression +for current input frame. +
+’x’ and ’y’ of last output frame of previous input frame or 0 when there was +not yet such frame (first input frame). +
+Last calculated zoom from ’z’ expression for current input frame. +
+Last calculated zoom of last output frame of previous input frame. +
+Number of output frames for current input frame. Calculated from ’d’ expression +for each input frame. +
+number of output frames created for previous input frame +
+Rational number: input width / input height +
+sample aspect ratio +
+display aspect ratio +
+zoompan=z='min(zoom+0.0015,1.5)':d=700:x='if(gte(zoom,1.5),x,x+1/a)':y='if(gte(zoom,1.5),y,y+1)':s=640x360 +
zoompan=z='min(zoom+0.0015,1.5)':d=700:x='iw/2-(iw/zoom/2)':y='ih/2-(ih/zoom/2)' +
zoompan=z='min(max(zoom,pzoom)+0.0015,1.5)':d=1:x='iw/2-(iw/zoom/2)':y='ih/2-(ih/zoom/2)' +
zoompan=z='if(between(in_time,0,1),2,1)':d=1:x='iw/2-(iw/zoom/2)':y='ih/2-(ih/zoom/2)' +
Scale (resize) the input video, using the z.lib library:
+https://github.com/sekrit-twc/zimg. To enable compilation of this
+filter, you need to configure FFmpeg with --enable-libzimg.
+
The zscale filter forces the output display aspect ratio to be the same +as the input, by changing the output sample aspect ratio. +
+If the input image format is different from the format requested by +the next filter, the zscale filter will convert the input to the +requested format. +
+ +The filter accepts the following options. +
+Set the output video dimension expression. Default value is the input +dimension. +
+If the width or w value is 0, the input width is used for +the output. If the height or h value is 0, the input height +is used for the output. +
+If one and only one of the values is -n with n >= 1, the zscale filter +will use a value that maintains the aspect ratio of the input image, +calculated from the other specified dimension. After that it will, +however, make sure that the calculated dimension is divisible by n and +adjust the value if necessary. +
+If both values are -n with n >= 1, the behavior will be identical to +both values being set to 0 as previously detailed. +
+See below for the list of accepted constants for use in the dimension +expression. +
+Set the video size. For the syntax of this option, check the +(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual. +
+Set the dither type. +
+Possible values are: +
Default is none. +
+Set the resize filter type. +
+Possible values are: +
Default is bilinear. +
+Set the color range. +
+Possible values are: +
Default is same as input. +
+Set the color primaries. +
+Possible values are: +
Default is same as input. +
+Set the transfer characteristics. +
+Possible values are: +
Default is same as input. +
+Set the colorspace matrix. +
+Possible value are: +
Default is same as input. +
+Set the input color range. +
+Possible values are: +
Default is same as input. +
+Set the input color primaries. +
+Possible values are: +
Default is same as input. +
+Set the input transfer characteristics. +
+Possible values are: +
Default is same as input. +
+Set the input colorspace matrix. +
+Possible value are: +
Set the output chroma location. +
+Possible values are: +
Set the input chroma location. +
+Possible values are: +
Set the nominal peak luminance. +
+Parameter A for scaling filters. Parameter "b" for bicubic, and the number of +filter taps for lanczos. +
+Parameter B for scaling filters. Parameter "c" for bicubic. +
The values of the w and h options are expressions +containing the following constants: +
+The input width and height +
+These are the same as in_w and in_h. +
+The output (scaled) width and height +
+These are the same as out_w and out_h +
+The same as iw / ih +
+input sample aspect ratio +
+The input display aspect ratio. Calculated from (iw / ih) * sar.
+
horizontal and vertical input chroma subsample values. For example for the +pixel format "yuv422p" hsub is 2 and vsub is 1. +
+horizontal and vertical output chroma subsample values. For example for the +pixel format "yuv422p" hsub is 2 and vsub is 1. +
This filter supports the following commands: +
Set the output video dimension expression. +The command accepts the same syntax of the corresponding option. +
+If the specified expression is not valid, it is kept at its current +value. +
Below is a description of the currently available OpenCL video filters. +
+To enable compilation of these filters you need to configure FFmpeg with
+--enable-opencl.
+
Running OpenCL filters requires you to initialize a hardware device and to pass that device to all filters in any filter graph. +
Initialise a new hardware device of type opencl called name, using the +given device parameters. +
+Pass the hardware device called name to all filters in any filter graph. +
+For more detailed information see https://www.ffmpeg.org/ffmpeg.html#Advanced-Video-options +
+-init_hw_device opencl=gpu:1.0 -filter_hw_device gpu -i INPUT -vf "hwupload, avgblur_opencl, hwdownload" OUTPUT +
Since OpenCL filters are not able to access frame data in normal memory, all frame data needs to be uploaded(hwupload) to hardware surfaces connected to the appropriate device before being used and then downloaded(hwdownload) back to normal memory. Note that hwupload will upload to a surface with the same layout as the software frame, so it may be necessary to add a format filter immediately before to get the input into the right format and hwdownload does not support all formats on the output - it may be necessary to insert an additional format filter immediately following in the graph to get the output in a supported format. +
+ +Apply average blur filter. +
+The filter accepts the following options: +
+Set horizontal radius size.
+Range is [1, 1024] and default value is 1.
+
Set which planes to filter. Default value is 0xf, by which all planes are processed.
+
Set vertical radius size. Range is [1, 1024] and default value is 0. If zero, sizeX value will be used.
+
-i INPUT -vf "hwupload, avgblur_opencl=3, hwdownload" OUTPUT +
Apply a boxblur algorithm to the input video. +
+It accepts the following parameters: +
+A description of the accepted options follows. +
+Set an expression for the box radius in pixels used for blurring the +corresponding input plane. +
+The radius value must be a non-negative number, and must not be
+greater than the value of the expression min(w,h)/2 for the
+luma and alpha planes, and of min(cw,ch)/2 for the chroma
+planes.
+
Default value for luma_radius is "2". If not specified, +chroma_radius and alpha_radius default to the +corresponding value set for luma_radius. +
+The expressions can contain the following constants: +
The input width and height in pixels. +
+The input chroma image width and height in pixels. +
+The horizontal and vertical chroma subsample values. For example, for the +pixel format "yuv422p", hsub is 2 and vsub is 1. +
Specify how many times the boxblur filter is applied to the +corresponding plane. +
+Default value for luma_power is 2. If not specified, +chroma_power and alpha_power default to the +corresponding value set for luma_power. +
+A value of 0 will disable the effect. +
Apply boxblur filter, setting each pixel of the output to the average value of box-radiuses luma_radius, chroma_radius, alpha_radius for each plane respectively. The filter will apply luma_power, chroma_power, alpha_power times onto the corresponding plane. For pixels on the edges of the image, the radius does not extend beyond the image boundaries, and so out-of-range coordinates are not used in the calculations. +
+-i INPUT -vf "hwupload, boxblur_opencl=luma_radius=2:luma_power=3, hwdownload" OUTPUT +-i INPUT -vf "hwupload, boxblur_opencl=2:3, hwdownload" OUTPUT +
For the luma plane, a 2x2 box radius will be run once. +
+For the chroma plane, a 4x4 box radius will be run 5 times. +
+For the alpha plane, a 3x3 box radius will be run 7 times. +
-i INPUT -vf "hwupload, boxblur_opencl=2:1:4:5:3:7, hwdownload" OUTPUT +
RGB colorspace color keying. +
+The filter accepts the following options: +
+The color which will be replaced with transparency. +
+Similarity percentage with the key color. +
+0.01 matches only the exact key color, while 1.0 matches everything. +
+Blend percentage. +
+0.0 makes pixels either fully transparent, or not transparent at all. +
+Higher values result in semi-transparent pixels, with a higher transparency +the more similar the pixels color is to the key color. +
-i INPUT -vf "hwupload, colorkey_opencl=green:0.3:0.1, hwdownload" OUTPUT +
Apply convolution of 3x3, 5x5, 7x7 matrix. +
+The filter accepts the following options: +
+Set matrix for each plane.
+Matrix is sequence of 9, 25 or 49 signed numbers.
+Default value for each plane is 0 0 0 0 1 0 0 0 0.
+
Set multiplier for calculated value for each plane.
+If unset or 0, it will be sum of all matrix elements.
+The option value must be a float number greater or equal to 0.0. Default value is 1.0.
+
Set bias for each plane. This value is added to the result of the multiplication.
+Useful for making the overall image brighter or darker.
+The option value must be a float number greater or equal to 0.0. Default value is 0.0.
+
-i INPUT -vf "hwupload, convolution_opencl=0 -1 0 -1 5 -1 0 -1 0:0 -1 0 -1 5 -1 0 -1 0:0 -1 0 -1 5 -1 0 -1 0:0 -1 0 -1 5 -1 0 -1 0, hwdownload" OUTPUT +
-i INPUT -vf "hwupload, convolution_opencl=1 1 1 1 1 1 1 1 1:1 1 1 1 1 1 1 1 1:1 1 1 1 1 1 1 1 1:1 1 1 1 1 1 1 1 1:1/9:1/9:1/9:1/9, hwdownload" OUTPUT +
-i INPUT -vf "hwupload, convolution_opencl=0 0 0 -1 1 0 0 0 0:0 0 0 -1 1 0 0 0 0:0 0 0 -1 1 0 0 0 0:0 0 0 -1 1 0 0 0 0:5:1:1:1:0:128:128:128, hwdownload" OUTPUT +
-i INPUT -vf "hwupload, convolution_opencl=0 1 0 1 -4 1 0 1 0:0 1 0 1 -4 1 0 1 0:0 1 0 1 -4 1 0 1 0:0 1 0 1 -4 1 0 1 0:5:5:5:1:0:128:128:128, hwdownload" OUTPUT +
-i INPUT -vf "hwupload, convolution_opencl=1 1 1 1 -8 1 1 1 1:1 1 1 1 -8 1 1 1 1:1 1 1 1 -8 1 1 1 1:1 1 1 1 -8 1 1 1 1:5:5:5:1:0:128:128:0, hwdownload" OUTPUT +
-i INPUT -vf "hwupload, convolution_opencl=-2 -1 0 -1 1 1 0 1 2:-2 -1 0 -1 1 1 0 1 2:-2 -1 0 -1 1 1 0 1 2:-2 -1 0 -1 1 1 0 1 2, hwdownload" OUTPUT +
Apply erosion effect to the video. +
+This filter replaces the pixel by the local(3x3) minimum. +
+It accepts the following options: +
+Limit the maximum change for each plane. Range is [0, 65535] and default value is 65535.
+If 0, plane will remain unchanged.
+
Flag which specifies the pixel to refer to.
+Range is [0, 255] and default value is 255, i.e. all eight pixels are used.
+
Flags to local 3x3 coordinates region centered on x:
+
1 2 3 +
+4 x 5 +
+6 7 8 +
-i INPUT -vf "hwupload, erosion_opencl=30:40:50:coordinates=231, hwdownload" OUTPUT +
Feature-point based video stabilization filter. +
+The filter accepts the following options: +
+Simulates a tripod by preventing any camera movement whatsoever from the original frame. Defaults to 0.
+
Whether or not additional debug info should be displayed, both in the processed output and in the console. +
+Note that in order to see console debug output you will also need to pass -v verbose to ffmpeg.
+
Viewing point matches in the output video is only supported for RGB input. +
+Defaults to 0.
+
Whether or not to do a tiny bit of cropping at the borders to cut down on the amount of mirrored pixels. +
+Defaults to 1.
+
Whether or not feature points should be refined at a sub-pixel level. +
+This can be turned off for a slight performance gain at the cost of precision. +
+Defaults to 1.
+
The strength of the smoothing applied to the camera path from 0.0 to 1.0.
+
1.0 is the maximum smoothing strength while values less than that result in less smoothing.
+
0.0 causes the filter to adaptively choose a smoothing strength on a per-frame basis.
+
Defaults to 0.0.
+
Controls the size of the smoothing window (the number of frames buffered to determine motion information from). +
+The size of the smoothing window is determined by multiplying the framerate of the video by this number. +
+Acceptable values range from 0.1 to 10.0.
+
Larger values increase the amount of motion data available for determining how to smooth the camera path, +potentially improving smoothness, but also increase latency and memory usage. +
+Defaults to 2.0.
+
-i INPUT -vf "hwupload, deshake_opencl=smooth_strength=0.5, hwdownload" OUTPUT +
-i INPUT -filter_complex "[0:v]format=rgba, hwupload, deshake_opencl=debug=1, hwdownload, format=rgba, format=yuv420p" -v verbose OUTPUT +
Apply dilation effect to the video. +
+This filter replaces the pixel by the local(3x3) maximum. +
+It accepts the following options: +
+Limit the maximum change for each plane. Range is [0, 65535] and default value is 65535.
+If 0, plane will remain unchanged.
+
Flag which specifies the pixel to refer to.
+Range is [0, 255] and default value is 255, i.e. all eight pixels are used.
+
Flags to local 3x3 coordinates region centered on x:
+
1 2 3 +
+4 x 5 +
+6 7 8 +
-i INPUT -vf "hwupload, dilation_opencl=30:40:50:coordinates=231, hwdownload" OUTPUT +
Non-local Means denoise filter through OpenCL, this filter accepts same options as nlmeans. +
+ +Overlay one video on top of another. +
+It takes two inputs and has one output. The first input is the "main" video on which the second input is overlaid. +This filter requires same memory layout for all the inputs. So, format conversion may be needed. +
+The filter accepts the following options: +
+Set the x coordinate of the overlaid video on the main video.
+Default value is 0.
+
Set the y coordinate of the overlaid video on the main video.
+Default value is 0.
+
-i INPUT -i LOGO -filter_complex "[0:v]hwupload[a], [1:v]format=yuv420p, hwupload[b], [a][b]overlay_opencl, hwdownload" OUTPUT +
-i INPUT -i LOGO -filter_complex "[0:v]hwupload[a], [1:v]format=yuva420p, hwupload[b], [a][b]overlay_opencl, hwdownload" OUTPUT +
Add paddings to the input image, and place the original input at the +provided x, y coordinates. +
+It accepts the following options: +
+Specify an expression for the size of the output image with the +paddings added. If the value for width or height is 0, the +corresponding input size is used for the output. +
+The width expression can reference the value set by the +height expression, and vice versa. +
+The default value of width and height is 0. +
+Specify the offsets to place the input image at within the padded area, +with respect to the top/left border of the output image. +
+The x expression can reference the value set by the y +expression, and vice versa. +
+The default value of x and y is 0. +
+If x or y evaluate to a negative number, they’ll be changed +so the input image is centered on the padded area. +
+Specify the color of the padded area. For the syntax of this option, +check the (ffmpeg-utils)"Color" section in the ffmpeg-utils +manual. +
+Pad to an aspect instead to a resolution. +
The value for the width, height, x, and y +options are expressions containing the following constants: +
+The input video width and height. +
+These are the same as in_w and in_h. +
+The output width and height (the size of the padded area), as +specified by the width and height expressions. +
+These are the same as out_w and out_h. +
+The x and y offsets as specified by the x and y +expressions, or NAN if not yet specified. +
+same as iw / ih +
+input sample aspect ratio +
+input display aspect ratio, it is the same as (iw / ih) * sar +
Apply the Prewitt operator (https://en.wikipedia.org/wiki/Prewitt_operator) to input video stream. +
+The filter accepts the following option: +
+Set which planes to filter. Default value is 0xf, by which all planes are processed.
+
Set value which will be multiplied with filtered result.
+Range is [0.0, 65535] and default value is 1.0.
+
Set value which will be added to filtered result.
+Range is [-65535, 65535] and default value is 0.0.
+
-i INPUT -vf "hwupload, prewitt_opencl=scale=2:delta=10, hwdownload" OUTPUT +
Filter video using an OpenCL program. +
+OpenCL program source file. +
+Kernel name in program. +
+Number of inputs to the filter. Defaults to 1. +
+Size of output frames. Defaults to the same as the first input. +
+The program_opencl filter also supports the framesync options.
+
The program source file must contain a kernel function with the given name, +which will be run once for each plane of the output. Each run on a plane +gets enqueued as a separate 2D global NDRange with one work-item for each +pixel to be generated. The global ID offset for each work-item is therefore +the coordinates of a pixel in the destination image. +
+The kernel function needs to take the following arguments: +
This image will become the output; the kernel should write all of it. +
This is a counter starting from zero and increasing by one for each frame. +
These are the most recent images on each input. The kernel may read from +them to generate the output, but they can’t be written to. +
Example programs: +
+__kernel void copy(__write_only image2d_t destination,
+ unsigned int index,
+ __read_only image2d_t source)
+{
+ const sampler_t sampler = CLK_NORMALIZED_COORDS_FALSE;
+
+ int2 location = (int2)(get_global_id(0), get_global_id(1));
+
+ float4 value = read_imagef(source, sampler, location);
+
+ write_imagef(destination, location, value);
+}
+
+__kernel void rotate_image(__write_only image2d_t dst,
+ unsigned int index,
+ __read_only image2d_t src)
+{
+ const sampler_t sampler = (CLK_NORMALIZED_COORDS_FALSE |
+ CLK_FILTER_LINEAR);
+
+ float angle = (float)index / 100.0f;
+
+ float2 dst_dim = convert_float2(get_image_dim(dst));
+ float2 src_dim = convert_float2(get_image_dim(src));
+
+ float2 dst_cen = dst_dim / 2.0f;
+ float2 src_cen = src_dim / 2.0f;
+
+ int2 dst_loc = (int2)(get_global_id(0), get_global_id(1));
+
+ float2 dst_pos = convert_float2(dst_loc) - dst_cen;
+ float2 src_pos = {
+ cos(angle) * dst_pos.x - sin(angle) * dst_pos.y,
+ sin(angle) * dst_pos.x + cos(angle) * dst_pos.y
+ };
+ src_pos = src_pos * src_dim / dst_dim;
+
+ float2 src_loc = src_pos + src_cen;
+
+ if (src_loc.x < 0.0f || src_loc.y < 0.0f ||
+ src_loc.x > src_dim.x || src_loc.y > src_dim.y)
+ write_imagef(dst, dst_loc, 0.5f);
+ else
+ write_imagef(dst, dst_loc, read_imagef(src, sampler, src_loc));
+}
+
+__kernel void blend_images(__write_only image2d_t dst,
+ unsigned int index,
+ __read_only image2d_t src1,
+ __read_only image2d_t src2)
+{
+ const sampler_t sampler = (CLK_NORMALIZED_COORDS_FALSE |
+ CLK_FILTER_LINEAR);
+
+ float blend = (cos((float)index / 50.0f) + 1.0f) / 2.0f;
+
+ int2 dst_loc = (int2)(get_global_id(0), get_global_id(1));
+ int2 src1_loc = dst_loc * get_image_dim(src1) / get_image_dim(dst);
+ int2 src2_loc = dst_loc * get_image_dim(src2) / get_image_dim(dst);
+
+ float4 val1 = read_imagef(src1, sampler, src1_loc);
+ float4 val2 = read_imagef(src2, sampler, src2_loc);
+
+ write_imagef(dst, dst_loc, val1 * blend + val2 * (1.0f - blend));
+}
+
+Remap pixels using 2nd: Xmap and 3rd: Ymap input video stream. +
+Destination pixel at position (X, Y) will be picked from source (x, y) position +where x = Xmap(X, Y) and y = Ymap(X, Y). If mapping values are out of range, zero +value for pixel will be used for destination pixel. +
+Xmap and Ymap input video streams must be of same dimensions. Output video stream +will have Xmap/Ymap video stream dimensions. +Xmap and Ymap input video streams are 32bit float pixel format, single channel. +
+Specify interpolation used for remapping of pixels.
+Allowed values are near and linear.
+Default value is linear.
+
Specify the color of the unmapped pixels. For the syntax of this option,
+check the (ffmpeg-utils)"Color" section in the ffmpeg-utils
+manual. Default color is black.
+
Apply the Roberts cross operator (https://en.wikipedia.org/wiki/Roberts_cross) to input video stream. +
+The filter accepts the following option: +
+Set which planes to filter. Default value is 0xf, by which all planes are processed.
+
Set value which will be multiplied with filtered result.
+Range is [0.0, 65535] and default value is 1.0.
+
Set value which will be added to filtered result.
+Range is [-65535, 65535] and default value is 0.0.
+
-i INPUT -vf "hwupload, roberts_opencl=scale=2:delta=10, hwdownload" OUTPUT +
Apply the Sobel operator (https://en.wikipedia.org/wiki/Sobel_operator) to input video stream. +
+The filter accepts the following option: +
+Set which planes to filter. Default value is 0xf, by which all planes are processed.
+
Set value which will be multiplied with filtered result.
+Range is [0.0, 65535] and default value is 1.0.
+
Set value which will be added to filtered result.
+Range is [-65535, 65535] and default value is 0.0.
+
-i INPUT -vf "hwupload, sobel_opencl=scale=2:delta=10, hwdownload" OUTPUT +
Perform HDR(PQ/HLG) to SDR conversion with tone-mapping. +
+It accepts the following parameters: +
+Specify the tone-mapping operator to be used. Same as tonemap option in tonemap. +
+Tune the tone mapping algorithm. same as param option in tonemap. +
+Apply desaturation for highlights that exceed this level of brightness. The +higher the parameter, the more color information will be preserved. This +setting helps prevent unnaturally blown-out colors for super-highlights, by +(smoothly) turning into white instead. This makes images feel more natural, +at the cost of reducing information about out-of-range colors. +
+The default value is 0.5, and the algorithm here is a little different from +the cpu version tonemap currently. A setting of 0.0 disables this option. +
+The tonemapping algorithm parameters is fine-tuned per each scene. And a threshold +is used to detect whether the scene has changed or not. If the distance between +the current frame average brightness and the current running average exceeds +a threshold value, we would re-calculate scene average and peak brightness. +The default value is 0.2. +
+Specify the output pixel format. +
+Currently supported formats are: +
Set the output color range. +
+Possible values are: +
Default is same as input. +
+Set the output color primaries. +
+Possible values are: +
Default is same as input. +
+Set the output transfer characteristics. +
+Possible values are: +
Default is bt709. +
+Set the output colorspace matrix. +
+Possible value are: +
Default is same as input. +
+-i INPUT -vf "format=p010,hwupload,tonemap_opencl=t=bt2020:tonemap=linear:format=p010,hwdownload,format=p010" OUTPUT +
Sharpen or blur the input video. +
+It accepts the following parameters: +
+Set the luma matrix horizontal size.
+Range is [1, 23] and default value is 5.
+
Set the luma matrix vertical size.
+Range is [1, 23] and default value is 5.
+
Set the luma effect strength.
+Range is [-10, 10] and default value is 1.0.
+
Negative values will blur the input video, while positive values will +sharpen it, a value of zero will disable the effect. +
+Set the chroma matrix horizontal size.
+Range is [1, 23] and default value is 5.
+
Set the chroma matrix vertical size.
+Range is [1, 23] and default value is 5.
+
Set the chroma effect strength.
+Range is [-10, 10] and default value is 0.0.
+
Negative values will blur the input video, while positive values will +sharpen it, a value of zero will disable the effect. +
+All parameters are optional and default to the equivalent of the +string ’5:5:1.0:5:5:0.0’. +
+ +-i INPUT -vf "hwupload, unsharp_opencl=luma_msize_x=7:luma_msize_y=7:luma_amount=2.5, hwdownload" OUTPUT +
-i INPUT -vf "hwupload, unsharp_opencl=7:7:-2:7:7:-2, hwdownload" OUTPUT +
Cross fade two videos with custom transition effect by using OpenCL. +
+It accepts the following options: +
+Set one of possible transition effects. +
+Select custom transition effect, the actual transition description +will be picked from source and kernel options. +
+Default transition is fade. +
OpenCL program source file for custom transition. +
+Set name of kernel to use for custom transition from program source file. +
+Set duration of video transition. +
+Set time of start of transition relative to first video. +
The program source file must contain a kernel function with the given name, +which will be run once for each plane of the output. Each run on a plane +gets enqueued as a separate 2D global NDRange with one work-item for each +pixel to be generated. The global ID offset for each work-item is therefore +the coordinates of a pixel in the destination image. +
+The kernel function needs to take the following arguments: +
This image will become the output; the kernel should write all of it. +
+These are the most recent images on each input. The kernel may read from +them to generate the output, but they can’t be written to. +
+Example programs: +
+__kernel void blend_images(__write_only image2d_t dst,
+ __read_only image2d_t src1,
+ __read_only image2d_t src2,
+ float progress)
+{
+ const sampler_t sampler = (CLK_NORMALIZED_COORDS_FALSE |
+ CLK_FILTER_LINEAR);
+ int2 p = (int2)(get_global_id(0), get_global_id(1));
+ float2 rp = (float2)(get_global_id(0), get_global_id(1));
+ float2 dim = (float2)(get_image_dim(src1).x, get_image_dim(src1).y);
+ rp = rp / dim;
+
+ float2 dots = (float2)(20.0, 20.0);
+ float2 center = (float2)(0,0);
+ float2 unused;
+
+ float4 val1 = read_imagef(src1, sampler, p);
+ float4 val2 = read_imagef(src2, sampler, p);
+ bool next = distance(fract(rp * dots, &unused), (float2)(0.5, 0.5)) < (progress / distance(rp, center));
+
+ write_imagef(dst, p, next ? val1 : val2);
+}
+
+VAAPI Video filters are usually used with VAAPI decoder and VAAPI encoder. Below is a description of VAAPI video filters. +
+To enable compilation of these filters you need to configure FFmpeg with
+--enable-vaapi.
+
To use vaapi filters, you need to setup the vaapi device correctly. For more information, please read https://trac.ffmpeg.org/wiki/Hardware/VAAPI +
+ +Overlay one video on the top of another. +
+It takes two inputs and has one output. The first input is the "main" video on which the second input is overlaid. +
+The filter accepts the following options: +
+Set expressions for the x and y coordinates of the overlaid video +on the main video. +
+Default value is "0" for both expressions. +
+Set expressions for the width and height the overlaid video +on the main video. +
+Default values are ’overlay_iw’ for ’w’ and ’overlay_ih*w/overlay_iw’ for ’h’. +
+The expressions can contain the following parameters: +
+The main input width and height. +
+The overlay input width and height. +
+The overlay output width and height. +
+Position of the overlay layer inside of main +
+Set transparency of overlaid video. Allowed range is 0.0 to 1.0.
+Higher value means lower transparency.
+Default value is 1.0.
+
See framesync. +
+See framesync. +
+See framesync. +
+This filter also supports the framesync options. +
+-i INPUT -i LOGO -filter_complex "[0:v]hwupload[a], [1:v]format=yuv420p, hwupload[b], [a][b]overlay_vaapi" OUTPUT +
-i INPUT -i LOGO -filter_complex "[0:v]hwupload[a], [1:v]format=yuva420p, hwupload[b], [a][b]overlay_vaapi=x=200:y=100:w=400:h=300:alpha=1.0, hwdownload, format=nv12" OUTPUT +
Perform HDR(High Dynamic Range) to SDR(Standard Dynamic Range) conversion with tone-mapping. +It maps the dynamic range of HDR10 content to the SDR content. +It currently only accepts HDR10 as input. +
+It accepts the following parameters: +
+Specify the output pixel format. +
+Currently supported formats are: +
Default is nv12. +
+Set the output color primaries. +
+Default is same as input. +
+Set the output transfer characteristics. +
+Default is bt709. +
+Set the output colorspace matrix. +
+Default is same as input. +
+tonemap_vaapi=format=p010:t=bt2020-10 +
Below is a description of the currently available video sources. +
+ +Buffer video frames, and make them available to the filter chain. +
+This source is mainly intended for a programmatic use, in particular +through the interface defined in libavfilter/buffersrc.h. +
+It accepts the following parameters: +
+Specify the size (width and height) of the buffered video frames. For the +syntax of this option, check the +(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual. +
+The input video width. +
+The input video height. +
+A string representing the pixel format of the buffered video frames. +It may be a number corresponding to a pixel format, or a pixel format +name. +
+Specify the timebase assumed by the timestamps of the buffered frames. +
+Specify the frame rate expected for the video stream. +
+The sample (pixel) aspect ratio of the input video. +
+This option is deprecated and ignored. Prepend sws_flags=flags;
+to the filtergraph description to specify swscale flags for automatically
+inserted scalers. See Filtergraph syntax.
+
When using a hardware pixel format, this should be a reference to an +AVHWFramesContext describing input frames. +
For example: +
buffer=width=320:height=240:pix_fmt=yuv410p:time_base=1/24:sar=1 +
will instruct the source to accept video frames with size 320x240 and +with format "yuv410p", assuming 1/24 as the timestamps timebase and +square pixels (1:1 sample aspect ratio). +Since the pixel format with name "yuv410p" corresponds to the number 6 +(check the enum AVPixelFormat definition in libavutil/pixfmt.h), +this example corresponds to: +
buffer=size=320x240:pixfmt=6:time_base=1/24:pixel_aspect=1/1 +
Alternatively, the options can be specified as a flat string, but this +syntax is deprecated: +
+width:height:pix_fmt:time_base.num:time_base.den:pixel_aspect.num:pixel_aspect.den +
+ +Create a pattern generated by an elementary cellular automaton. +
+The initial state of the cellular automaton can be defined through the +filename and pattern options. If such options are +not specified an initial state is created randomly. +
+At each new frame a new row in the video is filled with the result of +the cellular automaton next generation. The behavior when the whole +frame is filled is defined by the scroll option. +
+This source accepts the following options: +
+Read the initial cellular automaton state, i.e. the starting row, from +the specified file. +In the file, each non-whitespace character is considered an alive +cell, a newline will terminate the row, and further characters in the +file will be ignored. +
+Read the initial cellular automaton state, i.e. the starting row, from +the specified string. +
+Each non-whitespace character in the string is considered an alive +cell, a newline will terminate the row, and further characters in the +string will be ignored. +
+Set the video rate, that is the number of frames generated per second. +Default is 25. +
+Set the random fill ratio for the initial cellular automaton row. It +is a floating point number value ranging from 0 to 1, defaults to +1/PHI. +
+This option is ignored when a file or a pattern is specified. +
+Set the seed for filling randomly the initial row, must be an integer +included between 0 and UINT32_MAX. If not specified, or if explicitly +set to -1, the filter will try to use a good random seed on a best +effort basis. +
+Set the cellular automaton rule, it is a number ranging from 0 to 255. +Default value is 110. +
+Set the size of the output video. For the syntax of this option, check the +(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual. +
+If filename or pattern is specified, the size is set +by default to the width of the specified initial state row, and the +height is set to width * PHI. +
+If size is set, it must contain the width of the specified +pattern string, and the specified pattern will be centered in the +larger row. +
+If a filename or a pattern string is not specified, the size value +defaults to "320x518" (used for a randomly generated initial state). +
+If set to 1, scroll the output upward when all the rows in the output +have been already filled. If set to 0, the new generated row will be +written over the top row just after the bottom row is filled. +Defaults to 1. +
+If set to 1, completely fill the output with generated rows before +outputting the first frame. +This is the default behavior, for disabling set the value to 0. +
+If set to 1, stitch the left and right row edges together. +This is the default behavior, for disabling set the value to 0. +
cellauto=f=pattern:s=200x400 +
cellauto=ratio=2/3:s=200x200 +
cellauto=p=@:s=100x400:full=0:rule=18 +
cellauto=p='@@ @ @@':s=100x400:full=0:rule=18 +
Video source generated on GPU using Apple’s CoreImage API on OSX. +
+This video source is a specialized version of the coreimage video filter. +Use a core image generator at the beginning of the applied filterchain to +generate the content. +
+The coreimagesrc video source accepts the following options: +
List all available generators along with all their respective options as well as +possible minimum and maximum values along with the default values. +
list_generators=true +
Specify the size of the sourced video. For the syntax of this option, check the
+(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual.
+The default value is 320x240.
+
Specify the frame rate of the sourced video, as the number of frames +generated per second. It has to be a string in the format +frame_rate_num/frame_rate_den, an integer number, a floating point +number or a valid video frame rate abbreviation. The default value is +"25". +
+Set the sample aspect ratio of the sourced video. +
+Set the duration of the sourced video. See +(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual +for the accepted syntax. +
+If not specified, or the expressed duration is negative, the video is +supposed to be generated forever. +
Additionally, all options of the coreimage video filter are accepted. +A complete filterchain can be used for further processing of the +generated input without CPU-HOST transfer. See coreimage documentation +and examples for details. +
+ +ffmpeg -f lavfi -i coreimagesrc=s=100x100:filter=CIQRCodeGenerator@inputMessage=https\\\\\://FFmpeg.org/@inputCorrectionLevel=H -frames:v 1 QRCode.png +
This example is equivalent to the QRCode example of coreimage without the +need for a nullsrc video source. +
Captures the Windows Desktop via Desktop Duplication API. +
+The filter exclusively returns D3D11 Hardware Frames, for on-gpu encoding +or processing. So an explicit hwdownload is needed for any kind of +software processing. +
+It accepts the following options: +
+DXGI Output Index to capture. +
+Usually corresponds to the index Windows has given the screen minus one, +so it’s starting at 0. +
+Defaults to output 0. +
+Whether to draw the mouse cursor. +
+Defaults to true. +
+Only affects hardware cursors. If a game or application renders its own cursor, +it’ll always be captured. +
+Framerate at which the desktop will be captured. +
+Defaults to 30 FPS. +
+Specify the size of the captured video. +
+Defaults to the full size of the screen. +
+Cropped from the bottom/right if smaller than screen size. +
+Horizontal offset of the captured video. +
+Vertical offset of the captured video. +
+Desired filter output format. +Defaults to 8 Bit BGRA. +
+It accepts the following values: +
Passes all supported output formats to DDA and returns what DDA decides to use. +
8 Bit formats always work, and DDA will convert to them if neccesary. +
Filter initialization will fail if 10 bit format is requested but unavailable. +
Capture primary screen and encode using nvenc: +
ffmpeg -f lavfi -i ddagrab -c:v h264_nvenc -cq 18 output.mp4 +
You can also skip the lavfi device and directly use the filter. +Also demonstrates downloading the frame and encoding with libx264. +Explicit output format specification is required in this case: +
ffmpeg -filter_complex ddagrab=output_idx=1:framerate=60,hwdownload,format=bgra -c:v libx264 -crf 18 output.mp4 +
If you want to capture only a subsection of the desktop, this can be achieved +by specifying a smaller size and its offsets into the screen: +
ddagrab=video_size=800x600:offset_x=100:offset_y=100 +
Generate several gradients. +
+Set frame size. For the syntax of this option, check the (ffmpeg-utils)"Video +size" section in the ffmpeg-utils manual. Default value is "640x480". +
+Set frame rate, expressed as number of frames per second. Default +value is "25". +
+Set 8 colors. Default values for colors is to pick random one. +
+Set gradient line source and destination points. If negative or out of range, random ones +are picked. +
+Set number of colors to use at once. Allowed range is from 2 to 8. Default value is 2. +
+Set seed for picking gradient line points. +
+Set the duration of the sourced video. See +(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual +for the accepted syntax. +
+If not specified, or the expressed duration is negative, the video is +supposed to be generated forever. +
+Set speed of gradients rotation. +
+Set type of gradients, can be linear or radial or circular or spiral.
+
Generate a Mandelbrot set fractal, and progressively zoom towards the +point specified with start_x and start_y. +
+This source accepts the following options: +
+Set the terminal pts value. Default value is 400. +
+Set the terminal scale value. +Must be a floating point value. Default value is 0.3. +
+Set the inner coloring mode, that is the algorithm used to draw the +Mandelbrot fractal internal region. +
+It shall assume one of the following values: +
Set black mode. +
Show time until convergence. +
Set color based on point closest to the origin of the iterations. +
Set period mode. +
Default value is mincol. +
+Set the bailout value. Default value is 10.0. +
+Set the maximum of iterations performed by the rendering +algorithm. Default value is 7189. +
+Set outer coloring mode. +It shall assume one of following values: +
Set iteration count mode. +
set normalized iteration count mode. +
Default value is normalized_iteration_count. +
+Set frame rate, expressed as number of frames per second. Default +value is "25". +
+Set frame size. For the syntax of this option, check the (ffmpeg-utils)"Video +size" section in the ffmpeg-utils manual. Default value is "640x480". +
+Set the initial scale value. Default value is 3.0. +
+Set the initial x position. Must be a floating point value between +-100 and 100. Default value is -0.743643887037158704752191506114774. +
+Set the initial y position. Must be a floating point value between +-100 and 100. Default value is -0.131825904205311970493132056385139. +
Generate various test patterns, as generated by the MPlayer test filter. +
+The size of the generated video is fixed, and is 256x256. +This source is useful in particular for testing encoding features. +
+This source accepts the following options: +
+Specify the frame rate of the sourced video, as the number of frames +generated per second. It has to be a string in the format +frame_rate_num/frame_rate_den, an integer number, a floating point +number or a valid video frame rate abbreviation. The default value is +"25". +
+Set the duration of the sourced video. See +(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual +for the accepted syntax. +
+If not specified, or the expressed duration is negative, the video is +supposed to be generated forever. +
+Set the number or the name of the test to perform. Supported tests are: +
Set the maximum number of frames generated for each test, default value is 30. +
+Default value is "all", which will cycle through the list of all tests. +
Some examples: +
mptestsrc=t=dc_luma +
will generate a "dc_luma" test pattern. +
+ +Provide a frei0r source. +
+To enable compilation of this filter you need to install the frei0r
+header and configure FFmpeg with --enable-frei0r.
+
This source accepts the following parameters: +
+The size of the video to generate. For the syntax of this option, check the +(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual. +
+The framerate of the generated video. It may be a string of the form +num/den or a frame rate abbreviation. +
+The name to the frei0r source to load. For more information regarding frei0r and +how to set the parameters, read the frei0r section in the video filters +documentation. +
+A ’|’-separated list of parameters to pass to the frei0r source. +
+For example, to generate a frei0r partik0l source with size 200x200 +and frame rate 10 which is overlaid on the overlay filter main input: +
frei0r_src=size=200x200:framerate=10:filter_name=partik0l:filter_params=1234 [overlay]; [in][overlay] overlay +
Generate a life pattern. +
+This source is based on a generalization of John Conway’s life game. +
+The sourced input represents a life grid, each pixel represents a cell +which can be in one of two possible states, alive or dead. Every cell +interacts with its eight neighbours, which are the cells that are +horizontally, vertically, or diagonally adjacent. +
+At each interaction the grid evolves according to the adopted rule, +which specifies the number of neighbor alive cells which will make a +cell stay alive or born. The rule option allows one to specify +the rule to adopt. +
+This source accepts the following options: +
+Set the file from which to read the initial grid state. In the file, +each non-whitespace character is considered an alive cell, and newline +is used to delimit the end of each row. +
+If this option is not specified, the initial grid is generated +randomly. +
+Set the video rate, that is the number of frames generated per second. +Default is 25. +
+Set the random fill ratio for the initial random grid. It is a +floating point number value ranging from 0 to 1, defaults to 1/PHI. +It is ignored when a file is specified. +
+Set the seed for filling the initial random grid, must be an integer +included between 0 and UINT32_MAX. If not specified, or if explicitly +set to -1, the filter will try to use a good random seed on a best +effort basis. +
+Set the life rule. +
+A rule can be specified with a code of the kind "SNS/BNB", +where NS and NB are sequences of numbers in the range 0-8, +NS specifies the number of alive neighbor cells which make a +live cell stay alive, and NB the number of alive neighbor cells +which make a dead cell to become alive (i.e. to "born"). +"s" and "b" can be used in place of "S" and "B", respectively. +
+Alternatively a rule can be specified by an 18-bits integer. The 9
+high order bits are used to encode the next cell state if it is alive
+for each number of neighbor alive cells, the low order bits specify
+the rule for "borning" new cells. Higher order bits encode for an
+higher number of neighbor cells.
+For example the number 6153 = (12<<9)+9 specifies a stay alive
+rule of 12 and a born rule of 9, which corresponds to "S23/B03".
+
Default value is "S23/B3", which is the original Conway’s game of life +rule, and will keep a cell alive if it has 2 or 3 neighbor alive +cells, and will born a new cell if there are three alive cells around +a dead cell. +
+Set the size of the output video. For the syntax of this option, check the +(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual. +
+If filename is specified, the size is set by default to the +same size of the input file. If size is set, it must contain +the size specified in the input file, and the initial grid defined in +that file is centered in the larger resulting area. +
+If a filename is not specified, the size value defaults to "320x240" +(used for a randomly generated initial grid). +
+If set to 1, stitch the left and right grid edges together, and the +top and bottom edges also. Defaults to 1. +
+Set cell mold speed. If set, a dead cell will go from death_color to +mold_color with a step of mold. mold can have a +value from 0 to 255. +
+Set the color of living (or new born) cells. +
+Set the color of dead cells. If mold is set, this is the first color +used to represent a dead cell. +
+Set mold color, for definitely dead and moldy cells. +
+For the syntax of these 3 color options, check the (ffmpeg-utils)"Color" section in the +ffmpeg-utils manual. +
life=f=pattern:s=300x300 +
life=ratio=2/3:s=200x200 +
life=rule=S14/B34 +
ffplay:
+ffplay -f lavfi life=s=300x200:mold=10:r=60:ratio=0.1:death_color=#C83232:life_color=#00ff00,scale=1200:800:flags=16 +
The allrgb source returns frames of size 4096x4096 of all rgb colors.
+
The allyuv source returns frames of size 4096x4096 of all yuv colors.
+
The color source provides an uniformly colored input.
+
The colorchart source provides a colors checker chart.
+
The colorspectrum source provides a color spectrum input.
+
The haldclutsrc source provides an identity Hald CLUT. See also
+haldclut filter.
+
The nullsrc source returns unprocessed video frames. It is
+mainly useful to be employed in analysis / debugging tools, or as the
+source for filters which ignore the input data.
+
The pal75bars source generates a color bars pattern, based on
+EBU PAL recommendations with 75% color levels.
+
The pal100bars source generates a color bars pattern, based on
+EBU PAL recommendations with 100% color levels.
+
The rgbtestsrc source generates an RGB test pattern useful for
+detecting RGB vs BGR issues. You should see a red, green and blue
+stripe from top to bottom.
+
The smptebars source generates a color bars pattern, based on
+the SMPTE Engineering Guideline EG 1-1990.
+
The smptehdbars source generates a color bars pattern, based on
+the SMPTE RP 219-2002.
+
The testsrc source generates a test video pattern, showing a
+color pattern, a scrolling gradient and a timestamp. This is mainly
+intended for testing purposes.
+
The testsrc2 source is similar to testsrc, but supports more
+pixel formats instead of just rgb24. This allows using it as an
+input for other tests without requiring a format conversion.
+
The yuvtestsrc source generates an YUV test pattern. You should
+see a y, cb and cr stripe from top to bottom.
+
The sources accept the following parameters: +
+Specify the level of the Hald CLUT, only available in the haldclutsrc
+source. A level of N generates a picture of N*N*N by N*N*N
+pixels to be used as identity matrix for 3D lookup tables. Each component is
+coded on a 1/(N*N) scale.
+
Specify the color of the source, only available in the color
+source. For the syntax of this option, check the
+(ffmpeg-utils)"Color" section in the ffmpeg-utils manual.
+
Specify the size of the sourced video. For the syntax of this option, check the
+(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual.
+The default value is 320x240.
+
This option is not available with the allrgb, allyuv, and
+haldclutsrc filters.
+
Specify the frame rate of the sourced video, as the number of frames +generated per second. It has to be a string in the format +frame_rate_num/frame_rate_den, an integer number, a floating point +number or a valid video frame rate abbreviation. The default value is +"25". +
+Set the duration of the sourced video. See +(ffmpeg-utils)the Time duration section in the ffmpeg-utils(1) manual +for the accepted syntax. +
+If not specified, or the expressed duration is negative, the video is +supposed to be generated forever. +
+Since the frame rate is used as time base, all frames including the last one +will have their full duration. If the specified duration is not a multiple +of the frame duration, it will be rounded up. +
+Set the sample aspect ratio of the sourced video. +
+Specify the alpha (opacity) of the background, only available in the
+testsrc2 source. The value must be between 0 (fully transparent) and
+255 (fully opaque, the default).
+
Set the number of decimals to show in the timestamp, only available in the
+testsrc source.
+
The displayed timestamp value will correspond to the original +timestamp value multiplied by the power of 10 of the specified +value. Default value is 0. +
+Set the type of the color spectrum, only available in the
+colorspectrum source. Can be one of the following:
+
Set patch size of single color patch, only available in the
+colorchart source. Default is 64x64.
+
Set colorchecker colors preset, only available in the
+colorchart source.
+
Available values are: +
Default value is reference.
+
testsrc=duration=5.3:size=qcif:rate=10 +
color=c=red@0.2:s=qcif:r=10 +
nullsrc can be used. The
+following command generates noise in the luminance plane by employing
+the geq filter:
+nullsrc=s=256x256, geq=random(1)*255:128:128 +
The color source supports the following commands:
+
Set the color of the created image. Accepts the same syntax of the +corresponding color option. +
Generate video using an OpenCL program. +
+OpenCL program source file. +
+Kernel name in program. +
+Size of frames to generate. This must be set. +
+Pixel format to use for the generated frames. This must be set. +
+Number of frames generated every second. Default value is ’25’. +
+For details of how the program loading works, see the program_opencl +filter. +
+Example programs: +
+__kernel void ramp(__write_only image2d_t dst,
+ unsigned int index)
+{
+ int2 loc = (int2)(get_global_id(0), get_global_id(1));
+
+ float4 val;
+ val.xy = val.zw = convert_float2(loc) / convert_float2(get_image_dim(dst));
+
+ write_imagef(dst, loc, val);
+}
+
+__kernel void sierpinski_carpet(__write_only image2d_t dst,
+ unsigned int index)
+{
+ int2 loc = (int2)(get_global_id(0), get_global_id(1));
+
+ float4 value = 0.0f;
+ int x = loc.x + index;
+ int y = loc.y + index;
+ while (x > 0 || y > 0) {
+ if (x % 3 == 1 && y % 3 == 1) {
+ value = 1.0f;
+ break;
+ }
+ x /= 3;
+ y /= 3;
+ }
+
+ write_imagef(dst, loc, value);
+}
+
+Generate a Sierpinski carpet/triangle fractal, and randomly pan around. +
+This source accepts the following options: +
+Set frame size. For the syntax of this option, check the (ffmpeg-utils)"Video +size" section in the ffmpeg-utils manual. Default value is "640x480". +
+Set frame rate, expressed as number of frames per second. Default +value is "25". +
+Set seed which is used for random panning. +
+Set max jump for single pan destination. Allowed range is from 1 to 10000. +
+Set fractal type, can be default carpet or triangle.
+
Below is a description of the currently available video sinks. +
+ +Buffer video frames, and make them available to the end of the filter +graph. +
+This sink is mainly intended for programmatic use, in particular +through the interface defined in libavfilter/buffersink.h +or the options system. +
+It accepts a pointer to an AVBufferSinkContext structure, which
+defines the incoming buffers’ formats, to be passed as the opaque
+parameter to avfilter_init_filter for initialization.
+
Null video sink: do absolutely nothing with the input video. It is +mainly useful as a template and for use in analysis / debugging +tools. +
+ + +Below is a description of the currently available multimedia filters. +
+ +Convert input audio to 3d scope video output. +
+The filter accepts the following options: +
+Set frame rate, expressed as number of frames per second. Default +value is "25". +
+Specify the video size for the output. For the syntax of this option, check the
+(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual.
+Default value is hd720.
+
Set the camera field of view. Default is 90 degrees. +Allowed range is from 40 to 150. +
+Set the camera roll. +
+Set the camera pitch. +
+Set the camera yaw. +
+Set the camera zoom on X-axis. +
+Set the camera zoom on Y-axis. +
+Set the camera zoom on Z-axis. +
+Set the camera position on X-axis. +
+Set the camera position on Y-axis. +
+Set the camera position on Z-axis. +
+Set the length of displayed audio waves in number of frames. +
Filter supports the some above options as commands. +
+ +Convert input audio to a video output, displaying the audio bit scope. +
+The filter accepts the following options: +
+Set frame rate, expressed as number of frames per second. Default +value is "25". +
+Specify the video size for the output. For the syntax of this option, check the
+(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual.
+Default value is 1024x256.
+
Specify list of colors separated by space or by ’|’ which will be used to +draw channels. Unrecognized or missing colors will be replaced +by white color. +
+Set output mode. Can be bars or trace. Default is bars.
+
Draw a graph using input audio metadata. +
+See drawgraph +
+ +See graphmonitor. +
+ +Convert input audio to a video output, displaying the volume histogram. +
+The filter accepts the following options: +
+Specify how histogram is calculated. +
+It accepts the following values: +
Use single histogram for all channels. +
Use separate histogram for each channel. +
Default is single.
+
Set frame rate, expressed as number of frames per second. Default +value is "25". +
+Specify the video size for the output. For the syntax of this option, check the
+(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual.
+Default value is hd720.
+
Set display scale. +
+It accepts the following values: +
logarithmic +
square root +
cubic root +
linear +
reverse logarithmic +
Default is log.
+
Set amplitude scale. +
+It accepts the following values: +
logarithmic +
linear +
Default is log.
+
Set how much frames to accumulate in histogram. +Default is 1. Setting this to -1 accumulates all frames. +
+Set histogram ratio of window height. +
+Set sonogram sliding. +
+It accepts the following values: +
replace old rows with new ones. +
scroll from top to bottom. +
Default is replace.
+
Set histogram mode. +
+It accepts the following values: +
Use absolute values of samples. +
Use untouched values of samples. +
Default is abs.
+
Measures phase of input audio, which is exported as metadata lavfi.aphasemeter.phase,
+representing mean phase of current audio frame. A video output can also be produced and is
+enabled by default. The audio is passed through as first output.
+
Audio will be rematrixed to stereo if it has a different channel layout. Phase value is in
+range [-1, 1] where -1 means left and right channels are completely out of phase
+and 1 means channels are in phase.
+
The filter accepts the following options, all related to its video output: +
+Set the output frame rate. Default value is 25.
+
Set the video size for the output. For the syntax of this option, check the
+(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual.
+Default value is 800x400.
+
Specify the red, green, blue contrast. Default values are 2,
+7 and 1.
+Allowed range is [0, 255].
+
Set color which will be used for drawing median phase. If color is
+none which is default, no median phase value will be drawn.
+
Enable video output. Default is enabled. +
The filter also detects out of phase and mono sequences in stereo streams. +It logs the sequence start, end and duration when it lasts longer or as long as the minimum set. +
+The filter accepts the following options for this detection: +
+Enable mono and out of phase detection. Default is disabled. +
+Set phase tolerance for mono detection, in amplitude ratio. Default is 0.
+Allowed range is [0, 1].
+
Set angle threshold for out of phase detection, in degree. Default is 170.
+Allowed range is [90, 180].
+
Set mono or out of phase duration until notification, expressed in seconds. Default is 2.
+
ffmpeg to detect 1 second of mono with 0.001 phase tolerance:
+ffmpeg -i stereo.wav -af aphasemeter=video=0:phasing=1:duration=1:tolerance=0.001 -f null - +
Convert input audio to a video output, representing the audio vector +scope. +
+The filter is used to measure the difference between channels of stereo +audio stream. A monaural signal, consisting of identical left and right +signal, results in straight vertical line. Any stereo separation is visible +as a deviation from this line, creating a Lissajous figure. +If the straight (or deviation from it) but horizontal line appears this +indicates that the left and right channels are out of phase. +
+The filter accepts the following options: +
+Set the vectorscope mode. +
+Available values are: +
Lissajous rotated by 45 degrees. +
+Same as above but not rotated. +
+Shape resembling half of circle. +
Default value is ‘lissajous’. +
+Set the video size for the output. For the syntax of this option, check the
+(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual.
+Default value is 400x400.
+
Set the output frame rate. Default value is 25.
+
Specify the red, green, blue and alpha contrast. Default values are 40,
+160, 80 and 255.
+Allowed range is [0, 255].
+
Specify the red, green, blue and alpha fade. Default values are 15,
+10, 5 and 5.
+Allowed range is [0, 255].
+
Set the zoom factor. Default value is 1. Allowed range is [0, 10].
+Values lower than 1 will auto adjust zoom factor to maximal possible value.
+
Set the vectorscope drawing mode. +
+Available values are: +
Draw dot for each sample. +
+Draw line between previous and current sample. +
Default value is ‘dot’. +
+Specify amplitude scale of audio samples. +
+Available values are: +
Linear. +
+Square root. +
+Cubic root. +
+Logarithmic. +
Swap left channel axis with right channel axis. +
+Mirror axis. +
+No mirror. +
+Mirror only x axis. +
+Mirror only y axis. +
+Mirror both axis. +
ffplay:
+ffplay -f lavfi 'amovie=input.mp3, asplit [a][out1]; + [a] avectorscope=zoom=1.3:rc=2:gc=200:bc=10:rf=1:gf=8:bf=7 [out0]' +
This filter supports the all above options as commands except options size and rate.
+
Benchmark part of a filtergraph. +
+The filter accepts the following options: +
+Start or stop a timer. +
+Available values are: +
Get the current time, set it as frame metadata (using the key
+lavfi.bench.start_time), and forward the frame to the next filter.
+
Get the current time and fetch the lavfi.bench.start_time metadata from
+the input frame metadata to get the time difference. Time difference, average,
+maximum and minimum time (respectively t, avg, max and
+min) are then printed. The timestamps are expressed in seconds.
+
bench=start,selectivecolor=reds=-.2 .12 -.49,bench=stop +
Concatenate audio and video streams, joining them together one after the +other. +
+The filter works on segments of synchronized video and audio streams. All +segments must have the same number of streams of each type, and that will +also be the number of streams at output. +
+The filter accepts the following options: +
+Set the number of segments. Default is 2. +
+Set the number of output video streams, that is also the number of video +streams in each segment. Default is 1. +
+Set the number of output audio streams, that is also the number of audio +streams in each segment. Default is 0. +
+Activate unsafe mode: do not fail if segments have a different format. +
+The filter has v+a outputs: first v video outputs, then +a audio outputs. +
+There are nx(v+a) inputs: first the inputs for the first +segment, in the same order as the outputs, then the inputs for the second +segment, etc. +
+Related streams do not always have exactly the same duration, for various +reasons including codec frame size or sloppy authoring. For that reason, +related synchronized streams (e.g. a video and its audio track) should be +concatenated at once. The concat filter will use the duration of the longest +stream in each segment (except the last one), and if necessary pad shorter +audio streams with silence. +
+For this filter to work correctly, all segments must start at timestamp 0. +
+All corresponding streams must have the same parameters in all segments; the +filtering system will automatically select a common pixel format for video +streams, and a common sample format, sample rate and channel layout for +audio streams, but other settings, such as resolution, must be converted +explicitly by the user. +
+Different frame rates are acceptable but will result in variable frame rate +at output; be sure to configure the output file to handle it. +
+ +ffmpeg -i opening.mkv -i episode.mkv -i ending.mkv -filter_complex \ + '[0:0] [0:1] [0:2] [1:0] [1:1] [1:2] [2:0] [2:1] [2:2] + concat=n=3:v=1:a=2 [v] [a1] [a2]' \ + -map '[v]' -map '[a1]' -map '[a2]' output.mkv +
movie=part1.mp4, scale=512:288 [v1] ; amovie=part1.mp4 [a1] ; +movie=part2.mp4, scale=512:288 [v2] ; amovie=part2.mp4 [a2] ; +[v1] [v2] concat [outv] ; [a1] [a2] concat=v=0:a=1 [outa] +
Note that a desync will happen at the stitch if the audio and video streams +do not have exactly the same duration in the first file. +
+This filter supports the following commands: +
Close the current segment and step to the next one +
EBU R128 scanner filter. This filter takes an audio stream and analyzes its loudness
+level. By default, it logs a message at a frequency of 10Hz with the
+Momentary loudness (identified by M), Short-term loudness (S),
+Integrated loudness (I) and Loudness Range (LRA).
+
The filter can only analyze streams which have +sample format is double-precision floating point. The input stream will be converted to +this specification, if needed. Users may need to insert aformat and/or aresample filters +after this filter to obtain the original parameters. +
+The filter also has a video output (see the video option) with a real +time graph to observe the loudness evolution. The graphic contains the logged +message mentioned above, so it is not printed anymore when this option is set, +unless the verbose logging is set. The main graphing area contains the +short-term loudness (3 seconds of analysis), and the gauge on the right is for +the momentary loudness (400 milliseconds), but can optionally be configured +to instead display short-term loudness (see gauge). +
+The green area marks a +/- 1LU target range around the target loudness +(-23LUFS by default, unless modified through target). +
+More information about the Loudness Recommendation EBU R128 on +http://tech.ebu.ch/loudness. +
+The filter accepts the following options: +
+Activate the video output. The audio stream is passed unchanged whether this
+option is set or no. The video stream will be the first output stream if
+activated. Default is 0.
+
Set the video size. This option is for video only. For the syntax of this
+option, check the
+(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual.
+Default and minimum resolution is 640x480.
+
Set the EBU scale meter. Default is 9. Common values are 9 and
+18, respectively for EBU scale meter +9 and EBU scale meter +18. Any
+other integer value between this range is allowed.
+
Set metadata injection. If set to 1, the audio input will be segmented
+into 100ms output frames, each of them containing various loudness information
+in metadata. All the metadata keys are prefixed with lavfi.r128..
+
Default is 0.
+
Force the frame logging level. +
+Available values are: +
logging disabled +
information logging level +
verbose logging level +
By default, the logging level is set to info. If the video or +the metadata options are set, it switches to verbose. +
+Set peak mode(s). +
+Available modes can be cumulated (the option is a flag type). Possible
+values are:
+
Disable any peak mode (default). +
Enable sample-peak mode. +
+Simple peak mode looking for the higher sample value. It logs a message
+for sample-peak (identified by SPK).
+
Enable true-peak mode. +
+If enabled, the peak lookup is done on an over-sampled version of the input
+stream for better peak accuracy. It logs a message for true-peak.
+(identified by TPK) and true-peak per frame (identified by FTPK).
+This mode requires a build with libswresample.
+
Treat mono input files as "dual mono". If a mono file is intended for playback
+on a stereo system, its EBU R128 measurement will be perceptually incorrect.
+If set to true, this option will compensate for this effect.
+Multi-channel input files are not affected by this option.
+
Set a specific pan law to be used for the measurement of dual mono files. +This parameter is optional, and has a default value of -3.01dB. +
+Set a specific target level (in LUFS) used as relative zero in the visualization. +This parameter is optional and has a default value of -23LUFS as specified +by EBU R128. However, material published online may prefer a level of -16LUFS +(e.g. for use with podcasts or video platforms). +
+Set the value displayed by the gauge. Valid values are momentary and s
+shortterm. By default the momentary value will be used, but in certain
+scenarios it may be more useful to observe the short term value instead (e.g.
+live mixing).
+
Sets the display scale for the loudness. Valid parameters are absolute
+(in LUFS) or relative (LU) relative to the target. This only affects the
+video output, not the summary or continuous log output.
+
ffplay, with a EBU scale meter +18:
+ffplay -f lavfi -i "amovie=input.mp3,ebur128=video=1:meter=18 [out0][out1]" +
ffmpeg:
+ffmpeg -nostats -i input.mp3 -filter_complex ebur128 -f null - +
Temporally interleave frames from several inputs. +
+interleave works with video inputs, ainterleave with audio.
+
These filters read frames from several inputs and send the oldest +queued frame to the output. +
+Input streams must have well defined, monotonically increasing frame +timestamp values. +
+In order to submit one frame to output, these filters need to enqueue +at least one frame for each input, so they cannot work in case one +input is not yet terminated and will not receive incoming frames. +
+For example consider the case when one input is a select filter
+which always drops input frames. The interleave filter will keep
+reading from that input, but it will never be able to send new frames
+to output until the input sends an end-of-stream signal.
+
Also, depending on inputs synchronization, the filters will drop +frames in case one input receives more frames than the other ones, and +the queue is already filled. +
+These filters accept the following options: +
+Set the number of different inputs, it is 2 by default. +
+How to determine the end-of-stream. +
+The duration of the longest input. (default) +
+The duration of the shortest input. +
+The duration of the first input. +
ffmpeg:
+ffmpeg -i bambi.avi -i pr0n.mkv -filter_complex "[0:v][1:v] interleave" out.avi +
select='if(gt(random(0), 0.2), 1, 2)':n=2 [tmp], boxblur=2:2, [tmp] interleave +
Measure filtering latency. +
+Report previous filter filtering latency, delay in number of audio samples for audio filters +or number of video frames for video filters. +
+On end of input stream, filter will report min and max measured latency for previous running filter +in filtergraph. +
+ +Manipulate frame metadata. +
+This filter accepts the following options: +
+Set mode of operation of the filter. +
+Can be one of the following: +
+If both value and key is set, select frames
+which have such metadata. If only key is set, select
+every frame that has such key in metadata.
+
Add new metadata key and value. If key is already available
+do nothing.
+
Modify value of already present key. +
+If value is set, delete only keys that have such value.
+Otherwise, delete key. If key is not set, delete all metadata values in
+the frame.
+
Print key and its value if metadata was found. If key is not set print all
+metadata values available in frame.
+
Set key used with all modes. Must be set for all modes except print and delete.
+
Set metadata value which will be used. This option is mandatory for
+modify and add mode.
+
Which function to use when comparing metadata value and value.
+
Can be one of following: +
+Values are interpreted as strings, returns true if metadata value is same as value.
+
Values are interpreted as strings, returns true if metadata value starts with
+the value option string.
+
Values are interpreted as floats, returns true if metadata value is less than value.
+
Values are interpreted as floats, returns true if value is equal with metadata value.
+
Values are interpreted as floats, returns true if metadata value is greater than value.
+
Values are interpreted as floats, returns true if expression from option expr
+evaluates to true.
+
Values are interpreted as strings, returns true if metadata value ends with
+the value option string.
+
Set expression which is used when function is set to expr.
+The expression is evaluated through the eval API and can contain the following
+constants:
+
Float representation of value from metadata key.
+
Float representation of value as supplied by user in value option.
+
If specified in print mode, output is written to the named file. Instead of
+plain filename any writable url can be specified. Filename “-” is a shorthand
+for standard output. If file option is not set, output is written to the log
+with AV_LOG_INFO loglevel.
+
Reduces buffering in print mode when output is written to a URL set using file. +
+lavfi.signalstats.YDIF with values
+between 0 and 1.
+signalstats,metadata=print:key=lavfi.signalstats.YDIF:value=0:function=expr:expr='between(VALUE1,0,1)' +
silencedetect,ametadata=mode=print:file=metadata.txt +
metadata=mode=print:file='pipe\:4' +
Set read/write permissions for the output frames. +
+These filters are mainly aimed at developers to test direct path in the +following filter in the filtergraph. +
+The filters accept the following options: +
+Select the permissions mode. +
+It accepts the following values: +
Do nothing. This is the default. +
Set all the output frames read-only. +
Set all the output frames directly writable. +
Make the frame read-only if writable, and writable if read-only. +
Set each output frame read-only or writable randomly. +
Set the seed for the random mode, must be an integer included between
+0 and UINT32_MAX. If not specified, or if explicitly set to
+-1, the filter will try to use a good random seed on a best effort
+basis.
+
Note: in case of auto-inserted filter between the permission filter and the +following one, the permission might not be received as expected in that +following filter. Inserting a format or aformat filter before the +perms/aperms filter can avoid this problem. +
+ +Slow down filtering to match real time approximately. +
+These filters will pause the filtering for a variable amount of time to
+match the output rate with the input timestamps.
+They are similar to the re option to ffmpeg.
+
They accept the following options: +
+Time limit for the pauses. Any pause longer than that will be considered +a timestamp discontinuity and reset the timer. Default is 2 seconds. +
Speed factor for processing. The value must be a float larger than zero. +Values larger than 1.0 will result in faster than realtime processing, +smaller will slow processing down. The limit is automatically adapted +accordingly. Default is 1.0. +
+A processing speed faster than what is possible without these filters cannot +be achieved. +
Both filters supports the all above options as commands. +
+ +Split single input stream into multiple streams. +
+This filter does opposite of concat filters. +
+segment works on video frames, asegment on audio samples.
+
This filter accepts the following options: +
+Timestamps of output segments separated by ’|’. The first segment will run +from the beginning of the input stream. The last segment will run until +the end of the input stream +
+Exact frame/sample count to split the segments. +
In all cases, prefixing an each segment with ’+’ will make it relative to the +previous segment. +
+ +asegment=timestamps="60|150" +
Select frames to pass in output. +
+This filter accepts the following options: +
+Set expression, which is evaluated for each input frame. +
+If the expression is evaluated to zero, the frame is discarded. +
+If the evaluation result is negative or NaN, the frame is sent to the
+first output; otherwise it is sent to the output with index
+ceil(val)-1, assuming that the input index starts from 0.
+
For example a value of 1.2 corresponds to the output with index
+ceil(1.2)-1 = 2-1 = 1, that is the second output.
+
Set the number of outputs. The output to which to send the selected +frame is based on the result of the evaluation. Default value is 1. +
The expression can contain the following constants: +
+The (sequential) number of the filtered frame, starting from 0. +
+The (sequential) number of the selected frame, starting from 0. +
+The sequential number of the last selected frame. It’s NAN if undefined. +
+The timebase of the input timestamps. +
+The PTS (Presentation TimeStamp) of the filtered frame, +expressed in TB units. It’s NAN if undefined. +
+The PTS of the filtered frame, +expressed in seconds. It’s NAN if undefined. +
+The PTS of the previously filtered frame. It’s NAN if undefined. +
+The PTS of the last previously filtered frame. It’s NAN if undefined. +
+The PTS of the last previously selected frame, expressed in seconds. It’s NAN if undefined. +
+The first PTS in the stream which is not NAN. It remains NAN if not found. +
+The first PTS, in seconds, in the stream which is not NAN. It remains NAN if not found. +
+The type of the filtered frame. It can assume one of the following +values: +
The frame interlace type. It can assume one of the following values: +
The frame is progressive (not interlaced). +
The frame is top-field-first. +
The frame is bottom-field-first. +
the number of selected samples before the current frame +
+the number of samples in the current frame +
+the input sample rate +
+This is 1 if the filtered frame is a key-frame, 0 otherwise. +
+the position in the file of the filtered frame, -1 if the information +is not available (e.g. for synthetic video) +
+value between 0 and 1 to indicate a new scene; a low value reflects a low +probability for the current frame to introduce a new scene, while a higher +value means the current frame is more likely to be one (see the example below) +
+The concat demuxer can select only part of a concat input file by setting an +inpoint and an outpoint, but the output packets may not be entirely contained +in the selected interval. By using this variable, it is possible to skip frames +generated by the concat demuxer which are not exactly contained in the selected +interval. +
+This works by comparing the frame pts against the lavf.concat.start_time +and the lavf.concat.duration packet metadata values which are also +present in the decoded frames. +
+The concatdec_select variable is -1 if the frame pts is at least +start_time and either the duration metadata is missing or the frame pts is less +than start_time + duration, 0 otherwise, and NaN if the start_time metadata is +missing. +
+That basically means that an input frame is selected if its pts is within the +interval set by the concat demuxer. +
+The default value of the select expression is "1". +
+ +select +
The example above is the same as: +
select=1 +
select=0 +
select='eq(pict_type\,I)' +
select='not(mod(n\,100))' +
select=between(t\,10\,20) +
select=between(t\,10\,20)*eq(pict_type\,I) +
select='isnan(prev_selected_t)+gte(t-prev_selected_t\,10)' +
aselect='gt(samples_n\,100)' +
ffmpeg -i video.avi -vf select='gt(scene\,0.4)',scale=160:120,tile -frames:v 1 preview.png +
Comparing scene against a value between 0.3 and 0.5 is generally a sane +choice. +
+select=n=2:e='mod(n, 2)+1' [odd][even]; [odd] pad=h=2*ih [tmp]; [tmp][even] overlay=y=h +
ffmpeg -copyts -vsync 0 -segment_time_metadata 1 -i input.ffconcat -vf select=concatdec_select -af aselect=concatdec_select output.avi +
Send commands to filters in the filtergraph. +
+These filters read commands to be sent to other filters in the +filtergraph. +
+sendcmd must be inserted between two video filters,
+asendcmd must be inserted between two audio filters, but apart
+from that they act the same way.
+
The specification of commands can be provided in the filter arguments +with the commands option, or in a file specified by the +filename option. +
+These filters accept the following options: +
Set the commands to be read and sent to the other filters. +
Set the filename of the commands to be read and sent to the other +filters. +
A commands description consists of a sequence of interval +specifications, comprising a list of commands to be executed when a +particular event related to that interval occurs. The occurring event +is typically the current frame time entering or leaving a given time +interval. +
+An interval is specified by the following syntax: +
START[-END] COMMANDS; +
The time interval is specified by the START and END times. +END is optional and defaults to the maximum time. +
+The current frame time is considered within the specified interval if +it is included in the interval [START, END), that is when +the time is greater or equal to START and is lesser than +END. +
+COMMANDS consists of a sequence of one or more command +specifications, separated by ",", relating to that interval. The +syntax of a command specification is given by: +
[FLAGS] TARGET COMMAND ARG +
FLAGS is optional and specifies the type of events relating to +the time interval which enable sending the specified command, and must +be a non-null sequence of identifier flags separated by "+" or "|" and +enclosed between "[" and "]". +
+The following flags are recognized: +
The command is sent when the current frame timestamp enters the +specified interval. In other words, the command is sent when the +previous frame timestamp was not in the given interval, and the +current is. +
+The command is sent when the current frame timestamp leaves the +specified interval. In other words, the command is sent when the +previous frame timestamp was in the given interval, and the +current is not. +
+The command ARG is interpreted as expression and result of +expression is passed as ARG. +
+The expression is evaluated through the eval API and can contain the following +constants: +
+Original position in the file of the frame, or undefined if undefined +for the current frame. +
+The presentation timestamp in input. +
+The count of the input frame for video or audio, starting from 0. +
+The time in seconds of the current frame. +
+The start time in seconds of the current command interval. +
+The end time in seconds of the current command interval. +
+The interpolated time of the current command interval, TI = (T - TS) / (TE - TS). +
+The video frame width. +
+The video frame height. +
If FLAGS is not specified, a default value of [enter] is
+assumed.
+
TARGET specifies the target of the command, usually the name of +the filter class or a specific filter instance name. +
+COMMAND specifies the name of the command for the target filter. +
+ARG is optional and specifies the optional list of argument for +the given COMMAND. +
+Between one interval specification and another, whitespaces, or
+sequences of characters starting with # until the end of line,
+are ignored and can be used to annotate comments.
+
A simplified BNF description of the commands specification syntax +follows: +
COMMAND_FLAG ::= "enter" | "leave" +COMMAND_FLAGS ::= COMMAND_FLAG [(+|"|")COMMAND_FLAG] +COMMAND ::= ["[" COMMAND_FLAGS "]"] TARGET COMMAND [ARG] +COMMANDS ::= COMMAND [,COMMANDS] +INTERVAL ::= START[-END] COMMANDS +INTERVALS ::= INTERVAL[;INTERVALS] +
asendcmd=c='4.0 atempo tempo 1.5',atempo +
asendcmd=c='4.0 atempo@my tempo 1.5',atempo@my +
# show text in the interval 5-10 +5.0-10.0 [enter] drawtext reinit 'fontfile=FreeSerif.ttf:text=hello world', + [leave] drawtext reinit 'fontfile=FreeSerif.ttf:text='; + +# desaturate the image in the interval 15-20 +15.0-20.0 [enter] hue s 0, + [enter] drawtext reinit 'fontfile=FreeSerif.ttf:text=nocolor', + [leave] hue s 1, + [leave] drawtext reinit 'fontfile=FreeSerif.ttf:text=color'; + +# apply an exponential saturation fade-out effect, starting from time 25 +25 [enter] hue s exp(25-t) +
A filtergraph allowing to read and process the above command list +stored in a file test.cmd, can be specified with: +
sendcmd=f=test.cmd,drawtext=fontfile=FreeSerif.ttf:text='',hue +
Change the PTS (presentation timestamp) of the input frames. +
+setpts works on video frames, asetpts on audio frames.
+
This filter accepts the following options: +
+The expression which is evaluated for each frame to construct its timestamp. +
+The expression is evaluated through the eval API and can contain the following +constants: +
+frame rate, only defined for constant frame-rate video +
+The presentation timestamp in input +
+The count of the input frame for video or the number of consumed samples, +not including the current frame for audio, starting from 0. +
+The number of consumed samples, not including the current frame (only +audio) +
+The number of samples in the current frame (only audio) +
+The audio sample rate. +
+The PTS of the first frame. +
+the time in seconds of the first frame +
+State whether the current frame is interlaced. +
+the time in seconds of the current frame +
+original position in the file of the frame, or undefined if undefined +for the current frame +
+The previous input PTS. +
+previous input time in seconds +
+The previous output PTS. +
+previous output time in seconds +
+The wallclock (RTC) time in microseconds. This is deprecated, use time(0) +instead. +
+The wallclock (RTC) time at the start of the movie in microseconds. +
+The timebase of the input timestamps. +
+setpts=PTS-STARTPTS +
setpts=0.5*PTS +
setpts=2.0*PTS +
setpts=N/(25*TB) +
setpts='1/(25*TB) * (N + 0.05 * sin(N*2*PI/25))' +
setpts=PTS+10/TB +
setpts='(RTCTIME - RTCSTART) / (TB * 1000000)' +
asetpts=N/SR/TB +
Force color range for the output video frame. +
+The setrange filter marks the color range property for the
+output frames. It does not change the input frame, but only sets the
+corresponding property, which affects how the frame is treated by
+following filters.
+
The filter accepts the following options: +
+Available values are: +
+Keep the same color range property. +
+Set the color range as unspecified. +
+Set the color range as limited. +
+Set the color range as full. +
Set the timebase to use for the output frames timestamps. +It is mainly useful for testing timebase configuration. +
+It accepts the following parameters: +
+The expression which is evaluated into the output timebase. +
+The value for tb is an arithmetic expression representing a +rational. The expression can contain the constants "AVTB" (the default +timebase), "intb" (the input timebase) and "sr" (the sample rate, +audio only). Default value is "intb". +
+ +settb=expr=1/25 +
settb=expr=0.1 +
settb=1+0.001 +
settb=2*intb +
settb=AVTB +
Convert input audio to a video output representing frequency spectrum +logarithmically using Brown-Puckette constant Q transform algorithm with +direct frequency domain coefficient calculation (but the transform itself +is not really constant Q, instead the Q factor is actually variable/clamped), +with musical tone scale, from E0 to D#10. +
+The filter accepts the following options: +
+Specify the video size for the output. It must be even. For the syntax of this option,
+check the (ffmpeg-utils)"Video size" section in the ffmpeg-utils manual.
+Default value is 1920x1080.
+
Set the output frame rate. Default value is 25.
+
Set the bargraph height. It must be even. Default value is -1 which
+computes the bargraph height automatically.
+
Set the axis height. It must be even. Default value is -1 which computes
+the axis height automatically.
+
Set the sonogram height. It must be even. Default value is -1 which
+computes the sonogram height automatically.
+
Set the fullhd resolution. This option is deprecated, use size, s
+instead. Default value is 1.
+
Specify the sonogram volume expression. It can contain variables: +
the bar_v evaluated expression +
the frequency where it is evaluated +
the value of timeclamp option +
and functions: +
A-weighting of equal loudness +
B-weighting of equal loudness +
C-weighting of equal loudness. +
Default value is 16.
+
Specify the bargraph volume expression. It can contain variables: +
the sono_v evaluated expression +
the frequency where it is evaluated +
the value of timeclamp option +
and functions: +
A-weighting of equal loudness +
B-weighting of equal loudness +
C-weighting of equal loudness. +
Default value is sono_v.
+
Specify the sonogram gamma. Lower gamma makes the spectrum more contrast,
+higher gamma makes the spectrum having more range. Default value is 3.
+Acceptable range is [1, 7].
+
Specify the bargraph gamma. Default value is 1. Acceptable range is
+[1, 7].
+
Specify the bargraph transparency level. Lower value makes the bargraph sharper.
+Default value is 1. Acceptable range is [0, 1].
+
Specify the transform timeclamp. At low frequency, there is trade-off between
+accuracy in time domain and frequency domain. If timeclamp is lower,
+event in time domain is represented more accurately (such as fast bass drum),
+otherwise event in frequency domain is represented more accurately
+(such as bass guitar). Acceptable range is [0.002, 1]. Default value is 0.17.
+
Set attack time in seconds. The default is 0 (disabled). Otherwise, it
+limits future samples by applying asymmetric windowing in time domain, useful
+when low latency is required. Accepted range is [0, 1].
+
Specify the transform base frequency. Default value is 20.01523126408007475,
+which is frequency 50 cents below E0. Acceptable range is [10, 100000].
+
Specify the transform end frequency. Default value is 20495.59681441799654,
+which is frequency 50 cents above D#10. Acceptable range is [10, 100000].
+
This option is deprecated and ignored. +
+Specify the transform length in time domain. Use this option to control accuracy +trade-off between time domain and frequency domain at every frequency sample. +It can contain variables: +
the frequency where it is evaluated +
the value of timeclamp option. +
Default value is 384*tc/(384+tc*f).
+
Specify the transform count for every video frame. Default value is 6.
+Acceptable range is [1, 30].
+
Specify the transform count for every single pixel. Default value is 0,
+which makes it computed automatically. Acceptable range is [0, 10].
+
Specify font file for use with freetype to draw the axis. If not specified, +use embedded font. Note that drawing with font file or embedded font is not +implemented with custom basefreq and endfreq, use axisfile +option instead. +
+Specify fontconfig pattern. This has lower priority than fontfile. The
+: in the pattern may be replaced by | to avoid unnecessary
+escaping.
+
Specify font color expression. This is arithmetic expression that should return +integer value 0xRRGGBB. It can contain variables: +
the frequency where it is evaluated +
the value of timeclamp option +
and functions: +
midi number of frequency f, some midi numbers: E0(16), C1(24), C2(36), A4(69) +
red, green, and blue value of intensity x. +
Default value is st(0, (midi(f)-59.5)/12);
+st(1, if(between(ld(0),0,1), 0.5-0.5*cos(2*PI*ld(0)), 0));
+r(1-ld(1)) + b(ld(1)).
+
Specify image file to draw the axis. This option override fontfile and +fontcolor option. +
+Enable/disable drawing text to the axis. If it is set to 0, drawing to
+the axis is disabled, ignoring fontfile and axisfile option.
+Default value is 1.
+
Set colorspace. The accepted values are: +
Unspecified (default) +
+BT.709 +
+FCC +
+BT.470BG or BT.601-6 625 +
+SMPTE-170M or BT.601-6 525 +
+SMPTE-240M +
+BT.2020 with non-constant luminance +
+Set spectrogram color scheme. This is list of floating point values with format
+left_r|left_g|left_b|right_r|right_g|right_b.
+The default is 1|0.5|0|0|0.5|1.
+
ffplay -f lavfi 'amovie=a.mp3, asplit [a][out1]; [a] showcqt [out0]' +
ffplay -f lavfi 'amovie=a.mp3, asplit [a][out1]; [a] showcqt=fps=30:count=5 [out0]' +
ffplay -f lavfi 'amovie=a.mp3, asplit [a][out1]; [a] showcqt=s=1280x720:count=4 [out0]' +
sono_h=0 +
ffplay -f lavfi 'aevalsrc=0.1*sin(2*PI*55*t)+0.1*sin(4*PI*55*t)+0.1*sin(6*PI*55*t)+0.1*sin(8*PI*55*t), + asplit[a][out1]; [a] showcqt [out0]' +
ffplay -f lavfi 'aevalsrc=0.1*sin(2*PI*55*t)+0.1*sin(4*PI*55*t)+0.1*sin(6*PI*55*t)+0.1*sin(8*PI*55*t), + asplit[a][out1]; [a] showcqt=timeclamp=0.5 [out0]' +
bar_v=10:sono_v=bar_v*a_weighting(f) +
bar_g=2:sono_g=2 +
tc=0.33:tlength='st(0,0.17); 384*tc / (384 / ld(0) + tc*f /(1-ld(0))) + 384*tc / (tc*f / ld(0) + 384 /(1-ld(0)))' +
fontcolor='if(mod(floor(midi(f)+0.5),12), 0x0000FF, g(1))':fontfile=myfont.ttf +
font='Courier New,Monospace,mono|bold' +
axisfile=myaxis.png:basefreq=40:endfreq=10000 +
Convert input audio to video output representing the audio power spectrum. +Audio amplitude is on Y-axis while frequency is on X-axis. +
+The filter accepts the following options: +
+Specify size of video. For the syntax of this option, check the
+(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual.
+Default is 1024x512.
+
Set video rate. Default is 25.
+
Set display mode. +This set how each frequency bin will be represented. +
+It accepts the following values: +
Default is bar.
+
Set amplitude scale. +
+It accepts the following values: +
Linear scale. +
+Square root scale. +
+Cubic root scale. +
+Logarithmic scale. +
Default is log.
+
Set frequency scale. +
+It accepts the following values: +
Linear scale. +
+Logarithmic scale. +
+Reverse logarithmic scale. +
Default is lin.
+
Set window size. Allowed range is from 16 to 65536. +
+Default is 2048
+
Set windowing function. +
+It accepts the following values: +
Default is hanning.
+
Set window overlap. In range [0, 1]. Default is 1,
+which means optimal overlap for selected window function will be picked.
+
Set time averaging. Setting this to 0 will display current maximal peaks.
+Default is 1, which means time averaging is disabled.
+
Specify list of colors separated by space or by ’|’ which will be used to +draw channel frequencies. Unrecognized or missing colors will be replaced +by white color. +
+Set channel display mode. +
+It accepts the following values: +
Default is combined.
+
Set minimum amplitude used in log amplitude scaler.
+
Set data display mode. +
+It accepts the following values: +
Default is magnitude.
+
Set channels to use when processing audio. By default all are processed. +
Convert stereo input audio to a video output, representing the spatial relationship +between two channels. +
+The filter accepts the following options: +
+Specify the video size for the output. For the syntax of this option, check the
+(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual.
+Default value is 512x512.
+
Set window size. Allowed range is from 1024 to 65536. Default size is 4096. +
+Set window function. +
+It accepts the following values: +
Default value is hann.
+
Set output framerate. +
Convert input audio to a video output, representing the audio frequency +spectrum. +
+The filter accepts the following options: +
+Specify the video size for the output. For the syntax of this option, check the
+(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual.
+Default value is 640x512.
+
Specify how the spectrum should slide along the window. +
+It accepts the following values: +
the samples start again on the left when they reach the right +
the samples scroll from right to left +
frames are only produced when the samples reach the right +
the samples scroll from left to right +
the samples start again on the right when they reach the left +
Default value is replace.
+
Specify display mode. +
+It accepts the following values: +
all channels are displayed in the same row +
all channels are displayed in separate rows +
Default value is ‘combined’. +
+Specify display color mode. +
+It accepts the following values: +
each channel is displayed in a separate color +
each channel is displayed using the same color scheme +
each channel is displayed using the rainbow color scheme +
each channel is displayed using the moreland color scheme +
each channel is displayed using the nebulae color scheme +
each channel is displayed using the fire color scheme +
each channel is displayed using the fiery color scheme +
each channel is displayed using the fruit color scheme +
each channel is displayed using the cool color scheme +
each channel is displayed using the magma color scheme +
each channel is displayed using the green color scheme +
each channel is displayed using the viridis color scheme +
each channel is displayed using the plasma color scheme +
each channel is displayed using the cividis color scheme +
each channel is displayed using the terrain color scheme +
Default value is ‘channel’. +
+Specify scale used for calculating intensity color values. +
+It accepts the following values: +
linear +
square root, default +
cubic root +
logarithmic +
4th root +
5th root +
Default value is ‘sqrt’. +
+Specify frequency scale. +
+It accepts the following values: +
linear +
logarithmic +
Default value is ‘lin’. +
+Set saturation modifier for displayed colors. Negative values provide
+alternative color scheme. 0 is no saturation at all.
+Saturation must be in [-10.0, 10.0] range.
+Default value is 1.
+
Set window function. +
+It accepts the following values: +
Default value is hann.
+
Set orientation of time vs frequency axis. Can be vertical or
+horizontal. Default is vertical.
+
Set ratio of overlap window. Default value is 0.
+When value is 1 overlap is set to recommended size for specific
+window function currently used.
+
Set scale gain for calculating intensity color values.
+Default value is 1.
+
Set which data to display. Can be magnitude, default or phase,
+or unwrapped phase: uphase.
+
Set color rotation, must be in [-1.0, 1.0] range.
+Default value is 0.
+
Set start frequency from which to display spectrogram. Default is 0.
+
Set stop frequency to which to display spectrogram. Default is 0.
+
Set upper frame rate limit. Default is auto, unlimited.
+
Draw time and frequency axes and legends. Default is disabled. +
+Set dynamic range used to calculate intensity color values. Default is 120 dBFS. +Allowed range is from 10 to 200. +
+Set upper limit of input audio samples volume in dBFS. Default is 0 dBFS. +Allowed range is from -100 to 100. +
+Set opacity strength when using pixel format output with alpha component. +
The usage is very similar to the showwaves filter; see the examples in that +section. +
+ +showspectrum=s=1280x480:scale=log +
ffplay:
+ffplay -f lavfi 'amovie=input.mp3, asplit [a][out1]; + [a] showspectrum=mode=separate:color=intensity:slide=1:scale=cbrt [out0]' +
Convert input audio to a single video frame, representing the audio frequency +spectrum. +
+The filter accepts the following options: +
+Specify the video size for the output. For the syntax of this option, check the
+(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual.
+Default value is 4096x2048.
+
Specify display mode. +
+It accepts the following values: +
all channels are displayed in the same row +
all channels are displayed in separate rows +
Default value is ‘combined’. +
+Specify display color mode. +
+It accepts the following values: +
each channel is displayed in a separate color +
each channel is displayed using the same color scheme +
each channel is displayed using the rainbow color scheme +
each channel is displayed using the moreland color scheme +
each channel is displayed using the nebulae color scheme +
each channel is displayed using the fire color scheme +
each channel is displayed using the fiery color scheme +
each channel is displayed using the fruit color scheme +
each channel is displayed using the cool color scheme +
each channel is displayed using the magma color scheme +
each channel is displayed using the green color scheme +
each channel is displayed using the viridis color scheme +
each channel is displayed using the plasma color scheme +
each channel is displayed using the cividis color scheme +
each channel is displayed using the terrain color scheme +
Default value is ‘intensity’. +
+Specify scale used for calculating intensity color values. +
+It accepts the following values: +
linear +
square root, default +
cubic root +
logarithmic +
4th root +
5th root +
Default value is ‘log’. +
+Specify frequency scale. +
+It accepts the following values: +
linear +
logarithmic +
Default value is ‘lin’. +
+Set saturation modifier for displayed colors. Negative values provide
+alternative color scheme. 0 is no saturation at all.
+Saturation must be in [-10.0, 10.0] range.
+Default value is 1.
+
Set window function. +
+It accepts the following values: +
Default value is hann.
+
Set orientation of time vs frequency axis. Can be vertical or
+horizontal. Default is vertical.
+
Set scale gain for calculating intensity color values.
+Default value is 1.
+
Draw time and frequency axes and legends. Default is enabled. +
+Set color rotation, must be in [-1.0, 1.0] range.
+Default value is 0.
+
Set start frequency from which to display spectrogram. Default is 0.
+
Set stop frequency to which to display spectrogram. Default is 0.
+
Set dynamic range used to calculate intensity color values. Default is 120 dBFS. +Allowed range is from 10 to 200. +
+Set upper limit of input audio samples volume in dBFS. Default is 0 dBFS. +Allowed range is from -100 to 100. +
+Set opacity strength when using pixel format output with alpha component. +
ffmpeg:
+ffmpeg -i audio.flac -lavfi showspectrumpic=s=1024x1024 spectrogram.png +
Convert input audio volume to a video output. +
+The filter accepts the following options: +
+Set video rate. +
+Set border width, allowed range is [0, 5]. Default is 1. +
+Set channel width, allowed range is [80, 8192]. Default is 400. +
+Set channel height, allowed range is [1, 900]. Default is 20. +
+Set fade, allowed range is [0, 1]. Default is 0.95. +
+Set volume color expression. +
+The expression can use the following variables: +
+Current max volume of channel in dB. +
+Current peak. +
+Current channel number, starting from 0. +
If set, displays channel names. Default is enabled. +
+If set, displays volume values. Default is enabled. +
+Set orientation, can be horizontal: h or vertical: v,
+default is h.
+
Set step size, allowed range is [0, 5]. Default is 0, which means +step is disabled. +
+Set background opacity, allowed range is [0, 1]. Default is 0. +
+Set metering mode, can be peak: p or rms: r,
+default is p.
+
Set display scale, can be linear: lin or log: log,
+default is lin.
+
In second.
+If set to > 0., display a line for the max level
+in the previous seconds.
+default is disabled: 0.
+
The color of the max line. Use when dm option is set to > 0.
+default is: orange
+
Convert input audio to a video output, representing the samples waves. +
+The filter accepts the following options: +
+Specify the video size for the output. For the syntax of this option, check the
+(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual.
+Default value is 600x240.
+
Set display mode. +
+Available values are: +
Draw a point for each sample. +
+Draw a vertical line for each sample. +
+Draw a point for each sample and a line between them. +
+Draw a centered vertical line for each sample. +
Default value is point.
+
Set the number of samples which are printed on the same column. A +larger value will decrease the frame rate. Must be a positive +integer. This option can be set only if the value for rate +is not explicitly specified. +
+Set the (approximate) output frame rate. This is done by setting the +option n. Default value is "25". +
+Set if channels should be drawn separately or overlap. Default value is 0. +
+Set colors separated by ’|’ which are going to be used for drawing of each channel. +
+Set amplitude scale. +
+Available values are: +
Linear. +
+Logarithmic. +
+Square root. +
+Cubic root. +
Default is linear. +
+Set the draw mode. This is mostly useful to set for high n. +
+Available values are: +
Scale pixel values for each drawn sample. +
+Draw every sample directly. +
Default value is scale.
+
amovie=a.mp3,asplit[out0],showwaves[out1] +
aevalsrc=sin(1*2*PI*t)*sin(880*2*PI*t):cos(2*PI*200*t),asplit[out0],showwaves=r=30[out1] +
Convert input audio to a single video frame, representing the samples waves. +
+The filter accepts the following options: +
+Specify the video size for the output. For the syntax of this option, check the
+(ffmpeg-utils)"Video size" section in the ffmpeg-utils manual.
+Default value is 600x240.
+
Set if channels should be drawn separately or overlap. Default value is 0. +
+Set colors separated by ’|’ which are going to be used for drawing of each channel. +
+Set amplitude scale. +
+Available values are: +
Linear. +
+Logarithmic. +
+Square root. +
+Cubic root. +
Default is linear. +
+Set the draw mode. +
+Available values are: +
Scale pixel values for each drawn sample. +
+Draw every sample directly. +
Default value is scale.
+
Set the filter mode. +
+Available values are: +
Use average samples values for each drawn sample. +
+Use peak samples values for each drawn sample. +
Default value is average.
+
ffmpeg:
+ffmpeg -i audio.flac -lavfi showwavespic=split_channels=1:s=1024x800 waveform.png +
Delete frame side data, or select frames based on it. +
+This filter accepts the following options: +
+Set mode of operation of the filter. +
+Can be one of the following: +
+Select every frame with side data of type.
+
Delete side data of type. If type is not set, delete all side
+data in the frame.
+
Set side data type used with all modes. Must be set for select mode. For
+the list of frame side data types, refer to the AVFrameSideDataType enum
+in libavutil/frame.h. For example, to choose
+AV_FRAME_DATA_PANSCAN side data, you must specify PANSCAN.
+
Synthesize audio from 2 input video spectrums, first input stream represents +magnitude across time and second represents phase across time. +The filter will transform from frequency domain as displayed in videos back +to time domain as presented in audio output. +
+This filter is primarily created for reversing processed showspectrum
+filter outputs, but can synthesize sound from other spectrograms too.
+But in such case results are going to be poor if the phase data is not
+available, because in such cases phase data need to be recreated, usually
+it’s just recreated from random noise.
+For best results use gray only output (channel color mode in
+showspectrum filter) and log scale for magnitude video and
+lin scale for phase video. To produce phase, for 2nd video, use
+data option. Inputs videos should generally use fullframe
+slide mode as that saves resources needed for decoding video.
+
The filter accepts the following options: +
+Specify sample rate of output audio, the sample rate of audio from which +spectrum was generated may differ. +
+Set number of channels represented in input video spectrums. +
+Set scale which was used when generating magnitude input spectrum.
+Can be lin or log. Default is log.
+
Set slide which was used when generating inputs spectrums.
+Can be replace, scroll, fullframe or rscroll.
+Default is fullframe.
+
Set window function used for resynthesis. +
+Set window overlap. In range [0, 1]. Default is 1,
+which means optimal overlap for selected window function will be picked.
+
Set orientation of input videos. Can be vertical or horizontal.
+Default is vertical.
+
ffmpeg -i input.flac -lavfi showspectrum=mode=separate:scale=log:overlap=0.875:color=channel:slide=fullframe:data=magnitude -an -c:v rawvideo magnitude.nut +ffmpeg -i input.flac -lavfi showspectrum=mode=separate:scale=lin:overlap=0.875:color=channel:slide=fullframe:data=phase -an -c:v rawvideo phase.nut +ffmpeg -i magnitude.nut -i phase.nut -lavfi spectrumsynth=channels=2:sample_rate=44100:win_func=hann:overlap=0.875:slide=fullframe output.flac +
Split input into several identical outputs. +
+asplit works with audio input, split with video.
+
The filter accepts a single parameter which specifies the number of outputs. If +unspecified, it defaults to 2. +
+ +[in] split [out0][out1] +
[in] asplit=3 [out0][out1][out2] +
[in] split [splitout1][splitout2]; +[splitout1] crop=100:100:0:0 [cropout]; +[splitout2] pad=200:200:100:100 [padout]; +
ffmpeg:
+ffmpeg -i INPUT -filter_complex asplit=5 OUTPUT +
Receive commands sent through a libzmq client, and forward them to +filters in the filtergraph. +
+zmq and azmq work as a pass-through filters. zmq
+must be inserted between two video filters, azmq between two
+audio filters. Both are capable to send messages to any filter type.
+
To enable these filters you need to install the libzmq library and
+headers and configure FFmpeg with --enable-libzmq.
+
For more information about libzmq see: +http://www.zeromq.org/ +
+The zmq and azmq filters work as a libzmq server, which
+receives messages sent through a network interface defined by the
+bind_address (or the abbreviation "b") option.
+Default value of this option is tcp://localhost:5555. You may
+want to alter this value to your needs, but do not forget to escape any
+’:’ signs (see filtergraph escaping).
+
The received message must be in the form: +
TARGET COMMAND [ARG] +
TARGET specifies the target of the command, usually the name of +the filter class or a specific filter instance name. The default +filter instance name uses the pattern ‘Parsed_<filter_name>_<index>’, +but you can override this by using the ‘filter_name@id’ syntax +(see Filtergraph syntax). +
+COMMAND specifies the name of the command for the target filter. +
+ARG is optional and specifies the optional argument list for the +given COMMAND. +
+Upon reception, the message is processed and the corresponding command +is injected into the filtergraph. Depending on the result, the filter +will send a reply to the client, adopting the format: +
ERROR_CODE ERROR_REASON +MESSAGE +
MESSAGE is optional. +
+ +Look at tools/zmqsend for an example of a zmq client which can +be used to send commands processed by these filters. +
+Consider the following filtergraph generated by ffplay.
+In this example the last overlay filter has an instance name. All other
+filters will have default instance names.
+
ffplay -dumpgraph 1 -f lavfi " +color=s=100x100:c=red [l]; +color=s=100x100:c=blue [r]; +nullsrc=s=200x100, zmq [bg]; +[bg][l] overlay [bg+l]; +[bg+l][r] overlay@my=x=100 " +
To change the color of the left side of the video, the following +command can be used: +
echo Parsed_color_0 c yellow | tools/zmqsend +
To change the right side: +
echo Parsed_color_1 c pink | tools/zmqsend +
To change the position of the right side: +
echo overlay@my x 150 | tools/zmqsend +
Below is a description of the currently available multimedia sources. +
+ +This is the same as movie source, except it selects an audio +stream by default. +
+ +Generate an Audio/Video Sync Test. +
+Generated stream periodically shows flash video frame and emits beep in audio. +Useful to inspect A/V sync issues. +
+It accepts the following options: +
+Set output video size. Default value is hd720.
+
Set output video frame rate. Default value is 30.
+
Set output audio sample rate. Default value is 44100.
+
Set output audio beep amplitude. Default value is 0.7.
+
Set output audio beep period in seconds. Default value is 3.
+
Set output video flash delay in number of frames. Default value is 0.
+
Enable cycling of video delays, by default is disabled. +
+Set stream output duration. By default duration is unlimited. +
+Set foreground/background/additional color. +
Read audio and/or video stream(s) from a movie container. +
+It accepts the following parameters: +
+The name of the resource to read (not necessarily a file; it can also be a +device or a stream accessed through some protocol). +
+Specifies the format assumed for the movie to read, and can be either +the name of a container or an input device. If not specified, the +format is guessed from movie_name or by probing. +
+Specifies the seek point in seconds. The frames will be output
+starting from this seek point. The parameter is evaluated with
+av_strtod, so the numerical value may be suffixed by an IS
+postfix. The default value is "0".
+
Specifies the streams to read. Several streams can be specified, +separated by "+". The source will then have as many outputs, in the +same order. The syntax is explained in the (ffmpeg)"Stream specifiers" +section in the ffmpeg manual. Two special names, "dv" and "da" specify +respectively the default (best suited) video and audio stream. Default +is "dv", or "da" if the filter is called as "amovie". +
+Specifies the index of the video stream to read. If the value is -1, +the most suitable video stream will be automatically selected. The default +value is "-1". Deprecated. If the filter is called "amovie", it will select +audio instead of video. +
+Specifies how many times to read the stream in sequence. +If the value is 0, the stream will be looped infinitely. +Default value is "1". +
+Note that when the movie is looped the source timestamps are not +changed, so it will generate non monotonically increasing timestamps. +
+Specifies the time difference between frames above which the point is +considered a timestamp discontinuity which is removed by adjusting the later +timestamps. +
+Specifies the number of threads for decoding +
+Specify format options for the opened file. Format options can be specified +as a list of key=value pairs separated by ’:’. The following example +shows how to add protocol_whitelist and protocol_blacklist options: +
ffplay -f lavfi +"movie=filename='1.sdp':format_opts='protocol_whitelist=file,rtp,udp\:protocol_blacklist=http'" +
It allows overlaying a second video on top of the main input of +a filtergraph, as shown in this graph: +
input -----------> deltapts0 --> overlay --> output + ^ + | +movie --> scale--> deltapts1 -------+ +
movie=in.avi:seek_point=3.2, scale=180:-1, setpts=PTS-STARTPTS [over]; +[in] setpts=PTS-STARTPTS [main]; +[main][over] overlay=16:16 [out] +
movie=/dev/video0:f=video4linux2, scale=180:-1, setpts=PTS-STARTPTS [over]; +[in] setpts=PTS-STARTPTS [main]; +[main][over] overlay=16:16 [out] +
movie=dvd.vob:s=v:0+#0x81 [video] [audio] +
Both movie and amovie support the following commands: +
Perform seek using "av_seek_frame". +The syntax is: seek stream_index|timestamp|flags +
Get movie duration in AV_TIME_BASE units. +
+FFmpeg can be hooked up with a number of external libraries to add support
+for more formats. None of them are used by default, their use has to be
+explicitly requested by passing the appropriate flags to
+./configure.
+
FFmpeg can make use of the AOM library for AV1 decoding and encoding. +
+Go to http://aomedia.org/ and follow the instructions for
+installing the library. Then pass --enable-libaom to configure to
+enable it.
+
FFmpeg can use the AMD Advanced Media Framework library +for accelerated H.264 and HEVC(only windows) encoding on hardware with Video Coding Engine (VCE). +
+To enable support you must obtain the AMF framework header files(version 1.4.9+) from +https://github.com/GPUOpen-LibrariesAndSDKs/AMF.git. +
+Create an AMF/ directory in the system include path.
+Copy the contents of AMF/amf/public/include/ into that directory.
+Then configure FFmpeg with --enable-amf.
+
Initialization of amf encoder occurs in this order: +1) trying to initialize through dx11(only windows) +2) trying to initialize through dx9(only windows) +3) trying to initialize through vulkan +
+To use h.264(AMD VCE) encoder on linux amdgru-pro version 19.20+ and amf-amdgpu-pro +package(amdgru-pro contains, but does not install automatically) are required. +
+This driver can be installed using amdgpu-pro-install script in official amd driver archive. +
+ +FFmpeg can read AviSynth scripts as input. To enable support, pass
+--enable-avisynth to configure after installing the headers
+provided by AviSynth+.
+AviSynth+ can be configured to install only the headers by either
+passing -DHEADERS_ONLY:bool=on to the normal CMake-based build
+system, or by using the supplied GNUmakefile.
+
For Windows, supported AviSynth variants are +AviSynth 2.6 RC1 or higher for 32-bit builds and +AviSynth+ r1718 or higher for 32-bit and 64-bit builds. +
+For Linux, macOS, and BSD, the only supported AviSynth variant is +AviSynth+, starting with version 3.5. +
+In 2016, AviSynth+ added support for building with GCC. However, due to +the eccentricities of Windows’ calling conventions, 32-bit GCC builds +of AviSynth+ are not compatible with typical 32-bit builds of FFmpeg. +
+By default, FFmpeg assumes compatibility with 32-bit MSVC builds of
+AviSynth+ since that is the most widely-used and entrenched build
+configuration. Users can override this and enable support for 32-bit
+GCC builds of AviSynth+ by passing -DAVSC_WIN32_GCC32 to
+--extra-cflags when configuring FFmpeg.
+
64-bit builds of FFmpeg are not affected, and can use either MSVC or +GCC builds of AviSynth+ without any special flags. +
AviSynth(+) is loaded dynamically. Distributors can build FFmpeg
+with --enable-avisynth, and the binaries will work regardless
+of the end user having AviSynth installed. If/when an end user
+would like to use AviSynth scripts, then they can install AviSynth(+)
+and FFmpeg will be able to find and use it to open scripts.
+
FFmpeg can make use of the Chromaprint library for generating audio fingerprints.
+Pass --enable-chromaprint to configure to
+enable it. See https://acoustid.org/chromaprint.
+
FFmpeg can make use of the codec2 library for codec2 decoding and encoding. +There is currently no native decoder, so libcodec2 must be used for decoding. +
+Go to http://freedv.org/, download "Codec 2 source archive".
+Build and install using CMake. Debian users can install the libcodec2-dev package instead.
+Once libcodec2 is installed you can pass --enable-libcodec2 to configure to enable it.
+
The easiest way to use codec2 is with .c2 files, since they contain the mode information required for decoding.
+To encode such a file, use a .c2 file extension and give the libcodec2 encoder the -mode option:
+ffmpeg -i input.wav -mode 700C output.c2.
+Playback is as simple as ffplay output.c2.
+For a list of supported modes, run ffmpeg -h encoder=libcodec2.
+Raw codec2 files are also supported.
+To make sense of them the mode in use needs to be specified as a format option:
+ffmpeg -f codec2raw -mode 1300 -i input.raw output.wav.
+
FFmpeg can make use of the dav1d library for AV1 video decoding. +
+Go to https://code.videolan.org/videolan/dav1d and follow the instructions for
+installing the library. Then pass --enable-libdav1d to configure to enable it.
+
FFmpeg can make use of the davs2 library for AVS2-P2/IEEE1857.4 video decoding. +
+Go to https://github.com/pkuvcl/davs2 and follow the instructions for
+installing the library. Then pass --enable-libdavs2 to configure to
+enable it.
+
libdavs2 is under the GNU Public License Version 2 or later +(see http://www.gnu.org/licenses/old-licenses/gpl-2.0.html for +details), you must upgrade FFmpeg’s license to GPL in order to use it. +
FFmpeg can make use of the uavs3d library for AVS3-P2/IEEE1857.10 video decoding. +
+Go to https://github.com/uavs3/uavs3d and follow the instructions for
+installing the library. Then pass --enable-libuavs3d to configure to
+enable it.
+
FFmpeg can make use of the Game Music Emu library to read audio from supported video game
+music file formats. Pass --enable-libgme to configure to
+enable it. See https://bitbucket.org/mpyne/game-music-emu/overview.
+
FFmpeg can use Intel QuickSync Video (QSV) for accelerated decoding and encoding
+of multiple codecs. To use QSV, FFmpeg must be linked against the libmfx
+dispatcher, which loads the actual decoding libraries.
+
The dispatcher is open source and can be downloaded from
+https://github.com/lu-zero/mfx_dispatch.git. FFmpeg needs to be configured
+with the --enable-libmfx option and pkg-config needs to be able to
+locate the dispatcher’s .pc files.
+
FFmpeg can make use of the Kvazaar library for HEVC encoding. +
+Go to https://github.com/ultravideo/kvazaar and follow the
+instructions for installing the library. Then pass
+--enable-libkvazaar to configure to enable it.
+
FFmpeg can make use of the LAME library for MP3 encoding. +
+Go to http://lame.sourceforge.net/ and follow the
+instructions for installing the library.
+Then pass --enable-libmp3lame to configure to enable it.
+
iLBC is a narrowband speech codec that has been made freely available +by Google as part of the WebRTC project. libilbc is a packaging friendly +copy of the iLBC codec. FFmpeg can make use of the libilbc library for +iLBC decoding and encoding. +
+Go to https://github.com/TimothyGu/libilbc and follow the instructions for
+installing the library. Then pass --enable-libilbc to configure to
+enable it.
+
JPEG XL is an image format intended to fully replace legacy JPEG for an extended
+period of life. See https://jpegxl.info/ for more information, and see
+https://github.com/libjxl/libjxl for the library source. You can pass
+--enable-libjxl to configure in order enable the libjxl wrapper.
+
FFmpeg can make use of the libvpx library for VP8/VP9 decoding and encoding. +
+Go to http://www.webmproject.org/ and follow the instructions for
+installing the library. Then pass --enable-libvpx to configure to
+enable it.
+
FFmpeg can make use of this library, originating in Modplug-XMMS, to read from MOD-like music files.
+See https://github.com/Konstanty/libmodplug. Pass --enable-libmodplug to configure to
+enable it.
+
Spun off Google Android sources, OpenCore, VisualOn and Fraunhofer +libraries provide encoders for a number of audio codecs. +
+OpenCORE and VisualOn libraries are under the Apache License 2.0
+(see http://www.apache.org/licenses/LICENSE-2.0 for details), which is
+incompatible to the LGPL version 2.1 and GPL version 2. You have to
+upgrade FFmpeg’s license to LGPL version 3 (or if you have enabled
+GPL components, GPL version 3) by passing --enable-version3 to configure in
+order to use it.
+
The license of the Fraunhofer AAC library is incompatible with the GPL.
+Therefore, for GPL builds, you have to pass --enable-nonfree to
+configure in order to use it. To the best of our knowledge, it is
+compatible with the LGPL.
+
FFmpeg can make use of the OpenCORE libraries for AMR-NB +decoding/encoding and AMR-WB decoding. +
+Go to http://sourceforge.net/projects/opencore-amr/ and follow the
+instructions for installing the libraries.
+Then pass --enable-libopencore-amrnb and/or
+--enable-libopencore-amrwb to configure to enable them.
+
FFmpeg can make use of the VisualOn AMR-WBenc library for AMR-WB encoding. +
+Go to http://sourceforge.net/projects/opencore-amr/ and follow the
+instructions for installing the library.
+Then pass --enable-libvo-amrwbenc to configure to enable it.
+
FFmpeg can make use of the Fraunhofer AAC library for AAC decoding & encoding. +
+Go to http://sourceforge.net/projects/opencore-amr/ and follow the
+instructions for installing the library.
+Then pass --enable-libfdk-aac to configure to enable it.
+
FFmpeg can make use of the OpenH264 library for H.264 decoding and encoding. +
+Go to http://www.openh264.org/ and follow the instructions for
+installing the library. Then pass --enable-libopenh264 to configure to
+enable it.
+
For decoding, this library is much more limited than the built-in decoder +in libavcodec; currently, this library lacks support for decoding B-frames +and some other main/high profile features. (It currently only supports +constrained baseline profile and CABAC.) Using it is mostly useful for +testing and for taking advantage of Cisco’s patent portfolio license +(http://www.openh264.org/BINARY_LICENSE.txt). +
+ +FFmpeg can use the OpenJPEG libraries for decoding/encoding J2K videos. Go to
+http://www.openjpeg.org/ to get the libraries and follow the installation
+instructions. To enable using OpenJPEG in FFmpeg, pass --enable-libopenjpeg to
+./configure.
+
FFmpeg can make use of rav1e (Rust AV1 Encoder) via its C bindings to encode videos.
+Go to https://github.com/xiph/rav1e/ and follow the instructions to build
+the C library. To enable using rav1e in FFmpeg, pass --enable-librav1e
+to ./configure.
+
FFmpeg can make use of the Scalable Video Technology for AV1 library for AV1 encoding. +
+Go to https://gitlab.com/AOMediaCodec/SVT-AV1/ and follow the instructions
+for installing the library. Then pass --enable-libsvtav1 to configure to
+enable it.
+
FFmpeg can make use of the TwoLAME library for MP2 encoding. +
+Go to http://www.twolame.org/ and follow the
+instructions for installing the library.
+Then pass --enable-libtwolame to configure to enable it.
+
FFmpeg can read VapourSynth scripts as input. To enable support, pass
+--enable-vapoursynth to configure. Vapoursynth is detected via
+pkg-config. Versions 42 or greater supported.
+See http://www.vapoursynth.com/.
+
Due to security concerns, Vapoursynth scripts will not
+be autodetected so the input format has to be forced. For ff* CLI tools,
+add -f vapoursynth before the input -i yourscript.vpy.
+
FFmpeg can make use of the x264 library for H.264 encoding. +
+Go to http://www.videolan.org/developers/x264.html and follow the
+instructions for installing the library. Then pass --enable-libx264 to
+configure to enable it.
+
x264 is under the GNU Public License Version 2 or later +(see http://www.gnu.org/licenses/old-licenses/gpl-2.0.html for +details), you must upgrade FFmpeg’s license to GPL in order to use it. +
FFmpeg can make use of the x265 library for HEVC encoding. +
+Go to http://x265.org/developers.html and follow the instructions
+for installing the library. Then pass --enable-libx265 to configure
+to enable it.
+
x265 is under the GNU Public License Version 2 or later +(see http://www.gnu.org/licenses/old-licenses/gpl-2.0.html for +details), you must upgrade FFmpeg’s license to GPL in order to use it. +
FFmpeg can make use of the xavs library for AVS encoding. +
+Go to http://xavs.sf.net/ and follow the instructions for
+installing the library. Then pass --enable-libxavs to configure to
+enable it.
+
FFmpeg can make use of the xavs2 library for AVS2-P2/IEEE1857.4 video encoding. +
+Go to https://github.com/pkuvcl/xavs2 and follow the instructions for
+installing the library. Then pass --enable-libxavs2 to configure to
+enable it.
+
libxavs2 is under the GNU Public License Version 2 or later +(see http://www.gnu.org/licenses/old-licenses/gpl-2.0.html for +details), you must upgrade FFmpeg’s license to GPL in order to use it. +
ZVBI is a VBI decoding library which can be used by FFmpeg to decode DVB +teletext pages and DVB teletext subtitles. +
+Go to http://sourceforge.net/projects/zapping/ and follow the instructions for
+installing the library. Then pass --enable-libzvbi to configure to
+enable it.
+
You can use the -formats and -codecs options to have an exhaustive list.
+
FFmpeg supports the following file formats through the libavformat
+library:
+
| Name | Encoding | Decoding | Comments |
| 3dostr | X | ||
| 4xm | X | 4X Technologies format, used in some games. | |
| 8088flex TMV | X | ||
| AAX | X | Audible Enhanced Audio format, used in audiobooks. | |
| AA | X | Audible Format 2, 3, and 4, used in audiobooks. | |
| ACT Voice | X | contains G.729 audio | |
| Adobe Filmstrip | X | X | |
| Audio IFF (AIFF) | X | X | |
| American Laser Games MM | X | Multimedia format used in games like Mad Dog McCree. | |
| 3GPP AMR | X | X | |
| Amazing Studio Packed Animation File | X | Multimedia format used in game Heart Of Darkness. | |
| Apple HTTP Live Streaming | X | ||
| Artworx Data Format | X | ||
| Interplay ACM | X | Audio only format used in some Interplay games. | |
| ADP | X | Audio format used on the Nintendo Gamecube. | |
| AFC | X | Audio format used on the Nintendo Gamecube. | |
| ADS/SS2 | X | Audio format used on the PS2. | |
| APNG | X | X | |
| ASF | X | X | Advanced / Active Streaming Format. |
| AST | X | X | Audio format used on the Nintendo Wii. |
| AVI | X | X | |
| AviSynth | X | ||
| AVR | X | Audio format used on Mac. | |
| AVS | X | Multimedia format used by the Creature Shock game. | |
| Beam Software SIFF | X | Audio and video format used in some games by Beam Software. | |
| Bethesda Softworks VID | X | Used in some games from Bethesda Softworks. | |
| Binary text | X | ||
| Bink | X | Multimedia format used by many games. | |
| Bink Audio | X | Audio only multimedia format used by some games. | |
| Bitmap Brothers JV | X | Used in Z and Z95 games. | |
| BRP | X | Argonaut Games format. | |
| Brute Force & Ignorance | X | Used in the game Flash Traffic: City of Angels. | |
| BFSTM | X | Audio format used on the Nintendo WiiU (based on BRSTM). | |
| BRSTM | X | Audio format used on the Nintendo Wii. | |
| BW64 | X | Broadcast Wave 64bit. | |
| BWF | X | X | |
| codec2 (raw) | X | X | Must be given -mode format option to decode correctly. |
| codec2 (.c2 files) | X | X | Contains header with version and mode info, simplifying playback. |
| CRI ADX | X | X | Audio-only format used in console video games. |
| CRI AIX | X | ||
| CRI HCA | X | Audio-only format used in console video games. | |
| Discworld II BMV | X | ||
| Interplay C93 | X | Used in the game Cyberia from Interplay. | |
| Delphine Software International CIN | X | Multimedia format used by Delphine Software games. | |
| Digital Speech Standard (DSS) | X | ||
| CD+G | X | Video format used by CD+G karaoke disks | |
| Phantom Cine | X | ||
| Commodore CDXL | X | Amiga CD video format | |
| Core Audio Format | X | X | Apple Core Audio Format |
| CRC testing format | X | ||
| Creative Voice | X | X | Created for the Sound Blaster Pro. |
| CRYO APC | X | Audio format used in some games by CRYO Interactive Entertainment. | |
| D-Cinema audio | X | X | |
| Deluxe Paint Animation | X | ||
| DCSTR | X | ||
| DFA | X | This format is used in Chronomaster game | |
| DirectDraw Surface | X | ||
| DSD Stream File (DSF) | X | ||
| DV video | X | X | |
| DXA | X | This format is used in the non-Windows version of the Feeble Files + game and different game cutscenes repacked for use with ScummVM. | |
| Electronic Arts cdata | X | ||
| Electronic Arts Multimedia | X | Used in various EA games; files have extensions like WVE and UV2. | |
| Ensoniq Paris Audio File | X | ||
| FFM (FFserver live feed) | X | X | |
| Flash (SWF) | X | X | |
| Flash 9 (AVM2) | X | X | Only embedded audio is decoded. |
| FLI/FLC/FLX animation | X | .fli/.flc files | |
| Flash Video (FLV) | X | X | Macromedia Flash video files |
| framecrc testing format | X | ||
| FunCom ISS | X | Audio format used in various games from FunCom like The Longest Journey. | |
| G.723.1 | X | X | |
| G.726 | X | Both left- and right-justified. | |
| G.729 BIT | X | X | |
| G.729 raw | X | ||
| GENH | X | Audio format for various games. | |
| GIF Animation | X | X | |
| GXF | X | X | General eXchange Format SMPTE 360M, used by Thomson Grass Valley + playout servers. |
| HNM | X | Only version 4 supported, used in some games from Cryo Interactive | |
| iCEDraw File | X | ||
| ICO | X | X | Microsoft Windows ICO |
| id Quake II CIN video | X | ||
| id RoQ | X | X | Used in Quake III, Jedi Knight 2 and other computer games. |
| IEC61937 encapsulation | X | X | |
| IFF | X | Interchange File Format | |
| IFV | X | A format used by some old CCTV DVRs. | |
| iLBC | X | X | |
| Interplay MVE | X | Format used in various Interplay computer games. | |
| Iterated Systems ClearVideo | X | I-frames only | |
| IV8 | X | A format generated by IndigoVision 8000 video server. | |
| IVF (On2) | X | X | A format used by libvpx |
| Internet Video Recording | X | ||
| IRCAM | X | X | |
| LAF | X | Limitless Audio Format | |
| LATM | X | X | |
| LMLM4 | X | Used by Linux Media Labs MPEG-4 PCI boards | |
| LOAS | X | contains LATM multiplexed AAC audio | |
| LRC | X | X | |
| LVF | X | ||
| LXF | X | VR native stream format, used by Leitch/Harris’ video servers. | |
| Magic Lantern Video (MLV) | X | ||
| Matroska | X | X | |
| Matroska audio | X | ||
| FFmpeg metadata | X | X | Metadata in text format. |
| MAXIS XA | X | Used in Sim City 3000; file extension .xa. | |
| MCA | X | Used in some games from Capcom; file extension .mca. | |
| MD Studio | X | ||
| Metal Gear Solid: The Twin Snakes | X | ||
| Megalux Frame | X | Used by Megalux Ultimate Paint | |
| Mobotix .mxg | X | ||
| Monkey’s Audio | X | ||
| Motion Pixels MVI | X | ||
| MOV/QuickTime/MP4 | X | X | 3GP, 3GP2, PSP, iPod variants supported |
| MP2 | X | X | |
| MP3 | X | X | |
| MPEG-1 System | X | X | muxed audio and video, VCD format supported |
| MPEG-PS (program stream) | X | X | also known as VOB file, SVCD and DVD format supported |
| MPEG-TS (transport stream) | X | X | also known as DVB Transport Stream |
| MPEG-4 | X | X | MPEG-4 is a variant of QuickTime. |
| MSF | X | Audio format used on the PS3. | |
| Mirillis FIC video | X | No cursor rendering. | |
| MIDI Sample Dump Standard | X | ||
| MIME multipart JPEG | X | ||
| MSN TCP webcam | X | Used by MSN Messenger webcam streams. | |
| MTV | X | ||
| Musepack | X | ||
| Musepack SV8 | X | ||
| Material eXchange Format (MXF) | X | X | SMPTE 377M, used by D-Cinema, broadcast industry. |
| Material eXchange Format (MXF), D-10 Mapping | X | X | SMPTE 386M, D-10/IMX Mapping. |
| NC camera feed | X | NC (AVIP NC4600) camera streams | |
| NIST SPeech HEader REsources | X | ||
| Computerized Speech Lab NSP | X | ||
| NTT TwinVQ (VQF) | X | Nippon Telegraph and Telephone Corporation TwinVQ. | |
| Nullsoft Streaming Video | X | ||
| NuppelVideo | X | ||
| NUT | X | X | NUT Open Container Format |
| Ogg | X | X | |
| Playstation Portable PMP | X | ||
| Portable Voice Format | X | ||
| TechnoTrend PVA | X | Used by TechnoTrend DVB PCI boards. | |
| QCP | X | ||
| raw ADTS (AAC) | X | X | |
| raw AC-3 | X | X | |
| raw AMR-NB | X | ||
| raw AMR-WB | X | ||
| raw APAC | X | ||
| raw aptX | X | X | |
| raw aptX HD | X | X | |
| raw Bonk | X | ||
| raw Chinese AVS video | X | X | |
| raw DFPWM | X | X | |
| raw Dirac | X | X | |
| raw DNxHD | X | X | |
| raw DTS | X | X | |
| raw DTS-HD | X | ||
| raw E-AC-3 | X | X | |
| raw FLAC | X | X | |
| raw GSM | X | ||
| raw H.261 | X | X | |
| raw H.263 | X | X | |
| raw H.264 | X | X | |
| raw HEVC | X | X | |
| raw Ingenient MJPEG | X | ||
| raw MJPEG | X | X | |
| raw MLP | X | ||
| raw MPEG | X | ||
| raw MPEG-1 | X | ||
| raw MPEG-2 | X | ||
| raw MPEG-4 | X | X | |
| raw NULL | X | ||
| raw video | X | X | |
| raw id RoQ | X | ||
| raw OBU | X | X | |
| raw SBC | X | X | |
| raw Shorten | X | ||
| raw TAK | X | ||
| raw TrueHD | X | X | |
| raw VC-1 | X | X | |
| raw PCM A-law | X | X | |
| raw PCM mu-law | X | X | |
| raw PCM Archimedes VIDC | X | X | |
| raw PCM signed 8 bit | X | X | |
| raw PCM signed 16 bit big-endian | X | X | |
| raw PCM signed 16 bit little-endian | X | X | |
| raw PCM signed 24 bit big-endian | X | X | |
| raw PCM signed 24 bit little-endian | X | X | |
| raw PCM signed 32 bit big-endian | X | X | |
| raw PCM signed 32 bit little-endian | X | X | |
| raw PCM signed 64 bit big-endian | X | X | |
| raw PCM signed 64 bit little-endian | X | X | |
| raw PCM unsigned 8 bit | X | X | |
| raw PCM unsigned 16 bit big-endian | X | X | |
| raw PCM unsigned 16 bit little-endian | X | X | |
| raw PCM unsigned 24 bit big-endian | X | X | |
| raw PCM unsigned 24 bit little-endian | X | X | |
| raw PCM unsigned 32 bit big-endian | X | X | |
| raw PCM unsigned 32 bit little-endian | X | X | |
| raw PCM 16.8 floating point little-endian | X | ||
| raw PCM 24.0 floating point little-endian | X | ||
| raw PCM floating-point 32 bit big-endian | X | X | |
| raw PCM floating-point 32 bit little-endian | X | X | |
| raw PCM floating-point 64 bit big-endian | X | X | |
| raw PCM floating-point 64 bit little-endian | X | X | |
| RDT | X | ||
| REDCODE R3D | X | File format used by RED Digital cameras, contains JPEG 2000 frames and PCM audio. | |
| RealMedia | X | X | |
| Redirector | X | ||
| RedSpark | X | ||
| Renderware TeXture Dictionary | X | ||
| Resolume DXV | X | ||
| RF64 | X | ||
| RL2 | X | Audio and video format used in some games by Entertainment Software Partners. | |
| RPL/ARMovie | X | ||
| Lego Mindstorms RSO | X | X | |
| RSD | X | ||
| RTMP | X | X | Output is performed by publishing stream to RTMP server |
| RTP | X | X | |
| RTSP | X | X | |
| Sample Dump eXchange | X | ||
| SAP | X | X | |
| SBG | X | ||
| SDP | X | ||
| SER | X | ||
| Sega FILM/CPK | X | X | Used in many Sega Saturn console games. |
| Silicon Graphics Movie | X | ||
| Sierra SOL | X | .sol files used in Sierra Online games. | |
| Sierra VMD | X | Used in Sierra CD-ROM games. | |
| Smacker | X | Multimedia format used by many games. | |
| SMJPEG | X | X | Used in certain Loki game ports. |
| SMPTE 337M encapsulation | X | ||
| Smush | X | Multimedia format used in some LucasArts games. | |
| Sony OpenMG (OMA) | X | X | Audio format used in Sony Sonic Stage and Sony Vegas. |
| Sony PlayStation STR | X | ||
| Sony Wave64 (W64) | X | X | |
| SoX native format | X | X | |
| SUN AU format | X | X | |
| SUP raw PGS subtitles | X | X | |
| SVAG | X | Audio format used in Konami PS2 games. | |
| TDSC | X | ||
| Text files | X | ||
| THP | X | Used on the Nintendo GameCube. | |
| Tiertex Limited SEQ | X | Tiertex .seq files used in the DOS CD-ROM version of the game Flashback. | |
| True Audio | X | X | |
| VAG | X | Audio format used in many Sony PS2 games. | |
| VC-1 test bitstream | X | X | |
| Vidvox Hap | X | X | |
| Vivo | X | ||
| VPK | X | Audio format used in Sony PS games. | |
| WAV | X | X | |
| WavPack | X | X | |
| WebM | X | X | |
| Windows Televison (WTV) | X | X | |
| Wing Commander III movie | X | Multimedia format used in Origin’s Wing Commander III computer game. | |
| Westwood Studios audio | X | X | Multimedia format used in Westwood Studios games. |
| Westwood Studios VQA | X | Multimedia format used in Westwood Studios games. | |
| Wideband Single-bit Data (WSD) | X | ||
| WVE | X | ||
| XMV | X | Microsoft video container used in Xbox games. | |
| XVAG | X | Audio format used on the PS3. | |
| xWMA | X | Microsoft audio container used by XAudio 2. | |
| eXtended BINary text (XBIN) | X | ||
| YUV4MPEG pipe | X | X | |
| Psygnosis YOP | X |
X means that the feature in that column (encoding / decoding) is supported.
+
FFmpeg can read and write images for each frame of a video sequence. The +following image formats are supported: +
+| Name | Encoding | Decoding | Comments |
| .Y.U.V | X | X | one raw file per component |
| Alias PIX | X | X | Alias/Wavefront PIX image format |
| animated GIF | X | X | |
| APNG | X | X | Animated Portable Network Graphics |
| BMP | X | X | Microsoft BMP image |
| BRender PIX | X | Argonaut BRender 3D engine image format. | |
| CRI | X | Cintel RAW | |
| DPX | X | X | Digital Picture Exchange |
| EXR | X | OpenEXR | |
| FITS | X | X | Flexible Image Transport System |
| HDR | X | X | Radiance HDR RGBE Image format |
| IMG | X | GEM Raster image | |
| JPEG | X | X | Progressive JPEG is not supported. |
| JPEG 2000 | X | X | |
| JPEG-LS | X | X | |
| LJPEG | X | Lossless JPEG | |
| MSP | X | Microsoft Paint image | |
| PAM | X | X | PAM is a PNM extension with alpha support. |
| PBM | X | X | Portable BitMap image |
| PCD | X | PhotoCD | |
| PCX | X | X | PC Paintbrush |
| PFM | X | X | Portable FloatMap image |
| PGM | X | X | Portable GrayMap image |
| PGMYUV | X | X | PGM with U and V components in YUV 4:2:0 |
| PGX | X | PGX file decoder | |
| PHM | X | X | Portable HalfFloatMap image |
| PIC | X | Pictor/PC Paint | |
| PNG | X | X | Portable Network Graphics image |
| PPM | X | X | Portable PixelMap image |
| PSD | X | Photoshop | |
| PTX | X | V.Flash PTX format | |
| QOI | X | X | Quite OK Image format |
| SGI | X | X | SGI RGB image format |
| Sun Rasterfile | X | X | Sun RAS image format |
| TIFF | X | X | YUV, JPEG and some extension is not supported yet. |
| Truevision Targa | X | X | Targa (.TGA) image format |
| VBN | X | X | Vizrt Binary Image format |
| WBMP | X | X | Wireless Application Protocol Bitmap image format |
| WebP | E | X | WebP image format, encoding supported through external library libwebp |
| XBM | X | X | X BitMap image format |
| XFace | X | X | X-Face image format |
| XPM | X | X PixMap image format | |
| XWD | X | X | X Window Dump image format |
X means that the feature in that column (encoding / decoding) is supported.
+
E means that support is provided through an external library.
+
| Name | Encoding | Decoding | Comments |
| 4X Movie | X | Used in certain computer games. | |
| 8088flex TMV | X | ||
| A64 multicolor | X | Creates video suitable to be played on a commodore 64 (multicolor mode). | |
| Amazing Studio PAF Video | X | ||
| American Laser Games MM | X | Used in games like Mad Dog McCree. | |
| Amuse Graphics Movie | X | ||
| AMV Video | X | X | Used in Chinese MP3 players. |
| ANSI/ASCII art | X | ||
| Apple Intermediate Codec | X | ||
| Apple MJPEG-B | X | ||
| Apple Pixlet | X | ||
| Apple ProRes | X | X | fourcc: apch,apcn,apcs,apco,ap4h,ap4x |
| Apple QuickDraw | X | fourcc: qdrw | |
| Argonaut Video | X | Used in some Argonaut games. | |
| Asus v1 | X | X | fourcc: ASV1 |
| Asus v2 | X | X | fourcc: ASV2 |
| ATI VCR1 | X | fourcc: VCR1 | |
| ATI VCR2 | X | fourcc: VCR2 | |
| Auravision Aura | X | ||
| Auravision Aura 2 | X | ||
| Autodesk Animator Flic video | X | ||
| Autodesk RLE | X | fourcc: AASC | |
| AV1 | E | E | Supported through external libraries libaom, libdav1d, librav1e and libsvtav1 |
| Avid 1:1 10-bit RGB Packer | X | X | fourcc: AVrp |
| AVS (Audio Video Standard) video | X | Video encoding used by the Creature Shock game. | |
| AVS2-P2/IEEE1857.4 | E | E | Supported through external libraries libxavs2 and libdavs2 |
| AVS3-P2/IEEE1857.10 | E | Supported through external library libuavs3d | |
| AYUV | X | X | Microsoft uncompressed packed 4:4:4:4 |
| Beam Software VB | X | ||
| Bethesda VID video | X | Used in some games from Bethesda Softworks. | |
| Bink Video | X | ||
| BitJazz SheerVideo | X | ||
| Bitmap Brothers JV video | X | ||
| y41p Brooktree uncompressed 4:1:1 12-bit | X | X | |
| Brooktree ProSumer Video | X | fourcc: BT20 | |
| Brute Force & Ignorance | X | Used in the game Flash Traffic: City of Angels. | |
| C93 video | X | Codec used in Cyberia game. | |
| CamStudio | X | fourcc: CSCD | |
| CD+G | X | Video codec for CD+G karaoke disks | |
| CDXL | X | Amiga CD video codec | |
| Chinese AVS video | E | X | AVS1-P2, JiZhun profile, encoding through external library libxavs |
| Delphine Software International CIN video | X | Codec used in Delphine Software International games. | |
| Discworld II BMV Video | X | ||
| CineForm HD | X | X | |
| Canopus HQ | X | ||
| Canopus HQA | X | ||
| Canopus HQX | X | ||
| Canopus Lossless Codec | X | ||
| CDToons | X | Codec used in various Broderbund games. | |
| Cinepak | X | ||
| Cirrus Logic AccuPak | X | X | fourcc: CLJR |
| CPiA Video Format | X | ||
| Creative YUV (CYUV) | X | ||
| DFA | X | Codec used in Chronomaster game. | |
| Dirac | E | X | supported though the native vc2 (Dirac Pro) encoder |
| Deluxe Paint Animation | X | ||
| DNxHD | X | X | aka SMPTE VC3 |
| Duck TrueMotion 1.0 | X | fourcc: DUCK | |
| Duck TrueMotion 2.0 | X | fourcc: TM20 | |
| Duck TrueMotion 2.0 RT | X | fourcc: TR20 | |
| DV (Digital Video) | X | X | |
| Dxtory capture format | X | ||
| Feeble Files/ScummVM DXA | X | Codec originally used in Feeble Files game. | |
| Electronic Arts CMV video | X | Used in NHL 95 game. | |
| Electronic Arts Madcow video | X | ||
| Electronic Arts TGV video | X | ||
| Electronic Arts TGQ video | X | ||
| Electronic Arts TQI video | X | ||
| Escape 124 | X | ||
| Escape 130 | X | ||
| FFmpeg video codec #1 | X | X | lossless codec (fourcc: FFV1) |
| Flash Screen Video v1 | X | X | fourcc: FSV1 |
| Flash Screen Video v2 | X | X | |
| Flash Video (FLV) | X | X | Sorenson H.263 used in Flash |
| FM Screen Capture Codec | X | ||
| Forward Uncompressed | X | ||
| Fraps | X | ||
| Go2Meeting | X | fourcc: G2M2, G2M3 | |
| Go2Webinar | X | fourcc: G2M4 | |
| Gremlin Digital Video | X | ||
| H.261 | X | X | |
| H.263 / H.263-1996 | X | X | |
| H.263+ / H.263-1998 / H.263 version 2 | X | X | |
| H.264 / AVC / MPEG-4 AVC / MPEG-4 part 10 | E | X | encoding supported through external library libx264 and OpenH264 |
| HEVC | X | X | encoding supported through external library libx265 and libkvazaar |
| HNM version 4 | X | ||
| HuffYUV | X | X | |
| HuffYUV FFmpeg variant | X | X | |
| IBM Ultimotion | X | fourcc: ULTI | |
| id Cinematic video | X | Used in Quake II. | |
| id RoQ video | X | X | Used in Quake III, Jedi Knight 2, other computer games. |
| IFF ILBM | X | IFF interleaved bitmap | |
| IFF ByteRun1 | X | IFF run length encoded bitmap | |
| Infinity IMM4 | X | ||
| Intel H.263 | X | ||
| Intel Indeo 2 | X | ||
| Intel Indeo 3 | X | ||
| Intel Indeo 4 | X | ||
| Intel Indeo 5 | X | ||
| Interplay C93 | X | Used in the game Cyberia from Interplay. | |
| Interplay MVE video | X | Used in Interplay .MVE files. | |
| J2K | X | X | |
| Karl Morton’s video codec | X | Codec used in Worms games. | |
| Kega Game Video (KGV1) | X | Kega emulator screen capture codec. | |
| Lagarith | X | ||
| LCL (LossLess Codec Library) MSZH | X | ||
| LCL (LossLess Codec Library) ZLIB | E | E | |
| LOCO | X | ||
| LucasArts SANM/Smush | X | Used in LucasArts games / SMUSH animations. | |
| lossless MJPEG | X | X | |
| MagicYUV Video | X | X | |
| Mandsoft Screen Capture Codec | X | ||
| Microsoft ATC Screen | X | Also known as Microsoft Screen 3. | |
| Microsoft Expression Encoder Screen | X | Also known as Microsoft Titanium Screen 2. | |
| Microsoft RLE | X | ||
| Microsoft Screen 1 | X | Also known as Windows Media Video V7 Screen. | |
| Microsoft Screen 2 | X | Also known as Windows Media Video V9 Screen. | |
| Microsoft Video 1 | X | ||
| Mimic | X | Used in MSN Messenger Webcam streams. | |
| Miro VideoXL | X | fourcc: VIXL | |
| MJPEG (Motion JPEG) | X | X | |
| Mobotix MxPEG video | X | ||
| Motion Pixels video | X | ||
| MPEG-1 video | X | X | |
| MPEG-2 video | X | X | |
| MPEG-4 part 2 | X | X | libxvidcore can be used alternatively for encoding. |
| MPEG-4 part 2 Microsoft variant version 1 | X | ||
| MPEG-4 part 2 Microsoft variant version 2 | X | X | |
| MPEG-4 part 2 Microsoft variant version 3 | X | X | |
| Newtek SpeedHQ | X | X | |
| Nintendo Gamecube THP video | X | ||
| NotchLC | X | ||
| NuppelVideo/RTjpeg | X | Video encoding used in NuppelVideo files. | |
| On2 VP3 | X | still experimental | |
| On2 VP4 | X | fourcc: VP40 | |
| On2 VP5 | X | fourcc: VP50 | |
| On2 VP6 | X | fourcc: VP60,VP61,VP62 | |
| On2 VP7 | X | fourcc: VP70,VP71 | |
| VP8 | E | X | fourcc: VP80, encoding supported through external library libvpx |
| VP9 | E | X | encoding supported through external library libvpx |
| Pinnacle TARGA CineWave YUV16 | X | fourcc: Y216 | |
| Q-team QPEG | X | fourccs: QPEG, Q1.0, Q1.1 | |
| QuickTime 8BPS video | X | ||
| QuickTime Animation (RLE) video | X | X | fourcc: ’rle ’ |
| QuickTime Graphics (SMC) | X | X | fourcc: ’smc ’ |
| QuickTime video (RPZA) | X | X | fourcc: rpza |
| R10K AJA Kona 10-bit RGB Codec | X | X | |
| R210 Quicktime Uncompressed RGB 10-bit | X | X | |
| Raw Video | X | X | |
| RealVideo 1.0 | X | X | |
| RealVideo 2.0 | X | X | |
| RealVideo 3.0 | X | still far from ideal | |
| RealVideo 4.0 | X | ||
| Renderware TXD (TeXture Dictionary) | X | Texture dictionaries used by the Renderware Engine. | |
| RL2 video | X | used in some games by Entertainment Software Partners | |
| ScreenPressor | X | ||
| Screenpresso | X | ||
| Screen Recorder Gold Codec | X | ||
| Sierra VMD video | X | Used in Sierra VMD files. | |
| Silicon Graphics Motion Video Compressor 1 (MVC1) | X | ||
| Silicon Graphics Motion Video Compressor 2 (MVC2) | X | ||
| Silicon Graphics RLE 8-bit video | X | ||
| Smacker video | X | Video encoding used in Smacker. | |
| SMPTE VC-1 | X | ||
| Snow | X | X | experimental wavelet codec (fourcc: SNOW) |
| Sony PlayStation MDEC (Motion DECoder) | X | ||
| Sorenson Vector Quantizer 1 | X | X | fourcc: SVQ1 |
| Sorenson Vector Quantizer 3 | X | fourcc: SVQ3 | |
| Sunplus JPEG (SP5X) | X | fourcc: SP5X | |
| TechSmith Screen Capture Codec | X | fourcc: TSCC | |
| TechSmith Screen Capture Codec 2 | X | fourcc: TSC2 | |
| Theora | E | X | encoding supported through external library libtheora |
| Tiertex Limited SEQ video | X | Codec used in DOS CD-ROM FlashBack game. | |
| Ut Video | X | X | |
| v210 QuickTime uncompressed 4:2:2 10-bit | X | X | |
| v308 QuickTime uncompressed 4:4:4 | X | X | |
| v408 QuickTime uncompressed 4:4:4:4 | X | X | |
| v410 QuickTime uncompressed 4:4:4 10-bit | X | X | |
| VBLE Lossless Codec | X | ||
| VMware Screen Codec / VMware Video | X | Codec used in videos captured by VMware. | |
| Westwood Studios VQA (Vector Quantized Animation) video | X | ||
| Windows Media Image | X | ||
| Windows Media Video 7 | X | X | |
| Windows Media Video 8 | X | X | |
| Windows Media Video 9 | X | not completely working | |
| Wing Commander III / Xan | X | Used in Wing Commander III .MVE files. | |
| Wing Commander IV / Xan | X | Used in Wing Commander IV. | |
| Winnov WNV1 | X | ||
| WMV7 | X | X | |
| YAMAHA SMAF | X | X | |
| Psygnosis YOP Video | X | ||
| yuv4 | X | X | libquicktime uncompressed packed 4:2:0 |
| ZeroCodec Lossless Video | X | ||
| ZLIB | X | X | part of LCL, encoder experimental |
| Zip Motion Blocks Video | X | X | Encoder works only in PAL8. |
X means that the feature in that column (encoding / decoding) is supported.
+
E means that support is provided through an external library.
+
| Name | Encoding | Decoding | Comments |
| 8SVX exponential | X | ||
| 8SVX fibonacci | X | ||
| AAC | EX | X | encoding supported through internal encoder and external library libfdk-aac |
| AAC+ | E | IX | encoding supported through external library libfdk-aac |
| AC-3 | IX | IX | |
| ACELP.KELVIN | X | ||
| ADPCM 4X Movie | X | ||
| ADPCM Yamaha AICA | X | ||
| ADPCM AmuseGraphics Movie | X | ||
| ADPCM Argonaut Games | X | X | |
| ADPCM CDROM XA | X | ||
| ADPCM Creative Technology | X | 16 -> 4, 8 -> 4, 8 -> 3, 8 -> 2 | |
| ADPCM Electronic Arts | X | Used in various EA titles. | |
| ADPCM Electronic Arts Maxis CDROM XS | X | Used in Sim City 3000. | |
| ADPCM Electronic Arts R1 | X | ||
| ADPCM Electronic Arts R2 | X | ||
| ADPCM Electronic Arts R3 | X | ||
| ADPCM Electronic Arts XAS | X | ||
| ADPCM G.722 | X | X | |
| ADPCM G.726 | X | X | |
| ADPCM IMA Acorn Replay | X | ||
| ADPCM IMA AMV | X | X | Used in AMV files |
| ADPCM IMA Cunning Developments | X | ||
| ADPCM IMA Electronic Arts EACS | X | ||
| ADPCM IMA Electronic Arts SEAD | X | ||
| ADPCM IMA Funcom | X | ||
| ADPCM IMA High Voltage Software ALP | X | X | |
| ADPCM IMA QuickTime | X | X | |
| ADPCM IMA Simon & Schuster Interactive | X | X | |
| ADPCM IMA Ubisoft APM | X | X | |
| ADPCM IMA Loki SDL MJPEG | X | ||
| ADPCM IMA WAV | X | X | |
| ADPCM IMA Westwood | X | ||
| ADPCM ISS IMA | X | Used in FunCom games. | |
| ADPCM IMA Dialogic | X | ||
| ADPCM IMA Duck DK3 | X | Used in some Sega Saturn console games. | |
| ADPCM IMA Duck DK4 | X | Used in some Sega Saturn console games. | |
| ADPCM IMA Radical | X | ||
| ADPCM Microsoft | X | X | |
| ADPCM MS IMA | X | X | |
| ADPCM Nintendo Gamecube AFC | X | ||
| ADPCM Nintendo Gamecube DTK | X | ||
| ADPCM Nintendo THP | X | ||
| ADPCM Playstation | X | ||
| ADPCM QT IMA | X | X | |
| ADPCM SEGA CRI ADX | X | X | Used in Sega Dreamcast games. |
| ADPCM Shockwave Flash | X | X | |
| ADPCM Sound Blaster Pro 2-bit | X | ||
| ADPCM Sound Blaster Pro 2.6-bit | X | ||
| ADPCM Sound Blaster Pro 4-bit | X | ||
| ADPCM VIMA | X | Used in LucasArts SMUSH animations. | |
| ADPCM Westwood Studios IMA | X | X | Used in Westwood Studios games like Command and Conquer. |
| ADPCM Yamaha | X | X | |
| ADPCM Zork | X | ||
| AMR-NB | E | X | encoding supported through external library libopencore-amrnb |
| AMR-WB | E | X | encoding supported through external library libvo-amrwbenc |
| Amazing Studio PAF Audio | X | ||
| Apple lossless audio | X | X | QuickTime fourcc ’alac’ |
| aptX | X | X | Used in Bluetooth A2DP |
| aptX HD | X | X | Used in Bluetooth A2DP |
| ATRAC1 | X | ||
| ATRAC3 | X | ||
| ATRAC3+ | X | ||
| ATRAC9 | X | ||
| Bink Audio | X | Used in Bink and Smacker files in many games. | |
| Bonk audio | X | ||
| CELT | E | decoding supported through external library libcelt | |
| codec2 | E | E | en/decoding supported through external library libcodec2 |
| CRI HCA | X | ||
| Delphine Software International CIN audio | X | Codec used in Delphine Software International games. | |
| DFPWM | X | X | |
| Digital Speech Standard - Standard Play mode (DSS SP) | X | ||
| Discworld II BMV Audio | X | ||
| COOK | X | All versions except 5.1 are supported. | |
| DCA (DTS Coherent Acoustics) | X | X | supported extensions: XCh, XXCH, X96, XBR, XLL, LBR (partially) |
| Dolby E | X | ||
| DPCM Gremlin | X | ||
| DPCM id RoQ | X | X | Used in Quake III, Jedi Knight 2 and other computer games. |
| DPCM Interplay | X | Used in various Interplay computer games. | |
| DPCM Squareroot-Delta-Exact | X | Used in various games. | |
| DPCM Sierra Online | X | Used in Sierra Online game audio files. | |
| DPCM Sol | X | ||
| DPCM Xan | X | Used in Origin’s Wing Commander IV AVI files. | |
| DPCM Xilam DERF | X | ||
| DSD (Direct Stream Digital), least significant bit first | X | ||
| DSD (Direct Stream Digital), most significant bit first | X | ||
| DSD (Direct Stream Digital), least significant bit first, planar | X | ||
| DSD (Direct Stream Digital), most significant bit first, planar | X | ||
| DSP Group TrueSpeech | X | ||
| DST (Direct Stream Transfer) | X | ||
| DV audio | X | ||
| Enhanced AC-3 | X | X | |
| EVRC (Enhanced Variable Rate Codec) | X | ||
| FLAC (Free Lossless Audio Codec) | X | IX | |
| FTR Voice | X | ||
| G.723.1 | X | X | |
| G.729 | X | ||
| GSM | E | X | encoding supported through external library libgsm |
| GSM Microsoft variant | E | X | encoding supported through external library libgsm |
| IAC (Indeo Audio Coder) | X | ||
| iLBC (Internet Low Bitrate Codec) | E | EX | encoding and decoding supported through external library libilbc |
| IMC (Intel Music Coder) | X | ||
| Interplay ACM | X | ||
| MACE (Macintosh Audio Compression/Expansion) 3:1 | X | ||
| MACE (Macintosh Audio Compression/Expansion) 6:1 | X | ||
| Marian’s A-pac audio | X | ||
| MI-SC4 (Micronas SC-4 Audio) | X | ||
| MLP (Meridian Lossless Packing) | X | X | Used in DVD-Audio discs. |
| Monkey’s Audio | X | ||
| MP1 (MPEG audio layer 1) | IX | ||
| MP2 (MPEG audio layer 2) | IX | IX | encoding supported also through external library TwoLAME |
| MP3 (MPEG audio layer 3) | E | IX | encoding supported through external library LAME, ADU MP3 and MP3onMP4 also supported |
| MPEG-4 Audio Lossless Coding (ALS) | X | ||
| Musepack SV7 | X | ||
| Musepack SV8 | X | ||
| Nellymoser Asao | X | X | |
| On2 AVC (Audio for Video Codec) | X | ||
| Opus | E | X | encoding supported through external library libopus |
| PCM A-law | X | X | |
| PCM mu-law | X | X | |
| PCM Archimedes VIDC | X | X | |
| PCM signed 8-bit planar | X | X | |
| PCM signed 16-bit big-endian planar | X | X | |
| PCM signed 16-bit little-endian planar | X | X | |
| PCM signed 24-bit little-endian planar | X | X | |
| PCM signed 32-bit little-endian planar | X | X | |
| PCM 32-bit floating point big-endian | X | X | |
| PCM 32-bit floating point little-endian | X | X | |
| PCM 64-bit floating point big-endian | X | X | |
| PCM 64-bit floating point little-endian | X | X | |
| PCM D-Cinema audio signed 24-bit | X | X | |
| PCM signed 8-bit | X | X | |
| PCM signed 16-bit big-endian | X | X | |
| PCM signed 16-bit little-endian | X | X | |
| PCM signed 24-bit big-endian | X | X | |
| PCM signed 24-bit little-endian | X | X | |
| PCM signed 32-bit big-endian | X | X | |
| PCM signed 32-bit little-endian | X | X | |
| PCM signed 16/20/24-bit big-endian in MPEG-TS | X | ||
| PCM unsigned 8-bit | X | X | |
| PCM unsigned 16-bit big-endian | X | X | |
| PCM unsigned 16-bit little-endian | X | X | |
| PCM unsigned 24-bit big-endian | X | X | |
| PCM unsigned 24-bit little-endian | X | X | |
| PCM unsigned 32-bit big-endian | X | X | |
| PCM unsigned 32-bit little-endian | X | X | |
| QCELP / PureVoice | X | ||
| QDesign Music Codec 1 | X | ||
| QDesign Music Codec 2 | X | There are still some distortions. | |
| RealAudio 1.0 (14.4K) | X | X | Real 14400 bit/s codec |
| RealAudio 2.0 (28.8K) | X | Real 28800 bit/s codec | |
| RealAudio 3.0 (dnet) | IX | X | Real low bitrate AC-3 codec |
| RealAudio Lossless | X | ||
| RealAudio SIPR / ACELP.NET | X | ||
| SBC (low-complexity subband codec) | X | X | Used in Bluetooth A2DP |
| Shorten | X | ||
| Sierra VMD audio | X | Used in Sierra VMD files. | |
| Smacker audio | X | ||
| SMPTE 302M AES3 audio | X | X | |
| Sonic | X | X | experimental codec |
| Sonic lossless | X | X | experimental codec |
| Speex | E | EX | supported through external library libspeex |
| TAK (Tom’s lossless Audio Kompressor) | X | ||
| True Audio (TTA) | X | X | |
| TrueHD | X | X | Used in HD-DVD and Blu-Ray discs. |
| TwinVQ (VQF flavor) | X | ||
| VIMA | X | Used in LucasArts SMUSH animations. | |
| ViewQuest VQC | X | ||
| Vorbis | E | X | A native but very primitive encoder exists. |
| Voxware MetaSound | X | ||
| WavPack | X | X | |
| Westwood Audio (SND1) | X | ||
| Windows Media Audio 1 | X | X | |
| Windows Media Audio 2 | X | X | |
| Windows Media Audio Lossless | X | ||
| Windows Media Audio Pro | X | ||
| Windows Media Audio Voice | X | ||
| Xbox Media Audio 1 | X | ||
| Xbox Media Audio 2 | X |
X means that the feature in that column (encoding / decoding) is supported.
+
E means that support is provided through an external library.
+
I means that an integer-only version is available, too (ensures high
+performance on systems without hardware floating point support).
+
| Name | Muxing | Demuxing | Encoding | Decoding |
| 3GPP Timed Text | X | X | ||
| AQTitle | X | X | ||
| DVB | X | X | X | X |
| DVB teletext | X | E | ||
| DVD | X | X | X | X |
| JACOsub | X | X | X | |
| MicroDVD | X | X | X | |
| MPL2 | X | X | ||
| MPsub (MPlayer) | X | X | ||
| PGS | X | |||
| PJS (Phoenix) | X | X | ||
| RealText | X | X | ||
| SAMI | X | X | ||
| Spruce format (STL) | X | X | ||
| SSA/ASS | X | X | X | X |
| SubRip (SRT) | X | X | X | X |
| SubViewer v1 | X | X | ||
| SubViewer | X | X | ||
| TED Talks captions | X | X | ||
| TTML | X | X | ||
| VobSub (IDX+SUB) | X | X | ||
| VPlayer | X | X | ||
| WebVTT | X | X | X | X |
| XSUB | X | X |
X means that the feature is supported.
+
E means that support is provided through an external library.
+
| Name | Support |
| AMQP | E |
| file | X |
| FTP | X |
| Gopher | X |
| Gophers | X |
| HLS | X |
| HTTP | X |
| HTTPS | X |
| Icecast | X |
| MMSH | X |
| MMST | X |
| pipe | X |
| Pro-MPEG FEC | X |
| RTMP | X |
| RTMPE | X |
| RTMPS | X |
| RTMPT | X |
| RTMPTE | X |
| RTMPTS | X |
| RTP | X |
| SAMBA | E |
| SCTP | X |
| SFTP | E |
| TCP | X |
| TLS | X |
| UDP | X |
| ZMQ | E |
X means that the protocol is supported.
+
E means that support is provided through an external library.
+
| Name | Input | Output |
| ALSA | X | X |
| BKTR | X | |
| caca | X | |
| DV1394 | X | |
| Lavfi virtual device | X | |
| Linux framebuffer | X | X |
| JACK | X | |
| LIBCDIO | X | |
| LIBDC1394 | X | |
| OpenAL | X | |
| OpenGL | X | |
| OSS | X | X |
| PulseAudio | X | X |
| SDL | X | |
| Video4Linux2 | X | X |
| VfW capture | X | |
| X11 grabbing | X | |
| Win32 grabbing | X |
X means that input/output is supported.
+
| Codec/format | Read | Write |
| AVI | X | X |
| DV | X | X |
| GXF | X | X |
| MOV | X | X |
| MPEG1/2 | X | X |
| MXF | X | X |
ffmpeg +ffplay, ffprobe, +ffmpeg-utils, +ffmpeg-scaler, +ffmpeg-resampler, +ffmpeg-codecs, +ffmpeg-bitstream-filters, +ffmpeg-formats, +ffmpeg-devices, +ffmpeg-protocols, +ffmpeg-filters +
+ + +The FFmpeg developers. +
+For details about the authorship, see the Git history of the project
+(git://source.ffmpeg.org/ffmpeg), e.g. by typing the command
+git log in the FFmpeg source directory, or browsing the
+online repository at http://source.ffmpeg.org.
+
Maintainers for the specific components are listed in the file +MAINTAINERS in the source code tree. +
+ ++ This document was generated using makeinfo. +
+